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Best Famous Clods Poems

Here is a collection of the all-time best famous Clods poems. This is a select list of the best famous Clods poetry. Reading, writing, and enjoying famous Clods poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of clods poems.

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Written by Yehuda Amichai | Create an image from this poem

Temporary Poem Of My Time

 Hebrew writing and Arabic writing go from east to west,
Latin writing, from west to east.
Languages are like cats: You must not stroke their hair the wrong way.
The clouds come from the sea, the hot wind from the desert, The trees bend in the wind, And stones fly from all four winds, Into all four winds.
They throw stones, Throw this land, one at the other, But the land always falls back to the land.
They throw the land, want to get rid of it.
Its stones, its soil, but you can't get rid of it.
They throw stones, throw stones at me In 1936, 1938, 1948, 1988, Semites throw at Semites and anti-Semites at anti-Semites, Evil men throw and just men throw, Sinners throw and tempters throw, Geologists throw and theologists throw, Archaelogists throw and archhooligans throw, Kidneys throw stones and gall bladders throw, Head stones and forehead stones and the heart of a stone, Stones shaped like a screaming mouth And stones fitting your eyes Like a pair of glasses, The past throws stones at the future, And all of them fall on the present.
Weeping stones and laughing gravel stones, Even God in the Bible threw stones, Even the Urim and Tumim were thrown And got stuck in the beastplate of justice, And Herod threw stones and what came out was a Temple.
Oh, the poem of stone sadness Oh, the poem thrown on the stones Oh, the poem of thrown stones.
Is there in this land A stone that was never thrown And never built and never overturned And never uncovered and never discovered And never screamed from a wall and never discarded by the builders And never closed on top of a grave and never lay under lovers And never turned into a cornerstone? Please do not throw any more stones, You are moving the land, The holy, whole, open land, You are moving it to the sea And the sea doesn't want it The sea says, not in me.
Please throw little stones, Throw snail fossils, throw gravel, Justice or injustice from the quarries of Migdal Tsedek, Throw soft stones, throw sweet clods, Throw limestone, throw clay, Throw sand of the seashore, Throw dust of the desert, throw rust, Throw soil, throw wind, Throw air, throw nothing Until your hands are weary And the war is weary And even peace will be weary and will be.


Written by Marriott Edgar | Create an image from this poem

Goalkeeper Joe

 Joe Dunn were a bobby for football 
He gave all his time to that sport, 
He played for the West Wigan Whippets, 
On days when they turned out one short.
He’d been member of club for three seasons And had grumbled again and again, Cos he found only time that they’d used him, Were when it were pouring with rain! He felt as his talents were wasted When each week his job seemed to be No but minding the clothes for the others And chucking clods at referee! So next time selection committee Came round to ask him for his sub He told them if they didn’t play him, He’d transfer to some other club.
Committee they coaxed and cudgelled him But found he’d have none of their shifts So they promised to play him next weekend In match against Todmorden Swifts.
This match were the plum of the season An annual fixture it stood, ‘T were reckoned as good as a cup tie By them as liked plenty of blood! The day of the match dawned in splendour A beautiful morning it were With a fog drifting up from the brick fields And a drizzle of rain in the air.
The Whippets made Joe their goalkeeper A thing as weren’t wanted at all For they knew once battle had started They’d have no time to mess with the ball! Joe stood by the goal posts and shivered While the fog round his legs seemed to creep 'Til feeling neglected and lonely He leant back and went fast asleep.
He dreamt he were playing at Wembley And t’roar of a thundering cheer He were kicking a goal for the Whippets When he woke with a clout in his ear! He found 'twere the ball that had struck him And inside the net there it lay But as no one had seen this ‘ere ‘appen He punted it back into play! 'Twere the first ball he’d punted in anger His feelings he couldn’t restrain Forgetting as he were goalkeeper He ran out and kicked it again! Then after the ball like a rabbit He rushed down the field full of pride He reckoned if nobody stopped him Then ‘appen he’d score for his side.
‘Alf way down he bumped into his captain Who weren’t going to let him go by But Joe, like Horatio Nelson Put a fist to the Captain’s blind eye! On he went 'til the goal lay before him Then stopping to get himself set He steadied the ball, and then kicked it And landed it right in the net! The fog seemed to lift at that moment And all eyes were turned on the lad The Whippets seemed kind of dumbfounded While the Swifts started cheering like mad! 'Twere his own goal as he’d kicked the ball through He’d scored for his foes ‘gainst his friends For he’d slept through the referee’s whistle And at half time he hadn’t changed ends! Joe was transferred from the West Wigan Whippets To the Todmorden Swifts, where you’ll see Still minding the clothes for the others And chucking clods at referee!
Written by Robert Browning | Create an image from this poem

Rabbi Ben Ezra

 Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
Who saith 'A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!'

Not that, amassing flowers,
Youth sighed 'Which rose make ours,
Which lily leave and then as best recall?'
Not that, admiring stars,
It yearned 'Nor Jove, nor Mars;
Mine be some figured flame which blends, transcends them all!'

Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.
Poor vaunt of life indeed, Were man but formed to feed On joy, to solely seek and find and feast: Such feasting ended, then As sure an end to men; Irks care the crop-full bird? Frets doubt the maw-crammed beast? Rejoice we are allied To That which doth provide And not partake, effect and not receive! A spark disturbs our clod; Nearer we hold of God Who gives, than of His tribes that take, I must believe.
Then, welcome each rebuff That turns earth's smoothness rough, Each sting that bids nor sit nor stand but go! Be our joys three-parts pain! Strive, and hold cheap the strain; Learn, nor account the pang; dare, never grudge the throe! For thence,--a paradox Which comforts while it mocks,-- Shall life succeed in that it seems to fail: What I aspired to be, And was not, comforts me: A brute I might have been, but would not sink i' the scale.
What is he but a brute Whose flesh has soul to suit, Whose spirit works lest arms and legs want play? To man, propose this test-- Thy body at its best, How far can that project thy soul on its lone way? Yet gifts should prove their use: I own the Past profuse Of power each side, perfection every turn: Eyes, ears took in their dole, Brain treasured up the whole; Should not the heart beat once 'How good to live and learn?' Not once beat 'Praise be Thine! I see the whole design, I, who saw power, see now love perfect too: Perfect I call Thy plan: Thanks that I was a man! Maker, remake, complete,--I trust what Thou shalt do!' For pleasant is this flesh; Our soul, in its rose-mesh Pulled ever to the earth, still yearns for rest; Would we some prize might hold To match those manifold Possessions of the brute,--gain most, as we did best! Let us not always say, 'Spite of this flesh to-day I strove, made head, gained ground upon the whole!' As the bird wings and sings, Let us cry 'All good things Are ours, nor soul helps flesh more, now, than flesh helps soul!' Therefore I summon age To grant youth's heritage, Life's struggle having so far reached its term: Thence shall I pass, approved A man, for aye removed From the developed brute; a god though in the germ.
And I shall thereupon Take rest, ere I be gone Once more on my adventure brave and new: Fearless and unperplexed, When I wage battle next, What weapons to select, what armour to indue.
Youth ended, I shall try My gain or loss thereby; Leave the fire ashes, what survives is gold: And I shall weigh the same, Give life its praise or blame: Young, all lay in dispute; I shall know, being old.
For note, when evening shuts, A certain moment cuts The deed off, calls the glory from the grey: A whisper from the west Shoots--'Add this to the rest, Take it and try its worth: here dies another day.
' So, still within this life, Though lifted o'er its strife, Let me discern, compare, pronounce at last, This rage was right i' the main, That acquiescence vain: The Future I may face now I have proved the Past.
' For more is not reserved To man, with soul just nerved To act to-morrow what he learns to-day: Here, work enough to watch The Master work, and catch Hints of the proper craft, tricks of the tool's true play.
As it was better, youth Should strive, through acts uncouth, Toward making, than repose on aught found made: So, better, age, exempt From strife, should know, than tempt Further.
Thou waitedst age: wait death nor be afraid! Enough now, if the Right And Good and Infinite Be named here, as thou callest thy hand thine own With knowledge absolute, Subject to no dispute From fools that crowded youth, nor let thee feel alone.
Be there, for once and all, Severed great minds from small, Announced to each his station in the Past! Was I, the world arraigned, Were they, my soul disdained, Right? Let age speak the truth and give us peace at last! Now, who shall arbitrate? Ten men love what I hate, Shun what I follow, slight what I receive; Ten, who in ears and eyes Match me: we all surmise, They this thing, and I that: whom shall my soul believe? Not on the vulgar mass Called 'work,' must sentence pass, Things done, that took the eye and had the price; O'er which, from level stand, The low world laid its hand, Found straightway to its mind, could value in a trice: But all, the world's coarse thumb And finger failed to plumb, So passed in making up the main account; All instincts immature, All purposes unsure, That weighed not as his work, yet swelled the man's amount: Thoughts hardly to be packed Into a narrow act, Fancies that broke through language and escaped; All I could never be, All, men ignored in me, This, I was worth to God, whose wheel the pitcher shaped.
Ay, note that Potter's wheel, That metaphor! and feel Why time spins fast, why passive lies our clay,-- Thou, to whom fools propound, When the wine makes its round, 'Since life fleets, all is change; the Past gone, seize to-day!' Fool! All that is, at all, Lasts ever, past recall; Earth changes, but thy soul and God stand sure: What entered into thee, That was, is, and shall be: Time's wheel runs back or stops: Potter and clay endure.
He fixed thee mid this dance Of plastic circumstance, This Present, thou, forsooth, wouldst fain arrest: Machinery just meant To give thy soul its bent, Try thee and turn thee forth, sufficiently impressed.
What though the earlier grooves, Which ran the laughing loves Around thy base, no longer pause and press? What though, about thy rim, Skull-things in order grim Grow out, in graver mood, obey the sterner stress? Look not thou down but up! To uses of a cup, The festal board, lamp's flash and trumpet's peal, The new wine's foaming flow, The Master's lips a-glow! Thou, heaven's consummate cup, what need'st thou with earth's wheel? But I need, now as then, Thee, God, who mouldest men; And since, not even while the whirl was worst, Did I,--to the wheel of life With shapes and colours rife, Bound dizzily,--mistake my end, to slake Thy thirst: So, take and use Thy work: Amend what flaws may lurk, What strain o' the stuff, what warpings past the aim! My times be in Thy hand! Perfect the cup as planned! Let age approve of youth, and death complete the same!
Written by D. H. Lawrence | Create an image from this poem

Tortoise Family Connections

 On he goes, the little one,
Bud of the universe,
Pediment of life.
Setting off somewhere, apparently.
Whither away, brisk egg? His mother deposited him on the soil as if he were no more than droppings, And now he scuffles tinily past her as if she were an old rusty tin.
A mere obstacle, He veers round the slow great mound of her -- Tortoises always foresee obstacles.
It is no use my saying to him in an emotional voice: "This is your Mother, she laid you when you were an egg.
" He does not even trouble to answer: "Woman, what have I to do with thee?" He wearily looks the other way, And she even more wearily looks another way still, Each with the utmost apathy, Incognisant, Unaware, Nothing.
As for papa, He snaps when I offer him his offspring, Just as he snaps when I poke a bit of stick at him, Because he is irascible this morning, an irascible tortoise Being touched with love, and devoid of fatherliness.
Father and mother, And three little brothers, And all rambling aimless, like little perambulating pebbles scattered in the garden, Not knowing each other from bits of earth or old tins.
Except that papa and mama are old acquaintances, of course, Though family feeling there is none, not even the beginnings.
Fatherless, motherless, brotherless, sisterless Little tortoise.
Row on then, small pebble, Over the clods of the autumn, wind-chilled sunshine, Young gaiety.
Does he look for a companion? No, no, don't think it.
He doesn't know he is alone; Isolation is his birthright, This atom.
To row forward, and reach himself tall on spiny toes, To travel, to burrow into a little loose earth, afraid of the night, To crop a little substance, To move, and to be quite sure that he is moving: Basta! To be a tortoise! Think of it, in a garden of inert clods A brisk, brindled little tortoise, all to himself -- Adam! In a garden of pebbles and insects To roam, and feel the slow heart beat Tortoise-wise, the first bell sounding From the warm blood, in the dark-creation morning.
Moving, and being himself, Slow, and unquestioned, And inordinately there, O stoic! Wandering in the slow triumph of his own existence, Ringing the soundless bell of his presence in chaos, And biting the frail grass arrogantly, Decidedly arrogantly.
Written by Robert Browning | Create an image from this poem

Childe Roland to the Dark Tower Came

My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the working of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare, If at his council I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower.
Yet acquiescingly I did turn as he pointed: neither pride Nor hope rekindling at the end descried, So much as gladness that some end might be.
For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, - I hardly tried now to rebuke the spring My heart made, finding failure in its scope.
As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bid the other go, draw breath Freelier outside, ('since all is o'er,' he saith, 'And the blow fallen no grieving can amend';) While some discuss if near the other graves Be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves: And still the man hears all, and only craves He may not shame such tender love and stay.
Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' - to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? So, quiet as despair, I turned from him, That hateful cripple, out of his highway Into the path he pointed.
All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray.
For mark! no sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backward a last view O'er the safe road, 'twas gone; grey plain all round: Nothing but plain to the horizon's bound.
I might go on; naught else remained to do.
So, on I went.
I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind, with none to awe, You'd think: a burr had been a treasure-trove.
No! penury, inertness and grimace, In some strange sort, were the land's portion.
'See Or shut your eyes,' said Nature peevishly, 'It nothing skills: I cannot help my case: 'Tis the Last Judgement's fire must cure this place, Calcine its clods and set my prisoners free.
' If there pushed any ragged thistle-stalk Above its mates, the head was chopped; the bents Were jealous else.
What made those holes and rents In the dock's harsh swarth leaves, bruised as to balk All hope of greeness? 'tis a brute must walk Pushing their life out, with a brute's intents.
As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood.
One stiff blind horse, his every bone a-stare, Stood stupefied, however he came there: Thrust out past service from the devil's stud! Alive? he might be dead for aught I know, With that red gaunt and colloped neck a-strain, And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain.
I shut my eyes and turned them on my heart.
As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part.
Think first, fight afterwards - this soldier's art: One taste of the old time sets all to rights.
Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm in mine to fix me to the place, That way he used.
Alas, one night's disgrace! Out went my heart's new fire and left it cold.
Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first.
What honest man should dare (he said) he durst.
Good - but the scene shifts - faugh! what hangman-hands Pin to his breast a parchment? His own bands Read it.
Poor traitor, spit upon and curst! Better this present than a past like that; Back therefore to my darkening path again! No sound, no sight as far as eye could strain.
Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train.
A sudden little river crossed my path As unexpected as a serpent comes.
No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes.
So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit.
Which, while I forded, - good saints, how I feared To set my foot upon a dead man's cheek, Each step, or feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek.
Glad was I when I reached the other bank.
Now for a better country.
Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank Soil to a plash? Toads in a poisoned tank, Or wild cats in a red-hot iron cage - The fight must so have seemed in that fell cirque.
What penned them there, with all the plain to choose? No foot-print leading to that horrid mews, None out of it.
Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.
And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? with all the air Of Tophet's tool, on earth left unaware, Or brought to sharpen its rusty teeth of steel.
Then came a bit of stubbed ground, once a wood, Next a marsh, it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand and stark black dearth.
Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils.
And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom-friend, Sailed past, not beat his wide wing dragon-penned That brushed my cap - perchance the guide I sought.
For, looking up, aware I somehow grew, 'Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view.
How thus they had surprised me, - solve it, you! How to get from then was no clearer case.
Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps.
Here ended, the, Progress this way.
When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den! Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left, a tall scalped mountain.
.
.
Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world.
The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start.
Not see? because of night perhaps? - why, day Came back again for that! before it left, The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - 'Now stab and end the creature - to the heft!' Not hear? when noise was everywhere! it tolled Increasing like a bell.
Names in my ears Of all the lost adventurers my peers, - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years.
There they stood, ranged along the hill-sides, met To view the last of me, a living frame For one more picture! in a sheet of flame I saw them and I knew them all.
And yet Dauntless the slug-horn to my lips I set, And blew.
'Childe Roland to the Dark Tower came.
'


Written by Siegfried Sassoon | Create an image from this poem

Break of Day

 There seemed a smell of autumn in the air 
At the bleak end of night; he shivered there 
In a dank, musty dug-out where he lay, 
Legs wrapped in sand-bags,—lumps of chalk and clay 
Spattering his face.
Dry-mouthed, he thought, ‘To-day We start the damned attack; and, Lord knows why, Zero’s at nine; how bloody if I’m done in Under the freedom of that morning sky!’ And then he coughed and dozed, cursing the din.
Was it the ghost of autumn in that smell Of underground, or God’s blank heart grown kind, That sent a happy dream to him in hell?— Where men are crushed like clods, and crawl to find Some crater for their wretchedness; who lie In outcast immolation, doomed to die Far from clean things or any hope of cheer, Cowed anger in their eyes, till darkness brims And roars into their heads, and they can hear Old childish talk, and tags of foolish hymns.
He sniffs the chilly air; (his dreaming starts), He’s riding in a dusty Sussex lane In quiet September; slowly night departs; And he’s a living soul, absolved from pain.
Beyond the brambled fences where he goes Are glimmering fields with harvest piled in sheaves, And tree-tops dark against the stars grown pale; Then, clear and shrill, a distant farm-cock crows; And there’s a wall of mist along the vale Where willows shake their watery-sounding leaves, He gazes on it all, and scarce believes That earth is telling its old peaceful tale; He thanks the blessed world that he was born.
.
.
Then, far away, a lonely note of the horn.
They’re drawing the Big Wood! Unlatch the gate, And set Golumpus going on the grass; He knows the corner where it’s best to wait And hear the crashing woodland chorus pass; The corner where old foxes make their track To the Long Spinney; that’s the place to be.
The bracken shakes below an ivied tree, And then a cub looks out; and ‘Tally-o-back!’ He bawls, and swings his thong with volleying crack,— All the clean thrill of autumn in his blood, And hunting surging through him like a flood In joyous welcome from the untroubled past; While the war drifts away, forgotten at last.
Now a red, sleepy sun above the rim Of twilight stares along the quiet weald, And the kind, simple country shines revealed In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light, Then stretches down his head to crop the green.
All things that he has loved are in his sight; The places where his happiness has been Are in his eyes, his heart, and they are good.
.
.
.
.
Hark! there’s the horn: they’re drawing the Big Wood.
Written by R S Thomas | Create an image from this poem

A Peasant

 Iago Prytherch his name, though, be it allowed,
Just an ordinary man of the bald Welsh hills,
Who pens a few sheep in a gap of cloud.
Docking mangels, chipping the green skin From the yellow bones with a half-witted grin Of satisfaction, or churning the crude earth To a stiff sea of clods that glint in the wind— So are his days spent, his spittled mirth Rarer than the sun that cracks the cheeks Of the gaunt sky perhaps once in a week.
And then at night see him fixed in his chair Motionless, except when he leans to gob in the fire.
There is something frightening in the vacancy of his mind.
His clothes, sour with years of sweat And animal contact, shock the refined, But affected, sense with their stark naturalness.
Yet this is your prototype, who, season by season Against siege of rain and the wind's attrition, Preserves his stock, an impregnable fortress Not to be stormed, even in death's confusion.
Remember him, then, for he, too, is a winner of wars, Enduring like a tree under the curious stars.
Written by Robert Burns | Create an image from this poem

26. John Barleycorn: A Ballad

 THERE was three kings into the east,
 Three kings both great and high,
And they hae sworn a solemn oath
 John Barleycorn should die.
They took a plough and plough’d him down, Put clods upon his head, And they hae sworn a solemn oath John Barleycorn was dead.
But the cheerful Spring came kindly on, And show’rs began to fall; John Barleycorn got up again, And sore surpris’d them all.
The sultry suns of Summer came, And he grew thick and strong; His head weel arm’d wi’ pointed spears, That no one should him wrong.
The sober Autumn enter’d mild, When he grew wan and pale; His bending joints and drooping head Show’d he began to fail.
His colour sicken’d more and more, He faded into age; And then his enemies began To show their deadly rage.
They’ve taen a weapon, long and sharp, And cut him by the knee; Then tied him fast upon a cart, Like a rogue for forgerie.
They laid him down upon his back, And cudgell’d him full sore; They hung him up before the storm, And turned him o’er and o’er.
They filled up a darksome pit With water to the brim; They heaved in John Barleycorn, There let him sink or swim.
They laid him out upon the floor, To work him farther woe; And still, as signs of life appear’d, They toss’d him to and fro.
They wasted, o’er a scorching flame, The marrow of his bones; But a miller us’d him worst of all, For he crush’d him between two stones.
And they hae taen his very heart’s blood, And drank it round and round; And still the more and more they drank, Their joy did more abound.
John Barleycorn was a hero bold, Of noble enterprise; For if you do but taste his blood, ’Twill make your courage rise.
’Twill make a man forget his woe; ’Twill heighten all his joy; ’Twill make the widow’s heart to sing, Tho’ the tear were in her eye.
Then let us toast John Barleycorn, Each man a glass in hand; And may his great posterity Ne’er fail in old Scotland!
Written by William Cullen Bryant | Create an image from this poem

June

I GAZED upon the glorious sky 
And the green mountains round  
And thought that when I came to lie 
At rest within the ground  
'T were pleasant that in flowery June 5 
When brooks send up a cheerful tune  
And groves a joyous sound  
The sexton's hand my grave to make  
The rich green mountain-turf should break.
A cell within the frozen mould 10 A coffin borne through sleet And icy clods above it rolled While fierce the tempests beat¡ª Away!¡ªI will not think of these¡ª Blue be the sky and soft the breeze 15 Earth green beneath the feet And be the damp mould gently pressed Into my narrow place of rest.
There through the long long summer hours The golden light should lie 20 And thick young herbs and groups of flowers Stand in their beauty by.
The oriole should build and tell His love-tale close beside my cell; The idle butterfly 25 Should rest him there and there be heard The housewife bee and humming-bird.
And what if cheerful shouts at noon Come from the village sent Or song of maids beneath the moon 30 With fairy laughter blent? And what if in the evening light Betroth¨¨d lovers walk in sight Of my low monument? I would the lovely scene around 35 Might know no sadder sight nor sound.
I know that I no more should see The season's glorious show Nor would its brightness shine for me Nor its wild music flow; 40 But if around my place of sleep The friends I love should come to weep They might not haste to go.
Soft airs and song and light and bloom Should keep them lingering by my tomb.
45 These to their softened hearts should bear The thought of what has been And speak of one who cannot share The gladness of the scene; Whose part in all the pomp that fills 50 The circuit of the summer hills Is that his grave is green; And deeply would their hearts rejoice To hear again his living voice.
Written by William Allingham | Create an image from this poem

The Touchstone

 A man there came, whence none could tell, 
Bearing a Touchstone in his hand; 
And tested all things in the land 
By its unerring spell.
Quick birth of transmutation smote The fair to foul, the foul to fair; Purple nor ermine did he spare, Nor scorn the dusty coat.
Of heirloom jewels, prized so much, Were many changed to chips and clods, And even statues of the Gods Crumbled beneath its touch.
Then angrily the people cried, "The loss outweighs the profit far; Our goods suffice us as they are We will not have then tried.
" And since they could not so prevail To check this unrelenting guest, They seized him, saying - "Let him test How real it is, our jail!" But, though they slew him with the sword, And in a fire his Touchstone burn'd, Its doings could not be o'erturned, Its undoings restored.
And when to stop all future harm, They strew'd its ashes on the breeze; They little guess'd each grain of these Convey'd the perfect charm.
North, south, in rings and amulets, Throughout the crowded world 'tis borne; Which, as a fashion long outworn, In ancient mind forgets.

Book: Shattered Sighs