Written by
Derek Walcott |
A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries:
"Waste no compassion on these separate dead!"
Statistics justify and scholars seize
The salients of colonial policy.
What is that to the white child hacked in bed?
To savages, expendable as Jews?
Threshed out by beaters, the long rushes break
In a white dust of ibises whose cries
Have wheeled since civilizations dawn
>From the parched river or beast-teeming plain.
The violence of beast on beast is read
As natural law, but upright man
Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars
Dance to the tightened carcass of a drum,
While he calls courage still that native dread
Of the white peace contracted by the dead.
Again brutish necessity wipes its hands
Upon the napkin of a dirty cause, again
A waste of our compassion, as with Spain,
The gorilla wrestles with the superman.
I who am poisoned with the blood of both,
Where shall I turn, divided to the vein?
I who have cursed
The drunken officer of British rule, how choose
Between this Africa and the English tongue I love?
Betray them both, or give back what they give?
How can I face such slaughter and be cool?
How can I turn from Africa and live?
|
Written by
Derek Walcott |
There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such objects as
"Herefords at Sunset in the valley of the Wye."
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules
on the treadmill of Monday to Monday, would repeat
in tongues of water and wind and fire, in tongues
of Mission School pickaninnies, like rivers remembering
their source, Parish Trelawny, Parish St David, Parish
St Andrew, the names afflicting the pastures,
the lime groves and fences of marl stone and the cattle
with a docile longing, an epochal content.
And there were, like old wedding lace in an attic,
among the boas and parasols and the tea-colored
daguerreotypes, hints of an epochal happiness
as ordered and infinite to the child
as the great house road to the Great House
down a perspective of casuarinas plunging green manes
in time to the horses, an orderly life
reduced by lorgnettes day and night, one disc the sun,
the other the moon, reduced into a pier glass:
nannies diminished to dolls, mahogany stairways
no larger than those of an album in which
the flash of cutlery yellows, as gamboge as
the piled cakes of teatime on that latticed
bougainvillea verandah that looked down toward
a prospect of Cuyp-like Herefords under a sky
lurid as a porcelain souvenir with these words:
"Herefords at Sunset in the Valley of the Wye."
Strange, that the rancor of hatred hid in that dream
of slow rivers and lily-like parasols, in snaps
of fine old colonial families, curled at the edge
not from age of from fire or the chemicals, no, not at all,
but because, off at its edges, innocently excluded
stood the groom, the cattle boy, the housemaid, the gardeners,
the tenants, the good ******* down in the village,
their mouth in the locked jaw of a silent scream.
A scream which would open the doors to swing wildly
all night, that was bringing in heavier clouds,
more black smoke than cloud, frightening the cattle
in whose bulging eyes the Great House diminished;
a scorching wind of a scream
that began to extinguish the fireflies,
that dried the water mill creaking to a stop
as it was about to pronounce Parish Trelawny
all over, in the ancient pastoral voice,
a wind that blew all without bending anything,
neither the leaves of the album nor the lime groves;
blew Nanny floating back in white from a feather
to a chimerical, chemical pin speck that shrank
the drinking Herefords to brown porcelain cows
on a mantelpiece, Trelawny trembling with dusk,
the scorched pastures of the old benign Custos; blew
far the decent servants and the lifelong cook,
and shriveled to a shard that ancient pastoral
of dusk in a gilt-edged frame now catching the evening sun
in Jamaica, making both epochs one.
He looked out from the Great House windows on
clouds that still held the fragrance of fire,
he saw the Botanical Gardens officially drown
in a formal dusk, where governors had strolled
and black gardeners had smiled over glinting shears
at the lilies of parasols on the floating lawns,
the flame trees obeyed his will and lowered their wicks,
the flowers tightened their fists in the name of thrift,
the porcelain lamps of ripe cocoa, the magnolia's jet
dimmed on the one circuit with the ginger lilies
and left a lonely bulb on the verandah,
and, had his mandate extended to that ceiling
of star-apple candelabra, he would have ordered
the sky to sleep, saying, I'm tired,
save the starlight for victories, we can't afford it,
leave the moon on for one more hour,and that's it.
But though his power, the given mandate, extended
from tangerine daybreaks to star-apple dusks,
his hand could not dam that ceaseless torrent of dust
that carried the shacks of the poor, to their root-rock music,
down the gullies of Yallahs and August Town,
to lodge them on thorns of maca, with their rags
crucified by cactus, tins, old tires, cartons;
from the black Warieka Hills the sky glowed fierce as
the dials of a million radios,
a throbbing sunset that glowed like a grid
where the dread beat rose from the jukebox of Kingston.
He saw the fountains dried of quadrilles, the water-music
of the country dancers, the fiddlers like fifes
put aside. He had to heal
this malarial island in its bath of bay leaves,
its forests tossing with fever, the dry cattle
groaning like winches, the grass that kept shaking
its head to remember its name. No vowels left
in the mill wheel, the river. Rock stone. Rock stone.
The mountains rolled like whales through phosphorous stars,
as he swayed like a stone down fathoms into sleep,
drawn by that magnet which pulls down half the world
between a star and a star, by that black power
that has the assassin dreaming of snow,
that poleaxes the tyrant to a sleeping child.
The house is rocking at anchor, but as he falls
his mind is a mill wheel in moonlight,
and he hears, in the sleep of his moonlight, the drowned
bell of Port Royal's cathedral, sees the copper pennies
of bubbles rising from the empty eye-pockets
of green buccaneers, the parrot fish floating
from the frayed shoulders of pirates, sea horses
drawing gowned ladies in their liquid promenade
across the moss-green meadows of the sea;
he heard the drowned choirs under Palisadoes,
a hymn ascending to earth from a heaven inverted
by water, a crab climbing the steeple,
and he climbed from that submarine kingdom
as the evening lights came on in the institute,
the scholars lamplit in their own aquarium,
he saw them mouthing like parrot fish, as he passed
upward from that baptism, their history lessons,
the bubbles like ideas which he could not break:
Jamaica was captured by Penn and Venables,
Port Royal perished in a cataclysmic earthquake.
Before the coruscating façades of cathedrals
from Santiago to Caracas, where penitential archbishops
washed the feet of paupers (a parenthetical moment
that made the Caribbean a baptismal font,
turned butterflies to stone, and whitened like doves
the buzzards circling municipal garbage),
the Caribbean was borne like an elliptical basin
in the hands of acolytes, and a people were absolved
of a history which they did not commit;
the slave pardoned his whip, and the dispossessed
said the rosary of islands for three hundred years,
a hymn that resounded like the hum of the sea
inside a sea cave, as their knees turned to stone,
while the bodies of patriots were melting down walls
still crusted with mute outcries of La Revolucion!
"San Salvador, pray for us,St. Thomas, San Domingo,
ora pro nobis, intercede for us, Sancta Lucia
of no eyes," and when the circular chaplet
reached the last black bead of Sancta Trinidad
they began again, their knees drilled into stone,
where Colon had begun, with San Salvador's bead,
beads of black colonies round the necks of Indians.
And while they prayed for an economic miracle,
ulcers formed on the municipal portraits,
the hotels went up, and the casinos and brothels,
and the empires of tobacco, sugar, and bananas,
until a black woman, shawled like a buzzard,
climbed up the stairs and knocked at the door
of his dream, whispering in the ear of the keyhole:
"Let me in, I'm finished with praying, I'm the Revolution.
I am the darker, the older America."
She was as beautiful as a stone in the sunrise,
her voice had the gutturals of machine guns
across khaki deserts where the cactus flower
detonates like grenades, her sex was the slit throat
of an Indian, her hair had the blue-black sheen of the crow.
She was a black umbrella blown inside out
by the wind of revolution, La Madre Dolorosa,
a black rose of sorrow, a black mine of silence,
raped wife, empty mother, Aztec virgin
transfixed by arrows from a thousand guitars,
a stone full of silence, which, if it gave tongue
to the tortures done in the name of the Father,
would curdle the blood of the marauding wolf,
the fountain of generals, poets, and cripples
who danced without moving over their graves
with each revolution; her Caesarean was stitched
by the teeth of machine guns,and every sunset
she carried the Caribbean's elliptical basin
as she had once carried the penitential napkins
to be the footbath of dictators, Trujillo, Machado,
and those whose faces had yellowed like posters
on municipal walls. Now she stroked his hair
until it turned white, but she would not understand
that he wanted no other power but peace,
that he wanted a revolution without any bloodshed,
he wanted a history without any memory,
streets without statues,
and a geography without myth. He wanted no armies
but those regiments of bananas, thick lances of cane,
and he sobbed,"I am powerless, except for love."
She faded from him, because he could not kill;
she shrunk to a bat that hung day and night
in the back of his brain. He rose in his dream.
(to be continued)
|
Written by
Kenneth Koch |
(sign at a railroad crossing in Kenya)
In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross
The tracks, wait to do it for one moment at
Least after the first train is gone. And so when you read
Wait until you have read the next line—
Then it is safe to go on reading.
In a family one sister may conceal another,
So, when you are courting, it's best to have them all in view
Otherwise in coming to find one you may love another.
One father or one brother may hide the man,
If you are a woman, whom you have been waiting to love.
So always standing in front of something the other
As words stand in front of objects, feelings, and ideas.
One wish may hide another. And one person's reputation may hide
The reputation of another. One dog may conceal another
On a lawn, so if you escape the first one you're not necessarily safe;
One lilac may hide another and then a lot of lilacs and on the Appia
Antica one tomb
May hide a number of other tombs. In love, one reproach may hide another,
One small complaint may hide a great one.
One injustice may hide another—one colonial may hide another,
One blaring red uniform another, and another, a whole column. One bath
may hide another bath
As when, after bathing, one walks out into the rain.
One idea may hide another: Life is simple
Hide Life is incredibly complex, as in the prose of Gertrude Stein
One sentence hides another and is another as well. And in the laboratory
One invention may hide another invention,
One evening may hide another, one shadow, a nest of shadows.
One dark red, or one blue, or one purple—this is a painting
By someone after Matisse. One waits at the tracks until they pass,
These hidden doubles or, sometimes, likenesses. One identical twin
May hide the other. And there may be even more in there! The obstetrician
Gazes at the Valley of the Var. We used to live there, my wife and I, but
One life hid another life. And now she is gone and I am here.
A vivacious mother hides a gawky daughter. The daughter hides
Her own vivacious daughter in turn. They are in
A railway station and the daughter is holding a bag
Bigger than her mother's bag and successfully hides it.
In offering to pick up the daughter's bag one finds oneself confronted by
the mother's
And has to carry that one, too. So one hitchhiker
May deliberately hide another and one cup of coffee
Another, too, until one is over-excited. One love may hide another love
or the same love
As when "I love you" suddenly rings false and one discovers
The better love lingering behind, as when "I'm full of doubts"
Hides "I'm certain about something and it is that"
And one dream may hide another as is well known, always, too. In the
Garden of Eden
Adam and Eve may hide the real Adam and Eve.
Jerusalem may hide another Jerusalem.
When you come to something, stop to let it pass
So you can see what else is there. At home, no matter where,
Internal tracks pose dangers, too: one memory
Certainly hides another, that being what memory is all about,
The eternal reverse succession of contemplated entities. Reading
A Sentimental Journey look around
When you have finished, for Tristram Shandy, to see
If it is standing there, it should be, stronger
And more profound and theretofore hidden as Santa Maria Maggiore
May be hidden by similar churches inside Rome. One sidewalk
May hide another, as when you're asleep there, and
One song hide another song; a pounding upstairs
Hide the beating of drums. One friend may hide another, you sit at the
foot of a tree
With one and when you get up to leave there is another
Whom you'd have preferred to talk to all along. One teacher,
One doctor, one ecstasy, one illness, one woman, one man
May hide another. Pause to let the first one pass.
You think, Now it is safe to cross and you are hit by the next one. It
can be important
To have waited at least a moment to see what was already there.
|
Written by
Sir Walter Raleigh |
I was a Poet!
But I did not know it,
Neither did my Mother,
Nor my Sister nor my Brother.
The Rich were not aware of it;
The Poor took no care of it.
The Reverend Mr. Drewitt
Never knew it.
The High did not suspect it;
The Low could not detect it.
Aunt Sue
Said it was obviously untrue.
Uncle Ned
Said I was off my head:
(This from a Colonial
Was really a good testimonial.)
Still everybody seemed to think
That genius owes a good deal to drink.
So that is how
I am not a poet now,
And why
My inspiration has run dry.
It is no sort of use
To cultivate the Muse
If vulgar people
Can't tell a village pump from a church steeple.
I am merely apologizing
For the lack of the surprising
In what I write
To-night.
I am quite well-meaning,
But a lot of things are always intervening
Between
What I mean
And what it is said
I had in my head.
It is all very puzzling.
Uncle Ned
Says Poets need muzzling.
He might
Be right.
Good-night!
|
Written by
Andrew Barton Paterson |
Bring me a quart of colonial beer
And some doughy damper to make good cheer,
I must make a heavy dinner;
Heavily dine and heavily sup,
Of indigestible things fill up,
Next month they run the Melbourne Cup,
And I have to dream the winner.
Stoke it in, boys! the half-cooked ham,
The rich ragout and the charming cham.,
I've got to mix my liquor;
Give me a gander's gaunt hind leg,
Hard and tough as a wooden peg,
And I'll keep it down with a hard-boiled egg,
'Twill make me dream the quicker.
Now that I'm full of fearful feed,
Oh, but I'll dream of a winner indeed
In my restless, troubled slumber;
While the night-mares race through my heated brain
And their devil-riders spur amain,
The trip for the Cup will reward my pain,
And I'll spot the winning number.
Thousands and thousands and thousands more,
Like sands on the white Pacific shore,
The crowding people cluster;
For evermore is the story old,
While races are bought and backers are sold,
Drawn by the greed of the gain of gold,
In their thousands still they muster.
* * * * *
And the bookies' cries grow fierce and hot,
"I'll lay the Cup! The double, if not!"
"Five monkeys, Little John, sir!"
"Here's fives bar one, I lay, I lay!"
And so they shout through the livelong day,
And stick to the game that is sure to pay,
While fools put money on, sir!
And now in my dream I seem to go
And bet with a "book" that I seem to know --
A Hebrew money-lender;
A million to five is the price I get --
Not bad! but before I book the bet
The horse's name I clean forgret,
Its number and even gender.
Now for the start, and here they come,
And the hoof-strokes roar like a mighty drum
Beat by a hand unsteady;
They come like a rushing, roaring flood,
Hurrah for the speed of the Chester blood;
For Acme is making the pace so good
They are some of 'em done already.
But round the track she begins to tire,
And a mighty shout goes up "Crossfire!"
The magpie jacket's leading;
And Crossfire challenges fierce and bold,
And the lead she'll have and the lead she'll hold,
But at length gives way to the black and gold,
Which right to the front is speeding.
Carry them on and keep it up --
A flying race is the Melbourne Cup,
You must race and stay to win it;
And old Commotion, Victoria's pride,
Now takes the lead with his raking stride,
And a mighty roar goes far and wide --
"There's only Commotion in it!"
But one draws out from the beaten ruck
And up on the rails by a piece of luck
He comes in a style that's clever;
"It's Trident! Trident! Hurrah for Hales!"
"Go at 'em now while their courage fails;"
"Trident! Trident! for New South Wales!"
"The blue and white for ever!"
Under the whip! with the ears flat back,
Under the whip! though the sinews crack,
No sign of the base white feather:
Stick to it now for your breeding's sake,
Stick to it now though your hearts should break,
While the yells and roars make the grand-stand shake,
They come down the straignt together.
Trident slowly forges ahead,
The fierce whips cut and the spurs are red,
The pace is undiminished
Now for the Panics that never fail!
But many a backer's face grows pale
As old Commotion swings his tail
And swerves -- and the Cup is finished.
* * * * *
And now in my dream it all comes back:
I bet my coin on the Sydney crack,
A million I've won, no question!
"Give me my money, you hook-nosed hog!
Give me my money, bookmaking dog!"
But he disappeared in a kind of fog,
And I woke with "the indigestion".
|
Written by
Charlotte Bronte |
What is she writing? Watch her now,
How fast her fingers move !
How eagerly her youthful brow
Is bent in thought above !
Her long curls, drooping, shade the light,
She puts them quick aside,
Nor knows, that band of crystals bright,
Her hasty touch untied.
It slips adown her silken dress,
Falls glittering at her feet;
Unmarked it falls, for she no less
Pursues her labour sweet.
The very loveliest hour that shines,
Is in that deep blue sky;
The golden sun of June declines,
It has not caught her eye.
The cheerful lawn, and unclosed gate,
The white road, far away,
In vain for her light footsteps wait,
She comes not forth to-day.
There is an open door of glass
Close by that lady's chair,
From thence, to slopes of mossy grass,
Descends a marble stair.
Tall plants of bright and spicy bloom
Around the threshold grow;
Their leaves and blossoms shade the room,
From that sun's deepening glow.
Why does she not a moment glance
Between the clustering flowers,
And mark in heaven the radiant dance
Of evening's rosy hours ?
O look again ! Still fixed her eye,
Unsmiling, earnest, still,
And fast her pen and fingers fly,
Urged by her eager will.
Her soul is in th' absorbing task;
To whom, then, doth she write ?
Nay, watch her still more closely, ask
Her own eyes' serious light;
Where do they turn, as now her pen
Hangs o'er th' unfinished line ?
Whence fell the tearful gleam that then
Did in their dark spheres shine ?
The summer-parlour looks so dark,
When from that sky you turn,
And from th' expanse of that green park,
You scarce may aught discern.
Yet o'er the piles of porcelain rare,
O'er flower-stand, couch, and vase,
Sloped, as if leaning on the air,
One picture meets the gaze.
'Tis there she turns; you may not see
Distinct, what form defines
The clouded mass of mystery
Yon broad gold frame confines.
But look again; inured to shade
Your eyes now faintly trace
A stalwart form, a massive head,
A firm, determined face.
Black Spanish locks, a sunburnt cheek,
A brow high, broad, and white,
Where every furrow seems to speak
Of mind and moral might.
Is that her god ? I cannot tell;
Her eye a moment met
Th' impending picture, then it fell
Darkened and dimmed and wet.
A moment more, her task is done,
And sealed the letter lies;
And now, towards the setting sun
She turns her tearful eyes.
Those tears flow over, wonder not,
For by the inscription, see
In what a strange and distant spot
Her heart of hearts must be !
Three seas and many a league of land
That letter must pass o'er,
E'er read by him to whose loved hand
'Tis sent from England's shore.
Remote colonial wilds detain
Her husband, loved though stern;
She, 'mid that smiling English scene,
Weeps for his wished return.
|
Written by
John Betjeman |
Kind o’er the kinderbank leans my Myfanwy,
White o’er the playpen the sheen of her dress,
Fresh from the bathroom and soft in the nursery
Soap scented fingers I long to caress.
Were you a prefect and head of your dormit'ry?
Were you a hockey girl, tennis or gym?
Who was your favourite? Who had a crush on you?
Which were the baths where they taught you to swim?
Smooth down the Avenue glitters the bicycle,
Black-stockinged legs under navy blue serge,
Home and Colonial, Star, International,
Balancing bicycle leant on the verge.
Trace me your wheel-tracks, you fortunate bicycle,
Out of the shopping and into the dark,
Back down the avenue, back to the pottingshed,
Back to the house on the fringe of the park.
Golden the light on the locks of Myfanwy,
Golden the light on the book on her knee,
Finger marked pages of Rackham's Hans Anderson,
Time for the children to come down to tea.
Oh! Fullers angel-cake, Robertson’s marmalade,
Liberty lampshade, come shine on us all,
My! what a spread for the friends of Myfanwy,
Some in the alcove and some in the hall.
Then what sardines in half-lighted passages!
Locking of fingers in long hide-and-seek.
You will protect me, my silken Myfanwy,
Ring leader, tom-boy, and chum to the weak.
|
Written by
William Topaz McGonagall |
'Twas in the year of 1897, and on the 22nd of June,
Her Majesty's Diamond Jubilee in London caused a great boom;
Because high and low came from afar to see,
The grand celebrations at Her Majesty's Diamond Jubilee.
People were there from almost every foreign land,
Which made the scene really imposing and grand;
Especially the Queen's carriage, drawn by eight coloured bays,
And when the spectators saw it joyous shouts they did raise.
Oh! if was a most gorgeous sight to be seen,
Numerous foreign magnatss were there for to see the queen;
And to the vast multitude there of women and men,
Her Majesty for two hours showed herself to them.
The head of the procession looked very grand -
A party of the Horse Guards with their gold-belaced band;
Which also headed the procession of the Colonial States,
While slowly they rode on until opposite the Palace gates.
Then the sound of the National Anthem was heard quite clear,
And the sound the hearts of the mighty crowd it did cheer;
As they heard the loyal hymning on the morning air,
The scene was most beautiful and surpassing fair.
On the house tops thousands of people were to be seen,
All in eager expectation of seeing the queen;
And all of them seemed to be happy and gay,
Which enhanced the scene during the day.
And when Field Marshal Roberts in the procession passed by,
The cheers from thousands of people arose very high;
And to see him on his war horse was inspiring to see,
Because he rode his charger most splendidly.
The Natal mounted troops were loudly cheered, they looked so grand,
And also the London Irish Emerald Isle Band;
Oh if was a most magnificent sight to see.
The Malta Militia and Artillery,
And the Trinidad Artillery, and also bodies of infantry,
And, as the crowd gazed thereon, it filled their hearts with glee.
Her Majesty looked well considering her years,
And from the vast crowd burst forth joyous cheers;
And Her Majesty bowed to the shouts of acclamation,
And smiled upon the crowd with a loving look of admiration.
His Excellency Chan Yin Hun in his carriage wan a great attraction,
And his Oriental garb seemed to give the people great satisfaction;
While the two little Battenberg's carriage, as it drove along,
Received from the people cheering loud and long.
And when the Dragoon Guards and the Huasars filed past at the walk,
Then loudly in their praise the people did talk;
And the cavalry took forty minutes to trot past,
While the spectators in silent wonder stood aghast.
Her Majesty the Empress Frederick a great sensation made,
She was one of the chief attractions in the whole cavalcade;
And in her carriage was the Princess Louise, the Marchioness of Lorne,
In a beautiful white dress, which did per person adorn.
The scene in Piccadilly caused a great sensation,
The grand decorations there were the theme of admiration;
And the people in St. James Street were taken by surprise,
Because the lovely decorations dazzled their eyes
The 42nd Highlanders looked very fine,
When they appeared and took up a position on the line;
And the magnificent decorations in the Strand,
As far east as the Griffin wets attractive and grand.
And the grandstand from Buckingham Palace to Temple Bar,
Was crowded with eager eyes from afar,
Looking on the floral decorations and flags unfurled,
Which has been the grandest spectacle ever seen in the world.
The corner building of St. James Street side was lovely to view,
Ornamented with pink and white bunting and a screen of blue;
And to the eye, the inscription thereon most beautiful seems:
"Thou art alone the Queen of earthly Queens."
The welcome given to Commander-in-Chief Lord Wolseley was very flattering,
The people cheered him until the streets did ring;
And the foreign princes were watched with rivetted admiration,
And caused among the sight-seers great consternation,
And private householders seemed to vie with each other,
In the lavishness of their decorations, and considered it no bother;
And never before in the memory of man,
Has there been a national celebration so grand.
And in conclusion, I most earnestly do pray,
May God protect Her Majesty for many a day;
My blessing on her noble form and on her lofty head,
And may she wear a crown of glory hereafter when dead.
|
Written by
Adam Lindsay Gordon |
Hold hard, Ned! Lift me down once more, and lay me in the shade.
Old man, you've had your work cut out to guide
Both horses, and to hold me in the saddle when I swayed,
All through the hot, slow, sleepy, silent ride.
The dawn at "Moorabinda" was a mist rack dull and dense,
The sun-rise was a sullen, sluggish lamp;
I was dozing in the gateway at Arbuthnot's bound'ry fence,
I was dreaming on the Limestone cattle camp.
We crossed the creek at Carricksford, and sharply through the haze,
And suddenly the sun shot flaming forth;
To southward lay "Katawa", with the sand peaks all ablaze,
And the flushed fields of Glen Lomond lay to north.
Now westward winds the bridle-path that leads to Lindisfarm,
And yonder looms the double-headed Bluff;
From the far side of the first hill, when the skies are clear and calm,
You can see Sylvester's woolshed fair enough.
Five miles we used to call it from our homestead to the place
Where the big tree spans the roadway like an arch;
'Twas here we ran the dingo down that gave us such a chase
Eight years ago -- or was it nine? -- last March.
'Twas merry in the glowing morn among the gleaming grass,
To wander as we've wandered many a mile,
And blow the cool tobacco cloud, and watch the white wreaths pass,
Sitting loosely in the saddle all the while.
'Twas merry 'mid the blackwoods, when we spied the station roofs,
To wheel the wild scrub cattle at the yard,
With a running fire of stock whips and a fiery run of hoofs;
Oh! the hardest day was never then too hard!
Aye! we had a glorious gallop after "Starlight" and his gang,
When they bolted from Sylvester's on the flat;
How the sun-dried reed-beds crackled, how the flint-strewn ranges rang,
To the strokes of "Mountaineer" and "Acrobat".
Hard behind them in the timber, harder still across the heath,
Close beside them through the tea-tree scrub we dash'd;
And the golden-tinted fern leaves, how they rustled underneath;
And the honeysuckle osiers, how they crash'd!
We led the hunt throughout, Ned, on the chestnut and the grey,
And the troopers were three hundred yards behind,
While we emptied our six-shooters on the bushrangers at bay,
In the creek with stunted box-trees for a blind!
There you grappled with the leader, man to man, and horse to horse,
And you roll'd together when the chestnut rear'd;
He blazed away and missed you in that shallow water-course --
A narrow shave -- his powder singed your beard!
In these hours when life is ebbing, how those days when life was young
Come back to us; how clearly I recall
Even the yarns Jack Hall invented, and the songs Jem Roper sung;
And where are now Jem Roper and Jack Hall?
Ay! nearly all our comrades of the old colonial school,
Our ancient boon companions, Ned, are gone;
Hard livers for the most part, somewhat reckless as a rule,
It seems that you and I are left alone.
There was Hughes, who got in trouble through that business with the cards,
It matters little what became of him;
But a steer ripp'd up Macpherson in the Cooraminta yards,
And Sullivan was drown'd at Sink-or-swim;
And Mostyn -- poor Frank Mostyn -- died at last, a fearful wreck,
In the "horrors" at the Upper Wandinong,
And Carisbrooke, the rider, at the Horsefall broke his neck;
Faith! the wonder was he saved his neck so long!
Ah! those days and nights we squandered at the Logans' in the glen --
The Logans, man and wife, have long been dead.
Elsie's tallest girl seems taller than your little Elsie then;
And Ethel is a woman grown and wed.
I've had my share of pastime, and I've done my share of toil,
And life is short -- the longest life a span;
I care not now to tarry for the corn or for the oil,
Or for wine that maketh glad the heart of man.
For good undone, and gifts misspent, and resolutions vain,
'Tis somewhat late to trouble. This I know --
I should live the same life over, if I had to live again;
And the chances are I go where most men go.
The deep blue skies wax dusky, and the tall green trees grow dim,
The sward beneath me seems to heave and fall;
And sickly, smoky shadows through the sleepy sunlight swim,
And on the very sun's face weave their pall.
Let me slumber in the hollow where the wattle blossoms wave,
With never stone or rail to fence my bed;
Should the sturdy station children pull the bush-flowers on my grave,
I may chance to hear them romping overhead.
I don't suppose I shall though, for I feel like sleeping sound,
That sleep, they say, is doubtful. True; but yet
At least it makes no difference to the dead man underground
What the living men remember or forget.
Enigmas that perplex us in the world's unequal strife,
The future may ignore or may reveal;
Yet some, as weak as water, Ned, to make the best of life,
Have been to face the worst as true as steel.
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Written by
Andrew Barton Paterson |
Wargeilah town is very small,
There's no cathedral nor a club,
In fact the township, all in all,
Is just one unpretentious pub;
And there, from all the stations round,
The local sportsmen can be found.
The sportsmen of Wargeilah-side
Are very few but very fit;
There's scarcely any sport been tried
But they can hold their own at it;
In fact, to search their records o'er,
They hold their own and something more.
The precincts of Wargeilah town
An English new-chum did infest:
He used to wander up and down
In baggy English breeches drest;
His mental aspect seemed to be
Just stolid self-sufficiency.
The local sportsmen vainly sought
His tranquil calm to counteract
By urging that he should be brought
Within the Noxious Creatures Act.
"Nay, harm him not," said one more wise,
"He is a blessing in disguise!
"You see, he wants to buy a horse,
To ride, and hunt, and steeplechase,
And carry ladies, too, of course,
And pull a cart, and win a race.
Good gracious! he must be a flat
To think he'll get a horse like that!
"But, since he has so little sense
And such a lot of cash to burn,
We'll sell him some experience
By which alone a fool can learn.
Suppose we let him have The Trap
To win Wargeilah Handicap!"
And her, I must explain to you
That round about Wargeilah run
There lived a very aged screw
Whose days of brilliancy were done.
A grand old warrior in his prime --
But age will beat us any time.
A trooper's horse in seasons past
He did his share to keep the peace,
But took to falling, and at last
Was cast for age from the Police.
A publican at Conroy's Gap
Bought him and christened him The Trap.
When grass was good and horses dear,
He changed his owner now and then
At prices ranging somewhere near
The neighbourhood of two-pound-ten:
And manfully he earned his keep
By yarding cows and ration sheep.
They brought him in from off the grass
And fed and groomed the old horse up;
His coat began to shine like glass --
You'd think he'd win the Melbourne Cup.
And when they'd got him fat and flash
They asked the new chum -- fifty -- cash!
And when he said the price was high,
Their indignation knew no bounds.
They said, "It's seldom you can buy
A horse like that for fifty pounds!
We'll refund twenty if The Trap
Should fail to win the handicap!"
The deed was done, the price was paid,
The new-chum put the horse in train.
The local sports were much afraid
That he would sad experience gain
By racing with some shearer's hack,
Who'd beat him half-way round the track.
So, on this guileless English spark
They did most fervently impress
That he must keep the matter dark,
And not let any person guess
That he was purchasing The Trap
To win Wargeilah Handicap.
They spoke of "spielers from the Bland",
And "champions from the Castlereagh",
And gave the youth to understand
That all of these would stop away,
And spoil the race, if they should hear
That they had got The Trap to fear.
"Keep dark! They'll muster thick as flies
When once the news gets sent around
We're giving such a splendid prize --
A Snowdon horse worth fifty pound!
They'll come right in from Dandaloo,
And find -- that it's a gift for you!"
The race came on -- with no display
Nor any calling of the card,
But round about the pub all day
A crowd of shearers, drinking hard,
And using language in a strain
'Twere flattery to call profane.
Our hero, dressed in silk attire --
Blue jacket and scarlet cap --
With boots that shone like flames of fire,
Now did his canter on The Trap,
And walked him up and round about,
Until other steeds came out.
He eyed them with a haughty look,
But saw a sight that caught his breath!
It was Ah John! the Chinee cook!
In boots and breeches! pale as death!
Tied with a rope, like any sack,
Upon a piebald pony's back!
The next, a colt -- all mud and burrs,
Half-broken, with a black boy up,
Who said, "You gim'me pair o' spurs,
I win the bloomin' Melbourne Cup!"
These two were to oppose The Trap
For the Wargeilah Handicap!
They're off! The colt whipped down his head,
And humped his back, and gave a squeal,
And bucked into the drinking shed,
Revolving like a Catherine wheel!
Men ran like rats! The atmosphere
Was filled with oaths and pints of beer!
But up the course the bold Ah John
Beside The Trap raced neck and neck:
The boys had tied him firmly on,
Which ultimately proved his wreck;
The saddle turned, and, like a clown,
He rode some distance upside-down.
His legs around the horse were tied,
His feet towards the heavens were spread,
He swung and bumped at every stride
And ploughed the ground up with his head!
And when they rescued him, The Trap
Had won Wargeilah Handicap!
And no enquiries we could make
Could tell by what false statements swayed
Ah John was led to undertake
A task so foreign to his trade!
He only smiled and said, "Hoo Ki!
I stop topside, I win all li'!"
But never in Wargeilah Town
Was heard so eloquent a cheer
As when the President came down,
And toasted, in Colonial beer,
"The finest rider on the course!
The winner of the Snowdon Horse!
"You go and get your prize," he said;
"He's with a wild mob, somewhere round
The mountains near the Watershed;
He's honestly worth fifty pound --
A noble horse, indeed, to win,
But none of us can run him in!
"We've chased him poor, we've chased him fat,
We've run him till our horses dropped;
But by such obstacles as that
A man like you will not be stopped;
You'll go and yard him any day,
So here's your health! Hooray! Hooray!"
The day wound up with booze and blow
And fights till all were well content.
But of the new-chum all I know
Is shown by this advertisement --
"For sale, the well-known racehorse Trap.
He won Wargeilah Handicap!"
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