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Best Famous Compasses Poems

Here is a collection of the all-time best famous Compasses poems. This is a select list of the best famous Compasses poetry. Reading, writing, and enjoying famous Compasses poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of compasses poems.

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Written by Victor Hugo | Create an image from this poem

To Some Birds Flown Away

 ("Enfants! Oh! revenez!") 
 
 {XXII, April, 1837} 


 Children, come back—come back, I say— 
 You whom my folly chased away 
 A moment since, from this my room, 
 With bristling wrath and words of doom! 
 What had you done, you bandits small, 
 With lips as red as roses all? 
 What crime?—what wild and hapless deed? 
 What porcelain vase by you was split 
 To thousand pieces? Did you need 
 For pastime, as you handled it, 
 Some Gothic missal to enrich 
 With your designs fantastical? 
 Or did your tearing fingers fall 
 On some old picture? Which, oh, which 
 Your dreadful fault? Not one of these; 
 Only when left yourselves to please 
 This morning but a moment here 
 'Mid papers tinted by my mind 
 You took some embryo verses near— 
 Half formed, but fully well designed 
 To open out. Your hearts desire 
 Was but to throw them on the fire, 
 Then watch the tinder, for the sight 
 Of shining sparks that twinkle bright 
 As little boats that sail at night, 
 Or like the window lights that spring 
 From out the dark at evening. 
 
 'Twas all, and you were well content. 
 Fine loss was this for anger's vent— 
 A strophe ill made midst your play, 
 Sweet sound that chased the words away 
 In stormy flight. An ode quite new, 
 With rhymes inflated—stanzas, too, 
 That panted, moving lazily, 
 And heavy Alexandrine lines 
 That seemed to jostle bodily, 
 Like children full of play designs 
 That spring at once from schoolroom's form. 
 Instead of all this angry storm, 
 Another might have thanked you well 
 For saving prey from that grim cell, 
 That hollowed den 'neath journals great, 
 Where editors who poets flout 
 With their demoniac laughter shout. 
 And I have scolded you! What fate 
 For charming dwarfs who never meant 
 To anger Hercules! And I 
 Have frightened you!—My chair I sent 
 Back to the wall, and then let fly 
 A shower of words the envious use— 
 "Get out," I said, with hard abuse, 
 "Leave me alone—alone I say." 
 Poor man alone! Ah, well-a-day, 
 What fine result—what triumph rare! 
 As one turns from the coffin'd dead 
 So left you me:—I could but stare 
 Upon the door through which you fled— 
 I proud and grave—but punished quite. 
 And what care you for this my plight!— 
 You have recovered liberty, 
 Fresh air and lovely scenery, 
 The spacious park and wished-for grass; 
lights 
 And gratefully to sing. 
 
 E'e 
 A blade to watch what comes to pass; 
 Blue sky, and all the spring can show; 
 Nature, serenely fair to see; 
 The book of birds and spirits free, 
 God's poem, worth much more than mine, 
 Where flowers for perfect stanzas shine— 
 Flowers that a child may pluck in play, 
 No harsh voice frightening it away. 
 And I'm alone—all pleasure o'er— 
 Alone with pedant called "Ennui," 
 For since the morning at my door 
 Ennui has waited patiently. 
 That docto-r-London born, you mark, 
 One Sunday in December dark, 
 Poor little ones—he loved you not, 
 And waited till the chance he got 
 To enter as you passed away, 
 And in the very corner where 
 You played with frolic laughter gay, 
 He sighs and yawns with weary air. 
 
 What can I do? Shall I read books, 
 Or write more verse—or turn fond looks 
 Upon enamels blue, sea-green, 
 And white—on insects rare as seen 
 Upon my Dresden china ware? 
 Or shall I touch the globe, and care 
 To make the heavens turn upon 
 Its axis? No, not one—not one 
 Of all these things care I to do; 
 All wearies me—I think of you. 
 In truth with you my sunshine fled, 
 And gayety with your light tread— 
 Glad noise that set me dreaming still. 
 'Twas my delight to watch your will, 
 And mark you point with finger-tips 
 To help your spelling out a word; 
 To see the pearls between your lips 
 When I your joyous laughter heard; 
 Your honest brows that looked so true, 
 And said "Oh, yes!" to each intent; 
 Your great bright eyes, that loved to view 
 With admiration innocent 
 My fine old Sèvres; the eager thought 
 That every kind of knowledge sought; 
 The elbow push with "Come and see!" 
 
 Oh, certes! spirits, sylphs, there be, 
 And fays the wind blows often here; 
 The gnomes that squat the ceiling near, 
 In corners made by old books dim; 
 The long-backed dwarfs, those goblins grim 
 That seem at home 'mong vases rare, 
 And chat to them with friendly air— 
 Oh, how the joyous demon throng 
 Must all have laughed with laughter long 
 To see you on my rough drafts fall, 
 My bald hexameters, and all 
 The mournful, miserable band, 
 And drag them with relentless hand 
 From out their box, with true delight 
 To set them each and all a-light, 
 And then with clapping hands to lean 
 Above the stove and watch the scene, 
 How to the mass deformed there came 
 A soul that showed itself in flame! 
 
 Bright tricksy children—oh, I pray 
 Come back and sing and dance away, 
 And chatter too—sometimes you may, 
 A giddy group, a big book seize— 
 Or sometimes, if it so you please, 
 With nimble step you'll run to me 
 And push the arm that holds the pen, 
 Till on my finished verse will be 
 A stroke that's like a steeple when 
 Seen suddenly upon a plain. 
 My soul longs for your breath again 
 To warm it. Oh, return—come here 
 With laugh and babble—and no fear 
 When with your shadow you obscure 
 The book I read, for I am sure, 
 Oh, madcaps terrible and dear, 
 That you were right and I was wrong. 
 But who has ne'er with scolding tongue 
 Blamed out of season. Pardon me! 
 You must forgive—for sad are we. 
 
 The young should not be hard and cold 
 And unforgiving to the old. 
 Children each morn your souls ope out 
 Like windows to the shining day, 
 Oh, miracle that comes about, 
 The miracle that children gay 
 Have happiness and goodness too, 
 Caressed by destiny are you, 
 Charming you are, if you but play. 
 But we with living overwrought, 
 And full of grave and sombre thought, 
 Are snappish oft: dear little men, 
 We have ill-tempered days, and then, 
 Are quite unjust and full of care; 
 It rained this morning and the air 
 Was chill; but clouds that dimm'd the sky 
 Have passed. Things spited me, and why? 
 But now my heart repents. Behold 
 What 'twas that made me cross, and scold! 
 All by-and-by you'll understand, 
 When brows are mark'd by Time's stern hand; 
 Then you will comprehend, be sure, 
 When older—that's to say, less pure. 
 
 The fault I freely own was mine. 
 But oh, for pardon now I pine! 
 Enough my punishment to meet, 
 You must forgive, I do entreat 
 With clasped hands praying—oh, come back, 
 Make peace, and you shall nothing lack. 
 See now my pencils—paper—here, 
 And pointless compasses, and dear 
 Old lacquer-work; and stoneware clear 
 Through glass protecting; all man's toys 
 So coveted by girls and boys. 
 Great China monsters—bodies much 
 Like cucumbers—you all shall touch. 
 I yield up all! my picture rare 
 Found beneath antique rubbish heap, 
 My great and tapestried oak chair 
 I will from you no longer keep. 
 You shall about my table climb, 
 And dance, or drag, without a cry 
 From me as if it were a crime. 
 Even I'll look on patiently 
 If you your jagged toys all throw 
 Upon my carved bench, till it show 
 The wood is torn; and freely too, 
 I'll leave in your own hands to view, 
 My pictured Bible—oft desired— 
 But which to touch your fear inspired— 
 With God in emperor's robes attired. 
 
 Then if to see my verses burn, 
 Should seem to you a pleasant turn, 
 Take them to freely tear away 
 Or burn. But, oh! not so I'd say, 
 If this were Méry's room to-day. 
 That noble poet! Happy town, 
 Marseilles the Greek, that him doth own! 
 Daughter of Homer, fair to see, 
 Of Virgil's son the mother she. 
 To you I'd say, Hold, children all, 
 Let but your eyes on his work fall; 
 These papers are the sacred nest 
 In which his crooning fancies rest; 
 To-morrow winged to Heaven they'll soar, 
 For new-born verse imprisoned still 
 In manuscript may suffer sore 
 At your small hands and childish will, 
 Without a thought of bad intent, 
 Of cruelty quite innocent. 
 You wound their feet, and bruise their wings, 
 And make them suffer those ill things 
 That children's play to young birds brings. 
 
 But mine! no matter what you do, 
 My poetry is all in you; 
 You are my inspiration bright 
 That gives my verse its purest light. 
 Children whose life is made of hope, 
 Whose joy, within its mystic scope, 
 Owes all to ignorance of ill, 
 You have not suffered, and you still 
 Know not what gloomy thoughts weigh down 
 The poet-writer weary grown. 
 What warmth is shed by your sweet smile! 
 How much he needs to gaze awhile 
 Upon your shining placid brow, 
 When his own brow its ache doth know; 
 With what delight he loves to hear 
 Your frolic play 'neath tree that's near, 
 Your joyous voices mixing well 
 With his own song's all-mournful swell! 
 Come back then, children! come to me, 
 If you wish not that I should be 
 As lonely now that you're afar 
 As fisherman of Etrétat, 
 Who listless on his elbow leans 
 Through all the weary winter scenes, 
 As tired of thought—as on Time flies— 
 And watching only rainy skies! 
 
 MRS. NEWTON CROSLAND. 


 






Written by W S Merwin | Create an image from this poem

The Ships Are Made Ready In Silence

 Moored to the same ring:
The hour, the darkness and I,
Our compasses hooded like falcons.

Now the memory of you comes aching in
With a wash of broken bits which never left port
In which once we planned voyages,
They come knocking like hearts asking:
What departures on this tide?

Breath of land, warm breath,
You tighten the cold around the navel,
Though all shores but the first have been foreign,
And the first was not home until left behind.

Our choice is ours but we have not made it,
Containing as it does, our destination
Circled with loss as with coral, and
A destination only until attained.

I have left you my hope to remember me by,
Though now there is little resemblance.
At this moment I could believe in no change,
The mast perpetually
Vacillating between the same constellations,
The night never withdrawing its dark virtue
>From the harbor shaped as a heart,
The sea pulsing as a heart,
The sky vaulted as a heart,
Where I know the light will shatter like a cry
Above a discovery:
"Emptiness.
Emptiness! Look!"
Look. This is the morning.
Written by John Donne | Create an image from this poem

A Valediction: Forbidding Mourning

 As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say
The breath goes now, and some say, No:

So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move,
'Twere profanation of our joys
To tell the laity our love.

Moving of th' earth brings harms and fears,
Men reckon what it did and meant,
But trepidation of the spheres,
Though greater far, is innocent.

Dull sublunary lovers' love
(Whose soul is sense) cannot admit
Absence, because it doth remove
Those things which elemented it.

But we by a love so much refined
That our selves know not what it is,
Inter-assurèd of the mind,
Care less, eyes, lips, and hands to miss.

Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to aery thinness beat.

If they be two, they are two so
As stiff twin compasses are two;
Thy soul, the fixed foot, makes no show
To move, but doth, if th' other do.

And though it in the centre sit,
Yet when the other far doth roam,
It leans and hearkens after it,
And grows erect, as that comes home.

Such wilt thou be to me, who must
Like th' other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end where I begun.
Written by Edgar Lee Masters | Create an image from this poem

Percival Sharp

 Observe the clasped hands!
Are they hands of farewell or greeting,
Hands that I helped or hands that helped me?
Would it not be well to carve a hand
With an inverted thumb, like Elagabalus?
And yonder is a broken chain,
The weakest-link idea perhaps --
But what was it?
And lambs, some lying down,
Others standing, as if listening to the shepherd --
Others bearing a cross, one foot lifted up --
Why not chisel a few shambles?
And fallen columns! Carve the pedestal, please,
Or the foundations; let us see the cause of the fall.
And compasses and mathematical instruments,
In irony of the under tenants' ignorance
Of determinants and the calculus of variations.
And anchors, for those who never sailed.
And gates ajar -- yes, so they were;
You left them open and stray goats entered your garden.
And an eye watching like one of the Arimaspi --
So did you -- with one eye.
And angels blowing trumpets -- you are heralded --
It is your horn and your angel and your family's estimate.
It is all very well, but for myself I know
I stirred certain vibrations in Spoon River
Which are my true epitaph, more lasting than stone.
Written by Anne Kingsmill Finch | Create an image from this poem

An Invitation to Dafnis

 When such a day, blesst the Arcadian plaine,
Warm without Sun, and shady without rain,
Fann'd by an air, that scarsly bent the flowers,
Or wav'd the woodbines, on the summer bowers,
The Nymphs disorder'd beauty cou'd not fear,
Nor ruffling winds uncurl'd the Shepheards hair,
On the fresh grasse, they trod their measures light,
And a long Evening made, from noon, to night.
Come then my Dafnis, from those cares descend
Which better may the winter season spend.
Come, and the pleasures of the feilds, survey,
And throo' the groves, with your Ardelia stray. 

Reading the softest Poetry, refuse,
To veiw the subjects of each rural muse;
Nor lett the busy compasses go round,
When faery Cercles better mark the ground.
Rich Colours on the Vellum cease to lay,
When ev'ry lawne much nobler can display,
When on the daz'ling poppy may be seen
A glowing red, exceeding your carmine;
And for the blew that o're the Sea is borne,
A brighter rises in our standing corn. 
Come then, my Dafnis, and the feilds survey,
And throo' the groves, with your Ardelia stray. 

Come, and lett Sansons World, no more engage, 
Altho' he gives a Kingdom in a page;
O're all the Vniverse his lines may goe,
And not a clime, like temp'rate brittan show,
Come then, my Dafnis, and her feilds survey,
And throo' the groves, with your Ardelia stray. 

Nor plead that you're immur'd, and cannot yield,
That mighty Bastions keep you from the feild,
Think not tho' lodg'd in Mons, or in Namur,
You're from my dangerous attacks secure.
No, Louis shall his falling Conquests fear, 
When by succeeding Courriers he shall hear
Appollo, and the Muses, are drawn down,
To storm each fort, and take in ev'ry Town. 
Vauban, the Orphean Lyre, to mind shall call,
That drew the stones to the old Theban Wall,
And make no doubt, if itt against him play,
They, from his works, will fly as fast away,
Which to prevent, he shall to peace persuade,
Of strong, confederate Syllables, affraid. 
Come then, my Dafnis, and the fields survey,
And throo' the Groves, with your Ardelia stray. 

Come, and attend, how as we walk along,
Each chearfull bird, shall treat us with a song,
Nott such as Fopps compose, where witt, nor art,
Nor plainer Nature, ever bear a part;
The Cristall springs, shall murmure as we passe,
But not like Courtiers, sinking to disgrace;
Nor, shall the louder Rivers, in their fall, 
Like unpaid Saylers, or hoarse Pleaders brawle;
But all shall form a concert to delight,
And all to peace, and all to love envite.
Come then, my Dafnis, and the feilds survey,
And throo' the Groves, with your Ardelia stray. 

As Baucis and Philemon spent their lives,
Of husbands he, the happyest she, of wives,
When throo' the painted meads, their way they sought,
Harmlesse in act, and unperplext in thought,
Lett us my Dafnis, rural joys persue,
And Courts, or Camps, not ev'n in fancy view.
So, lett us throo' the Groves, my Dafnis stray,
And so, the pleasures of the feilds, survey.


Written by William Blake | Create an image from this poem

The Book of Urizen: Chapter VII

 1. They named the child Orc, he grew
Fed with milk of Enitharmon

2. Los awoke her; O sorrow & pain!
A tight'ning girdle grew,
Around his bosom. In sobbings 
He burst the girdle in twain,
But still another girdle
Opressd his bosom, In sobbings
Again he burst it. Again
Another girdle succeeds 
The girdle was form'd by day;
By night was burst in twain.

3. These falling down on the rock
Into an iron Chain
In each other link by link lock'd 

4. They took Orc to the top of a mountain.
O how Enitharmon wept!
They chain'd his young limbs to the rock
With the Chain of Jealousy
Beneath Urizens deathful shadow 

5. The dead heard the voice of the child
And began to awake from sleep
All things. heard the voice of the child
And began to awake to life.

6. And Urizen craving with hunger 
Stung with the odours of Nature
Explor'd his dens around

7. He form'd a line & a plummet
To divide the Abyss beneath.
He form'd a dividing rule: 

8. He formed scales to weigh;
He formed massy weights;
He formed a brazen quadrant;
He formed golden compasses
And began to explore the Abyss 
And he planted a garden of fruits

9. But Los encircled Enitharmon
With fires of Prophecy
From the sight of Urizen & Orc.

10. And she bore an enormous race
Written by Omar Khayyam | Create an image from this poem

In these twin compasses, O Love, you see

In these twin compasses, O Love, you see
One body with two heads, like you and me,
Which wander round one centre, circlewise.
But at the last in one same point agree.

Book: Reflection on the Important Things