Written by
Bob Hicok |
Drunk, I kissed the moon
where it stretched on the floor.
I'd removed happiness from a green bottle,
both sipped and gulped
just as a river changes its mind,
mostly there was a flood in my mouth
because I wanted to love the toaster
as soon as possible, and the toothbrush
with multi-level brissels
created by dental science, and the walls
holding pictures in front of their faces
to veil the boredom of living
fifty years without once
turning the other way. I wanted
the halo a cheap beaujolais paints
over everything like artists gave the holy
before perspective was invented,
and for a moment thought in the glow
of fermented bliss that the bending
of spoons by the will was inevitable,
just as the dark-skinned would kiss
the light-skinned and those with money
and lakefront homes would open
their verandas and offer trays
of cucumber sandwiches to the poor
scuttling along the fringes of their lawns
looking for holes in the concertina wire.
Of course I had to share this ocean
of acceptance and was soon on the phone
with a woman from Nogales whose hips
had gone steady with mine. I told her
I was over her by pretending I was just
a friend calling to say the Snow Drops
had nuzzled through dirt to shake
their bells in April wind. This
threw her off the scent of my anguish
as did the cement mixer of my voice, as did
the long pause during which I memorized
her breathing and stared at my toes
like we were still together, reading
until out eyes slid from the page
and books fell off the bed to pound
their applause as our tongues searched
each others' body. When she said
she had to go like a cop telling a bum
to move on, I began drinking downhill,
with speed that grew its own speed,
and fixed on this image with a flagellant's
zeal, how she, returning to bed, cupped
her lover's crotch and whispered not
to worry, it was no one on the phone,
and proved again how forgotten I'd become
while I, bent over the cold confessional,
listened to the night's sole point of honesty.
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Written by
Amy Lowell |
From out the dragging vastness of the sea,
Wave-fettered, bound in sinuous, seaweed strands,
He toils toward the rounding beach, and stands
One moment, white and dripping, silently,
Cut like a cameo in lazuli,
Then falls, betrayed by shifting shells, and lands
Prone in the jeering water, and his hands
Clutch for support where no support can be.
So up, and down, and forward, inch by inch,
He gains upon the shore, where poppies glow
And sandflies dance their little lives away.
The sucking waves retard, and tighter clinch
The weeds about him, but the land-winds blow,
And in the sky there blooms the sun of May.
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Written by
Robert Burns |
DAUGHTER of Chaos’ doting years,
Nurse of ten thousand hopes and fears,
Whether thy airy, insubstantial shade
(The rights of sepulture now duly paid)
Spread abroad its hideous form
On the roaring civil storm,
Deafening din and warring rage
Factions wild with factions wage;
Or under-ground, deep-sunk, profound,
Among the demons of the earth,
With groans that make the mountains shake,
Thou mourn thy ill-starr’d, blighted birth;
Or in the uncreated Void,
Where seeds of future being fight,
With lessen’d step thou wander wide,
To greet thy Mother—Ancient Night.
And as each jarring, monster-mass is past,
Fond recollect what once thou wast:
In manner due, beneath this sacred oak,
Hear, Spirit, hear! thy presence I invoke!
By a Monarch’s heaven-struck fate,
By a disunited State,
By a generous Prince’s wrongs.
By a Senate’s strife of tongues,
By a Premier’s sullen pride,
Louring on the changing tide;
By dread Thurlow’s powers to awe
Rhetoric, blasphemy and law;
By the turbulent ocean—
A Nation’s commotion,
By the harlot-caresses
Of borough addresses,
By days few and evil,
(Thy portion, poor devil!)
By Power, Wealth, and Show,
(The Gods by men adored,)
By nameless Poverty,
(Their hell abhorred,)
By all they hope, by all they fear,
Hear! and appear!
Stare not on me, thou ghastly Power!
Nor, grim with chained defiance, lour:
No Babel-structure would I build
Where, order exil’d from his native sway,
Confusion may the REGENT-sceptre wield,
While all would rule and none obey:
Go, to the world of man relate
The story of thy sad, eventful fate;
And call presumptuous Hope to hear
And bid him check his blind career;
And tell the sore-prest sons of Care,
Never, never to despair!
Paint Charles’ speed on wings of fire,
The object of his fond desire,
Beyond his boldest hopes, at hand:
Paint all the triumph of the Portland Band;
Mark how they lift the joy-exulting voice,
And how their num’rous creditors rejoice;
But just as hopes to warm enjoyment rise,
Cry CONVALESCENCE! and the vision flies.
Then next pourtray a dark’ning twilight gloom,
Eclipsing sad a gay, rejoicing morn,
While proud Ambition to th’ untimely tomb
By gnashing, grim, despairing fiends is borne:
Paint ruin, in the shape of high D[undas]
Gaping with giddy terror o’er the brow;
In vain he struggles, the fates behind him press,
And clam’rous hell yawns for her prey below:
How fallen That, whose pride late scaled the skies!
And This, like Lucifer, no more to rise!
Again pronounce the powerful word;
See Day, triumphant from the night, restored.
Then know this truth, ye Sons of Men!
(Thus ends thy moral tale,)
Your darkest terrors may be vain,
Your brightest hopes may fail.
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