Written by
Paul Laurence Dunbar |
When a woman looks up at you with a twist about her eyes,
And her brows are half uplifted in a nicely feigned surprise
As you breathe some pretty sentence, though she hates you all the while,
She is very apt to stun you with a made to order smile.
It's a sublte combination of a sneer and a caress,
With a dash of warmth thrown in to relieve its iciness,
And she greets you when she meets you with that look as if a file
Had been used to fix and fashion out the made to order smile.
I confess that I'm eccentric and am not a woman's man,
For they seem to be constructed on the bunko fakir plan,
And it somehow sets me thinking that her heart is full of guile
When a woman looks up at me with a made to order smile.
Now, all maidens, young and aged, hear the lesson I would teach:
Ye who meet us in the ballroom, ye who meet us at the beach,
Pray consent to try and charm us by some other sort of wile
And relieve us from the burden of that made to order smile.
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Written by
Anne Sexton |
Busy, with an idea for a code, I write
signals hurrying from left to right,
or right to left, by obscure routes,
for my own reasons; taking a word like writes
down tiers of tries until its secret rites
make sense; or until, suddenly, RATS
can amazingly and funnily become STAR
and right to left that small star
is mine, for my own liking, to stare
its five lucky pins inside out, to store
forever kindly, as if it were a star
I touched and a miracle I really wrote.
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Written by
Marriott Edgar |
I'll tell of the Battle of Hastings,
As happened in days long gone by,
When Duke William became King of England,
And 'Arold got shot in the eye.
It were this way - one day in October
The Duke, who were always a toff
Having no battles on at the moment,
Had given his lads a day off.
They'd all taken boats to go fishing,
When some chap in t' Conqueror's ear
Said 'Let's go and put breeze up the Saxons;'
Said Bill - 'By gum, that's an idea.
'
Then turning around to his soldiers,
He lifted his big Nonnan voice,
Shouting - 'Hands up who's coming to England.
'
That was swank 'cos they hadn't no choice.
They started away about tea-time -
The sea was so calm and so still,
And at quarter to ten the next morning
They arrived at a place called Bexhill.
King 'Arold came up as they landed -
His face full of venom and 'ate -
He said 'lf you've come for Regatta
You've got here just six weeks too late.
'
At this William rose, cool but 'aughty,
And said 'Give us none of your cheek;
You'd best have your throne re-upholstered,
I'll be wanting to use it next week.
'
When 'Arold heard this 'ere defiance,
With rage he turned purple and blue,
And shouted some rude words in Saxon,
To which William answered - 'And you.
'
'Twere a beautiful day for a battle;
The Normans set off with a will,
And when both sides was duly assembled,
They tossed for the top of the hill.
King 'Arold he won the advantage,
On the hill-top he took up his stand,
With his knaves and his cads all around him,
On his 'orse with his 'awk in his 'and.
The Normans had nowt in their favour,
Their chance of a victory seemed small,
For the slope of the field were against them,
And the wind in their faces an' all.
The kick-off were sharp at two-thirty,
And soon as the whistle had went
Both sides started banging each other
'Til the swineherds could hear them in Kent.
The Saxons had best line of forwards,
Well armed both with buckler and sword -
But the Normans had best combination,
And when half-time came neither had scored.
So the Duke called his cohorts together
And said - 'Let's pretend that we're beat,
Once we get Saxons down on the level
We'll cut off their means of retreat.
'
So they ran - and the Saxons ran after,
Just exactly as William had planned,
Leaving 'Arold alone on the hill-top
On his 'orse with his 'awk in his 'and.
When the Conqueror saw what had happened,
A bow and an arrow he drew;
He went right up to 'Arold and shot him.
He were off-side, but what could they do?
The Normans turned round in a fury,
And gave back both parry and thrust,
Till the fight were all over bar shouting,
And you couldn't see Saxons for dust.
And after the battle were over
They found 'Arold so stately and grand,
Sitting there with an eye-full of arrow
On his 'orse with his 'awk in his 'and.
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Written by
Edna St Vincent Millay |
I, having loved ever since I was a child a few things, never having
wavered
In these affections; never through shyness in the houses of the
rich or in the presence of clergymen having denied these
loves;
Never when worked upon by cynics like chiropractors having
grunted or clicked a vertebra to the discredit of those loves;
Never when anxious to land a job having diminished them by a
conniving smile; or when befuddled by drink
Jeered at them through heartache or lazily fondled the fingers of
their alert enemies; declare
That I shall love you always.
No matter what party is in power;
No matter what temporarily expedient combination of allied
interests wins the war;
Shall love you always.
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Written by
Carl Sandburg |
YES, the Dead speak to us.
This town belongs to the Dead, to the Dead and to the Wilderness.
Back of the clamps on a fireproof door they hold the papers of the Dead in a house here
And when two living men fall out, when one says the Dead spoke a Yes, and the other says the Dead spoke a No, they go then together to this house.
They loosen the clamps and haul at the hasps and try their keys and curse at the locks and the combination numbers.
For the teeth of the rats are barred and the tongues of the moths are outlawed and the sun and the air of wind is not wanted.
They open a box where a sheet of paper shivers, in a dusty corner shivers with the dry inkdrops of the Dead, the signed names.
Here the ink testifies, here we find the say-so, here we learn the layout, now we know where the cities and farms belong.
Dead white men and dead red men tested each other with shot and knives: they twisted each others’ necks: land was yours if you took and kept it.
How are the heads the rain seeps in, the rain-washed knuckles in sod and gumbo?
Where the sheets of paper shiver,
Back of the hasps and handles,
Back of the fireproof clamps,
They read what the fingers scribbled, who the land belongs to now—it is herein provided, it is hereby stipulated—the land and all appurtenances thereto and all deposits of oil and gold and coal and silver, and all pockets and repositories of gravel and diamonds, dung and permanganese, and all clover and bumblebees, all bluegrass, johnny-jump-ups, grassroots, springs of running water or rivers or lakes or high spreading trees or hazel bushes or sumach or thorn-apple branches or high in the air the bird nest with spotted blue eggs shaken in the roaming wind of the treetops—
So it is scrawled here,
“I direct and devise
So and so and such and such,”
And this is the last word.
There is nothing more to it.
In a shanty out in the Wilderness, ghosts of to-morrow sit, waiting to come and go, to do their job.
They will go into the house of the Dead and take the shivering sheets of paper and make a bonfire and dance a deadman’s dance over the hissing crisp.
In a slang their own the dancers out of the Wilderness will write a paper for the living to read and sign:
The dead need peace, the dead need sleep, let the dead have peace and sleep, let the papers of the Dead who fix the lives of the Living, let them be a hissing crisp and ashes, let the young men and the young women forever understand we are through and no longer take the say-so of the Dead;
Let the dead have honor from us with our thoughts of them and our thoughts of land and all appurtenances thereto and all deposits of oil and gold and coal and silver, and all pockets and repositories of gravel and diamonds, dung and permanganese, and all clover and bumblebees, all bluegrass, johnny-jump-ups, grassroots, springs of running water or rivers or lakes or high spreading trees or hazel bushes or sumach or thornapple branches or high in the air the bird nest with spotted blue eggs shaken in the roaming wind of the treetops.
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Written by
Emily Dickinson |
September's Baccalaureate
A combination is
Of Crickets -- Crows -- and Retrospects
And a dissembling Breeze
That hints without assuming --
An Innuendo sear
That makes the Heart put up its Fun
And turn Philosopher.
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Written by
Thomas Moore |
Dear Goddess of Corn, whom the ancients we know,
(Among other odd whims of those comical bodies,)
Adorn'd with somniferous poppies, to show,
Thou wert always a true Country-gentleman's Goddess.
Behold in his best, shooting-jacket, before thee,
An eloquent 'Squire, who most humbly beseeches,
Great Queen of the Mark-lane (if the thing doesn't bore thee),
Thou'lt read o'er the last of his -- never-last speeches.
Ah! Ceres, thou know'st not the slander and scorn
Now heap'd upon England's 'Squirearchy, so boasted;
Improving on Hunt, 'tis no longer the Corn,
'Tis the growers of Corn that are now, alas! roasted.
In speeches, in books, in all shapes they attack us --
Reviewers, economists - fellows, no doubt,
That you, my dear Ceres, and Venus, and Bacchus,
And Gods of high fashion know little about.
There's B-nth-m, whose English is all his own making --
Who thinks just as little of settling a nation
As he would of smoking his pipe, or of taking
(What he, himself, calls) his "post-prandial vibration.
"
There are two Mr.
M---lls, too, whom those that love reading
Through all that's unreadable, call very clever; --
And whreas M---ll Senior makes war on good breeding,
M---ll Junio makes war on all breeding whatever!
In short, my dear Goddess, Old England's divided
Between ultra blockheads and superfine sages; --
With which of these classes we, landlords, have sided
Thou'lt find in my Speech, if thou'lt read a few pages.
For therein I've prov'd, to my own satisfaction,
And that of all 'Squires I've the honour of meeting,
That 'tis the most senseless and foul-mouth'd detraction
To say that poor people are fond of cheap eating.
On the contrary, such the "chaste notions" of food
that dwell in each pale manufacturer's heart,
They would scorn any law, be it every so good,
That would make thee, dear Goddess, less dear than thou art!
And, oh! for Monopoly what a blest day,
When the Land and the Silk shall, in fond combination,
(Like Sulky and Silky, that pair in the play)
Cry out, with one voice, High Rents and Starvation!
Long life to the Minister! -- no matter who,
Or how dull he may be, if, with dignified spirit, he
Keeps the ports shut -- and the people's mouth too, --
We shall all have a long run of Freddy's prosperity.
And, as for myself, who've like Hannibal, sworn
To hate the whole crew who would take our rents from us,
Had England but One to stand by thee, Dear Corn,
That last, honest Uni-Corn would be Sir Th-m-s!
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