Written by
Lewis Carroll |
I
There was an ancient City, stricken down
With a strange frenzy, and for many a day
They paced from morn to eve the crowded town,
And danced the night away.
I asked the cause: the aged man grew sad:
They pointed to a building gray and tall,
And hoarsely answered "Step inside, my lad,
And then you'll see it all."
Yet what are all such gaieties to me
Whose thoughts are full of indices and surds?
x*x + 7x + 53 = 11/3
But something whispered "It will soon be done:
Bands cannot always play, nor ladies smile:
Endure with patience the distasteful fun
For just a little while!"
A change came o'er my Vision - it was night:
We clove a pathway through a frantic throng:
The steeds, wild-plunging, filled us with affright:
The chariots whirled along.
Within a marble hall a river ran -
A living tide, half muslin and half cloth:
And here one mourned a broken wreath or fan,
Yet swallowed down her wrath;
And here one offered to a thirsty fair
(His words half-drowned amid those thunders tuneful)
Some frozen viand (there were many there),
A tooth-ache in each spoonful.
There comes a happy pause, for human strength
Will not endure to dance without cessation;
And every one must reach the point at length
Of absolute prostration.
At such a moment ladies learn to give,
To partners who would urge them over-much,
A flat and yet decided negative -
Photographers love such.
There comes a welcome summons - hope revives,
And fading eyes grow bright, and pulses quicken:
Incessant pop the corks, and busy knives
Dispense the tongue and chicken.
Flushed with new life, the crowd flows back again:
And all is tangled talk and mazy motion -
Much like a waving field of golden grain,
Or a tempestuous ocean.
And thus they give the time, that Nature meant
For peaceful sleep and meditative snores,
To ceaseless din and mindless merriment
And waste of shoes and floors.
And One (we name him not) that flies the flowers,
That dreads the dances, and that shuns the salads,
They doom to pass in solitude the hours,
Writing acrostic-ballads.
How late it grows! The hour is surely past
That should have warned us with its double knock?
The twilight wanes, and morning comes at last -
"Oh, Uncle, what's o'clock?"
The Uncle gravely nods, and wisely winks.
It MAY mean much, but how is one to know?
He opens his mouth - yet out of it, methinks,
No words of wisdom flow.
II
Empress of Art, for thee I twine
This wreath with all too slender skill.
Forgive my Muse each halting line,
And for the deed accept the will!
O day of tears! Whence comes this spectre grim,
Parting, like Death's cold river, souls that love?
Is not he bound to thee, as thou to him,
By vows, unwhispered here, yet heard above?
And still it lives, that keen and heavenward flame,
Lives in his eye, and trembles in his tone:
And these wild words of fury but proclaim
A heart that beats for thee, for thee alone!
But all is lost: that mighty mind o'erthrown,
Like sweet bells jangled, piteous sight to see!
"Doubt that the stars are fire," so runs his moan,
"Doubt Truth herself, but not my love for thee!"
A sadder vision yet: thine aged sire
Shaming his hoary locks with treacherous wile!
And dost thou now doubt Truth to be a liar?
And wilt thou die, that hast forgot to smile?
Nay, get thee hence! Leave all thy winsome ways
And the faint fragrance of thy scattered flowers:
In holy silence wait the appointed days,
And weep away the leaden-footed hours.
III.
The air is bright with hues of light
And rich with laughter and with singing:
Young hearts beat high in ecstasy,
And banners wave, and bells are ringing:
But silence falls with fading day,
And there's an end to mirth and play.
Ah, well-a-day
Rest your old bones, ye wrinkled crones!
The kettle sings, the firelight dances.
Deep be it quaffed, the magic draught
That fills the soul with golden fancies!
For Youth and Pleasance will not stay,
And ye are withered, worn, and gray.
Ah, well-a-day!
O fair cold face! O form of grace,
For human passion madly yearning!
O weary air of dumb despair,
From marble won, to marble turning!
"Leave us not thus!" we fondly pray.
"We cannot let thee pass away!"
Ah, well-a-day!
IV.
My First is singular at best:
More plural is my Second:
My Third is far the pluralest -
So plural-plural, I protest
It scarcely can be reckoned!
My First is followed by a bird:
My Second by believers
In magic art: my simple Third
Follows, too often, hopes absurd
And plausible deceivers.
My First to get at wisdom tries -
A failure melancholy!
My Second men revered as wise:
My Third from heights of wisdom flies
To depths of frantic folly.
My First is ageing day by day:
My Second's age is ended:
My Third enjoys an age, they say,
That never seems to fade away,
Through centuries extended.
My Whole? I need a poet's pen
To paint her myriad phases:
The monarch, and the slave, of men -
A mountain-summit, and a den
Of dark and deadly mazes -
A flashing light - a fleeting shade -
Beginning, end, and middle
Of all that human art hath made
Or wit devised! Go, seek HER aid,
If you would read my riddle!
|
Written by
Robert Desnos |
Far from me and like the stars, the sea and all the trappings of poetic myth,
Far from me but here all the same without your knowing,
Far from me and even more silent because I imagine you endlessly.
Far from me, my lovely mirage and eternal dream, you cannot know.
If you only knew.
Far from me and even farther yet from being unaware of me and still unaware.
Far from me because you undoubtedly do not love me or, what amounts to the
same thing, that I doubt you do.
Far from me because you consciously ignore my passionate desires.
Far from me because you are cruel.
If you only knew.
Far from me, joyful as a flower dancing in the river at the tip of its aquatic stem,
sad as seven p.m. in a mushroom bed.
Far from me yet silent in my presence and still joyful like a stork-shaped hour
falling from on high.
Far from me at the moment when the stills are singing, at the moment when the
silent and loud sea curls up on its white pillows.
If you only knew.
Far from me, o my ever-present torment, far from me in the magnificent noise of
oyster shells crushed by a night owl passing a restaurant at first light.
If you only knew.
Far from me, willed, physical mirage.
Far from me there's an island that turns aside when ships pass.
Far from me a calm herd of cattle takes the wrong path, pulls up stubbornly at the
edge of a steep cliff, far from me, cruel woman.
Far from me, a shooting star falls into the poet's nightly bottle.
He corks it right away and from then on watches the star enclosed in the glass, the
constellations born on its walls, far from me, you are so far from me.
If you only knew.
Far from me a house has just been built.
A bricklayer in white coveralls at the top of the scaffolding sings a very sad little
song and, suddenly, in the tray full of mortar, the future of the house appears:
lovers' kisses and double suicides nakedness in the bedrooms strange beautiful
women
and their midnight dreams, voluptuous secrets caught in the act by the parquet
floors.
Far from me, If you only knew.
If you only knew how I love you and, though you do not love me, how happy I
am, how strong and proud I am, with your image in my mind,
to leave the universe.
How happy I am to die for it.
If you only knew how the world has yielded to me.
And you, beautiful unyielding woman, how you too are my prisoner.
O you, far-from-me, who I yield to.
If you only knew.
|
Written by
Marriott Edgar |
Would you hear a Wild tale of adventure
Of a hero who tackled the sea,
A super-man swimming the ocean,
Then hark to the tale of Joe Lee.
Our Channel, our own Straits of Dover
Had heen swum by an alien lot:
Our British-born swimmers had tried it,
But that was as far as they'd got.
So great was the outcry in England,
Darts Players neglected their beer,
And the Chanc'Ior proclaimed from the Woolsack
As Joe Lee were the chap for this 'ere.
For in swimming baths all round the country
Joe were noted for daring and strength;
Quite often he'd dived in the deep end,
And thought nothing of swimming a length.
So they wrote him, C/o Workhouse Master,
Joe were spending the summer with him,
And promised him two Christmas puddings
If over the Channel he'd swim.
Joe jumped into t' breach like an 'ero,
He said, "All their fears I'll relieve,
And it isn't their puddings I'm after,
As I told them last Christmas Eve.
"Though many have tackled the Channel
From Grisnez to Dover that is,
For the honour and glory of England
I'll swim from Dover to Gris-niz."
As soon as his words were made public
The newspapers gathered around
And offered to give him a pension
If he lost both his legs and got drowned.
He borrowed a tug from the Navy
To swim in the shelter alee,
The Wireless folk lent him a wavelength,
And the Water Board lent him the sea.
His wife strapped a mascot around him,
The tears to his eyes gently stole;
'Twere some guiness corks she had collected
And stitched to an old camisole.
He entered the water at daybreak,
A man with a camera stood near,
He said "Hurry up and get in, lad,
You're spoiling my view of the pier."
At last he were in, he were swimming
With a beautiful overarm stroke,
When the men on the tug saw with horror
That the rope he were tied to had broke.
Then down came a fog, thick as treacle,
The tug looked so distant and dim
A voice shouted "Help, I am drowning,"
Joe listened and found it were him.
The tug circled round till they found him,
They hauled him aboard like a sack,
Tied a new tow-rope around him,
Smacked him and then threw him back.
'Twere at sunset, or just a bit later,
That he realized all wasn't right,
For the tow-rope were trailing behind him
And the noose round his waist getting tight.
One hasty glance over his shoulder,
He saw in a flash what were wrong.
The Captain had shut off his engine,
Joe were towing the Tugboat along.
On and on through the darkness he paddled
Till he knew he were very near in
By the way he kept bumping the bottom
And hitting the stones with his chin.
Was it Grisniz he'd reached?... No, it wasn't,
The treacherous tide in its track
Had carried him half-way to Blackpool
And he had to walk all the way back.
|
Written by
Alexander Pope |
But anxious cares the pensive nymph oppress'd,
And secret passions labour'd in her breast.
Not youthful kings in battle seiz'd alive,
Not scornful virgins who their charms survive,
Not ardent lovers robb'd of all their bliss,
Not ancient ladies when refus'd a kiss,
Not tyrants fierce that unrepenting die,
Not Cynthia when her manteau's pinn'd awry,
E'er felt such rage, resentment, and despair,
As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew,
And Ariel weeping from Belinda flew,
Umbriel, a dusky, melancholy sprite,
As ever sullied the fair face of light,
Down to the central earth, his proper scene,
Repair'd to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome,
And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows,
The dreaded East is all the wind that blows.
Here, in a grotto, shelter'd close from air,
And screen'd in shades from day's detested glare,
She sighs for ever on her pensive bed,
Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place,
But diff'ring far in figure and in face.
Here stood Ill Nature like an ancient maid,
Her wrinkled form in black and white array'd;
With store of pray'rs, for mornings, nights, and noons,
Her hand is fill'd; her bosom with lampoons.
There Affectation, with a sickly mien,
Shows in her cheek the roses of eighteen,
Practis'd to lisp, and hang the head aside,
Faints into airs, and languishes with pride,
On the rich quilt sinks with becoming woe,
Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these,
When each new night-dress gives a new disease.
A constant vapour o'er the palace flies;
Strange phantoms, rising as the mists arise;
Dreadful, as hermit's dreams in haunted shades,
Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires,
Pale spectres, gaping tombs, and purple fires:
Now lakes of liquid gold, Elysian scenes,
And crystal domes, and angels in machines.
Unnumber'd throngs on ev'ry side are seen,
Of bodies chang'd to various forms by Spleen.
Here living teapots stand, one arm held out,
One bent; the handle this, and that the spout:
A pipkin there, like Homer's tripod walks;
Here sighs a jar, and there a goose pie talks;
Men prove with child, as pow'rful fancy works,
And maids turn'd bottles, call aloud for corks.
Safe pass'd the Gnome through this fantastic band,
A branch of healing spleenwort in his hand.
Then thus address'd the pow'r: "Hail, wayward Queen!
Who rule the sex to fifty from fifteen:
Parent of vapours and of female wit,
Who give th' hysteric, or poetic fit,
On various tempers act by various ways,
Make some take physic, others scribble plays;
Who cause the proud their visits to delay,
And send the godly in a pet to pray.
A nymph there is, that all thy pow'r disdains,
And thousands more in equal mirth maintains.
But oh! if e'er thy gnome could spoil a grace,
Or raise a pimple on a beauteous face,
Like citron waters matrons' cheeks inflame,
Or change complexions at a losing game;
If e'er with airy horns I planted heads,
Or rumpled petticoats, or tumbled beds,
Or caus'd suspicion when no soul was rude,
Or discompos'd the head-dress of a prude,
Or e'er to costive lap-dog gave disease,
Which not the tears of brightest eyes could ease:
Hear me, and touch Belinda with chagrin;
That single act gives half the world the spleen."
The goddess with a discontented air
Seems to reject him, though she grants his pray'r.
A wondrous bag with both her hands she binds,
Like that where once Ulysses held the winds;
There she collects the force of female lungs,
Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears,
Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away,
Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris' arms the nymph he found,
Her eyes dejected and her hair unbound.
Full o'er their heads the swelling bag he rent,
And all the Furies issu'd at the vent.
Belinda burns with more than mortal ire,
And fierce Thalestris fans the rising fire.
"Oh wretched maid!" she spread her hands, and cried,
(While Hampton's echoes, "Wretched maid!" replied,
"Was it for this you took such constant care
The bodkin, comb, and essence to prepare?
For this your locks in paper durance bound,
For this with tort'ring irons wreath'd around?
For this with fillets strain'd your tender head,
And bravely bore the double loads of lead?
Gods! shall the ravisher display your hair,
While the fops envy, and the ladies stare!
Honour forbid! at whose unrivall'd shrine
Ease, pleasure, virtue, all, our sex resign.
Methinks already I your tears survey,
Already hear the horrid things they say,
Already see you a degraded toast,
And all your honour in a whisper lost!
How shall I, then, your helpless fame defend?
'Twill then be infamy to seem your friend!
And shall this prize, th' inestimable prize,
Expos'd through crystal to the gazing eyes,
And heighten'd by the diamond's circling rays,
On that rapacious hand for ever blaze?
Sooner shall grass in Hyde Park Circus grow,
And wits take lodgings in the sound of Bow;
Sooner let earth, air, sea, to chaos fall,
Men, monkeys, lap-dogs, parrots, perish all!"
She said; then raging to Sir Plume repairs,
And bids her beau demand the precious hairs:
(Sir Plume, of amber snuff-box justly vain,
And the nice conduct of a clouded cane)
With earnest eyes, and round unthinking face,
He first the snuffbox open'd, then the case,
And thus broke out--"My Lord, why, what the devil?
Z{-}{-}{-}ds! damn the lock! 'fore Gad, you must be civil!
Plague on't! 'tis past a jest--nay prithee, pox!
Give her the hair"--he spoke, and rapp'd his box.
"It grieves me much," replied the peer again,
"Who speaks so well should ever speak in vain.
But by this lock, this sacred lock I swear,
(Which never more shall join its parted hair;
Which never more its honours shall renew,
Clipp'd from the lovely head where late it grew)
That while my nostrils draw the vital air,
This hand, which won it, shall for ever wear."
He spoke, and speaking, in proud triumph spread
The long-contended honours of her head.
But Umbriel, hateful gnome! forbears not so;
He breaks the vial whence the sorrows flow.
Then see! the nymph in beauteous grief appears,
Her eyes half-languishing, half-drown'd in tears;
On her heav'd bosom hung her drooping head,
Which, with a sigh, she rais'd; and thus she said:
"For ever curs'd be this detested day,
Which snatch'd my best, my fav'rite curl away!
Happy! ah ten times happy, had I been,
If Hampton Court these eyes had never seen!
Yet am not I the first mistaken maid,
By love of courts to num'rous ills betray'd.
Oh had I rather unadmir'd remain'd
In some lone isle, or distant northern land;
Where the gilt chariot never marks the way,
Where none learn ombre, none e'er taste bohea!
There kept my charms conceal'd from mortal eye,
Like roses, that in deserts bloom and die.
What mov'd my mind with youthful lords to roam?
Oh had I stay'd, and said my pray'rs at home!
'Twas this, the morning omens seem'd to tell,
Thrice from my trembling hand the patch-box fell;
The tott'ring china shook without a wind,
Nay, Poll sat mute, and Shock was most unkind!
A Sylph too warn'd me of the threats of fate,
In mystic visions, now believ'd too late!
See the poor remnants of these slighted hairs!
My hands shall rend what ev'n thy rapine spares:
These, in two sable ringlets taught to break,
Once gave new beauties to the snowy neck.
The sister-lock now sits uncouth, alone,
And in its fellow's fate foresees its own;
Uncurl'd it hangs, the fatal shears demands
And tempts once more thy sacrilegious hands.
Oh hadst thou, cruel! been content to seize
Hairs less in sight, or any hairs but these!"
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