Written by
Constantine P Cavafy |
The poet Phernazis is composing
the important part of his epic poem.
How Darius, son of Hystaspes,
assumed the kingdom of the Persians. (From him
is descended our glorious king
Mithridates, Dionysus and Eupator). But here
philosophy is needed; he must analyze
the sentiments that Darius must have had:
maybe arrogance and drunkenness; but no -- rather
like an understanding of the vanity of grandeurs.
The poet contemplates the matter deeply.
But he is interrupted by his servant who enters
running, and announces the portendous news.
The war with the Romans has begun.
The bulk of our army has crossed the borders.
The poet is speechless. What a disaster!
No time now for our glorious king
Mithridates, Dionysus and Eupator,
to occupy himself with greek poems.
In the midst of a war -- imagine, greek poems.
Phernazis is impatient. Misfortune!
Just when he was positive that with "Darius"
he would distinguish himself, and shut the mouths
of his critics, the envious ones, for good.
What a delay, what a delay to his plans.
And if it were only a delay, it would still be all right.
But it yet remains to be seen if we have any security
at Amisus. It is not a strongly fortified city.
The Romans are the most horrible enemies.
Can we hold against them
we Cappadocians? It is possible at all?
It is possible to pit ourselves against the legions?
Mighty Gods, protectors of Asia, help us.--
But in all his turmoil and trouble,
the poetic idea too comes and goes persistently--
the most probable, surely, is arrogance and drunkenness;
Darius must have felt arrogance and drunkenness.
|
Written by
Paul Verlaine |
I am the Empire in the last of its decline,
That sees the tall, fair-haired Barbarians pass,--the while
Composing indolent acrostics, in a style
Of gold, with languid sunshine dancing in each line.
The solitary soul is heart-sick with a vile
Ennui. Down yon, they say, War's torches bloody shine.
Alas, to be so faint of will, one must resign
The chance of brave adventure in the splendid file,-
Of death, perchance! Alas, so lagging in desire!
Ah, all is drunk! Bathyllus, has done laughing, pray?
Ah, all is drunk,--all eaten! Nothing more to say!
Alone, a vapid verse one tosses in the fire;
Alone, a somewhat thievish slave neglecting one;
Alone, a vague disgust of all beneath the sun!
|
Written by
Nazim Hikmet |
Taut, thick fingers punch
the teeth of my typewriter.
Three words are down on paper
in capitals:
SPRING
SPRING
SPRING...
And me -- poet, proofreader,
the man who's forced to read
two thousand bad lines
every day
for two liras--
why,
since spring
has come, am I
still sitting here
like a ragged
black chair?
My head puts on its cap by itself,
I fly out of the printer's,
I'm on the street.
The lead dirt of the composing room
on my face,
seventy-five cents in my pocket.
SPRING IN THE AIR...
In the barbershops
they're powdering
the sallow cheeks
of the pariah of Publishers Row.
And in the store windows
three-color bookcovers
flash like sunstruck mirrors.
But me,
I don't have even a book of ABC's
that lives on this street
and carries my name on its door!
But what the hell...
I don't look back,
the lead dirt of the composing room
on my face,
seventy-five cents in my pocket,
SPRING IN THE AIR...
*
The piece got left in the middle.
It rained and swamped the lines.
But oh! what I would have written...
The starving writer sitting on his three-thousand-page
three-volume manuscript
wouldn't stare at the window of the kebab joint
but with his shining eyes would take
the Armenian bookseller's dark plump daughter by storm...
The sea would start smelling sweet.
Spring would rear up
like a sweating red mare
and, leaping onto its bare back,
I'd ride it
into the water.
Then
my typewriter would follow me
every step of the way.
I'd say:
"Oh, don't do it!
Leave me alone for an hour..."
then
my head-my hair failing out--
would shout into the distance:
"I AM IN LOVE..."
*
I'm twenty-seven,
she's seventeen.
"Blind Cupid,
lame Cupid,
both blind and lame Cupid
said, Love this girl,"
I was going to write;
I couldn't say it
but still can!
But if
it rained,
if the lines I wrote got swamped,
if I have twenty-five cents left in my pocket,
what the hell...
Hey, spring is here spring is here spring
spring is here!
My blood is budding inside me!
20 and 21 April 1929
|
Written by
Robert Burns |
A’ YE wha live by sowps o’ drink,
A’ ye wha live by crambo-clink,
A’ ye wha live and never think,
Come, mourn wi’ me!
Our billie ’s gien us a’ a jink,
An’ owre the sea!
Lament him a’ ye rantin core,
Wha dearly like a random splore;
Nae mair he’ll join the merry roar;
In social key;
For now he’s taen anither shore.
An’ owre the sea!
The bonie lasses weel may wiss him,
And in their dear petitions place him:
The widows, wives, an’ a’ may bless him
Wi’ tearfu’ e’e;
For weel I wat they’ll sairly miss him
That’s owre the sea!
O Fortune, they hae room to grumble!
Hadst thou taen aff some drowsy bummle,
Wha can do nought but fyke an’ fumble,
’Twad been nae plea;
But he was gleg as ony wumble,
That’s owre the sea!
Auld, cantie Kyle may weepers wear,
An’ stain them wi’ the saut, saut tear;
’Twill mak her poor auld heart, I fear,
In flinders flee:
He was her Laureat mony a year,
That’s owre the sea!
He saw Misfortune’s cauld nor-west
Lang mustering up a bitter blast;
A jillet brak his heart at last,
Ill may she be!
So, took a berth afore the mast,
An’ owre the sea.
To tremble under Fortune’s cummock,
On a scarce a bellyfu’ o’ drummock,
Wi’ his proud, independent stomach,
Could ill agree;
So, row’t his hurdies in a hammock,
An’ owre the sea.
He ne’er was gien to great misguidin,
Yet coin his pouches wad na bide in;
Wi’ him it ne’er was under hiding;
He dealt it free:
The Muse was a’ that he took pride in,
That’s owre the sea.
Jamaica bodies, use him weel,
An’ hap him in cozie biel:
Ye’ll find him aye a dainty chiel,
An’ fou o’ glee:
He wad na wrang’d the vera deil,
That’s owre the sea.
Farewell, my rhyme-composing billie!
Your native soil was right ill-willie;
But may ye flourish like a lily,
Now bonilie!
I’ll toast you in my hindmost gillie,
Tho’ owre the sea!
|
Written by
Charles Bukowski |
having the low down blues and going
into a restraunt to eat.
you sit at a table.
the waitress smiles at you.
she's dumpy. her ass is too big.
she radiates kindess and symphaty.
live with her 3 months and a man would no real agony.
o.k., you'll tip her 15 percent.
you order a turkey sandwich and a
beer.
the man at the table across from you
has watery blue eyes and
a head like an elephant.
at a table further down are 3 men
with very tiny heads
and long necks
like ostiches.
they talk loudly of land development.
why, you think, did I ever come
in here when I have the low-down
blues?
then the the waitress comes back eith the sandwich
and she asks you if there will be anything
else?
snd you tell her, no no, this will be
fine.
then somebody behind you laughs.
it's a cork laugh filled with sand and
broken glass.
you begin eating the sandwhich.
it's something.
it's a minor, difficult,
sensible action
like composing a popular song
to make a 14-year old
weep.
you order another beer.
jesus,look at that guy
his hands hang down almost to his knees and he's
whistling.
well, time to get out.
pivk up the bill.
tip.
go to the register.
pay.
pick up a toothpick.
go out the door.
your car is still there.
and there are 3 men with heads
and necks
like ostriches all getting into one
car.
they each have a toothpick and now
they are talking about women.
they drive away first
they drive away fast.
they're best i guess.
it's an unberably hot day.
there's a first-stage smog alert.
all the birds and plants are dead
or dying.
you start the engine.
|
Written by
Robert Burns |
I GAT your letter, winsome Willie;
Wi’ gratefu’ heart I thank you brawlie;
Tho’ I maun say’t, I wad be silly,
And unco vain,
Should I believe, my coaxin billie
Your flatterin strain.
But I’se believe ye kindly meant it:
I sud be laith to think ye hinted
Ironic satire, sidelins sklented
On my poor Musie;
Tho’ in sic phraisin terms ye’ve penn’d it,
I scarce excuse ye.
My senses wad be in a creel,
Should I but dare a hope to speel
Wi’ Allan, or wi’ Gilbertfield,
The braes o’ fame;
Or Fergusson, the writer-chiel,
A deathless name.
(O Fergusson! thy glorious parts
Ill suited law’s dry, musty arts!
My curse upon your whunstane hearts,
Ye E’nbrugh gentry!
The tithe o’ what ye waste at cartes
Wad stow’d his pantry!)
Yet when a tale comes i’ my head,
Or lassies gie my heart a screed—
As whiles they’re like to be my dead,
(O sad disease!)
I kittle up my rustic reed;
It gies me ease.
Auld Coila now may fidge fu’ fain,
She’s gotten poets o’ her ain;
Chiels wha their chanters winna hain,
But tune their lays,
Till echoes a’ resound again
Her weel-sung praise.
Nae poet thought her worth his while,
To set her name in measur’d style;
She lay like some unkenn’d-of-isle
Beside New Holland,
Or whare wild-meeting oceans boil
Besouth Magellan.
Ramsay an’ famous Fergusson
Gied Forth an’ Tay a lift aboon;
Yarrow an’ Tweed, to monie a tune,
Owre Scotland rings;
While Irwin, Lugar, Ayr, an’ Doon
Naebody sings.
Th’ Illissus, Tiber, Thames, an’ Seine,
Glide sweet in monie a tunefu’ line:
But Willie, set your fit to mine,
An’ cock your crest;
We’ll gar our streams an’ burnies shine
Up wi’ the best!
We’ll sing auld Coila’s plains an’ fells,
Her moors red-brown wi’ heather bells,
Her banks an’ braes, her dens and dells,
Whare glorious Wallace
Aft bure the gree, as story tells,
Frae Suthron billies.
At Wallace’ name, what Scottish blood
But boils up in a spring-tide flood!
Oft have our fearless fathers strode
By Wallace’ side,
Still pressing onward, red-wat-shod,
Or glorious died!
O, sweet are Coila’s haughs an’ woods,
When lintwhites chant amang the buds,
And jinkin hares, in amorous whids,
Their loves enjoy;
While thro’ the braes the cushat croods
With wailfu’ cry!
Ev’n winter bleak has charms to me,
When winds rave thro’ the naked tree;
Or frosts on hills of Ochiltree
Are hoary gray;
Or blinding drifts wild-furious flee,
Dark’ning the day!
O Nature! a’ thy shews an’ forms
To feeling, pensive hearts hae charms!
Whether the summer kindly warms,
Wi’ life an light;
Or winter howls, in gusty storms,
The lang, dark night!
The muse, nae poet ever fand her,
Till by himsel he learn’d to wander,
Adown some trottin burn’s meander,
An’ no think lang:
O sweet to stray, an’ pensive ponder
A heart-felt sang!
The war’ly race may drudge an’ drive,
Hog-shouther, jundie, stretch, an’ strive;
Let me fair Nature’s face descrive,
And I, wi’ pleasure,
Shall let the busy, grumbling hive
Bum owre their treasure.
Fareweel, “my rhyme-composing” brither!
We’ve been owre lang unkenn’d to ither:
Now let us lay our heads thegither,
In love fraternal:
May envy wallop in a tether,
Black fiend, infernal!
While Highlandmen hate tools an’ taxes;
While moorlan’s herds like guid, fat braxies;
While terra firma, on her axis,
Diurnal turns;
Count on a friend, in faith an’ practice,
In Robert Burns.
POSTCRIPTMY memory’s no worth a preen;
I had amaist forgotten clean,
Ye bade me write you what they mean
By this “new-light,”
’Bout which our herds sae aft hae been
Maist like to fight.
In days when mankind were but callans
At grammar, logic, an’ sic talents,
They took nae pains their speech to balance,
Or rules to gie;
But spak their thoughts in plain, braid lallans,
Like you or me.
In thae auld times, they thought the moon,
Just like a sark, or pair o’ shoon,
Wore by degrees, till her last roon
Gaed past their viewin;
An’ shortly after she was done
They gat a new ane.
This passed for certain, undisputed;
It ne’er cam i’ their heads to doubt it,
Till chiels gat up an’ wad confute it,
An’ ca’d it wrang;
An’ muckle din there was about it,
Baith loud an’ lang.
Some herds, weel learn’d upo’ the beuk,
Wad threap auld folk the thing misteuk;
For ’twas the auld moon turn’d a neuk
An’ out of’ sight,
An’ backlins-comin to the leuk
She grew mair bright.
This was deny’d, it was affirm’d;
The herds and hissels were alarm’d
The rev’rend gray-beards rav’d an’ storm’d,
That beardless laddies
Should think they better wer inform’d,
Than their auld daddies.
Frae less to mair, it gaed to sticks;
Frae words an’ aiths to clours an’ nicks;
An monie a fallow gat his licks,
Wi’ hearty crunt;
An’ some, to learn them for their tricks,
Were hang’d an’ brunt.
This game was play’d in mony lands,
An’ auld-light caddies bure sic hands,
That faith, the youngsters took the sands
Wi’ nimble shanks;
Till lairds forbad, by strict commands,
Sic bluidy pranks.
But new-light herds gat sic a cowe,
Folk thought them ruin’d stick-an-stowe;
Till now, amaist on ev’ry knowe
Ye’ll find ane plac’d;
An’ some their new-light fair avow,
Just quite barefac’d.
Nae doubt the auld-light flocks are bleatin;
Their zealous herds are vex’d an’ sweatin;
Mysel’, I’ve even seen them greetin
Wi’ girnin spite,
To hear the moon sae sadly lied on
By word an’ write.
But shortly they will cowe the louns!
Some auld-light herds in neebor touns
Are mind’t, in things they ca’ balloons,
To tak a flight;
An’ stay ae month amang the moons
An’ see them right.
Guid observation they will gie them;
An’ when the auld moon’s gaun to lea’e them,
The hindmaist shaird, they’ll fetch it wi’ them
Just i’ their pouch;
An’ when the new-light billies see them,
I think they’ll crouch!
Sae, ye observe that a’ this clatter
Is naething but a “moonshine matter”;
But tho’ dull prose-folk Latin splatter
In logic tulyie,
I hope we bardies ken some better
Than mind sic brulyie.
|
Written by
Craig Raine |
On my desk, a set of labels
or a synopsis of leeks,
blanched by the sun
and trailing their roots
like a watering can.
Beyond and below,
diminished by distance,
a taxi shivers at the lights:
a shining moorhen
with an orange nodule
set over the beak,
taking a passenger
under its wing.
I turn away, confront
the cuckold hatstand
at bay in the corner,
and eavesdrop (bless you!)
on a hay-fever of brakes.
My Caran d'Ache are sharp
as the tips of an iris
and the four-tier file
is spotted with rust:
a study of plaice
by a Japanese master,
ochres exquisitely bled.
Instead of office work,
I fish for complements
and sport a pencil
behind each ear,
a bit of a devil,
or trap the telephone
awkwardly under my chin
like Richard Crookback,
crying, A horse! A horse!
My kingdom for a horse!
but only to myself,
ironically: the tube
is semi-stiff with stallion whangs,
the chairman's Mercedes
has windscreen wipers
like a bird's broken tongue,
and I am perfectly happy
to see your head, quick
round the door like a dryad,
as I pretend to be Ovid
in exile, composing Tristia
and sad for the shining,
the missed, the muscular beach.
|
Written by
Howard Nemerov |
This admirable gadget, when it is
Wound on a string and spun with steady force,
Maintains its balance on most any smooth
Surface, pleasantly humming as it goes.
It is whirled not on a constant course, but still
Stands in unshivering integrity
For quite some time, meaning nothing perhaps
But being something agreeable to watch,
A silver nearly silence gleaning a still-
ness out of speed, composing unity
From spin, so that its hollow spaces seem
Solids of light, until it wobbles and
Begins to whine, and then with an odd lunge
Eccentric and reckless, it skids away
And drops dead into its own skeleton.
|
Written by
Mihai Eminescu |
Mighty emperor is the forest,
High dominion does he wield,
And a thousand races prosper
'Neath the shelter of his shield.
The moon, the sun and Lucifer
Do round his kingdom ever sphere;
While lords and ladies of his court
Are of the noble race of deer.
Hares, his heralds and his postmen,
Carry rapidly his mails;
Birds his orchestra composing,
Springs that tell him thousand tales.
Midst the flowers that grow in shadow
By the streams and in the grass,
Bees in golden clouds are swarming,
Ants in mighty armies pass ...
Come, let us again be children
In the woods we loved of yore
So that life, and luck, and loving
Seem a game and nothing more.
For I feel that mother nature
All her wisdom did employ
But to raise you over living
And of life to make your toy.
You and I away shall wander
Quite alone where no one goes,
And we'll lie beside the water
Where the flowering lime-tree grows.
As we slumber, on our bodies
Will the lime its petals lay,
While in sleep, sweet distant bagpipes
We will hear some shepherd play.
Hear so much, and closer clinging,
Heart to heart in lover's wise,
Hear the emperor call his council
And his ministers advise.
Through the silver spreading branches
Will the moon the stream enlace,
And around us slowly gather
Courtiers of many a race.
Horses proud, as white as wave crests,
Many-branching horned stags,
Bulls with stars upon their fore heads,
Chamois from the mountain crags.
And the lime-tree they will question
Who we are; and stand and wonder,
While our host will softly answer
Parting wide his boughs asunder:
"Look, o look how they are dreaming
Dreams that in the forest grow;
Like the children of some legend
Do they love each other so".
English version by Corneliu M. Popescu
*
Transcribed by Cristina Mihu
School No. 10, Focsani, Romania
*
|