Written by
Kahlil Gibran |
Where are you, my beloved? Are you in that little
Paradise, watering the flowers who look upon you
As infants look upon the breast of their mothers?
Or are you in your chamber where the shrine of
Virtue has been placed in your honor, and upon
Which you offer my heart and soul as sacrifice?
Or amongst the books, seeking human knowledge,
While you are replete with heavenly wisdom?
Oh companion of my soul, where are you? Are you
Praying in the temple? Or calling Nature in the
Field, haven of your dreams?
Are you in the huts of the poor, consoling the
Broken-hearted with the sweetness of your soul, and
Filling their hands with your bounty?
You are God's spirit everywhere;
You are stronger than the ages.
Do you have memory of the day we met, when the halo of
You spirit surrounded us, and the Angels of Love
Floated about, singing the praise of the soul's deed?
Do you recollect our sitting in the shade of the
Branches, sheltering ourselves from Humanity, as the ribs
Protect the divine secret of the heart from injury?
Remember you the trails and forest we walked, with hands
Joined, and our heads leaning against each other, as if
We were hiding ourselves within ourselves?
Recall you the hour I bade you farewell,
And the Maritime kiss you placed on my lips?
That kiss taught me that joining of lips in Love
Reveals heavenly secrets which the tongue cannot utter!
That kiss was introduction to a great sigh,
Like the Almighty's breath that turned earth into man.
That sigh led my way into the spiritual world,
Announcing the glory of my soul; and there
It shall perpetuate until again we meet.
I remember when you kissed me and kissed me,
With tears coursing your cheeks, and you said,
"Earthly bodies must often separate for earthly purpose,
And must live apart impelled by worldly intent.
"But the spirit remains joined safely in the hands of
Love, until death arrives and takes joined souls to God.
"Go, my beloved; Love has chosen you her delegate;
Over her, for she is Beauty who offers to her follower
The cup of the sweetness of life.
As for my own empty arms, your love shall remain my
Comforting groom; you memory, my Eternal wedding.
"
Where are you now, my other self? Are you awake in
The silence of the night? Let the clean breeze convey
To you my heart's every beat and affection.
Are you fondling my face in your memory? That image
Is no longer my own, for Sorrow has dropped his
Shadow on my happy countenance of the past.
Sobs have withered my eyes which reflected your beauty
And dried my lips which you sweetened with kisses.
Where are you, my beloved? Do you hear my weeping
From beyond the ocean? Do you understand my need?
Do you know the greatness of my patience?
Is there any spirit in the air capable of conveying
To you the breath of this dying youth? Is there any
Secret communication between angels that will carry to
You my complaint?
Where are you, my beautiful star? The obscurity of life
Has cast me upon its bosom; sorrow has conquered me.
Sail your smile into the air; it will reach and enliven me!
Breathe your fragrance into the air; it will sustain me!
Where are you, me beloved?
Oh, how great is Love!
And how little am I!
|
Written by
Emily Dickinson |
Speech is one symptom of Affection
And Silence one --
The perfectest communication
Is heard of none --
Exists and its indorsement
Is had within --
Behold, said the Apostle,
Yet had not seen!
|
Written by
Robert Creeley |
You send me your poems,
I'll send you mine.
Things tend to awaken
even through random communication
Let us suddenly
proclaim spring.
And jeer
at the others,
all the others.
I will send a picture too
if you will send me one of you.
|
Written by
Rudyard Kipling |
1901 ".
.
.
and will supply details to guard the Blood River Bridge.
" District Orders-Lines of Communication, South African War.
Sudden the desert changes,
The raw glare softens and clings,
Till the aching Oudtshoorn ranges
Stand up like the thrones of Kings --
Ramparts of slaughter and peril --
Blazing, amazing, aglow --
'Twixt the sky-line's belting beryl
And the wine-dark flats below.
Royal the pageant closes,
Lit by the last of the sun --
Opal and ash-of-roses,
Cinnamon, umber, and dun.
The twilight svallows the thicket,
The starlight reveals the ridge.
The whistle shrills to the picket --
We are changing guard on the bridge.
(Few, forgotten and lonely,
Where the empty metals shine --
No, not combatants-only
Details guarding the line.
)
We slip through the broken panel
Of fence by the ganger's shed;
We drop to the waterless channel
And the lean track overhead;
We stumble on refuse of rations,
The beef and the biscuit-tins;
We take our appointed stations,
And the endless night begins.
We hear the Hottentot herders
As the sheep click past to the fold --
And the click of the restless girders
As the steel contracts in the cold --
Voices of jackals calling
And, loud in the hush between
A morsel of dry earth falling
From the flanks of the scarred ravine.
And the solemn firmament marches,
And the hosts of heaven rise
Framed through the iron arches --
Banded and barred by the ties,
Till we feel the far track humming,
And we see her headlight plain,
And we gather and wait her coming --
The wonderful north-bound train.
(Few, forgotten and lonely,
Where the white car-windows shine --
No, not combatants-only
Details guarding the line.
)
Quick, ere the gift escape us!
Out of the darkness we reach
For a handful of week-old papers
And a mouthful of human speech.
And the monstrous heaven rejoices,
And the earth allows again,
Meetings, greetings, and voices
Of women talking with men.
|
Written by
Ogden Nash |
Oh, "rorty" was a mid-Victorian word
Which meant "fine, splendid, jolly,"
And often to me it has reoccurred
In moments melancholy.
For instance, children, I think it rorty
To be with people over forty.
I can't say which, come eventide,
More tedious I find;
Competing with the juvenile stride,
Or meeting the juvenile mind.
So I think it rorty, yes, and nifty,
To be with people over fifty.
The pidgin talk the youthful use
Bypasses conversation.
I can't believe the code they choose
Is a means of communication.
Oh to be with people over sixty
Despite their tendency to prolixty!
The hours a working parent keeps
Mean less than Latin to them,
Wherefore they disappear in jeeps
Till three and four A.
M.
Oh, to be with people you pour a cup for
Instead of people you have to wait up for!
I've tried to read young mumbling lips
Till I've developed a slant-eye,
And my hearing fails at the constant wails
Of, If I can't, why can't I?
Oh, to be beside a septuagenarian,
Silent upon a peak in Darien!
They don't know Hagen from Bobby Jones,
They never heard of Al Smith,
Even Red Grange is beyond their range,
And Dempsey is a myth.
Oh golly, to gabble upon the shoulder
Of someone my own age, or even older!
I'm tired of defining hadn't oughts.
To opposition mulish,
The thoughts of youth are long long thoughts,
And Jingo! Aren't they foolish!
All which is why, in case you've wondered
I'd like a companion aged one hundred.
|
Written by
William Topaz McGonagall |
Ancient town of Leith, most wonderful to be seen,
With your many handsome buildings, and lovely links so green,
And the first buildings I may mention are the Courthouse and Town Hall,
Also Trinity House, and the Sailors' Home of Call.
Then as for Leith Fort, it was erected in 1779, which is really grand,
And which is now the artillery headquarters in Bonnie Scotland;
And as for the Docks, they are magnificent to see,
They comprise five docks, two piers, 1,141 yards long respectively.
And there's steamboat communication with London and the North of Scotland,
And the fares are really cheap and the accommodation most grand;
Then there's many public works in Leith, such as flour mills,
And chemical works, where medicines are made for curing many ills.
Besides, there are sugar refineries and distilleries,
Also engineer works, saw-mills, rope-works, and breweries,
Where many of the inhabitants are daily employed,
And the wages they receive make their hearts feel overjoyed.
In past times Leith shared the fortunes of Edinboro',
Because if withstood nine months' siege, which caused them great sorrow;
They fought against the Protestants in 1559 and in '60,
But they beat them back manfully and made them flee.
Then there's Bailie Gibson's fish shop, most elegant to be seen,
And the fish he sells there are, beautiful and clean;
And for himself, he is a very good man,
And to deny it there's few people can.
The suburban villas of Leith are elegant and grand,
With accommodation that might suit the greatest lady in the land;
And the air is pure and good for the people's health,
And health, I'm sure, is better by far than wealth.
The Links of Leith are beautiful for golfers to play,
After they have finished the toils of the day;
It is good for their health to play at golf there,
On that very beautiful green, and breathe the pure air.
The old town of Leith is situated at the junction of the River of Leith,
Which springs from the land of heather and heath;
And no part in the Empire is growing so rapidly,
Which the inhabitants of Leith are right glad to see.
And Leith in every way is in itself independent,
And has been too busy to attend to its own adornment;
But I venture to say and also mention
That the authorities to the town will pay more attention.
Ancient town of Leith, I must now conclude my muse,
And to write in praise of thee my pen does not refuse,
Because the inhabitants to me have been very kind,
And I'm sure more generous people would be hard to find.
They are very affable in temper and void of pride,
And I hope God will always for them provide;
May He shower His blessings upon them by land and sea,
Because they have always been very kind to me.
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