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Best Famous Clucking Poems

Here is a collection of the all-time best famous Clucking poems. This is a select list of the best famous Clucking poetry. Reading, writing, and enjoying famous Clucking poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of clucking poems.

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Written by Jack Prelutsky | Create an image from this poem

Last Night I Dreamed of Chickens

 Last night I dreamed of chickens,
there were chickens everywhere,
they were standing on my stomach,
they were nesting in my hair,
they were pecking at my pillow,
they were hopping on my head,
they were ruffling up their feathers
as they raced about my bed.
They were on the chairs and tables, they were on the chandeliers, they were roosting in the corners, they were clucking in my ears, there were chickens, chickens, chickens for as far as I could see.
.
.
when I woke today, I noticed there were eggs on top of me.


Written by Rudyard Kipling | Create an image from this poem

The Ballad of the Kings Jest

 When spring-time flushes the desert grass,
Our kafilas wind through the Khyber Pass.
Lean are the camels but fat the frails, Light are the purses but heavy the bales, As the snowbound trade of the North comes down To the market-square of Peshawur town.
In a turquoise twilight, crisp and chill, A kafila camped at the foot of the hill.
Then blue smoke-haze of the cooking rose, And tent-peg answered to hammer-nose; And the picketed ponies, shag and wild, Strained at their ropes as the feed was piled; And the bubbling camels beside the load Sprawled for a furlong adown the road; And the Persian pussy-cats, brought for sale, Spat at the dogs from the camel-bale; And the tribesmen bellowed to hasten the food; And the camp-fires twinkled by Fort Jumrood; And there fled on the wings of the gathering dusk A savour of camels and carpets and musk, A murmur of voices, a reek of smoke, To tell us the trade of the Khyber woke.
The lid of the flesh-pot chattered high, The knives were whetted and -- then came I To Mahbub Ali the muleteer, Patching his bridles and counting his gear, Crammed with the gossip of half a year.
But Mahbub Ali the kindly said, "Better is speech when the belly is fed.
" So we plunged the hand to the mid-wrist deep In a cinnamon stew of the fat-tailed sheep, And he who never hath tasted the food, By Allah! he knoweth not bad from good.
We cleansed our beards of the mutton-grease, We lay on the mats and were filled with peace, And the talk slid north, and the talk slid south, With the sliding puffs from the hookah-mouth.
Four things greater than all things are, -- Women and Horses and Power and War.
We spake of them all, but the last the most, For I sought a word of a Russian post, Of a shifty promise, an unsheathed sword And a gray-coat guard on the Helmund ford.
Then Mahbub Ali lowered his eyes In the fashion of one who is weaving lies.
Quoth he: "Of the Russians who can say? When the night is gathering all is gray.
But we look that the gloom of the night shall die In the morning flush of a blood-red sky.
Friend of my heart, is it meet or wise To warn a King of his enemies? We know what Heaven or Hell may bring, But no man knoweth the mind of the King.
That unsought counsel is cursed of God Attesteth the story of Wali Dad.
"His sire was leaky of tongue and pen, His dam was a clucking Khuttuck hen; And the colt bred close to the vice of each, For he carried the curse of an unstanched speech.
Therewith madness -- so that he sought The favour of kings at the Kabul court; And travelled, in hope of honour, far To the line where the gray-coat squadrons are.
There have I journeyed too -- but I Saw naught, said naught, and -- did not die! He harked to rumour, and snatched at a breath Of `this one knoweth' and `that one saith', -- Legends that ran from mouth to mouth Of a gray-coat coming, and sack of the South.
These have I also heard -- they pass With each new spring and the winter grass.
"Hot-foot southward, forgotten of God, Back to the city ran Wali Dad, Even to Kabul -- in full durbar The King held talk with his Chief in War.
Into the press of the crowd he broke, And what he had heard of the coming spoke.
"Then Gholam Hyder, the Red Chief, smiled, As a mother might on a babbling child; But those who would laugh restrained their breath, When the face of the King showed dark as death.
Evil it is in full durbar To cry to a ruler of gathering war! Slowly he led to a peach-tree small, That grew by a cleft of the city wall.
And he said to the boy: `They shall praise thy zeal So long as the red spurt follows the steel.
And the Russ is upon us even now? Great is thy prudence -- await them, thou.
Watch from the tree.
Thou art young and strong, Surely thy vigil is not for long.
The Russ is upon us, thy clamour ran? Surely an hour shall bring their van.
Wait and watch.
When the host is near, Shout aloud that my men may hear.
' "Friend of my heart, is it meet or wise To warn a King of his enemies? A guard was set that he might not flee -- A score of bayonets ringed the tree.
The peach-bloom fell in showers of snow, When he shook at his death as he looked below.
By the power of God, who alone is great, Till the seventh day he fought with his fate.
Then madness took him, and men declare He mowed in the branches as ape and bear, And last as a sloth, ere his body failed, And he hung as a bat in the forks, and wailed, And sleep the cord of his hands untied, And he fell, and was caught on the points and died.
"Heart of my heart, is it meet or wise To warn a King of his enemies? We know what Heaven or Hell may bring, But no man knoweth the mind of the King.
Of the gray-coat coming who can say? When the night is gathering all is gray.
Two things greater than all things are, The first is Love, and the second War.
And since we know not how War may prove, Heart of my heart, let us talk of Love!"
Written by John Masefield | Create an image from this poem

A Wanderers Song

 A WIND'S in the heart of me, a fire's in my heels, 
I am tired of brick and stone and rumbling wagon-wheels; 
I hunger for the sea's edge, the limit of the land, 
Where the wild old Atlantic is shouting on the sand.
Oh I'll be going, leaving the noises of the street, To where a lifting foresail-foot is yanking at the sheet; To a windy, tossing anchorage where yawls and ketches ride, Oh I'l be going, going, until I meet the tide.
And first I'll hear the sea-wind, the mewing of the gulls, The clucking, sucking of the sea about the rusty hulls, The songs at the capstan at the hooker warping out, And then the heart of me'll know I'm there or thereabout.
Oh I am sick of brick and stone, the heart of me is sick, For windy green, unquiet sea, the realm of Moby Dick; And I'll be going, going, from the roaring of the wheels, For a wind's in the heart of me, a fire's in my heels.
Written by T Wignesan | Create an image from this poem

Who dares to take this life from me Knows no better

for Eric Mottram

"Nur wenn das Herz erschlossen,

Dann ist die Erde schön.
" Goethe.
I An important thing in living Is to know when to go; He who does not know this Has not far to go, Though death may come and go When you do not know.
Come, give me your hand, Together shoulder and cheek to shoulder We'll go, sour kana in cheeks And in the mornings cherry sticks To gum: the infectious chilli smiles Over touch-me-not thorns, crushing snails From banana leaves, past Clawing outstretched arms of the bougainvilias To stone the salt-bite mangoes.
Tread carefully through this durian kampong For the ripe season has pricked many a sole.
II la la la tham'-pong Let's go running intermittent To the spitting, clucking rubber fruit And bamboo lashes through the silent graves, Fresh sod, red mounds, knee stuck, incensing joss sticks All night long burning, exhuming, expelling the spirit.
Let's scour, hiding behind the lowing boughs of the hibiscus Skirting the school-green parapet thorny fields.
Let us now squawk, piercing the sultry, humid blanket In the shrill wakeful tarzan tones, Paddle high on.
the swings Naked thighs, testicles dry.
Let us now vanish panting on the climbing slopes Bare breasted, steaming rolling with perspiration, Biting with lalang burn.
Let us now go and stand under the school Water tap, thrashing water to and fro.
Then steal through the towkay's Barbed compound to pluck the hairy Eyeing rambutans, blood red, parang in hand, And caoutchouc pungent with peeling.
Now scurrying through the estate glades Crunching, kicking autumnal rubber leavings, Kneading, rolling milky latex balls, Now standing to water by the corner garden post.
III This is the land of the convectional rains Which vie on the monsoon back scrubbing streets This is the land at half-past four The rainbow rubs the chilli face of the afternoon And an evening-morning pervades the dripping, weeping Rain tree, and gushing, tumbling, sewerless rain drains Sub-cutaneously eddy sampan fed, muddy, fingerless rivers Down with crocodile logs to the Malacca Sea.
This is the land of stately dipterocarp, casuarina And coco-palms reeding north easterly over ancient rites Of turtle bound breeding sands.
This is the land of the chignoned swaying bottoms Of sarong-kebaya, sari and cheongsam.
The residual perch of promises That threw the meek in within The legs of the over-eager fledgelings.
The land since the Carnatic conquerors Shovelling at the bottom of the offering mountains The bounceable verdure brought to its bowers The three adventurers.
A land frozen in a thousand Climatic, communal ages Wags its primordial bushy tail to the Himalayas Within a three cornered monsoon sea - In reincarnate churches And cracker carousels.
The stranglehold of boasting strutting pedigrees And infidel hordes of marauding thieves, Where pullulant ideals Long rocketed in other climes Ride flat-foot on flat tyres.
IV Let us go then, hurrying by Second show nights and jogget parks Listening to the distant whinings of wayangs Down the sidewalk frying stalls on Campbell Road Cheong-Kee mee and queh teow plates Sateh, rojak and kachang puteh (rediffusion vigil plates) Let us then dash to the Madras stalls To the five cent lye chee slakes.
la la la step stepping Each in his own inordinate step Shuffling the terang bulan.
Blindly buzzes the bee Criss-crossing Weep, rain tree, weep The grass untrampled with laughter In the noonday sobering shade.
Go Cheena-becha Kling-qui Sakai V Has it not occurred to you how I sat with you dear sister, counting the chicking back of the evening train by the window sill and then got up to wind my way down the snake infested rail to shoo shoo the cows home to brood while you gee geaed the chicks to coop and did we not then plan of a farm a green milking farm to warm the palm then turned to scratch the itch over in our minds lay down on the floors, mat aside our thoughts to cushion heads whilst dug tapioca roots heaped the dream and we lay scrapping the kernel-less fiber shelled coconuts O Bhama, my goatless daughter kid how I nursed you with the callow calves those mutual moments forced in these common lives and then, that day when they sold you the blistering shirtless sun never flinching an eye, defiant I stood caressing your creamy coat and all you could say was a hopeless baaa.
.
a.
.
aa and then, then, that day as we came over the mountains two kids you led to the thorny brush, business bent the eye-balling bharata natyam VI O masters of my fading August dream For should you take this life from me Know you any better Than when children we have joyously romped Down and deep in the August river Washing on the mountain tin.
Now on the growing granite's precipitous face In our vigilant wassail Remember the children downstream playing Where your own little voices are speechless lingering Let it not be simply said that a river flows to flourish a land More than that he who is high at the source take heed: For a river putrid in the cradle is worse than the plunging flooding rain.
And the eclectic monsoons may have come Have gathered and may have gone While the senses still within torrid membranes thap-po-ng thap-pong thap-pong

Book: Reflection on the Important Things