Written by
Pablo Neruda |
The young maricones and the horny muchachas,
The big fat widows delirious from insomnia,
The young wives thirty hours' pregnant,
And the hoarse tomcats that cross my garden at night,
Like a collar of palpitating sexual oysters
Surround my solitary home,
Enemies of my soul,
Conspirators in pajamas
Who exchange deep kisses for passwords.
Radiant summer brings out the lovers
In melancholy regiments,
Fat and thin and happy and sad couples;
Under the elegant coconut palms, near the ocean and moon,
There is a continual life of pants and panties,
A hum from the fondling of silk stockings,
And women's breasts that glisten like eyes.
The salary man, after a while,
After the week's tedium, and the novels read in bed at night,
Has decisively fucked his neighbor,
And now takes her to the miserable movies,
Where the heroes are horses or passionate princes,
And he caresses her legs covered with sweet down
With his ardent and sweaty palms that smell like cigarettes.
The night of the hunter and the night of the husband
Come together like bed sheets and bury me,
And the hours after lunch, when the students and priests are masturbating,
And the animals mount each other openly,
And the bees smell of blood, and the flies buzz cholerically,
And cousins play strange games with cousins,
And doctors glower at the husband of the young patient,
And the early morning in which the professor, without a thought,
Pays his conjugal debt and eats breakfast,
And to top it all off, the adulterers, who love each other truly
On beds big and tall as ships:
So, eternally,
This twisted and breathing forest crushes me
With gigantic flowers like mouth and teeth
And black roots like fingernails and shoes.
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Written by
Jean Delville |
Becalmed the profane noise of the crowd.
Toward the risen Moon, the symbolic Bronzes
Curve, in the blue night, their antique nudity
In the sphinx-like majesty of attitudes.
A dream of incense symphonies the lustral Lake,
Enchanted by the sidereal presence of Swans,
Elegiacally swooning their silver-pale lines,
Beneath the sacred music of astral infinitude.
Drunken with silence, the aching lawns
Grow languid in the brightness of calm reveries;
Amid the somnolent shadows of the bowers
Hovers the conjugal slumber of weary birds;
And the mute asphalt of the abandoned pathways
No longer shudders beneath the lascivious step of idylls.
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Written by
Russell Edson |
A man is bending his wife. He is bending her
around something that she has bent herself
around. She is around it, bent as he has bent
her.
He is convincing her. It is all so private.
He is bending her around the bedpost. No, he
is bending her around the tripod of his camera.
It is as if he teaches her to swim. As if he teaches
acrobatics. As if he could form her into something
wet that he delivers out of one life into another.
And it is such a private thing the thing they do.
He is forming her into the wallpaper. He is
smoothing her down into the flowers there. He is finding
her nipples there. And he is kissing her pubis there.
He climbs into the wallpaper among the flowers. And
his buttocks move in and out of the wall.
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Written by
Robert William Service |
I asked of ancient gaffers three
The way of their ripe living,
And this is what they told to me
Without Misgiving.
The First: 'The why I've lived so long,
To my fond recollection
Is that for women, wine and song
I've had a predilection.
Full many a bawdy stave I've sung
With wenches of my choosing,
But of the joys that kept me young
The best was boozing.'
The Second: 'I'm a sage revered
Because I was a fool
And with the bourgeon of my beard
I kept my ardour cool.
On health I have conserved my hold
By never dissipating:
And that is why a hundred old
I'm celebrating.'
The Third: 'The explanation I
Have been so long a-olding,
Is that to wash I never try,
Despite conjugal scolding.
I hate the sight of soap and so
I seldom change my shirt:
Believe me, Brother, there is no
Preservative like dirt.'
So there you have the reasons three
Why age may you rejoice:
Booze, squalour and temerity,--
Well, you may take your choice.
Yet let me say, although it may
Your egoism hurt,
Of all the three it seems to me
The best is DIRT.
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