Written by
Marge Piercy |
Purple as tulips in May, mauve
into lush velvet, purple
as the stain blackberries leave
on the lips, on the hands,
the purple of ripe grapes
sunlit and warm as flesh.
Every day I will give you a color,
like a new flower in a bud vase
on your desk.
Every day
I will paint you, as women
color each other with henna
on hands and on feet.
Red as henna, as cinnamon,
as coals after the fire is banked,
the cardinal in the feeder,
the roses tumbling on the arbor
their weight bending the wood
the red of the syrup I make from petals.
Orange as the perfumed fruit
hanging their globes on the glossy tree,
orange as pumpkins in the field,
orange as butterflyweed and the monarchs
who come to eat it, orange as my
cat running lithe through the high grass.
Yellow as a goat's wise and wicked eyes,
yellow as a hill of daffodils,
yellow as dandelions by the highway,
yellow as butter and egg yolks,
yellow as a school bus stopping you,
yellow as a slicker in a downpour.
Here is my bouquet, here is a sing
song of all the things you make
me think of, here is oblique
praise for the height and depth
of you and the width too.
Here is my box of new crayons at your feet.
Green as mint jelly, green
as a frog on a lily pad twanging,
the green of cos lettuce upright
about to bolt into opulent towers,
green as Grand Chartreuse in a clear
glass, green as wine bottles.
Blue as cornflowers, delphiniums,
bachelors' buttons.
Blue as Roquefort,
blue as Saga.
Blue as still water.
Blue as the eyes of a Siamese cat.
Blue as shadows on new snow, as a spring
azure sipping from a puddle on the blacktop.
Cobalt as the midnight sky
when day has gone without a trace
and we lie in each other's arms
eyes shut and fingers open
and all the colors of the world
pass through our bodies like strings of fire.
|
Written by
Amy Clampitt |
In memory of Father Flye, 1884-1985
The strange and wonderful are too much with us.
The protea of the antipodes—a great,
globed, blazing honeybee of a bloom—
for sale in the supermarket! We are in
our decadence, we are not entitled.
What have we done to deserve
all the produce of the tropics—
this fiery trove, the largesse of it
heaped up like cannonballs, these pineapples, bossed
and crested, standing like troops at attention,
these tiers, these balconies of green, festoons
grown sumptuous with stoop labor?
The exotic is everywhere, it comes to us
before there is a yen or a need for it.
The green-
grocers, uptown and down, are from South Korea.
Orchids, opulence by the pailful, just slightly
fatigued by the plane trip from Hawaii, are
disposed on the sidewalks; alstroemerias, freesias
fattened a bit in translation from overseas; gladioli
likewise estranged from their piercing ancestral crimson;
as well as, less altered from the original blue cornflower
of the roadsides and railway embankments of Europe, these
bachelor's buttons.
But it isn't the railway embankments
their featherweight wheels of cobalt remind me of, it's
a row of them among prim colonnades of cosmos,
snapdragon, nasturtium, bloodsilk red poppies,
in my grandmother's garden: a prairie childhood,
the grassland shorn, overlaid with a grid,
unsealed, furrowed, harrowed and sown with immigrant grasses,
their massive corduroy, their wavering feltings embroidered
here and there by the scarlet shoulder patch of cannas
on a courthouse lawn, by a love knot, a cross stitch
of living matter, sown and tended by women,
nurturers everywhere of the strange and wonderful,
beneath whose hands what had been alien begins,
as it alters, to grow as though it were indigenous.
But at this remove what I think of as
strange and wonderful, strolling the side streets of Manhattan
on an April afternoon, seeing hybrid pear trees in blossom,
a tossing, vertiginous colonnade of foam, up above—
is the white petalfall, the warm snowdrift
of the indigenous wild plum of my childhood.
Nothing stays put.
The world is a wheel.
All that we know, that we're
made of, is motion.
|
Written by
Joaquin Miller |
THE moon resumed all heaven now,
She shepherded the stars below
Along her wide, white steeps of snow,
Nor stooped nor rested, where or how.
She bared her full white breast, she dared
The sun e'er show his face again.
She seemed to know no change, she kept
Carousal constantly, nor slept,
Nor turned aside a breath, nor spared
The fearful meaning, the mad pain,
The weary eyes, the poor dazed brain,
That came at last to feel, to see
The dread, dead touch of lunacy.
How loud the silence! Oh, how loud!
How more than beautiful the shroud
Of dead Light in the moon-mad north
When great torch-tipping stars stand forth
Above the black, slow-moving pall
As at some fearful funeral!
The moon blares as mad trumpets blare
To marshaled warriors long and loud;
The cobalt blue knows not a cloud,
But oh, beware that moon, beware
Her ghostly, graveyard, moon-mad stare!
Beware white silence more than white!
Beware the five-horned starry rune;
Beware the groaning gorge below;
Beware the wide, white world of snow,
Where trees hang white as hooded nun--
No thing not white, not one, not one!
But most beware that mad white moon.
All day, all day, all night, all night
Nay, nay, not yet or night or day.
Just whiteness, whiteness, ghastly white,
Made doubly white by that mad moon
And strange stars jangled out of tune!
At last, he saw, or seemed to see,
Above, beyond, another world.
Far up the ice-hung path there curled
A red-veined cloud, a canopy
That topt the fearful ice-built peak
That seemed to prop the very porch
Of God's house; then, as if a torch
Burned fierce, there flushed a fiery streak,
A flush, a blush, on heaven's cheek!
The dogs sat down, men sat the sled
And watched the flush, the blush of red.
The little wooly dogs, they knew,
Yet scarcely knew what they were about.
They thrust their noses up and out,
They drank the Light, what else to do?
Their little feet, so worn, so true,
Could scarcely keep quiet for delight.
They knew, they knew, how much they knew
The mighty breaking up of night!
Their bright eyes sparkled with such joy
That they at last should see loved Light!
The tandem sudden broke all rule;
Swung back, each leaping like a boy
Let loose from some dark, ugly school--
Leaped up and tried to lick his hand--
Stood up as happy children stand.
How tenderly God's finger set
His crimson flower on that height
Above the battered walls of night!
A little space it flourished yet,
And then His angel, His first-born,
Burst through, as on that primal morn!
|
Written by
Richard Aldington |
I turn the page and read:
"I dream of silent verses where the rhyme
Glides noiseless as an oar.
"
The heavy musty air, the black desks,
The bent heads and the rustling noises
In the great dome
Vanish .
.
.
And
The sun hangs in the cobalt-blue sky,
The boat drifts over the lake shallows,
The fishes skim like umber shades through the undulating weeds,
The oleanders drop their rosy petals on the lawns,
And the swallows dive and swirl and whistle
About the cleft battlements of Can Grande's castle.
.
.
|
Written by
Sharon Olds |
The first ones were attached to my dress
at the waist, one on either side,
right at the point where hands could clasp you and
pick you up, as if you were a hot
squeeze bottle of tree syrup, and the
sashes that emerged like axil buds from the
angles of the waist were used to play horses, that
racing across the cement while someone
held your reins and you could feel your flesh
itself in your body wildly streaming.
You would come home, a torn-off sash
dangling from either hand, a snake-charmer—
each time, she sewed them back on with
thicker thread, until the seams of
sash and dress bulged like little
knots of gristle at your waist as you walked, you could
feel them like thumbs pressing into your body.
The next sash was the one Thee, Hannah!
borrowed from her be-ribboned friend
and hid in a drawer and got salve on it,
salve on a sash, like bacon grease on a snake,
God's lard on the ribbon a Quaker girl
should not want, Satan's jism on
silk delicate as the skin of a young girl's genital.
When Hannah gave up satin her father
told her she was beautiful
just as God made her.
But all sashes
lead to the sash, very sash of
very sash, begotten, not made, that my
aunt sent from Switzerland—
cobalt ripple of Swiss cotton with
clean boys and girls dancing on it.
I don't know why my mother chose it to
tie me to the chair with, her eye just
fell on it, but the whole day I
felt those blue children dance
around my wrists.
Later someone
told me they had found out
the universe is a kind of strip that
twists around and joins itself, and I believe it,
sometimes I can feel it, the way we are
pouring slowly toward a curve and around it
through something dark and soft, and we are bound to
each other.
|