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Best Famous Clover Poems

Here is a collection of the all-time best famous Clover poems. This is a select list of the best famous Clover poetry. Reading, writing, and enjoying famous Clover poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of clover poems.

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Written by Walt Whitman | Create an image from this poem

A Carol of Harvest for 1867

 1
A SONG of the good green grass! 
A song no more of the city streets; 
A song of farms—a song of the soil of fields. 

A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; 
A song tasting of new wheat, and of fresh-husk’d maize.

2
For the lands, and for these passionate days, and for myself, 
Now I awhile return to thee, O soil of Autumn fields, 
Reclining on thy breast, giving myself to thee, 
Answering the pulses of thy sane and equable heart, 
Tuning a verse for thee.

O Earth, that hast no voice, confide to me a voice! 
O harvest of my lands! O boundless summer growths! 
O lavish, brown, parturient earth! O infinite, teeming womb! 
A verse to seek, to see, to narrate thee. 

3
Ever upon this stage,
Is acted God’s calm, annual drama, 
Gorgeous processions, songs of birds, 
Sunrise, that fullest feeds and freshens most the soul, 
The heaving sea, the waves upon the shore, the musical, strong waves, 
The woods, the stalwart trees, the slender, tapering trees,
The flowers, the grass, the lilliput, countless armies of the grass, 
The heat, the showers, the measureless pasturages, 
The scenery of the snows, the winds’ free orchestra, 
The stretching, light-hung roof of clouds—the clear cerulean, and the bulging,
 silvery
 fringes, 
The high dilating stars, the placid, beckoning stars,
The moving flocks and herds, the plains and emerald meadows, 
The shows of all the varied lands, and all the growths and products. 

4
Fecund America! To-day, 
Thou art all over set in births and joys! 
Thou groan’st with riches! thy wealth clothes thee as with a swathing garment!
Thou laughest loud with ache of great possessions! 
A myriad-twining life, like interlacing vines, binds all thy vast demesne! 
As some huge ship, freighted to water’s edge, thou ridest into port! 
As rain falls from the heaven, and vapors rise from earth, so have the precious values
 fallen
 upon thee, and risen out of thee! 
Thou envy of the globe! thou miracle!
Thou, bathed, choked, swimming in plenty! 
Thou lucky Mistress of the tranquil barns! 
Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest
 East,
 and lookest West! 
Dispensatress, that by a word givest a thousand miles—that giv’st a million
 farms,
 and missest nothing! 
Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is
 hospitable.)

5
When late I sang, sad was my voice; 
Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; 
In the midst of the armies, the Heroes, I stood, 
Or pass’d with slow step through the wounded and dying. 

But now I sing not War,
Nor the measur’d march of soldiers, nor the tents of camps, 
Nor the regiments hastily coming up, deploying in line of battle. 

No more the dead and wounded; 
No more the sad, unnatural shows of War. 

Ask’d room those flush’d immortal ranks? the first forth-stepping armies?
Ask room, alas, the ghastly ranks—the armies dread that follow’d. 

6
(Pass—pass, ye proud brigades! 
So handsome, dress’d in blue—with your tramping, sinewy legs; 
With your shoulders young and strong—with your knapsacks and your muskets; 
—How elate I stood and watch’d you, where, starting off, you march’d!

Pass;—then rattle, drums, again! 
Scream, you steamers on the river, out of whistles loud and shrill, your salutes! 
For an army heaves in sight—O another gathering army! 
Swarming, trailing on the rear—O you dread, accruing army! 
O you regiments so piteous, with your mortal diarrhoea! with your fever!
O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! 
Lo! your pallid army follow’d!) 

7
But on these days of brightness, 
On the far-stretching beauteous landscape, the roads and lanes, the high-piled
 farm-wagons, and
 the fruits and barns, 
Shall the dead intrude?

Ah, the dead to me mar not—they fit well in Nature; 
They fit very well in the landscape, under the trees and grass, 
And along the edge of the sky, in the horizon’s far margin. 

Nor do I forget you, departed; 
Nor in winter or summer, my lost ones;
But most, in the open air, as now, when my soul is rapt and at peace—like pleasing
 phantoms, 
Your dear memories, rising, glide silently by me. 

8
I saw the day, the return of the Heroes; 
(Yet the Heroes never surpass’d, shall never return; 
Them, that day, I saw not.)

I saw the interminable Corps—I saw the processions of armies, 
I saw them approaching, defiling by, with divisions, 
Streaming northward, their work done, camping awhile in clusters of mighty camps. 

No holiday soldiers!—youthful, yet veterans; 
Worn, swart, handsome, strong, of the stock of homestead and workshop,
Harden’d of many a long campaign and sweaty march, 
Inured on many a hard-fought, bloody field. 

9
A pause—the armies wait; 
A million flush’d, embattled conquerors wait; 
The world, too, waits—then, soft as breaking night, and sure as dawn,
They melt—they disappear. 

Exult, indeed, O lands! victorious lands! 
Not there your victory, on those red, shuddering fields; 
But here and hence your victory. 

Melt, melt away, ye armies! disperse, ye blue-clad soldiers!
Resolve ye back again—give up, for good, your deadly arms; 
Other the arms, the fields henceforth for you, or South or North, or East or West, 
With saner wars—sweet wars—life-giving wars. 

10
Loud, O my throat, and clear, O soul! 
The season of thanks, and the voice of full-yielding;
The chant of joy and power for boundless fertility. 

All till’d and untill’d fields expand before me; 
I see the true arenas of my race—or first, or last, 
Man’s innocent and strong arenas. 

I see the Heroes at other toils;
I see, well-wielded in their hands, the better weapons. 

11
I see where America, Mother of All, 
Well-pleased, with full-spanning eye, gazes forth, dwells long, 
And counts the varied gathering of the products. 

Busy the far, the sunlit panorama;
Prairie, orchard, and yellow grain of the North, 
Cotton and rice of the South, and Louisianian cane; 
Open, unseeded fallows, rich fields of clover and timothy, 
Kine and horses feeding, and droves of sheep and swine, 
And many a stately river flowing, and many a jocund brook,
And healthy uplands with their herby-perfumed breezes, 
And the good green grass—that delicate miracle, the ever-recurring grass. 

12
Toil on, Heroes! harvest the products! 
Not alone on those warlike fields, the Mother of All, 
With dilated form and lambent eyes, watch’d you.

Toil on, Heroes! toil well! Handle the weapons well! 
The Mother of All—yet here, as ever, she watches you. 

Well-pleased, America, thou beholdest, 
Over the fields of the West, those crawling monsters, 
The human-divine inventions, the labor-saving implements:
Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, 
The steam-power reaping-machines, and the horse-power machines, 
The engines, thrashers of grain, and cleaners of grain, well separating the straw—the
 nimble work of the patent pitch-fork; 
Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser. 

Beneath thy look, O Maternal,
With these, and else, and with their own strong hands, the Heroes harvest. 

All gather, and all harvest; 
(Yet but for thee, O Powerful! not a scythe might swing, as now, in security; 
Not a maize-stalk dangle, as now, its silken tassels in peace.) 

13
Under Thee only they harvest—even but a wisp of hay, under thy great face, only;
Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; 
Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green
 sheath, 
Gather the hay to its myriad mows, in the odorous, tranquil barns, 
Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; 
Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet
 potato of
 Georgia and the Carolinas,
Clip the wool of California or Pennsylvania, 
Cut the flax in the Middle States, or hemp, or tobacco in the Borders, 
Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the
 vines, 
Or aught that ripens in all These States, or North or South, 
Under the beaming sun, and under Thee.


Written by Henry Wadsworth Longfellow | Create an image from this poem

A Gleam Of Sunshine

 This is the place. Stand still, my steed,
Let me review the scene,
And summon from the shadowy Past
The forms that once have been.

The Past and Present here unite
Beneath Time's flowing tide,
Like footprints hidden by a brook,
But seen on either side.

Here runs the highway to the town;
There the green lane descends,
Through which I walked to church with thee,
O gentlest of my friends!

The shadow of the linden-trees
Lay moving on the grass;
Between them and the moving boughs,
A shadow, thou didst pass.

Thy dress was like the lilies,
And thy heart as pure as they:
One of God's holy messengers
Did walk with me that day.

I saw the branches of the trees
Bend down thy touch to meet,
The clover-blossoms in the grass
Rise up to kiss thy feet,

"Sleep, sleep to-day, tormenting cares,
Of earth and folly born!"
Solemnly sang the village choir
On that sweet Sabbath morn.

Through the closed blinds the golden sun
Poured in a dusty beam,
Like the celestial ladder seen
By Jacob in his dream.

And ever and anon, the wind,
Sweet-scented with the hay,
Turned o'er the hymn-book's fluttering leaves
That on the window lay.

Long was the good man's sermon,
Yet it seemed not so to me;
For he spake of Ruth the beautiful,
And still I thought of thee.

Long was the prayer he uttered,
Yet it seemed not so to me;
For in my heart I prayed with him,
And still I thought of thee.

But now, alas! the place seems changed;
Thou art no longer here:
Part of the sunshine of the scene
With thee did disappear.

Though thoughts, deep-rooted in my heart,
Like pine-trees dark and high,
Subdue the light of noon, and breathe
A low and ceaseless sigh;

This memory brightens o'er the past,
As when the sun, concealed
Behind some cloud that near us hangs
Shines on a distant field.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Rain In Summer

 How beautiful is the rain!
After the dust and heat,
In the broad and fiery street,
In the narrow lane,
How beautiful is the rain!

How it clatters along the roofs,
Like the tramp of hoofs
How it gushes and struggles out
From the throat of the overflowing spout!

Across the window-pane
It pours and pours;
And swift and wide,
With a muddy tide,
Like a river down the gutter roars
The rain, the welcome rain!

The sick man from his chamber looks
At the twisted brooks;
He can feel the cool
Breath of each little pool;
His fevered brain
Grows calm again,
And he breathes a blessing on the rain.

From the neighboring school
Come the boys,
With more than their wonted noise
And commotion;
And down the wet streets
Sail their mimic fleets,
Till the treacherous pool
Ingulfs them in its whirling
And turbulent ocean.

In the country, on every side,
Where far and wide,
Like a leopard's tawny and spotted hide,
Stretches the plain,
To the dry grass and the drier grain
How welcome is the rain!

In the furrowed land
The toilsome and patient oxen stand;
Lifting the yoke encumbered head,
With their dilated nostrils spread,
They silently inhale
The clover-scented gale,
And the vapors that arise
From the well-watered and smoking soil.
For this rest in the furrow after toil
Their large and lustrous eyes
Seem to thank the Lord,
More than man's spoken word.

Near at hand,
From under the sheltering trees,
The farmer sees
His pastures, and his fields of grain,
As they bend their tops
To the numberless beating drops
Of the incessant rain.
He counts it as no sin
That he sees therein
Only his own thrift and gain.

These, and far more than these,
The Poet sees!
He can behold
Aquarius old
Walking the fenceless fields of air;
And from each ample fold
Of the clouds about him rolled
Scattering everywhere
The showery rain,
As the farmer scatters his grain.

He can behold
Things manifold
That have not yet been wholly told,--
Have not been wholly sung nor said.
For his thought, that never stops,
Follows the water-drops
Down to the graves of the dead,
Down through chasms and gulfs profound,
To the dreary fountain-head
Of lakes and rivers under ground;
And sees them, when the rain is done,
On the bridge of colors seven
Climbing up once more to heaven,
Opposite the setting sun.

Thus the Seer,
With vision clear,
Sees forms appear and disappear,
In the perpetual round of strange,
Mysterious change
From birth to death, from death to birth,
From earth to heaven, from heaven to earth;
Till glimpses more sublime
Of things, unseen before,
Unto his wondering eyes reveal
The Universe, as an immeasurable wheel
Turning forevermore
In the rapid and rushing river of Time.
Written by Aleister Crowley | Create an image from this poem

The Wizard Way

 [Dedicated to General J.C.F. Fuller]


Velvet soft the night-star glowed 
Over the untrodden road, 
Through the giant glades of yew 
Where its ray fell light as dew 
Lighting up the shimmering veil 
Maiden pure and aery frail 
That the spiders wove to hide 
Blushes of the sylvan bride 
Earth, that trembled with delight 
At the male caress of Night. 

Velvet soft the wizard trod 
To the Sabbath of his God. 
With his naked feet he made 
Starry blossoms in the glade, 
Softly, softly, as he went 
To the sombre sacrament, 
Stealthy stepping to the tryst 
In his gown of amethyst. 

Earlier yet his soul had come 
To the Hill of Martyrdom, 
Where the charred and crooked stake 
Like a black envenomed snake 
By the hangman's hands is thrust 
Through the wet and writhing dust, 
Never black and never dried 
Heart's blood of a suicide. 

He had plucked the hazel rod 
From the rude and goatish god, 
Even as the curved moon's waning ray 
Stolen from the King of Day. 
He had learnt the elvish sign; 
Given the Token of the Nine: 
Once to rave, and once to revel, 
Once to bow before the devil, 
Once to swing the thurible, 
Once to kiss the goat of hell, 
Once to dance the aspen spring, 
Once to croak, and once to sing, 
Once to oil the savoury thighs 
Of the witch with sea-green eyes 
With the unguents magical. 
Oh the honey and the gall 
Of that black enchanter's lips 
As he croons to the eclipse 
Mingling that most puissant spell 
Of the giant gods of hell 
With the four ingredients 
Of the evil elements; 
Ambergris from golden spar, 
Musk of ox from Mongol jar,
Civet from a box of jade, 
Mixed with fat of many a maid 
Slain by the inchauntments cold 
Of the witches wild and old. 

He had crucified a toad 
In the basilisk abode, 
Muttering the Runes averse 
Mad with many a mocking curse. 

He had traced the serpent sigil 
In his ghastly virgin vigil. 
Sursum cor! the elfin hill, 
Where the wind blows deadly chill 
From the world that wails beneath 
Death's black throat and lipless teeth. 
There he had stood - his bosom bare - 
Tracing Life upon the Air 
With the crook and with the flail 
Lashing forward on the gale, 
Till its blade that wavereth 
Like the flickering of Death 
Sank before his subtle fence 
To the starless sea of sense. 

Now at last the man is come 
Haply to his halidom. 
Surely as he waves his rod 
In a circle on the sod 
Springs the emerald chaste and clean 
From the duller paler green. 
Surely in the circle millions 
Of immaculate pavilions 
Flash upon the trembling turf 
Like the sea-stars in the surf -
Millions of bejewelled tents 
For the warrior sacraments. 
Vaster, vaster, vaster, vaster, 
Grows the stature of the master; 
All the ringed encampment vies 
With the infinite galaxies. 
In the midst a cubic stone 
With the Devil set thereon; 
Hath a lamb's virginal throat; 
Hath the body of a stoat; 
Hath the buttocks of a goat; 
Hath the sanguine face and rod 
Of a goddess and a god! 

Spell by spell and pace by pace! 
Mystic flashes swing and trace 
Velvet soft the sigils stepped 
By the silver-starred adept. 
Back and front, and to and fro, 
Soul and body sway and flow 
In vertiginous caresses 
To imponderable recesses, 
Till at last the spell is woven, 
And the faery veil is cloven 
That was Sequence, Space, and Stress 
Of the soul-sick consciousness. 

"Give thy body to the beasts! 
Give thy spirit to the priests! 
Break in twain the hazel rod 
On the virgin lips of God! 
Tear the Rosy Cross asunder! 
Shatter the black bolt of thunder! 
Suck the swart ensanguine kiss 
Of the resolute abyss!" 
Wonder-weft the wizard heard 
This intolerable word. 
Smote the blasting hazel rod 
On the scarlet lips of God; 
Trampled Cross and rosy core; 
Brake the thunder-tool of Thor; 
Meek and holy acolyte 
Of the priestly hells of spite,
Sleek and shameless catamite 
Of the beasts that prowl the night! 

Like a star that streams from heaven 
Through the virgin airs light-riven, 
From the lift there shot and fell 
An admirable miracle. 
Carved minute and clean, a key 
Of purest lapis-lazuli 
More blue than the blind sky that aches 
(Wreathed with the stars, her torturing snakes), 
For the dead god's kiss that never wakes; 
Shot with golden specks of fire 
Like a virgin with desire. 
Look, the levers! fern-frail fronds 
Of fantastic diamonds, 
Glimmering with ethereal azure 
In each exquisite embrasure. 
On the shaft the letters laced, 
As if dryads lunar-chaste 
With the satyrs were embraced, 
Spelled the secret of the key: 
Sic pervenias. And he 
Went his wizard way, inweaving 
Dreams of things beyond believing. 

When he will, the weary world 
Of the senses closely curled 
Like a serpent round his heart 
Shakes herself and stands apart. 
So the heart's blood flames, expanding, 
Strenuous, urgent, and commanding; 
And the key unlocks the door 
Where his love lives evermore. 

She is of the faery blood; 
All smaragdine flows its flood. 
Glowing in the amber sky 
To ensorcelled porphyry 
She hath eyes of glittering flake 
Like a cold grey water-snake. 
She hath naked breasts of amber 
Jetting wine in her bed-chamber, 
Whereof whoso stoops and drinks 
Rees the riddle of the Sphinx. 

She hath naked limbs of amber 
Whereupon her children clamber. 
She hath five navels rosy-red 
From the five wounds of God that bled; 
Each wound that mothered her still bleeding, 
And on that blood her babes are feeding. 
Oh! like a rose-winged pelican 
She hath bred blessed babes to Pan! 
Oh! like a lion-hued nightingale 
She hath torn her breast on thorns to avail 
The barren rose-tree to renew 
Her life with that disastrous dew, 
Building the rose o' the world alight 
With music out of the pale moonlight! 
O She is like the river of blood 
That broke from the lips of the bastard god, 
When he saw the sacred mother smile 
On the ibis that flew up the foam of Nile 
Bearing the limbs unblessed, unborn, 
That the lurking beast of Nile had torn! 

So (for the world is weary) I 
These dreadful souls of sense lay by. 
I sacrifice these impure shoon 
To the cold ray of the waning moon. 
I take the forked hazel staff, 
And the rose of no terrene graff, 
And the lamp of no olive oil 
With heart's blood that alone may boil. 
With naked breast and feet unshod 
I follow the wizard way to God. 

Wherever he leads my foot shall follow; 
Over the height, into the hollow, 
Up to the caves of pure cold breath, 
Down to the deeps of foul hot death, 
Across the seas, through the fires, 
Past the palace of desires; 
Where he will, whether he will or no, 
If I go, I care not whither I go. 

For in me is the taint of the faery blood. 
Fast, fast its emerald flood 
Leaps within me, violent rude 
Like a bestial faun's beatitude. 
In me the faery blood runs hard: 
My sires were a druid, a devil, a bard, 
A beast, a wizard, a snake and a satyr; 
For - as my mother said - what does it matter? 
She was a fay, pure of the faery; 
Queen Morgan's daughter by an aery 
Demon that came to Orkney once 
To pay the Beetle his orisons. 

So, it is I that writhe with the twitch 
Of the faery blood, and the wizard itch 
To attain a matter one may not utter 
Rather than sink in the greasy splutter 
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls 
Grown to sloppy women and brutal churls. 
So, I am off with staff in hand 
To the endless light of the nameless land. 

Darkness spreads its sombre streams, 
Blotting out the elfin dreams. 
I might haply be afraid, 
Were it not the Feather-maid 
Leads me softly by the hand, 
Whispers me to understand. 
Now (when through the world of weeping 
Light at last starrily creeping 
Steals upon my babe-new sight, 
Light - O light that is not light!) 
On my mouth the lips of her 
Like a stone on my sepulchre 
Seal my speech with ecstasy, 
Till a babe is born of me 
That is silent more than I; 
For its inarticulate cry 
Hushes as its mouth is pressed 
To the pearl, her honey breast; 
While its breath divinely ripples 
The rose-petals of her nipples, 
And the jetted milk he laps
From the soft delicious paps, 
Sweeter than the bee-sweet showers 
In the chalice of the flowers, 
More intoxicating than
All the purple grapes of Pan. 

Ah! my proper lips are stilled. 
Only, all the world is filled 
With the Echo, that drips over 
Like the honey from the clover. 
Passion, penitence, and pain 
Seek their mother's womb again, 
And are born the triple treasure, 
Peace and purity and pleasure. 

- Hush, my child, and come aloft 
Where the stars are velvet soft!
Written by Ralph Waldo Emerson | Create an image from this poem

The Humble-Bee

BURLY dozing humble-bee  
Where thou art is clime for me. 
Let them sail for Porto Rique  
Far-off heats through seas to seek; 
I will follow thee alone 5 
Thou animated torrid-zone! 
Zigzag steerer desert cheerer  
Let me chase thy waving lines; 
Keep me nearer me thy hearer  
Singing over shrubs and vines. 10 

Insect lover of the sun  
Joy of thy dominion! 
Sailor of the atmosphere; 
Swimmer through the waves of air; 
Voyager of light and noon; 15 
Epicurean of June; 
Wait I prithee till I come 
Within earshot of thy hum ¡ª 
All without is martyrdom. 

When the south wind in May days 20 
With a net of shining haze 
Silvers the horizon wall  
And with softness touching all  
Tints the human countenance 
With a color of romance 25 
And infusing subtle heats  
Turns the sod to violets  
Thou in sunny solitudes  
Rover of the underwoods  
The green silence dost displace 30 
With thy mellow breezy bass. 

Hot midsummer's petted crone  
Sweet to me thy drowsy tone 
Tells of countless sunny hours  
Long days and solid banks of flowers; 35 
Of gulfs of sweetness without bound 
In Indian wildernesses found; 
Of Syrian peace immortal leisure  
Firmest cheer and bird-like pleasure. 
Aught unsavory or unclean 40 
Hath my insect never seen; 
But violets and bilberry bells  
Maple-sap and daffodels  
Grass with green flag half-mast high  
Succory to match the sky 45 
Columbine with horn of honey  
Scented fern and agrimony  
Clover catchfly adder's-tongue 
And brier-roses dwelt among; 
All beside was unknown waste 50 
All was picture as he passed. 

Wiser far than human seer  
blue-breeched philosopher! 
Seeing only what is fair  
Sipping only what is sweet 55 
Thou dost mock at fate and care  
Leave the chaff and take the wheat. 
When the fierce northwestern blast 
Cools sea and land so far and fast  
Thou already slumberest deep; 60 
Woe and want thou canst outsleep; 
Want and woe which torture us  
Thy sleep makes ridiculous. 


Written by Christina Rossetti | Create an image from this poem

Sleeping at last

 Sleeping at last, the trouble and tumult over, 
Sleeping at last, the struggle and horror past, 
Cold and white, out of sight of friend and of lover, 
Sleeping at last.

No more a tired heart downcast or overcast, 
No more pangs that wring or shifting fears that hover, 
Sleeping at last in a dreamless sleep locked fast.

Fast asleep. Singing birds in their leafy cover 
Cannot wake her, nor shake her the gusty blast. 
Under the purple thyme and the purple clover 
Sleeping at last.
Written by Elinor Wylie | Create an image from this poem

Wild Peaches

 1

When the world turns completely upside down 
You say we'll emigrate to the Eastern Shore 
Aboard a river-boat from Baltimore; 
We'll live among wild peach trees, miles from town, 
You'll wear a coonskin cap, and I a gown 
Homespun, dyed butternut's dark gold colour. 
Lost, like your lotus-eating ancestor, 
We'll swim in milk and honey till we drown.

The winter will be short, the summer long, 
The autumn amber-hued, sunny and hot, 
Tasting of cider and of scuppernong; 
All seasons sweet, but autumn best of all. 
The squirrels in their silver fur will fall 
Like falling leaves, like fruit, before your shot.

2

The autumn frosts will lie upon the grass 
Like bloom on grapes of purple-brown and gold. 
The misted early mornings will be cold; 
The little puddles will be roofed with glass. 
The sun, which burns from copper into brass, 
Melts these at noon, and makes the boys unfold 
Their knitted mufflers; full as they can hold 
Fat pockets dribble chestnuts as they pass.

Peaches grow wild, and pigs can live in clover; 
A barrel of salted herrings lasts a year; 
The spring begins before the winter's over. 
By February you may find the skins 
Of garter snakes and water moccasins 
Dwindled and harsh, dead-white and cloudy-clear.

3

When April pours the colours of a shell 
Upon the hills, when every little creek 
Is shot with silver from the Chesapeake 
In shoals new-minted by the ocean swell, 
When strawberries go begging, and the sleek 
Blue plums lie open to the blackbird's beak, 
We shall live well -- we shall live very well.

The months between the cherries and the peaches 
Are brimming cornucopias which spill 
Fruits red and purple, sombre-bloomed and black; 
Then, down rich fields and frosty river beaches 
We'll trample bright persimmons, while you kill 
Bronze partridge, speckled quail, and canvasback.

4

Down to the Puritan marrow of my bones 
There's something in this richness that I hate. 
I love the look, austere, immaculate, 
Of landscapes drawn in pearly monotones. 
There's something in my very blood that owns 
Bare hills, cold silver on a sky of slate, 
A thread of water, churned to milky spate 
Streaming through slanted pastures fenced with stones.

I love those skies, thin blue or snowy gray, 
Those fields sparse-planted, rendering meagre sheaves; 
That spring, briefer than apple-blossom's breath, 
Summer, so much too beautiful to stay, 
Swift autumn, like a bonfire of leaves, 
And sleepy winter, like the sleep of death.
Written by Walt Whitman | Create an image from this poem

Give me the Splendid Silent Sun

 1
GIVE me the splendid silent sun, with all his beams full-dazzling; 
Give me juicy autumnal fruit, ripe and red from the orchard; 
Give me a field where the unmow’d grass grows; 
Give me an arbor, give me the trellis’d grape; 
Give me fresh corn and wheat—give me serene-moving animals, teaching content;
Give me nights perfectly quiet, as on high plateaus west of the Mississippi, and I looking
 up
 at the
 stars; 
Give me odorous at sunrise a garden of beautiful flowers, where I can walk
 undisturb’d; 
Give me for marriage a sweet-breath’d woman, of whom I should never tire; 
Give me a perfect child—give me, away, aside from the noise of the world, a rural,
 domestic
 life; 
Give me to warble spontaneous songs, reliev’d, recluse by myself, for my own ears
 only;
Give me solitude—give me Nature—give me again, O Nature, your primal sanities! 
—These, demanding to have them, (tired with ceaseless excitement, and rack’d by
 the
 war-strife;) 
These to procure, incessantly asking, rising in cries from my heart, 
While yet incessantly asking, still I adhere to my city; 
Day upon day, and year upon year, O city, walking your streets,
Where you hold me enchain’d a certain time, refusing to give me up; 
Yet giving to make me glutted, enrich’d of soul—you give me forever faces; 
(O I see what I sought to escape, confronting, reversing my cries; 
I see my own soul trampling down what it ask’d for.) 

2
Keep your splendid, silent sun;
Keep your woods, O Nature, and the quiet places by the woods; 
Keep your fields of clover and timothy, and your corn-fields and orchards; 
Keep the blossoming buckwheat fields, where the Ninth-month bees hum; 
Give me faces and streets! give me these phantoms incessant and endless along the
 trottoirs! 
Give me interminable eyes! give me women! give me comrades and lovers by the thousand!
Let me see new ones every day! let me hold new ones by the hand every day! 
Give me such shows! give me the streets of Manhattan! 
Give me Broadway, with the soldiers marching—give me the sound of the trumpets and
 drums! 
(The soldiers in companies or regiments—some, starting away, flush’d and
 reckless; 
Some, their time up, returning, with thinn’d ranks—young, yet very old, worn,
 marching,
 noticing nothing;)
—Give me the shores and the wharves heavy-fringed with the black ships! 
O such for me! O an intense life! O full to repletion, and varied! 
The life of the theatre, bar-room, huge hotel, for me! 
The saloon of the steamer! the crowded excursion for me! the torch-light procession! 
The dense brigade, bound for the war, with high piled military wagons following;
People, endless, streaming, with strong voices, passions, pageants; 
Manhattan streets, with their powerful throbs, with the beating drums, as now; 
The endless and noisy chorus, the rustle and clank of muskets, (even the sight of the
 wounded;)

Manhattan crowds, with their turbulent musical chorus—with varied chorus, and light
 of the
 sparkling eyes; 
Manhattan faces and eyes forever for me.
Written by Anne Sexton | Create an image from this poem

The Interrogation Of The Man Of Many Hearts

 Who's she, that one in your arms?

She's the one I carried my bones to
and built a house that was just a cot
and built a life that was over an hour
and built a castle where no one lives
and built, in the end, a song
to go with the ceremony.

Why have you brought her here?
Why do you knock on my door
with your little stores and songs?

I had joined her the way a man joins
a woman and yet there was no place
for festivities or formalities
and these things matter to a woman
and, you see, we live in a cold climate
and are not permitted to kiss on the street
so I made up a song that wasn't true.
I made up a song called Marriage.

You come to me out of wedlock
and kick your foot on my stoop
and ask me to measure such things?

Never. Never. Not my real wife.
She's my real witch, my fork, my mare,
my mother of tears, my skirtful of hell,
the stamp of my sorrows, the stamp of my bruises
and also the children she might bear
and also a private place, a body of bones
that I would honestly buy, if I could buy,
that I would marry, if I could marry.

And should I torment you for that?
Each man has a small fate allotted to him
and yours is a passionate one.

But I am in torment. We have no place.
The cot we share is almost a prison
where I can't say buttercup, bobolink,
sugarduck, pumpkin, love ribbon, locket,
valentine, summergirl, funnygirl and all
those nonsense things one says in bed.
To say I have bedded with her is not enough.
I have not only bedded her down.
I have tied her down with a knot.

Then why do you stick your fists
into your pockets? Why do you shuffle
your feet like a schoolboy?

For years I have tied this knot in my dreams.
I have walked through a door in my dreams
and she was standing there in my mother's apron.
Once she crawled through a window that was shaped
like a keyhole and she was wearing my daughter's
pink corduroys and each time I tied these women
in a knot. Once a queen came. I tied her too.
But this is something I have actually tied
and now I have made her fast.
I sang her out. I caught her down.
I stamped her out with a song.
There was no other apartment for it.
There was no other chamber for it.
Only the knot. The bedded-down knot.
Thus I have laid my hands upon her
and have called her eyes and her mouth
as mine, as also her tongue.

Why do you ask me to make choices?
I am not a judge or a psychologist.
You own your bedded-down knot.

And yet I have real daytimes and nighttimes
with children and balconies and a good wife.
Thus I have tied these other knots,
yet I would rather not think of them
when I speak to you of her. Not now.
If she were a room to rent I would pay.
If she were a life to save I would save.
Maybe I am a man of many hearts.

A man of many hearts?
Why then do you tremble at my doorway?
A man of many hearts does not need me.

I'm caught deep in the dye of her.
I have allowed you to catch me red-handed,
catch me with my wild oats in a wild clock
for my mare, my dove and my own clean body.
People might say I have snakes in my boots
but I tell you that just once am I in the stirrups,
just once, this once, in the cup.
The love of the woman is in the song.
I called her the woman in red.
I called her the woman in pink
but she was ten colors
and ten women
I could hardly name her.

I know who she is.
You have named her enough.

Maybe I shouldn't have put it in words.
Frankly, I think I'm worse for this kissing,
drunk as a piper, kicking the traces
and determined to tie her up forever.
You see the song is the life,
the life I can't live.
God, even as he passes,
hand down monogamy like slang.
I wanted to write her into the law.
But, you know, there is no law for this.

Man of many hearts, you are a fool!
The clover has grown thorns this year
and robbed the cattle of their fruit
and the stones of the river
have sucked men's eyes dry,
season after season,
and every bed has been condemned,
not by morality or law,
but by time.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Aftermath

 When the summer fields are mown, 
When the birds are fledged and flown, 
And the dry leaves strew the path; 
With the falling of the snow, 
With the cawing of the crow, 
Once again the fields we mow 
And gather in the aftermath. 
Not the sweet, new grass with flowers 
Is this harvesting of ours; 
Not the upland clover bloom; 
But the rowen mixed with weeds, 
Tangled tufts from marsh and meads, 
Where the poppy drops its seeds 
In the silence and the gloom.

Book: Radiant Verses: A Journey Through Inspiring Poetry