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Best Famous Cordwood Poems

Here is a collection of the all-time best famous Cordwood poems. This is a select list of the best famous Cordwood poetry. Reading, writing, and enjoying famous Cordwood poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of cordwood poems.

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Written by Donald Hall | Create an image from this poem

Name of Horses

 All winter your brute shoulders strained against collars, padding 
and steerhide over the ash hames, to haul 
sledges of cordwood for drying through spring and summer, 
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields, 
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine 
clacketing beside you, while the sun walked high in the morning;

and after noon's heat, you pulled a clawed rake through the same acres, 
gathering stacks, and dragged the wagon from stack to stack, 
and the built hayrack back, uphill to the chaffy barn, 
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load 
a leather quartertop buggy, and grazed in the sound of hymns. 
Generation on generation, your neck rubbed the windowsill 
of the stall, smoothing the wood as the sea smooths glass.

When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,

and lay the shotgun's muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave, 
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.

For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground - old toilers, soil makers:

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.


Written by Robert William Service | Create an image from this poem

The Wood-Cutter

 The sky is like an envelope,
 One of those blue official things;
 And, sealing it, to mock our hope,
 The moon, a silver wafer, clings.
 What shall we find when death gives leave
 To read--our sentence or reprieve?

I'm holding it down on God's scrap-pile, up on the ***-end of earth;
 O'er me a menace of mountains, a river that grits at my feet;
Face to face with my soul-self, weighing my life at its worth;
 Wondering what I was made for, here in my last retreat.

Last! Ah, yes, it's the finish. Have ever you heard a man cry?
 (Sobs that rake him and rend him, right from the base of the chest.)
That's how I've cried, oh, so often; and now that my tears are dry,
 I sit in the desolate quiet and wait for the infinite Rest.

Rest! Well, it's restful around me; it's quiet clean to the core.
 The mountains pose in their ermine, in golden the hills are clad;
The big, blue, silt-freighted Yukon seethes by my cabin door,
 And I think it's only the river that keeps me from going mad.

By day it's a ruthless monster, a callous, insatiate thing,
 With oily bubble and eddy, with sudden swirling of breast;
By night it's a writhing Titan, sullenly murmuring,
 Ever and ever goaded, and ever crying for rest.

It cries for its human tribute, but me it will never drown.
 I've learned the lore of my river; my river obeys me well.
I hew and I launch my cordwood, and raft it to Dawson town,
 Where wood means wine and women, and, incidentally, hell.

Hell and the anguish thereafter. Here as I sit alone
 I'd give the life I have left me to lighten some load of care:
(The bitterest part of the bitter is being denied to atone;
 Lips that have mocked at Heaven lend themselves ill to prayer.)

Impotent as a beetle pierced on the needle of Fate;
 A wretch in a cosmic death-cell, peaks for my prison bars;
'Whelmed by a world stupendous, lonely and listless I wait,
 Drowned in a sea of silence, strewn with confetti of stars.

See! from far up the valley a rapier pierces the night,
 The white search-ray of a steamer. Swiftly, serenely it nears;
A proud, white, alien presence, a glittering galley of light,
 Confident-poised, triumphant, freighted with hopes and fears.

I look as one looks on a vision; I see it pulsating by;
 I glimpse joy-radiant faces; I hear the thresh of the wheel.
Hoof-like my heart beats a moment; then silence swoops from the sky.
 Darkness is piled upon darkness. God only knows how I feel.

Maybe you've seen me sometimes; maybe you've pitied me then--
 The lonely waif of the wood-camp, here by my cabin door.
Some day you'll look and see not; futile and outcast of men,
 I shall be far from your pity, resting forevermore.

My life was a problem in ciphers, a weary and profitless sum.
 Slipshod and stupid I worked it, dazed by negation and doubt.
Ciphers the total confronts me. Oh, Death, with thy moistened thumb,
 Stoop like a petulant schoolboy, wipe me forever out!
Written by Les Murray | Create an image from this poem

The Butter Factory

 It was built of things that must not mix:
paint, cream, and water, fire and dusty oil.
You heard the water dreaming in its large
kneed pipes, up from the weir. And the cordwood
our fathers cut for the furnace stood in walls
like the sleeper-stacks of a continental railway.

The cream arrived in lorried tides; its procession
crossed a platform of workers' stagecraft: Come here
Friday-Legs! Or I'll feel your hernia--
Overalled in milk's colour, men moved the heart of milk,
separated into thousands, along a roller track--Trucks?
That one of mine, son, it pulls like a sixteen-year-old--
to the tester who broached the can lids, causing fat tears,
who tasted, dipped and did his thin stoppered chemistry
on our labour, as the empties chattered downstage and fumed.

Under the high roof, black-crusted and stainless steels
were walled apart: black romped with leather belts
but paddlewheels sailed the silvery vats where muscles
of the one deep cream were exercised to a bullion
to be blocked in paper. And between waves of delivery
the men trod on water, hosing the rainbows of a shift.

It was damp April even at Christmas round every
margin of the factory. Also it opened the mouth
to see tackles on glibbed gravel, and the mossed char louvres
of the ice-plant's timber tower streaming with
heavy rain all day, above the droughty paddocks
of the totem cows round whom our lives were dancing.
Written by Donald Hall | Create an image from this poem

Names Of Horses

All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;

and after noon's heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.

When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,

and lay the shotgun's muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.

For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground - old toilers, soil makers:

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.

Book: Reflection on the Important Things