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Best Famous Comforts Poems

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Written by Wallace Stevens | Create an image from this poem

Sunday Morning

1
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passion of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.

2
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in the comforts of sun,
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measures destined for her soul.

3
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.

4
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote as heaven's hill, that has endured
As April's green endures; or will endure
Like her rememberance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.

5
She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.

6
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receeding shores
That never touch with inarticulate pang?
Why set the pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.

7
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feet shall manifest.

8
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay."
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsered, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Abiguous undulations as they sink,
Downward to darkness, on extended wings.


Written by Philip Levine | Create an image from this poem

The Negatives

 On March 1, 1958, four deserters from the French Army of North Africa, 
August Rein, Henri Bruette, Jack Dauville, & Thomas Delain, robbed a 
government pay station at Orleansville. Because of the subsequent 
confession of Dauville the other three were captured or shot. Dauville 
was given his freedom and returned to the land of his birth, the U.S.A.

AUGUST REIN: 
from a last camp near St. Remy

 I dig in the soft earth all 
 afternoon, spacing the holes 
 a foot or so from the wall. 
 Tonight we eat potatoes, 
 tomorrow rice and carrots. 
 The earth here is like the earth 
 nowhere, ancient with wood rot. 
 How can anything come forth, 

 I wonder; and the days are 
 all alike, if there is more 
 than one day. If there is more 
 of this I will not endure. 
 I have grown so used to being 
 watched I can no longer sleep 
 without my watcher. The thing 
 I fought against, the dark cape, 

 crimsoned with terror that 
 I so hated comforts me now. 
 Thomas is dead; insanity, 
 prison, cowardice, or slow 
 inner capitulation 
 has found us all, and all men 
 turn from us, knowing our pain 
 is not theirs or caused by them.

HENRI BRUETTE: 
from a hospital in Algiers

 Dear Suzanne: this letter will 
 not reach you because I can't 
 write it; I have no pencil, 
 no paper, only the blunt 
 end of my anger. My dear, 
 if I had words how could I 
 report the imperfect failure 
 for which I began to die? 

 I might begin by saying 
 that it was for clarity, 
 though I did not find it in 
 terror: dubiously 
 entered each act, unsure 
 of who I was and what I 
 did, touching my face for fear 
 I was another inside 

 my head I played back pictures 
 of my childhood, of my wife 
 even, for it was in her 
 I found myself beaten, safe, 
 and furthest from the present. 
 It is her face I see now 
 though all I say is meant 
 for you, her face in the slow 

 agony of sexual 
 release. I cannot see you. 
 The dark wall ribbed with spittle 
 on which I play my childhood 
 brings me to this bed, mastered 
 by what I was, betrayed by 
 those I trusted. The one word 
 my mouth must open to is why.

JACK DAUVILLE: 
from a hotel in Tampa, Florida

 From Orleansville we drove 
 south until we reached the hills, 
 then east until 
 the road stopped. I was nervous 
 and couldn't eat. Thomas took 
 over, told us when to think 
 and when to ****. 
 We turned north and reached Blida 
 by first dawn and the City 

 by morning, having dumped our 
 weapons beside an empty 
 road. We were free. 
 We parted, and to this hour 
 I haven't seen them, except 
 in photographs: the black hair 
 and torn features 
 of Thomas Delain captured 
 a moment before his death 

 on the pages of the world, 
 smeared in the act. I tortured 
 myself with their 
 betrayal: alone I hurled 
 them into freedom, inner 
 freedom which I can't find 
 nor ever will 
 until they are dead. In my mind 
 Delain stands against the wall 

 precise in detail, steadied 
 for the betrayal. "La France 
 C'Est Moi," he cried, 
 but the irony was lost. Since 
 I returned to the U.S. 
 nothing goes well. I stay up 
 too late, don't sleep, 
 and am losing weight. Thomas, 
 I say, is dead, but what use 

 telling myself what I won't 
 believe. The hotel quiets 
 early at night, 
 the aged brace themselves for 
 another sleep, and offshore 
 the sea quickens its pace. I 
 am suddenly 
 old, caught in a strange country 
 for which no man would die.

THOMAS DELAIN: 
from a journal found on his person

 At night wakened by the freight 
 trains boring through the suburbs 
 of Lyon, I watched first light 
 corrode the darkness, disturb 
 what little wildlife was left 
 in the alleys: birds moved from 
 branch to branch, and the dogs leapt 
 at the garbage. Winter numbed 
 even the hearts of the young 
 who had only their hearts. We 
 heard the war coming; the long 
 wait was over, and we moved 
 along the crowded roads south 
 not looking for what lost loves 
 fell by the roadsides. To flee 
 at all cost, that was my youth. 

 Here in the African night 
 wakened by what I do not 
 know and shivering in the heat, 
 listen as the men fight 
 with sleep. Loosed from their weapons 
 they cry out, frightened and young, 
 who have never been children. 
 Once merely to be strong, 
 to live, was moral. Within 
 these uniforms we accept 
 the evil we were chosen 
 to deliver, and no act 
 human or benign can free 
 us from ourselves. Wait, sleep, blind 
 soldiers of a blind will, and 
 listen for that old command 
 dreaming of authority.
Written by Jane Austen | Create an image from this poem

My Dearest Frank I Wish You Joy

 My dearest Frank, I wish you joy
Of Mary's safety with a Boy,
Whose birth has given little pain
Compared with that of Mary Jane.--
May he a growing Blessing prove,
And well deserve his Parents' Love!--
Endow'd with Art's and Nature's Good,
Thy Name possessing with thy Blood,
In him, in all his ways, may we
Another Francis WIlliam see!--
Thy infant days may he inherit,
THey warmth, nay insolence of spirit;--
We would not with one foult dispense
To weaken the resemblance.
May he revive thy Nursery sin,
Peeping as daringly within,
His curley Locks but just descried,
With 'Bet, my be not come to bide.'--
Fearless of danger, braving pain,
And threaten'd very oft in vain,
Still may one Terror daunt his Soul,
One needful engine of Controul
Be found in this sublime array,
A neigbouring Donkey's aweful Bray.
So may his equal faults as Child,
Produce Maturity as mild!
His saucy words and fiery ways
In early Childhood's pettish days,
In Manhood, shew his Father's mind
Like him, considerate and Kind;
All Gentleness to those around,
And anger only not to wound.
Then like his Father too, he must,
To his own former struggles just,
Feel his Deserts with honest Glow,
And all his self-improvement know.
A native fault may thus give birth
To the best blessing, conscious Worth. 
As for ourselves we're very well;
As unaffected prose will tell.--
Cassandra's pen will paint our state,
The many comforts that await
Our Chawton home, how much we find
Already in it, to our mind;
And how convinced, that when complete
It will all other Houses beat
The ever have been made or mended,
With rooms concise, or rooms distended.
You'll find us very snug next year,
Perhaps with Charles and Fanny near,
For now it often does delight us
To fancy them just over-right us.--
Written by Vachel Lindsay | Create an image from this poem

The Tale of the Tiger-Tree

 A Fantasy, dedicated to the little poet Alice Oliver Henderson, ten years old. 

The Fantasy shows how tiger-hearts are the cause of war in all ages. It shows how the mammoth forces may be either friends or enemies of the struggle for peace. It shows how the dream of peace is unconquerable and eternal.


I

Peace-of-the-Heart, my own for long,
Whose shining hair the May-winds fan,
Making it tangled as they can,
A mystery still, star-shining yet,
Through ancient ages known to me
And now once more reborn with me: —

This is the tale of the Tiger Tree
A hundred times the height of a man,
Lord of the race since the world began.

This is my city Springfield,
My home on the breast of the plain.
The state house towers to heaven,
By an arsenal gray as the rain...
And suddenly all is mist,
And I walk in a world apart,
In the forest-age when I first knelt down
At your feet, O Peace-of-the-Heart.

This is the wonder of twilight:
Three times as high as the dome
Tiger-striped trees encircle the town,
Golden geysers of foam.
While giant white parrots sail past in their pride.
The roofs now are clouds and storms that they ride.
And there with the huntsmen of mound-builder days
Through jungle and meadow I stride.
And the Tiger Tree leaf is falling around
As it fell when the world began:
Like a monstrous tiger-skin, stretched on the ground,
Or the cloak of a medicine man.
A deep-crumpled gossamer web,
Fringed with the fangs of a snake.
The wind swirls it down from the leperous boughs.
It shimmers on clay-hill and lake,
With the gleam of great bubbles of blood,
Or coiled like a rainbow shell....
I feast on the stem of the Leaf as I march.
I am burning with Heaven and Hell.


II

The gray king died in his hour.
Then we crowned you, the prophetess wise:
Peace-of-the-Heart we deeply adored
For the witchcraft hid in your eyes.
Gift from the sky, overmastering all,
You sent forth your magical parrots to call
The plot-hatching prince of the tigers,
To your throne by the red-clay wall.

Thus came that genius insane:
Spitting and slinking,
Sneering and vain,
He sprawled to your grassy throne, drunk on The Leaf,
The drug that was cunning and splendor and grief.
He had fled from the mammoth by day,
He had blasted the mammoth by night,
War was his drunkenness,
War was his dreaming,
War was his love and his play.
And he hissed at your heavenly glory
While his councillors snarled in delight,
Asking in irony: "What shall we learn
From this whisperer, fragile and white?"

And had you not been an enchantress
They would not have loitered to mock
Nor spared your white parrots who walked by their paws
With bantering venturesome talk.

You made a white fire of The Leaf.
You sang while the tiger-chiefs hissed.
You chanted of "Peace to the wonderful world."
And they saw you in dazzling mist.
And their steps were no longer insane,
Kindness came down like the rain,
They dreamed that like fleet young ponies they feasted
On succulent grasses and grain.

Then came the black-mammoth chief:
Long-haired and shaggy and great,
Proud and sagacious he marshalled his court:
(You had sent him your parrots of state.)
His trunk in rebellion upcurled,
A curse at the tiger he hurled.
Huge elephants trumpeted there by his side,
And mastodon-chiefs of the world.
But higher magic began.
For the turbulent vassals of man.
You harnessed their fever, you conquered their ire,
Their hearts turned to flowers through holy desire,
For their darling and star you were crowned,
And their raging demons were bound.
You rode on the back of the yellow-streaked king,
His loose neck was wreathed with a mistletoe ring.
Primordial elephants loomed by your side,
And our clay-painted children danced by your path,
Chanting the death of the kingdoms of wrath.
You wrought until night with us all.
The fierce brutes fawned at your call,
Then slipped to their lairs, song-chained.
And thus you sang sweetly, and reigned:
"Immortal is the inner peace, free to beasts and men.
Beginning in the darkness, the mystery will conquer,
And now it comforts every heart that seeks for love again.
And now the mammoth bows the knee,
We hew down every Tiger Tree,
We send each tiger bound in love and glory to his den,
Bound in love...and wisdom...and glory,...to his den."


III

"Beware of the trumpeting swine,"
Came the howl from the northward that night.
Twice-rebel tigers warning was still
If we held not beside them it boded us ill.
From the parrots translating the cry,
And the apes in the trees came the whine:
"Beware of the trumpeting swine.
Beware of the faith of a mammoth."

"Beware of the faith of a tiger,"
Came the roar from the southward that night.
Trumpeting mammoths warning us still
If we held not beside them it boded us ill.
The frail apes wailed to us all,
The parrots reëchoed the call:
"Beware of the faith of a tiger."
From the heights of the forest the watchers could see
The tiger-cats crunching the Leaf of the Tree
Lashing themselves, and scattering foam,
Killing our huntsmen, hurrying home.
The chiefs of the mammoths our mastery spurned,
And eastward restlessly fumed and burned.
The peacocks squalled out the news of their drilling
And told how they trampled, maneuvered, and turned.
Ten thousand man-hating tigers
Whirling down from the north, like a flood!
Ten thousand mammoths oncoming
From the south as avengers of blood!
Our child-queen was mourning, her magic was dead,
The roots of the Tiger Tree reeking with red.


IV

This is the tale of the Tiger Tree
A hundred times the height of a man,
Lord of the race since the world began.

We marched to the mammoths,
We pledged them our steel,
And scorning you, sang: —
"We are men,
We are men."
We mounted their necks,
And they stamped a wide reel.
We sang:
"We are fighting the hell-cats again,
We are mound-builder men,
We are elephant men."
We left you there, lonely,
Beauty your power,
Wisdom your watchman,
To hold the clay tower.
While the black-mammoths boomed —
"You are elephant men,
Men,
Men,
Elephant men."
The dawn-winds prophesied battles untold.
While the Tiger Trees roared of the glories of old,
Of the masterful spirits and hard.

The drunken cats came in their joy
In the sunrise, a glittering wave.
"We are tigers, are tigers," they yowled.
"Down,
Down,
Go the swine to the grave."
But we tramp
Tramp
Trampled them there,
Then charged with our sabres and spears.
The swish of the sabre,
The swish of the sabre,
Was a marvellous tune in our ears.

We yelled "We are men,
We are men."
As we bled to death in the sun....
Then staunched our horrible wounds
With the cry that the battle was won....
And at last,
When the black-mammoth legion
Split the night with their song: —
"Right is braver than wrong,
Right is stronger than wrong,"
The buzzards came taunting:
"Down from the north
Tiger-nations are sweeping along."

Then we ate of the ravening Leaf
As our savage fathers of old.
No longer our wounds made us weak,
No longer our pulses were cold.
Though half of my troops were afoot,
(For the great who had borne them were slain)
We dreamed we were tigers, and leaped
And foamed with that vision insane.
We cried "We are soldiers of doom,
Doom,
Sabres of glory and doom."
We wreathed the king of the mammoths
In the tiger-leaves' terrible bloom.
We flattered the king of the mammoths,
Loud-rattling sabres and spears.
The swish of the sabre,
The swish of the sabre,
Was a marvellous tune in his ears.


V

This was the end of the battle.
The tigers poured by in a tide
Over us all with their caterwaul call,
"We are the tigers,"
They cried.
"We are the sabres,"
They cried.
But we laughed while our blades swept wide,
While the dawn-rays stabbed through the gloom.
"We are suns on fire" was our yell —
"Suns on fire."...
But man-child and mastodon fell,
Mammoth and elephant fell.
The fangs of the devil-cats closed on the world,
Plunged it to blackness and doom.

The desolate red-clay wall
Echoed the parrots' call: —
"Immortal is the inner peace, free to beasts and men.
Beginning in the darkness, the mystery will conquer,
And now it comforts every heart that seeks for love again.
And now the mammoth bows the knee,
We hew down every Tiger Tree,
We send each tiger bound in love and glory to his den,
Bound in love... and wisdom... and glory,... to his den."

A peacock screamed of his beauty
On that broken wall by the trees,
Chiding his little mate,
Spreading his fans in the breeze...
And you, with eyes of a bride,
Knelt on the wall at my side,
The deathless song in your mouth...
A million new tigers swept south...
As we laughed at the peacock, and died.

This is my vision in Springfield:
Three times as high as the dome,
Tiger-striped trees encircle the town,
Golden geysers of foam; —
Though giant white parrots sail past, giving voice,
Though I walk with Peace-of-the-Heart and rejoice.
Written by Rainer Maria Rilke | Create an image from this poem

Duino Elegies

The First Elegy


Who if I cried out would hear me among the angels'
hierarchies? and even if one of them pressed me 
suddenly against his heart: I would be consumed
I that overwhelming existence. For beauty is nothing
but the beginning of terror which we still are just able to endure
and we are so awed because it serenely disdains
to annihilate us. Every angel is terrifying.
And so I hold myself back and swallow the call-note
Of my dark sobbing. Ah whom can we ever turn to
in our need? Not angels not humans
and already the knowing animals are aware
that we are not really at home in
our interpreted world. Perhaps there remains for us
some tree on a hillside which every day we can take
into our vision; there remains for us yesterday's street
and the loyalty of a habit so much at ease
when it stayed with us that it moved in and never left.
Oh and night: there is night when a wind full of infinite space
gnaws at out faces. Whom would it not remain for-that longed-after
mildly disillusioning presence which the solitary heart
so painfully meets. Is it any less difficult for lovers?
But they keep on using each other to hide their own fate.
Don't you know yet? Fling the emptiness out of your arms
Into the spaces we breathe; perhaps the birds
will feel the expanded air with more passionate flying.

Yes-the springtime needed you. Often a star
was waiting for you to notice it. A wave rolled toward you
out of the distant past or as you walked
under an open window a violin
yielded itself to your hearing. All this was mission.
But could you accomplish it? Weren't you always
Distracted by expectation as if every event
announced a beloved? (Where can you find a place
to keep her with all the huge strange thoughts inside you
going and coming and often staying all night.)
But when you feel longing sing of women in love;
for their famous passion is still not immortal. Sing
of women abandoned and desolate (you envy them almost)
who could love so much more purely than those who were gratified.
Begin again and again the never-attainable praising;
remember: the hero lives on; even his downfall was
merely a pretext for achieving his final birth.
But Nature spent and exhausted takes lovers back
into herself as if there were not enough strength
to create them a second time. Have you imagined
Gaspara Stampa intensely enough so that any girl
deserted by her beloved might be inspired
by that fierce example of soaring objectless love
and might say to herself Perhaps I can be like her ?
Shouldn't this most ancient suffering finally grow
more fruitful for us? Isn't it time that we lovingly
freed ourselves from the beloved and quivering endured:
as the arrow endures the bowstring's tension so that
gathered in the snap of release it can be more than
itself. For there is no place where we can remain.

Voices. Voices. Listen my heart as only
Saints have listened: until the gigantic call lifted them
off the ground; yet they kept on impossibly
kneeling and didn't notice at all:
so complete was their listening. Not that you could endure
God's voice-far from it. But listen to the voice of the wind
and the ceaseless message that forms itself out of silence.
It is murmuring toward you now from those who died young.
Didn't their fate whenever you stepped into a church
In Naples or Rome quietly come to address you?
Or high up some eulogy entrusted you with a mission
as last year on the plaque in Santa Maria Formosa.
What they want of me is that I gently remove the appearance
of injustice about their death-which at times
slightly hinders their souls from proceeding onward.
Of course it is strange to inhabit the earth no longer
to give up customs one barely had time to learn
not to see roses and other promising Things
in terms of a human future; no longer to be
what one was in infinitely anxious hands; to leave
even one's own first name behind forgetting it
as easily as a child abandons a broken toy.
Strange to no longer desire one's desires. Strange
to see meanings that clung together once floating away
in every direction. And being dead is hard work
and full of retrieval before one can gradually feel
a trace of eternity. -Though the living are wrong to believe
in the too-sharp distinctions which they themselves have created.
Angels (they say) don't know whether it is the living
they are moving among or the dead. The eternal torrent
whirls all ages along in it through both realms
forever and their voices are drowned out in its thunderous roar.

In the end those who were carried off early no longer need us:
they are weaned from earth's sorrows and joys as gently as children
outgrow the soft breasts of their mothers. But we who do need
such great mysteries we for whom grief is so often
the source of our spirit's growth-: could we exist without them?
Is the legend meaningless that tells how in the lament for Linus
the daring first notes of song pierced through the barren numbness;
and then in the startled space which a youth as lovely as a god
had suddenly left forever the Void felt for the first time
that harmony which now enraptures and comforts and helps us.


Written by John Keats | Create an image from this poem

To Hope

 When by my solitary hearth I sit,
 And hateful thoughts enwrap my soul in gloom;
When no fair dreams before my "mind's eye" flit,
 And the bare heath of life presents no bloom;
 Sweet Hope, ethereal balm upon me shed,
 And wave thy silver pinions o'er my head!

Whene'er I wander, at the fall of night,
 Where woven boughs shut out the moon's bright ray,
Should sad Despondency my musings fright,
 And frown, to drive fair Cheerfulness away,
 Peep with the moonbeams through the leafy roof,
 And keep that fiend Despondence far aloof!

Should Disappointment, parent of Despair,
 Strive for her son to seize my careless heart;
When, like a cloud, he sits upon the air,
 Preparing on his spell-bound prey to dart:
 Chase him away, sweet Hope, with visage bright,
 And fright him as the morning frightens night!

Whene'er the fate of those I hold most dear
 Tells to my fearful breast a tale of sorrow,
O bright-eyed Hope, my morbidfancy cheer;
 Let me awhile thy sweetest comforts borrow:
 Thy heaven-born radiance around me shed,
 And wave thy silver pinions o'er my head!

Should e'er unhappy love my bosom pain,
 From cruel parents, or relentless fair;
O let me think it is not quite in vain
 To sigh out sonnets to the midnight air!
 Sweet Hope, ethereal balm upon me shed,
 And wave thy silver pinions o'er my head!

In the long vista of the years to roll,
 Let me not see our country's honour fade:
O let me see our land retain her soul,
 Her pride, her freedom; and not freedom's shade.
 From thy bright eyes unusual brightness shed---
 Beneath thy pinions canopy my head!

Let me not see the patriot's high bequest,
 Great Liberty! how great in plain attire!
With the base purple of a court oppress'd,
 Bowing her head, and ready to expire:
 But let me see thee stoop from heaven on wings
 That fill the skies with silver glitterings!

And as, in sparkling majesty, a star
 Gilds the bright summit of some gloomy cloud;
Brightening the half veil'd face of heaven afar:
 So, when dark thoughts my boding spirit shroud,
 Sweet Hope, celestial influence round me shed,
 Waving thy silver pinions o'er my head!
Written by Emile Verhaeren | Create an image from this poem

I thought our joy benumbed for ever

I thought our joy benumbed for ever, like a sun faded before it was night, on the day that illness with its leaden arms dragged me heavily towards its chair of weariness.
The flowers and the garden were fear or deception to me; my eyes suffered to see the white noons flaming, and my two hands, my hands, seemed, before their time, too tired to hold captive our trembling happiness.
My desires had become no more than evil weeds; they bit at each other like thistles in the wind; I felt my heart to be at once ice and burning coal and of a sudden dried up and stubborn in forgiveness.
But you said the word that gently comforts, seeking it nowhere else than in your immense love; and I lived with the fire of your word, and at night warmed myself at it until the dawn of day.
The diminished man I felt myself to be, both to myself and all others, did not exist for you; you gathered flowers for me from the window-sill, and, with your faith, I believed in health.
And you brought to me, in the folds of your gown, the keen air, the wind of the fields and forests, and the perfumes of evening or the scents of dawn, and, in your fresh and deep-felt kisses, the sun.
Written by Robert Browning | Create an image from this poem

Rabbi Ben Ezra

 Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
Who saith 'A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!'

Not that, amassing flowers,
Youth sighed 'Which rose make ours,
Which lily leave and then as best recall?'
Not that, admiring stars,
It yearned 'Nor Jove, nor Mars;
Mine be some figured flame which blends, transcends them all!'

Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.

Poor vaunt of life indeed,
Were man but formed to feed
On joy, to solely seek and find and feast:
Such feasting ended, then
As sure an end to men;
Irks care the crop-full bird? Frets doubt the maw-crammed beast?

Rejoice we are allied
To That which doth provide
And not partake, effect and not receive!
A spark disturbs our clod;
Nearer we hold of God
Who gives, than of His tribes that take, I must believe.

Then, welcome each rebuff
That turns earth's smoothness rough,
Each sting that bids nor sit nor stand but go!
Be our joys three-parts pain!
Strive, and hold cheap the strain;
Learn, nor account the pang; dare, never grudge the throe!

For thence,--a paradox
Which comforts while it mocks,--
Shall life succeed in that it seems to fail:
What I aspired to be,
And was not, comforts me:
A brute I might have been, but would not sink i' the scale.

What is he but a brute
Whose flesh has soul to suit,
Whose spirit works lest arms and legs want play?
To man, propose this test--
Thy body at its best,
How far can that project thy soul on its lone way?

Yet gifts should prove their use:
I own the Past profuse
Of power each side, perfection every turn:
Eyes, ears took in their dole,
Brain treasured up the whole;
Should not the heart beat once 'How good to live and learn?'

Not once beat 'Praise be Thine!
I see the whole design,
I, who saw power, see now love perfect too:
Perfect I call Thy plan:
Thanks that I was a man!
Maker, remake, complete,--I trust what Thou shalt do!'

For pleasant is this flesh;
Our soul, in its rose-mesh
Pulled ever to the earth, still yearns for rest;
Would we some prize might hold
To match those manifold
Possessions of the brute,--gain most, as we did best!

Let us not always say,
'Spite of this flesh to-day
I strove, made head, gained ground upon the whole!'
As the bird wings and sings,
Let us cry 'All good things
Are ours, nor soul helps flesh more, now, than flesh helps soul!'

Therefore I summon age
To grant youth's heritage,
Life's struggle having so far reached its term:
Thence shall I pass, approved
A man, for aye removed
From the developed brute; a god though in the germ.

And I shall thereupon
Take rest, ere I be gone
Once more on my adventure brave and new:
Fearless and unperplexed,
When I wage battle next,
What weapons to select, what armour to indue.

Youth ended, I shall try
My gain or loss thereby;
Leave the fire ashes, what survives is gold:
And I shall weigh the same,
Give life its praise or blame:
Young, all lay in dispute; I shall know, being old.

For note, when evening shuts,
A certain moment cuts
The deed off, calls the glory from the grey:
A whisper from the west
Shoots--'Add this to the rest,
Take it and try its worth: here dies another day.'

So, still within this life,
Though lifted o'er its strife,
Let me discern, compare, pronounce at last,
This rage was right i' the main,
That acquiescence vain:
The Future I may face now I have proved the Past.'

For more is not reserved
To man, with soul just nerved
To act to-morrow what he learns to-day:
Here, work enough to watch
The Master work, and catch
Hints of the proper craft, tricks of the tool's true play.

As it was better, youth
Should strive, through acts uncouth,
Toward making, than repose on aught found made:
So, better, age, exempt
From strife, should know, than tempt
Further. Thou waitedst age: wait death nor be afraid!
Enough now, if the Right
And Good and Infinite
Be named here, as thou callest thy hand thine own
With knowledge absolute,
Subject to no dispute
From fools that crowded youth, nor let thee feel alone.

Be there, for once and all,
Severed great minds from small,
Announced to each his station in the Past!
Was I, the world arraigned,
Were they, my soul disdained,
Right? Let age speak the truth and give us peace at last!

Now, who shall arbitrate?
Ten men love what I hate,
Shun what I follow, slight what I receive;
Ten, who in ears and eyes
Match me: we all surmise,
They this thing, and I that: whom shall my soul believe?

Not on the vulgar mass
Called 'work,' must sentence pass,
Things done, that took the eye and had the price;
O'er which, from level stand,
The low world laid its hand,
Found straightway to its mind, could value in a trice:

But all, the world's coarse thumb
And finger failed to plumb,
So passed in making up the main account;
All instincts immature,
All purposes unsure,
That weighed not as his work, yet swelled the man's amount:

Thoughts hardly to be packed
Into a narrow act,
Fancies that broke through language and escaped;
All I could never be,
All, men ignored in me,
This, I was worth to God, whose wheel the pitcher shaped.

Ay, note that Potter's wheel,
That metaphor! and feel
Why time spins fast, why passive lies our clay,--
Thou, to whom fools propound,
When the wine makes its round,
'Since life fleets, all is change; the Past gone, seize to-day!'

Fool! All that is, at all,
Lasts ever, past recall;
Earth changes, but thy soul and God stand sure:
What entered into thee,
That was, is, and shall be:
Time's wheel runs back or stops: Potter and clay endure.

He fixed thee mid this dance
Of plastic circumstance,
This Present, thou, forsooth, wouldst fain arrest:
Machinery just meant
To give thy soul its bent,
Try thee and turn thee forth, sufficiently impressed.

What though the earlier grooves,
Which ran the laughing loves
Around thy base, no longer pause and press?
What though, about thy rim,
Skull-things in order grim
Grow out, in graver mood, obey the sterner stress?

Look not thou down but up!
To uses of a cup,
The festal board, lamp's flash and trumpet's peal,
The new wine's foaming flow,
The Master's lips a-glow!
Thou, heaven's consummate cup, what need'st thou with earth's wheel?

But I need, now as then,
Thee, God, who mouldest men;
And since, not even while the whirl was worst,
Did I,--to the wheel of life
With shapes and colours rife,
Bound dizzily,--mistake my end, to slake Thy thirst:

So, take and use Thy work:
Amend what flaws may lurk,
What strain o' the stuff, what warpings past the aim!
My times be in Thy hand!
Perfect the cup as planned!
Let age approve of youth, and death complete the same!
Written by Ann Taylor | Create an image from this poem

A True Story

 Little Ann and her mother were walking one day
Through London's wide city so fair,
And business obliged them to go by the way
That led them through Cavendish Square. 
And as they pass'd by the great house of a Lord,
A beautiful chariot there came,
To take some most elegant ladies abroad, 
Who straightway got into the same. 

The ladies in feathers and jewels were seen,
The chariot was painted all o'er, 
The footmen behind were in silver and green,
The horses were prancing before. 

Little Ann by her mother walk'd silent and sad,
A tear trickled down from her eye, 
Till her mother said, "Ann, I should be very glad
To know what it is makes you cry. " 

"Mamma," said the child, "see that carriage so fair, 
All cover'd with varnish and gold, 
Those ladies are riding so charmingly there
While we have to walk in the cold. 

"You say GOD is kind to the folks that are good,
But surely it cannot be true; 
Or else I am certain, almost, that He would
Give such a fine carriage to you. " 

"Look there, little girl," said her mother, "and see
What stands at that very coach door;
A poor ragged beggar, and listen how she
A halfpenny tries to implore. 

"All pale is her face, and deep sunk is her eye,
And her hands look like skeleton's bones;
She has got a few rags, just about her to tie,
And her naked feet bleed on the stones. " 

'Dear ladies,' she cries, and the tears trickle down, 
'Relieve a poor beggar, I pray;
I've wander'd all hungry about this wide town,
And not ate a morsel to-day. 

'My father and mother are long ago dead,
My brother sails over the sea, 
And I've scarcely a rag, or a morsel of bread,
As plainly, I'm sure, you may see. 

'A fever I caught, which was terrible bad, 
But no nurse or physic had I; 
An old dirty shed was the house that I had,
And only on straw could I lie. 

'And now that I'm better, yet feeble and faint, 
And famish'd, and naked, and cold,
I wander about with my grievous complaint, 
And seldom get aught but a scold. 

'Some will not attend to my pitiful call,
Some think me a vagabond cheat;
And scarcely a creature relieves me, of all
The thousands that traverse the street. 

'Then ladies, dear ladies, your pity bestow:'­
Just then a tall footman came round,
And asking the ladies which way they would go,
The chariot turn'd off with a bound. 

"Ah! see, little girl," then her mother replied,
"How foolish those murmurs have been;
You have but to look on the contrary side,
To learn both your folly and sin. 

"This poor little beggar is hungry and cold,
No mother awaits her return;
And while such an object as this you behold,
Your heart should with gratitude burn. 

"Your house and its comforts, your food and your friends,
'Tis favour in GOD to confer, 
Have you any claim to the bounty He sends, 
Who makes you to differ from her? 

"A coach, and a footman, and gaudy attire,
Give little true joy to the breast; 
To be good is the thing you should chiefly desire,
And then leave to GOD all the rest. "
Written by Jane Taylor | Create an image from this poem

The Disappointment

 In tears to her mother poor Harriet came, 
Let us listen to hear what she says:
"O see, dear mamma, it is pouring with rain, 
We cannot go out in the chaise. 

"All the week I have long'd for this holiday so, 
And fancied the minutes were hours; 
And now that I'm dress'd and all ready to go, 
Do look at those terrible showers! " 

"I'm sorry, my dear, " her kind mother replied, 
The rain disappoints us to-day; 
But sorrow still more that you fret for a ride, 
In such an extravagant way. 

"These slight disappointments are sent to prepare
For what may hereafter befall; 
For seasons of real disappointment and care, 
Which commonly happen to all. 

"For just like to-day with its holiday lost,
Is life and its comforts at best: 
Our pleasures are blighted, our purposes cross'd, 
To teach us it is not our rest. 

"And when those distresses and crosses appear, 
With which you may shortly be tried, 
You'll wonder that ever you wasted a tear
On merely the loss of a ride. 

"But though the world's pleasures are fleeting and vain, 
Religion is lasting and true; 
Real pleasure and peace in her paths you may gain, 
Nor will disappointment ensue. "

Book: Radiant Verses: A Journey Through Inspiring Poetry