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Best Famous Corrodes Poems

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Written by Vladimir Mayakovsky | Create an image from this poem

Back Home

 Thoughts, go your way home.
Embrace,
 depths of the soul and the sea.
In my view,
 it is
 stupid
to be
 always serene.
My cabin is the worst
 of all cabins - 
All night above me
 Thuds a smithy of feet.
All night,
 stirring the ceiling’s calm,
dancers stampede
 to a moaning motif:
“Marquita,
 Marquita,
Marquita my darling,
why won’t you,
 Marquita,
why won’t you love me …”
But why
 Should marquita love me?!
I have
 no francs to spare.
And Marquita
 (at the slightest wink!)
for a hundred francs
 she’d be brought to your room.
The sum’s not large - 
 just live for show - 
No,
 you highbrow,
 ruffling your matted hair,
you would thrust upon her
 a sewing machine,
in stitches
 scribbling 
 the silk of verse.
Proletarians
 arrive at communism
 from below - 
by the low way of mines,
 sickles,
 and pitchforks - 
But I,
 from poetry’s skies,
 plunge into communism,
because
 without it
 I feel no love.
Whether
 I’m self-exiled
 or sent to mamma - 
the steel of words corrodes,
 the brass of the brass tarnishes.
Why,
 beneath foreign rains,
must I soak,
 rot,
 and rust?
Here I recline,
 having gone oversea,
in my idleness
 barely moving
 my machine parts.
I myself
 feel like a Soviet
 factory,
manufacturing happiness.
I object
 to being torn up,
like a flower of the fields,
 after a long day’s work.
I want
 the Gosplan to sweat
 in debate,
assignning me
 goals a year ahead.
I want
 a commissar
 with a decree
to lean over the thought of the age.
I want
 the heart to earn
its love wage
 at a specialist’s rate.
I want
 the factory committee
 to lock
My lips
 when the work is done.
I want
 the pen to be on a par
 with the bayonet;
and Stalin
 to deliver his Politbureau
reports
 about verse in the making
as he would about pig iron
 and the smelting of steel.
“That’s how it is,
 the way it goes …
 We’ve attained
the topmost level,
 climbing from the workers’ bunks:
in the Union
 of Republics
 the understanding of verse
now tops
 the prewar norm …”


Transcribed: by Mitch Abidor.


Written by Rudyard Kipling | Create an image from this poem

The Female of the Species

 1911

When the Himalayan peasant meets the he-bear in his pride,
He shouts to scare the monster, who will often turn aside.
But the she-bear thus accosted rends the peasant tooth and nail.
For the female of the species is more deadly than the male.

When Nag the basking cobra hears the careless foot of man,
He will sometimes wriggle sideways and avoid it if he can.
But his mate makes no such motion where she camps beside the trail.
For the female of the species is more deadly than the male.

When the early Jesuit fathers preached to Hurons and Choctaws,
They prayed to be delivered from the vengeance of the squaws.
'Twas the women, not the warriors, turned those stark enthusiasts pale.
For the female of the species is more deadly than the male.

Man's timid heart is bursting with the things he must not say,
For the Woman that God gave him isn't his to give away;
But when hunter meets with husbands, each confirms the other's tale --
The female of the species is more deadly than the male.

Man, a bear in most relations-worm and savage otherwise, --
Man propounds negotiations, Man accepts the compromise.
Very rarely will he squarely push the logic of a fact
To its ultimate conclusion in unmitigated act.

Fear, or foolishness, impels him, ere he lay the wicked low,
To concede some form of trial even to his fiercest foe.
Mirth obscene diverts his anger --- Doubt and Pity oft perplex
Him in dealing with an issue -- to the scandal of The Sex!

But the Woman that God gave him, every fibre of her frame
Proves her launched for one sole issue, armed and engined for the same,
And to serve that single issue, lest the generations fail,
The female of the species must be deadlier than the male.

She who faces Death by torture for each life beneath her breast
May not deal in doubt or pity -- must not swerve for fact or jest.
These be purely male diversions -- not in these her honour dwells.
She the Other Law we live by, is that Law and nothing else.

She can bring no more to living than the powers that make her great
As the Mother of the Infant and the Mistress of the Mate.
And when Babe and Man are lacking and she strides unchained to claim
Her right as femme (and baron), her equipment is the same.

She is wedded to convictions -- in default of grosser ties;
Her contentions are her children, Heaven help him who denies! --
He will meet no suave discussion, but the instant, white-hot, wild,
Wakened female of the species warring as for spouse and child.

Unprovoked and awful charges -- even so the she-bear fights,
Speech that drips, corrodes, and poisons -- even so the cobra bites,
Scientific vivisection of one nerve till it is raw
And the victim writhes in anguish -- like the Jesuit with the squaw!

So it cames that Man, the coward, when he gathers to confer
With his fellow-braves in council, dare nat leave a place for her
Where, at war with Life and Conscience, he uplifts his erring hands
To some God of Abstract Justice -- which no woman understands.

And Man knows it! Knows, moreover, that the Woman that God gave him
Must command but may not govern -- shall enthral but not enslave him.
And She knows, because She warns him, and Her instincts never fail,
That the Female of Her Species is more deadly than the Male.
Written by Rg Gregory | Create an image from this poem

crematorium-return

 (to where the ashes of both
 my parents are strewn)

i)
ok the pair of you lie still
what's disturbing me need pass
no fretful hand over your peace
this world's vicissitudes are stale
fodder for you who feed the grass

some particles of your two dusts
by moon's wish accident or wind
may have leapt that late-life wound
refound in you the rhapsodists
first-married days had twinned

i've come today in heavy rain
a storm barging through the trees
to be a part of this fresh truce
to dream myself to that serene
death's eye-view no living sees

a roaring motorway derides
machine's exclusion from this place
cozens what the gale implies
while overhead a plane corrodes
all feel of sanctuary and solace

i cut the edges off the sound
and let the storm absorb my skin
my drift unravelling as a skein
through paths no brain's designed
i want the consciousness you're in

too much a strain - my mind can't click
to earthen voices (whispers signs)
my eyes alert to this life's scenes
my ears are ticked to autumn's clock
my shoes crunch upon chestnut spines


(ii)
not a bird singing or flying
i seize upon such absence (here
the death-sense dares to split its hair)
why with such a strong wind flowing
inside the noises do calms appear

today the weather is supreme 
it does away with frontiers - sweeps
breath into piles as it swaps
ashes for thoughts conjuring prime
life-death from the bones it reaps

abruptly flocks of leaves-made-birds
quit shaken branches (glide in grace)
first soar then hover - sucked to grass
flatten about me as soft-soaked boards 
matting me to this parent place

and then i'm easeful - a hand scoops
dissent away (leaves me as tree)
settles the self down to its true
abasement where nothing escapes
its wanting (earth flesh being free)

i'm taken by your touching
there's no skin between us now
as tree i am death's avenue
you are its fruits attaching
distilled ripeness to the bough

i possess the step i came for
my senses burst into still speech
your potent ashes give dispatch
to life's tensions - i travel far
rooted at this two-worlds' breach

 october 6th 1990
 (seventh anniversary of my mother's cremation)

Book: Radiant Verses: A Journey Through Inspiring Poetry