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Best Famous Combine Poems

Here is a collection of the all-time best famous Combine poems. This is a select list of the best famous Combine poetry. Reading, writing, and enjoying famous Combine poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of combine poems.

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Written by William Blake | Create an image from this poem

Love and Harmony

 Love and harmony combine,
And round our souls entwine
While thy branches mix with mine,
And our roots together join.
Joys upon our branches sit, Chirping loud and singing sweet; Like gentle streams beneath our feet Innocence and virtue meet.
Thou the golden fruit dost bear, I am clad in flowers fair; Thy sweet boughs perfume the air, And the turtle buildeth there.
There she sits and feeds her young, Sweet I hear her mournful song; And thy lovely leaves among, There is love, I hear his tongue.
There his charming nest doth lay, There he sleeps the night away; There he sports along the day, And doth among our branches play.


Written by George Herbert | Create an image from this poem

Easter Wings

 Lord, who createdst man in wealth and store,
  Though foolishly he lost the same,
   Decaying more and more,
     Till he became
      Most poor:
      With thee
     O let me rise
    As larks, harmoniously, 
  And sing this day thy victories:
 Then shall the fall further the flight in me.
My tender age in sorrow did begin: And still with sicknesses and shame Thou didst so punish sin, That I became Most thin.
With thee Let me combine And feel this day thy victory: For, if I imp my wing on thine, Affliction shall advance the flight in me.
Written by Vachel Lindsay | Create an image from this poem

The Chinese Nightingale

 A Song in Chinese Tapestries


"How, how," he said.
"Friend Chang," I said, "San Francisco sleeps as the dead— Ended license, lust and play: Why do you iron the night away? Your big clock speaks with a deadly sound, With a tick and a wail till dawn comes round.
While the monster shadows glower and creep, What can be better for man than sleep?" "I will tell you a secret," Chang replied; "My breast with vision is satisfied, And I see green trees and fluttering wings, And my deathless bird from Shanghai sings.
" Then he lit five fire-crackers in a pan.
"Pop, pop," said the fire-crackers, "cra-cra-crack.
" He lit a joss stick long and black.
Then the proud gray joss in the corner stirred; On his wrist appeared a gray small bird, And this was the song of the gray small bird: "Where is the princess, loved forever, Who made Chang first of the kings of men?" And the joss in the corner stirred again; And the carved dog, curled in his arms, awoke, Barked forth a smoke-cloud that whirled and broke.
It piled in a maze round the ironing-place, And there on the snowy table wide Stood a Chinese lady of high degree, With a scornful, witching, tea-rose face.
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Yet she put away all form and pride, And laid her glimmering veil aside With a childlike smile for Chang and for me.
The walls fell back, night was aflower, The table gleamed in a moonlit bower, While Chang, with a countenance carved of stone, Ironed and ironed, all alone.
And thus she sang to the busy man Chang: "Have you forgotten.
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Deep in the ages, long, long ago, I was your sweetheart, there on the sand— Storm-worn beach of the Chinese land? We sold our grain in the peacock town Built on the edge of the sea-sands brown— Built on the edge of the sea-sands brown.
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"When all the world was drinking blood From the skulls of men and bulls And all the world had swords and clubs of stone, We drank our tea in China beneath the sacred spice-trees, And heard the curled waves of the harbor moan.
And this gray bird, in Love's first spring, With a bright-bronze breast and a bronze-brown wing, Captured the world with his carolling.
Do you remember, ages after, At last the world we were born to own? You were the heir of the yellow throne— The world was the field of the Chinese man And we were the pride of the Sons of Han? We copied deep books and we carved in jade, And wove blue silks in the mulberry shade.
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" "I remember, I remember That Spring came on forever, That Spring came on forever," Said the Chinese nightingale.
My heart was filled with marvel and dream, Though I saw the western street-lamps gleam, Though dawn was bringing the western day, Though Chang was a laundryman ironing away.
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Mingled there with the streets and alleys, The railroad-yard and the clock-tower bright, Demon clouds crossed ancient valleys; Across wide lotus-ponds of light I marked a giant firefly's flight.
And the lady, rosy-red, Flourished her fan, her shimmering fan, Stretched her hand toward Chang, and said: "Do you remember, Ages after, Our palace of heart-red stone? Do you remember The little doll-faced children With their lanterns full of moon-fire, That came from all the empire Honoring the throne?— The loveliest fête and carnival Our world had ever known? The sages sat about us With their heads bowed in their beards, With proper meditation on the sight.
Confucius was not born; We lived in those great days Confucius later said were lived aright.
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And this gray bird, on that day of spring, With a bright bronze breast, and a bronze-brown wing, Captured the world with his carolling.
Late at night his tune was spent.
Peasants, Sages, Children, Homeward went, And then the bronze bird sang for you and me.
We walked alone.
Our hearts were high and free.
I had a silvery name, I had a silvery name, I had a silvery name — do you remember The name you cried beside the tumbling sea?" Chang turned not to the lady slim— He bent to his work, ironing away; But she was arch, and knowing and glowing, And the bird on his shoulder spoke for him.
"Darling .
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darling .
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darling .
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darling .
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" Said the Chinese nightingale.
The great gray joss on a rustic shelf, Rakish and shrewd, with his collar awry, Sang impolitely, as though by himself, Drowning with his bellowing the nightingale's cry: "Back through a hundred, hundred years Hear the waves as they climb the piers, Hear the howl of the silver seas, Hear the thunder.
Hear the gongs of holy China How the waves and tunes combine In a rhythmic clashing wonder, Incantation old and fine: `Dragons, dragons, Chinese dragons, Red fire-crackers, and green fire-crackers, And dragons, dragons, Chinese dragons.
'" Then the lady, rosy-red, Turned to her lover Chang and said: "Dare you forget that turquoise dawn When we stood in our mist-hung velvet lawn, And worked a spell this great joss taught Till a God of the Dragons was charmed and caught? From the flag high over our palace home He flew to our feet in rainbow-foam — A king of beauty and tempest and thunder Panting to tear our sorrows asunder.
A dragon of fair adventure and wonder.
We mounted the back of that royal slave With thoughts of desire that were noble and grave.
We swam down the shore to the dragon-mountains, We whirled to the peaks and the fiery fountains.
To our secret ivory house we were bourne.
We looked down the wonderful wing-filled regions Where the dragons darted in glimmering legions.
Right by my breast the nightingale sang; The old rhymes rang in the sunlit mist That we this hour regain — Song-fire for the brain.
When my hands and my hair and my feet you kissed, When you cried for your heart's new pain, What was my name in the dragon-mist, In the rings of rainbowed rain?" "Sorrow and love, glory and love," Said the Chinese nightingale.
"Sorrow and love, glory and love," Said the Chinese nightingale.
And now the joss broke in with his song: "Dying ember, bird of Chang, Soul of Chang, do you remember? — Ere you returned to the shining harbor There were pirates by ten thousand Descended on the town In vessels mountain-high and red and brown, Moon-ships that climbed the storms and cut the skies.
On their prows were painted terrible bright eyes.
But I was then a wizard and a scholar and a priest; I stood upon the sand; With lifted hand I looked upon them And sunk their vessels with my wizard eyes, And the stately lacquer-gate made safe again.
Deep, deep below the bay, the sea-weed and the spray, Embalmed in amber every pirate lies, Embalmed in amber every pirate lies.
" Then this did the noble lady say: "Bird, do you dream of our home-coming day When you flew like a courier on before From the dragon-peak to our palace-door, And we drove the steed in your singing path— The ramping dragon of laughter and wrath: And found our city all aglow, And knighted this joss that decked it so? There were golden fishes in the purple river And silver fishes and rainbow fishes.
There were golden junks in the laughing river, And silver junks and rainbow junks: There were golden lilies by the bay and river, And silver lilies and tiger-lilies, And tinkling wind-bells in the gardens of the town By the black-lacquer gate Where walked in state The kind king Chang And his sweet-heart mate.
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With his flag-born dragon And his crown of pearl.
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and.
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jade, And his nightingale reigning in the mulberry shade, And sailors and soldiers on the sea-sands brown, And priests who bowed them down to your song— By the city called Han, the peacock town, By the city called Han, the nightingale town, The nightingale town.
" Then sang the bird, so strangely gay, Fluttering, fluttering, ghostly and gray, A vague, unravelling, final tune, Like a long unwinding silk cocoon; Sang as though for the soul of him Who ironed away in that bower dim: — "I have forgotten Your dragons great, Merry and mad and friendly and bold.
Dim is your proud lost palace-gate.
I vaguely know There were heroes of old, Troubles more than the heart could hold, There were wolves in the woods Yet lambs in the fold, Nests in the top of the almond tree.
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The evergreen tree.
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and the mulberry tree.
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Life and hurry and joy forgotten, Years on years I but half-remember.
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Man is a torch, then ashes soon, May and June, then dead December, Dead December, then again June.
Who shall end my dream's confusion? Life is a loom, weaving illusion.
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I remember, I remember There were ghostly veils and laces.
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In the shadowy bowery places.
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With lovers' ardent faces Bending to one another, Speaking each his part.
They infinitely echo In the red cave of my heart.
`Sweetheart, sweetheart, sweetheart.
' They said to one another.
They spoke, I think, of perils past.
They spoke, I think, of peace at last.
One thing I remember: Spring came on forever, Spring came on forever," Said the Chinese nightingale.
Written by Francesco Petrarch | Create an image from this poem

CANZONE VIII

CANZONE VIII.

Vergine bella che di sol vestita.

TO THE VIRGIN MARY.

Beautiful Virgin! clothed with the sun,
Crown'd with the stars, who so the Eternal Sun
Well pleasedst that in thine his light he hid;
Love pricks me on to utter speech of thee,
And—feeble to commence without thy aid—
Of Him who on thy bosom rests in love.
Her I invoke who gracious still replies
To all who ask in faith,
Virgin! if ever yet
The misery of man and mortal things
To mercy moved thee, to my prayer incline;
Help me in this my strife,
Though I am but of dust, and thou heaven's radiant Queen!
Wise Virgin! of that lovely number one
Of Virgins blest and wise,
Even the first and with the brightest lamp:
O solid buckler of afflicted hearts!
'Neath which against the blows of Fate and Death,
Not mere deliverance but great victory is;
Relief from the blind ardour which consumes
Vain mortals here below!
Virgin! those lustrous eyes,
Which tearfully beheld the cruel prints
In the fair limbs of thy beloved Son,
Ah! turn on my sad doubt,
Who friendless, helpless thus, for counsel come to thee!
[Pg 319]O Virgin! pure and perfect in each part,
Maiden or Mother, from thy honour'd birth,
This life to lighten and the next adorn;
O bright and lofty gate of open'd heaven!
By thee, thy Son and His, the Almighty Sire,
In our worst need to save us came below:
And, from amid all other earthly seats,
Thou only wert elect,
Virgin supremely blest!
The tears of Eve who turnedst into joy;
Make me, thou canst, yet worthy of his grace,
O happy without end,
Who art in highest heaven a saint immortal shrined.
O holy Virgin! full of every good,
Who, in humility most deep and true,
To heaven art mounted, thence my prayers to hear,
That fountain thou of pity didst produce,
That sun of justice light, which calms and clears
Our age, else clogg'd with errors dark and foul.
Three sweet and precious names in thee combine,
Of mother, daughter, wife,
Virgin! with glory crown'd,
Queen of that King who has unloosed our bonds,
And free and happy made the world again,
By whose most sacred wounds,
I pray my heart to fix where true joys only are!
Virgin! of all unparallel'd, alone,
Who with thy beauties hast enamour'd Heaven,
Whose like has never been, nor e'er shall be;
For holy thoughts with chaste and pious acts
To the true God a sacred living shrine
In thy fecund virginity have made:
By thee, dear Mary, yet my life may be
Happy, if to thy prayers,
O Virgin meek and mild!
Where sin abounded grace shall more abound!
With bended knee and broken heart I pray
That thou my guide wouldst be,
And to such prosperous end direct my faltering way.
[Pg 320]Bright Virgin! and immutable as bright,
O'er life's tempestuous ocean the sure star
Each trusting mariner that truly guides,
Look down, and see amid this dreadful storm
How I am tost at random and alone,
And how already my last shriek is near,
Yet still in thee, sinful although and vile,
My soul keeps all her trust;
Virgin! I thee implore
Let not thy foe have triumph in my fall;
Remember that our sin made God himself,
To free us from its chain,
Within thy virgin womb our image on Him take!
Virgin! what tears already have I shed,
Cherish'd what dreams and breathed what prayers in vain
But for my own worse penance and sure loss;
Since first on Arno's shore I saw the light
Till now, whate'er I sought, wherever turn'd,
My life has pass'd in torment and in tears,
For mortal loveliness in air, act, speech,
Has seized and soil'd my soul:
O Virgin! pure and good,
Delay not till I reach my life's last year;
Swifter than shaft and shuttle are, my days
'Mid misery and sin
Have vanish'd all, and now Death only is behind!
Virgin! She now is dust, who, living, held
My heart in grief, and plunged it since in gloom;
She knew not of my many ills this one,
And had she known, what since befell me still
Had been the same, for every other wish
Was death to me and ill renown for her;
But, Queen of Heaven, our Goddess—if to thee
Such homage be not sin—
Virgin! of matchless mind,
Thou knowest now the whole; and that, which else
No other can, is nought to thy great power:
Deign then my grief to end,
Thus honour shall be thine, and safe my peace at last!
[Pg 321]Virgin! in whom I fix my every hope,
Who canst and will'st assist me in great need,
Forsake me not in this my worst extreme,
Regard not me but Him who made me thus;
Let his high image stamp'd on my poor worth
Towards one so low and lost thy pity move:
Medusa spells have made me as a rock
Distilling a vain flood;
Virgin! my harass'd heart
With pure and pious tears do thou fulfil,
That its last sigh at least may be devout,
And free from earthly taint,
As was my earliest vow ere madness fill'd my veins!
Virgin! benevolent, and foe of pride,
Ah! let the love of our one Author win,
Some mercy for a contrite humble heart:
For, if her poor frail mortal dust I loved
With loyalty so wonderful and long,
Much more my faith and gratitude for thee.
From this my present sad and sunken state
If by thy help I rise,
Virgin! to thy dear name
I consecrate and cleanse my thoughts, speech, pen,
My mind, and heart with all its tears and sighs;
Point then that better path,
And with complacence view my changed desires at last.
The day must come, nor distant far its date,
Time flies so swift and sure,
O peerless and alone!
When death my heart, now conscience struck, shall seize:
Commend me, Virgin! then to thy dear Son,
True God and Very Man,
That my last sigh in peace may, in his arms, be breathed!
Macgregor.
PETRARCH'S HOUSE AT ARQUA.<br>
PETRARCH'S HOUSE AT ARQUA.
Written by Andrew Barton Paterson | Create an image from this poem

The Incantation

 Scene: Federal Political Arena 
A darkened cave.
In the middle, a cauldron, boiling.
Enter the three witches.
1ST WITCH: Thrice hath the Federal Jackass brayed.
2ND WITCH: Once the Bruce-Smith War-horse neighed.
3RD WITCH: So Georgie comes, 'tis time, 'tis time, Around the cauldron to chant our rhyme.
1ST WITCH: In the cauldron boil and bake Fillet of a tariff snake, Home-made flannels -- mostly cotton, Apples full of moths, and rotten, Lamb that perished in the drought, Starving stock from "furthest out", Drops of sweat from cultivators, Sweating to feed legislators.
Grime from a white stoker's nob, Toiling at a ******'s job.
Thus the great Australian Nation, Seeks political salvation.
ALL: Double, double, toil and trouble, Fire burn, and cauldron bubble.
2ND WITCH: Heel-taps from the threepenny bars, Ash from Socialist cigars.
Leathern tongue of boozer curst With the great Australian thirst, Two-up gambler keeping dark, Loafer sleeping in the park -- Drop them in to prove the sequel, All men are born free and equal.
ALL: Double, double, toil and trouble, Fire burn, and cauldron bubble.
3RD WITCH:Lung of Labour agitator, Gall of Isaacs turning traitor; Spleen that Kingston has revealed, Sawdust stuffing out of Neild; Mix them up, and then combine With duplicity of Lyne, Alfred Deakin's gift of gab, Mix the gruel thick and slab.
ALL: Double, double, toil and trouble, Heav'n help Australia in her trouble.
HECATE: Oh, well done, I commend your pains, And everyone shall share i' the gains, And now about the cauldron sing, Enchanting all that you put in.
Round about the cauldron go, In the People's rights we'll throw, Cool it with an Employer's blood, Then the charm stands firm and good, And thus with chaos in possession, Ring in the coming Fed'ral Session.


Written by Robert Browning | Create an image from this poem

Abt Vogler

 Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound, at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,--alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,--
Should rush into sight at once as he named the ineffable Name,
And pile him a palace straight, to pleasure the princess he loved!

Would it might tarry like his, the beautiful building of mine,
This which my keys in a crowd pressed and importuned to raise!
Ah, one and all, how they helped, would dispart now and now combine,
Zealous to hasten the work, heighten their master his praise!
And one would bury his brow with a blind plunge down to hell,
Burrow awhile and build, broad on the roots of things,
Then up again swim into sight, having based me my palace well,
Founded it, fearless of flame, flat on the nether springs.
And another would mount and march, like the excellent minion he was, Ay, another and yet another, one crowd but with many a crest, Raising my rampired walls of gold as transparent as glass, Eager to do and die, yield each his place to the rest: For higher still and higher (as a runner tips with fire, When a great illumination surprises a festal night-- Outlining round and round Rome's dome from space to spire) Up, the pinnacled glory reached, and the pride of my soul was in sight.
In sight? Not half! for it seemed, it was certain, to match man's birth, Nature in turn conceived, obeying an impulse as I; And the emulous heaven yearned down, made effort to reach the earth, As the earth had done her best, in my passion, to scale the sky: Novel splendours burst forth, grew familiar and dwelt with mine, Not a point nor peak but found and fixed its wandering star; Meteor-moons, balls of blaze: and they did not pale nor pine, For earth had attained to heaven, there was no more near nor far.
Nay more; for there wanted not who walked in the glare and glow, Presences plain in the place; or, fresh from the Protoplast, Furnished for ages to come, when a kindlier wind should blow, Lured now to begin and live, in a house to their liking at last; Or else the wonderful Dead who have passed through the body and gone, But were back once more to breathe in an old world worth their new: What never had been, was now; what was, as it shall be anon; And what is,--shall I say, matched both? for I was made perfect too.
All through my keys that gave their sounds to a wish of my soul, All through my soul that praised as its wish flowed visibly forth, All through music and me! For think, had I painted the whole, Why, there it had stood, to see, nor the process so wonder-worth: Had I written the same, made verse--still, effect proceeds from cause, Ye know why the forms are fair, ye hear how the tale is told; It is all triumphant art, but art in obedience to laws, Painter and poet are proud in the artist-list enrolled:-- But here is the finger of God, a flash of the will that can, Existent behind all laws, that made them and, lo, they are! And I know not if, save in this, such gift be allowed to man, That out of three sounds he frame, not a fourth sound, but a star.
Consider it well: each tone of our scale in itself is nought; It is everywhere in the world--loud, soft, and all is said: Give it to me to use! I mix it with two in my thought: And, there! Ye have heard and seen: consider and bow the head! Well, it is gone at last, the palace of music I reared; Gone! and the good tears start, the praises that come too slow; For one is assured at first, one scarce can say that he feared, That he even gave it a thought, the gone thing was to go.
Never to be again! But many more of the kind As good, nay, better, perchance: is this your comfort to me? To me, who must be saved because I cling with my mind To the same, same self, same love, same God: ay, what was, shall be.
Therefore to whom turn I but to thee, the ineffable Name? Builder and maker, thou, of houses not made with hands! What, have fear of change from thee who art ever the same? Doubt that thy power can fill the heart that thy power expands? There shall never be one lost good! What was, shall live as before; The evil is null, is nought, is silence implying sound; What was good shall be good, with, for evil, so much good more; On the earth the broken arcs; in the heaven, a perfect round.
All we have willed or hoped or dreamed of good shall exist; Not its semblance, but itself; no beauty, nor good, nor power Whose voice has gone forth, but each survives for the melodist When eternity affirms the conception of an hour.
The high that proved too high, the heroic for earth too hard, The passion that left the ground to lose itself in the sky, Are music sent up to God by the lover and the bard; Enough that he heard it once: we shall hear it by and by.
And what is our failure here but a triumph's evidence For the fulness of the days? Have we withered or agonized? Why else was the pause prolonged but that singing might issue thence? Why rushed the discords in, but that harmony should be prized? Sorrow is hard to bear, and doubt is slow to clear, Each sufferer says his say, his scheme of the weal and woe: But God has a few of us whom he whispers in the ear; The rest may reason and welcome; 'tis we musicians know.
Well, it is earth with me; silence resumes her reign: I will be patient and proud, and soberly acquiesce.
Give me the keys.
I feel for the common chord again, Sliding by semitones till I sink to the minor,--yes, And I blunt it into a ninth, and I stand on alien ground, Surveying awhile the heights I rolled from into the deep; Which, hark, I have dared and done, for my resting-place is found, The C Major of this life: so, now I will try to sleep.
Written by Robert William Service | Create an image from this poem

The Ballad Of Lenins Tomb

 This is the yarn he told me
 As we sat in Casey's Bar,
 That Rooshun mug who scammed from the jug
 In the Land of the Crimson Star;
 That Soviet guy with the single eye,
 And the face like a flaming scar.
Where Lenin lies the red flag flies, and the rat-grey workers wait To tread the gloom of Lenin's Tomb, where the Comrade lies in state.
With lagging pace they scan his face, so weary yet so firm; For years a score they've laboured sore to save him from the worm.
The Kremlin walls are grimly grey, but Lenin's Tomb is red, And pilgrims from the Sour Lands say: "He sleeps and is not dead.
" Before their eyes in peace he lies, a symbol and a sign, And as they pass that dome of glass they see - a God Divine.
So Doctors plug him full of dope, for if he drops to dust, So will collapse their faith and hope, the whole combine will bust.
But say, Tovarich; hark to me .
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a secret I'll disclose, For I did see what none did see; I know what no one knows.
I was a Cheko terrorist - Oh I served the Soviets well, Till they put me down on the bone-yard list, for the fear that I might tell; That I might tell the thing I saw, and that only I did see, They held me in quod with a firing squad to make a corpse of me.
But I got away, and here today I'm telling my tale to you; Though it may sound weird, by Lenin's beard, so help me God it's true.
I slouched across that great Red Square, and watched the waiting line.
The mongrel sons of Marx were there, convened to Lenin's shrine; Ten thousand men of Muscovy, Mongol and Turkoman, Black-bonnets of the Aral Sea and Tatars of Kazan.
Kalmuck and Bashkir, Lett and Finn, Georgian, Jew and Lapp, Kirghiz and Kazakh, crowding in to gaze at Lenin's map.
Aye, though a score of years had run I saw them pause and pray, As mourners at the Tomb of one who died but yesterday.
I watched them in a bleary daze of bitterness and pain, For oh, I missed the cheery blaze of vodka in my brain.
I stared, my eyes were hypnotized by that saturnine host, When with a start that shook my heart I saw - I saw a ghost.
As in foggèd glass I saw him pass, and peer at me and grin - A man I knew, a man I slew, Prince Boris Mazarin.
Now do not think because I drink I love the flowing bowl; But liquor kills remorse and stills the anguish of the soul.
And there's so much I would forget, stark horrors I have seen, Faces and forms that haunt me yet, like shadows on a screen.
And of these sights that mar my nights the ghastliest by far Is the death of Boris Mazarin, that soldier of the Czar.
A mighty nobleman was he; we took him by surprise; His mother, son and daughters three we slew before his eyes.
We tortured him, with jibes and threats; then mad for glut of gore, Upon our reeking bayonets we nailed him to the door.
But he defied us to the last, crying: "O carrion crew! I'd die with joy could I destroy a hundred dogs like you.
" I thrust my sword into his throat; the blade was gay with blood; We flung him to his castle moat, and stamped him in its mud.
That mighty Cossack of the Don was dead with all his race.
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And now I saw him coming on, dire vengeance in his face.
(Or was it some fantastic dream of my besotted brain?) He looked at me with eyes a-gleam, the man whom I had slain.
He looked and bade me follow him; I could not help but go; I joined the throng that passed along, so sorrowful and slow.
I followed with a sense of doom that shadow gaunt and grim; Into the bowels of the Tomb I followed, followed him.
The light within was weird and dim, and icy cold the air; My brow was wet with bitter sweat, I stumbled on the stair.
I tried to cry; my throat was dry; I sought to grip his arm; For well I knew this man I slew was there to do us harm.
Lo! he was walking by my side, his fingers clutched my own, This man I knew so well had died, his hand was naked bone.
His face was like a skull, his eyes were caverns of decay .
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And so we came to the crystal frame where lonely Lenin lay.
Without a sound we shuffled round> I sought to make a sign, But like a vice his hand of ice was biting into mine.
With leaden pace around the place where Lenin lies at rest, We slouched, I saw his bony claw go fumbling to his breast.
With ghastly grin he groped within, and tore his robe apart, And from the hollow of his ribs he drew his blackened heart.
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Ah no! Oh God! A bomb, a BOMB! And as I shrieked with dread, With fiendish cry he raised it high, and .
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swung at Lenin's head.
Oh I was blinded by the flash and deafened by the roar, And in a mess of bloody mash I wallowed on the floor.
Then Alps of darkness on me fell, and when I saw again The leprous light 'twas in a cell, and I was racked with pain; And ringèd around by shapes of gloom, who hoped that I would die; For of the crowd that crammed the Tomb the sole to live was I.
They told me I had dreamed a dream that must not be revealed, But by their eyes of evil gleam I knew my doom was sealed.
I need not tell how from my cell in Lubianka gaol, I broke away, but listen, here's the point of all my tale.
.
.
.
Outside the "Gay Pay Oo" none knew of that grim scene of gore; They closed the Tomb, and then they threw it open as before.
And there was Lenin, stiff and still, a symbol and a sign, And rancid races come to thrill and wonder at his Shrine; And hold the thought: if Lenin rot the Soviets will decay; And there he sleeps and calm he keeps his watch and ward for aye.
Yet if you pass that frame of glass, peer closely at his phiz, So stern and firm it mocks the worm, it looks like wax .
.
.
and is.
They tell you he's a mummy - don't you make that bright mistake: I tell you - he's a dummy; aye, a fiction and a fake.
This eye beheld the bloody bomb that bashed him on the bean.
I heard the crash, I saw the flash, yet .
.
.
there he lies serene.
And by the roar that rocked the Tomb I ask: how could that be? But if you doubt that deed of doom, just go yourself and see.
You think I'm mad, or drunk, or both .
.
.
Well, I don't care a damn: I tell you this: their Lenin is a waxen, show-case SHAM.
Such was the yarn he handed me, Down there in Casey's Bar, That Rooshun bug with the scrambled mug From the land of the Commissar.
It may be true, I leave it you To figger out how far.
Written by Robert William Service | Create an image from this poem

My Holiday

 I love the cheery bustle
Of children round the house,
The tidy maids a-hustle,
The chatter of my spouse;
The laughter and the singing,
The joy on every face:
With frequent laughter ringing,
O, Home's a happy place!

Aye, Home's a bit of heaven;
I love it every day;
My line-up of eleven
Combine to make it gay;
Yet when in June they're leaving
For Sandport by the sea,
By rights I should be grieving,
But gosh! I just fell free.
I'm left with parting kisses, The guardian of the house; The romp, it's true, one misses, I'm quiet as a mouse.
In carpet slippers stealing From room to room alone I get the strangest feeling The place is all my own.
It seems to nestle near me, It whispers in my ear; My books and pictures cheer me, Hearth never was so dear.
In peace profound I lap me, I take no stock of time, And from the dreams that hap me, I make (like this) a rhyme.
Oh, I'm ashamed of saying (And think it's mean of me), That when the kids are staying At Sandspot on the sea, And I evoke them clearly Disporting in the spray, I love them still more dearly Because .
.
.
they're far away.
Written by John Wilmot | Create an image from this poem

Upon Nothing

 Nothing, thou elder brother even to shade,
That hadst a being ere the world was made,
And (well fixed) art alone of ending not afraid.
Ere time and place were, time and place were not, When primitive Nothing Something straight begot, Then all proceeded from the great united--What? Something, the general attribute of all, Severed from thee, its sole original, Into thy boundless self must undistinguished fall.
Yet Something did thy mighty power command, And from thy fruitful emptiness's hand, Snatched men, beasts, birds, fire, air, and land.
Matter, the wickedest offspring of thy race, By Form assisted, flew from thy embrace, And rebel Light obscured thy reverend dusky face.
With Form and Matter, Time and Place did join, Body, thy foe, with these did leagues combine To spoil thy peaceful realm, and ruin all thy line.
But turncoat Time assists the foe in vain, And, bribed by thee, assists thy short-lived reign, And to thy hungry womb drives back thy slaves again.
Though mysteries are barred from laic eyes, And the Divine alone with warrant pries Into thy bosom, where thy truth in private lies, Yet this of thee the wise may freely say, Thou from the virtuous nothing takest away, And to be part of thee the wicked wisely pray.
Great Negative, how vainly would the wise Inquire, define, distinguish, teach, devise? Didst thou not stand to point their dull philosophies.
Is, or is not, the two great ends of Fate, And true or false, the subject of debate, That perfects, or destroys, the vast designs of Fate, When they have racked the politician's breast, Within thy bosom most securely rest, And, when reduced to thee, are least unsafe and best.
But Nothing, why does Something still permit That sacred monarchs should at council sit With persons highly thought at best for nothing fit? Whist weighty Something modestly abstains From princes' coffers, and from statesmen's brains, And Nothing there like stately Nothing reigns, Nothing, who dwellest with fools in grave disguise, For whom they reverend shapes and forms devise, Lawn sleeves, and furs, and gowns, when they like thee look wise.
French truth, Dutch prowess, British policy, Hibernian learning, Scotch civility, Spaniard's dispatch, Dane's wit are mainly seen in thee.
The great man's gratitude to his best friend, King's promises, whore's vows, towards thee they bend, Flow swiftly to thee, and in thee never end.
Written by Allen Ginsberg | Create an image from this poem

War Profit Litany

 To Ezra Pound

These are the names of the companies that have made
 money from this war
nineteenhundredsixtyeight Annodomini fourthousand
 eighty Hebraic
These are the Corporations who have profited by merchan-
 dising skinburning phosphorous or shells fragmented
 to thousands of fleshpiercing needles
and here listed money millions gained by each combine for
 manufacture
and here are gains numbered, index'd swelling a decade, set
 in order,
here named the Fathers in office in these industries, tele-
 phones directing finance,
names of directors, makers of fates, and the names of the 
 stockholders of these destined Aggregates,
and here are the names of their ambassadors to the Capital,
 representatives to legislature, those who sit drinking
 in hotel lobbies to persuade,
and separate listed, those who drop Amphetamine with
 military, gossip, argue, and persuade
suggesting policy naming language proposing strategy, this
 done for fee as ambassadors to Pentagon, consul-
 tants to military, paid by their industry:
and these are the names of the generals & captains mili-
 tary, who know thus work for war goods manufactur-
 ers;
and above these, listed, the names of the banks, combines,
 investment trusts that control these industries:
and these are the names of the newspapers owned by these
 banks
and these are the names of the airstations owned by these
 combines;
and these are the numbers of thousands of citizens em-
 ployed by these businesses named;
and the beginning of this accounting is 1958 and the end
 1968, that static be contained in orderly mind,
 coherent and definite,
and the first form of this litany begun first day December
 1967 furthers this poem of these States.
December 1, 1967

Book: Reflection on the Important Things