Written by
Oscar Wilde |
This winter air is keen and cold,
And keen and cold this winter sun,
But round my chair the children run
Like little things of dancing gold.
Sometimes about the painted kiosk
The mimic soldiers strut and stride,
Sometimes the blue-eyed brigands hide
In the bleak tangles of the bosk.
And sometimes, while the old nurse cons
Her book, they steal across the square,
And launch their paper navies where
Huge Triton writhes in greenish bronze.
And now in mimic flight they flee,
And now they rush, a boisterous band -
And, tiny hand on tiny hand,
Climb up the black and leafless tree.
Ah! cruel tree! if I were you,
And children climbed me, for their sake
Though it be winter I would break
Into spring blossoms white and blue!
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Written by
Sophie Hannah |
He’ll be pleased if I phone to ask him how he is.
It will make me look considerate and he likes considerate people.
He’ll be reassured to see that I haven’t lost interest,
Which might make him happy and then I’ll have done him a favour.
If I phone him right now I’ll get to speak to him sooner
Than I will if I sit around waiting for him to phone me.
He might not want to phone me from work in case someone hears
And begins (or continues) to suspect that there’s something
Between us.
If I want to and don’t, aren’t I being a bit immature?
We’re both adults. Does it matter, with adults, who makes the
First move?
But there’s always the chance he’ll back off if I come on too strong.
The less keen I appear, the more keen he’s likely to be,
And I phoned him twice on Thursday and once on Friday.
He must therefore be fully aware that it’s his turn, not mine.
If I make it too easy for him, he’ll assume I’m too easy,
While if I make no effort, that leaves him with more of a challenge.
I should demonstrate that I have a sense of proportion.
His work must come first for a while and I shouldn’t’ mind waiting.
For all I know he could have gone off me already
And if I don’t phone I can always say, later, that I went off him first.
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Written by
William Strode |
Now the declining sun 'gan downwards bend
From higher heavens, and from his locks did send
A milder flame, when near to Tiber's flow
A lutinist allay'd his careful woe
With sounding charms, and in a greeny seat
Of shady oake took shelter from the heat.
A Nightingale oreheard him, that did use
To sojourn in the neighbour groves, the muse
That fill'd the place, the Syren of the wood;
Poore harmless Syren, stealing neare she stood
Close lurking in the leaves attentively
Recording that unwonted melody:
Shee cons it to herselfe and every strayne
His finger playes her throat return'd again.
The lutinist perceives an answeare sent
From th' imitating bird and was content
To shewe her play; more fully then in hast
He tries his lute, and (giving her a tast
Of the ensuing quarrel) nimbly beats
On all his strings; as nimbly she repeats,
And (wildely ranging ore a thousand keys)
Sends a shrill warning of her after-layes.
With rolling hand the Lutinist then plies
His trembling threads; sometimes in scornful wise
He brushes down the strings and keemes them all
With one even stroke; then takes them severall
And culles them ore again. His sparkling joynts
(With busy descant mincing on the points)
Reach back with busy touch: that done hee stayes,
The bird replies, and art with art repayes,
Sometimes as one unexpert or in doubt
How she might wield her voice, shee draweth out
Her tone at large and doth at first prepare
A solemne strayne not weav'd with sounding ayre,
But with an equall pitch and constant throate
Makes clear the passage of her gliding noate;
Then crosse division diversly shee playes,
And loudly chanting out her quickest layes
Poises the sounds, and with a quivering voice
Falls back again: he (wondering how so choise,
So various harmony should issue out
From such a little throate) doth go about
Some harder lessons, and with wondrous art
Changing the strings, doth upp the treble dart,
And downwards smites the base; with painefull stroke
Hee beats, and as the trumpet doth provoke
Sluggards to fight, even so his wanton skill
With mingled discords joynes the hoarse and shrill:
The Bird this also tunes, and while she cutts
Sharp notes with melting voice, and mingled putts
Measures of middle sound, then suddenly
Shee thunders deepe, and juggs it inwardly,
With gentle murmurs, cleare and dull shee sings,
By course, as when the martial warning rings:
Beleev't the minstrel blusht; with angry mood
Inflam'd, quoth hee, thou chauntresse of the wood,
Either from thee Ile beare the prize away,
Or vanquisht break my lute without delay.
Inimitable accents then hee straynes;
His hand flyes ore the strings: in one hee chaynes
Four different numbers, chasing here and there,
And all the strings belabour'd everywhere:
Both flatt and sharpe hee strikes, and stately grows
To prouder straynes, and backwards as he goes
Doubly divides, and closing upp his layes
Like a full quire a shouting consort playes;
Then pausing stood in expectation
If his corrival now dares answeare on;
But shee when practice long her throate had whett,
Induring not to yield, at once doth sett
Her spiritt all of worke, and all in vayne;
For while shee labours to express againe
With nature's simple touch such diverse keyes,
With slender pipes such lofty noates as these,
Orematcht with high designes, orematcht with woe,
Just at the last encounter of her foe
Shee faintes, shee dies, falls on his instrument
That conquer'd her; a fitting monument.
So far even little soules are driven on,
Struck with a vertuous emulation.
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Written by
Paul Laurence Dunbar |
O'ER fallow plains and fertile meads,
AURORA lifts the torch of day;
The shad'wy brow of Night recedes,
Cold dew-drops fall from every spray;
Now o'er the thistle's rugged head,
Thin veils of filmy vapour fly,
On ev'ry violet's perfum'd bed
The sparkling gems of Nature lie.
The hill's tall brow is crown'd with gold,
The Milk-maid trills her jocund lay,
The Shepherd-boy unpens his fold,
The Lambs along the meadows play;
The pilf'ring LARK, with speckled breast,
From the ripe sheaf's rich banquet flies;
And lifting high his plumy crest,
Soars the proud tenant of the skies.
The PEASANT steals with timid feet,
And gently taps the cottage door;
Or on the green sod takes his seat,
And chaunts some well-known ditty o'er;
Wak'd by the strain, the blushing MAID,
Unpractis'd in Love's mazy wiles,
In clean, but homely garb array'd,
From the small casement peepsand smiles.
Proud CHANTICLEER unfolds his wing,
And flutt'ring struts in plumage gay;
The glades with vocal echoes ring,
Soft odours deck the hawthorn spray;
The SCHOOL-BOY saunters o'er the green,
With satchel, fill'd with Learning's store;
While with dejected, sullen mien,
He cons his tedious lesson o'er.
When WINTER spreads her banner chill,
And sweeps the vale with freezing pow'r;
And binds in spells the vagrant rill,
And shrivels ev'ry ling'ring flow'r;
When NATURE quits her verdant dress,
And drops to earth her icy tears;
E'EN THEN thy tardy glance can bless,
And soft thy weeping eye appears.
Then at the Horn's enliv'ning peal,
Keen Sportsmen for the chase prepare;
Thro' the young Copse shrill echoes steal,
Swift flies the tim'rous, panting hare;
From ev'ry straw-thatch'd cottage soars
Blue curling smoke in many a cloud;
Around the Barn's expanded doors,
The feather'd throng impatient crowd.
Such are thy charms! health-breathing scene!
Where Nature's children revel gay;
Where Plenty smiles with radiant mien,
And Labour crowns the circling day;
Where Peace, in conscious Virtue blest,
Invites the Heart to joy supreme;
While polish'd Splendour pants for rest
And pines in Fashion's fev'rish dream.
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Written by
Walt Whitman |
WHAT ship, puzzled at sea, cons for the true reckoning?
Or, coming in, to avoid the bars, and follow the channel, a perfect pilot needs?
Here, sailor! Here, ship! take aboard the most perfect pilot,
Whom, in a little boat, putting off, and rowing, I, hailing you, offer.
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Written by
Robert Burns |
O LEEZE me on my spinnin’ wheel,
And leeze me on my rock and reel;
Frae tap to tae that cleeds me bien,
And haps me biel and warm at e’en;
I’ll set me down and sing and spin,
While laigh descends the simmer sun,
Blest wi’ content, and milk and meal,
O leeze me on my spinnin’ wheel.
On ilka hand the burnies trot,
And meet below my theekit cot;
The scented birk and hawthorn white,
Across the pool their arms unite,
Alike to screen the birdie’s nest,
And little fishes’ caller rest;
The sun blinks kindly in the beil’,
Where blythe I turn my spinnin’ wheel.
On lofty aiks the cushats wail,
And Echo cons the doolfu’ tale;
The lintwhites in the hazel braes,
Delighted, rival ither’s lays;
The craik amang the claver hay,
The pairtrick whirring o’er the ley,
The swallow jinkin’ round my shiel,
Amuse me at my spinnin’ wheel.
Wi’ sma’ to sell, and less to buy,
Aboon distress, below envy,
O wha wad leave this humble state,
For a’ the pride of a’ the great?
Amid their flairing, idle toys,
Amid their cumbrous, dinsome joys,
Can they the peace and pleasure feel
Of Bessy at her spinnin’ wheel?
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