Written by
Alfred Lord Tennyson |
ON either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot; 5
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver, 10
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers, 15
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow-veil'd,
Slide the heavy barges trail'd 20
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand? 25
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly 30
From the river winding clearly,
Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers ''Tis the fairy 35
Lady of Shalott.'
PART II
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay 40
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott. 45
And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot: 50
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.
Sometimes a troop of damsels glad, 55
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot;
And sometimes thro' the mirror blue 60
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights, 65
For often thro' the silent nights
A funeral, with plumes and lights,
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed; 70
'I am half sick of shadows,' said
The Lady of Shalott.
PART III
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves, 75
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field, 80
Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily 85
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott. 90
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot. 95
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.
His broad clear brow in sunlight glow'd; 100
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river 105
He flash'd into the crystal mirror,
'Tirra lirra,' by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces thro' the room, 110
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side; 115
'The curse is come upon me!' cried
The Lady of Shalott.
PART IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining, 120
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote 125
The Lady of Shalott.
And down the river's dim expanse¡ª
Like some bold seer in a trance,
Seeing all his own mischance¡ª
With a glassy countenance 130
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott. 135
Lying, robed in snowy white
That loosely flew to left and right¡ª
The leaves upon her falling light¡ª
Thro' the noises of the night
She floated down to Camelot: 140
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy, 145
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
Turn'd to tower'd Camelot;
For ere she reach'd upon the tide 150
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery, 155
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame, 160
And round the prow they read her name,
The Lady of Shalott.
Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer; 165
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, 'She has a lovely face;
God in His mercy lend her grace, 170
The Lady of Shalott.'
|
Written by
Sylvia Plath |
Dans le fond des forêts votre image me suit.
RACINE
There is a panther stalks me down:
One day I'll have my death of him;
His greed has set the woods aflame,
He prowls more lordly than the sun.
Most soft, most suavely glides that step,
Advancing always at my back;
From gaunt hemlock, rooks croak havoc:
The hunt is on, and sprung the trap.
Flayed by thorns I trek the rocks,
Haggard through the hot white noon.
Along red network of his veins
What fires run, what craving wakes?
Insatiate, he ransacks the land
Condemned by our ancestral fault,
Crying: blood, let blood be spilt;
Meat must glut his mouth's raw wound.
Keen the rending teeth and sweet
The singeing fury of his fur;
His kisses parch, each paw's a briar,
Doom consummates that appetite.
In the wake of this fierce cat,
Kindled like torches for his joy,
Charred and ravened women lie,
Become his starving body's bait.
Now hills hatch menace, spawning shade;
Midnight cloaks the sultry grove;
The black marauder, hauled by love
On fluent haunches, keeps my speed.
Behind snarled thickets of my eyes
Lurks the lithe one; in dreams' ambush
Bright those claws that mar the flesh
And hungry, hungry, those taut thighs.
His ardor snares me, lights the trees,
And I run flaring in my skin;
What lull, what cool can lap me in
When burns and brands that yellow gaze?
I hurl my heart to halt his pace,
To quench his thirst I squander blook;
He eats, and still his need seeks food,
Compels a total sacrifice.
His voice waylays me, spells a trance,
The gutted forest falls to ash;
Appalled by secret want, I rush
From such assault of radiance.
Entering the tower of my fears,
I shut my doors on that dark guilt,
I bolt the door, each door I bolt.
Blood quickens, gonging in my ears:
The panther's tread is on the stairs,
Coming up and up the stairs.
|
Written by
Barry Tebb |
for Ken Kesey and his merry pranksters in a bus called ‘Further...’
Dear _______ and here’s where the problem begins
For who shall I address this letter to?
Friends are few and very special, muses in the main
I must confess, the first I lost just fifty years ago.
Perhaps the best.
I searched for years and wrote en route
‘Bridge Over the Aire’ after that vision and that voice
“I am here. I am waiting”. I followed every lead
Margaret Gardiner last heard of in the Falmouth’s
Of Leeds 9, early fifties. Barry Tebb your friend from then
Would love to hear from you.”
The sole reply
A mis-directed estimate for papering a bungalow
In Penge. I nearly came unhinged as weeks
Ran into months of silence. Was it. I wondered.
A voice from the beyond?
The vision was given
Complete with backcloth of resplendent stars
The bridge’s grey transmuted to a sheen of pearl
The chipped steps became transparent stairs to heaven
Our worn clothes, like Cinders’ at the ball, cloaks and gowns
Of infinite splendour but only for the night, remember!
I passed the muse’s diadem to Sheila Pritchard,
My genius-child-poet of whom Redgrove said
“Of course, you are in love” and wrote for her
‘My Perfect Rose!’
Last year a poet saw it
In the British Council Reading Room in distant Kazakstan
And sent his poems to me on paper diaphanous
As angels’ wings and delicate as ash
And tinted with a splash of lemon
And a dash of mignonette.
I last saw Sheila circa nineteen sixty seven
Expelled from grammar school wearing a poncho
Hand-made from an army blanket
Working a stall in Kirkgate Market.
Brenda Williams, po?te maudit if ever,
By then installed as muse number three
Grew sadly jealous for the only time
In thirty-seven years: muse number two
Passed into the blue
There is another muse, who makes me chronologically confused.
Barbara, who overlaps both two and three
And still is there, somewhere in Leeds.
Who does remember me and who, almost alone.
Inspired my six novellas: we write and
Talk sometimes and in a crisis she is there for me,
Muse number four, though absent for a month in Indonesia.
Remains. I doubt if there will be a fifth.
There is a poet, too, who is a friend and writes to me
From Hampstead, from a caf? in South End Green.
His cursive script on rose pink paper symptomatic
Of his gift for eloquent prose and poetry sublime
His elegy on David Gascoyne’s death quite takes my breath
And the title of his novel ‘Lipstick Boys’ I'll envy always,
There are some few I talk and write to
And occasionally meet. David Lambert, poet and teacher
Of creative writing, doing it ‘my way’ in the nineties,
UEA found his services superfluous to their needs.
? ? you may **** like hell,
But I abhor your jealous narcissistic smell
And as for your much vaunted pc prose
I’d rather stick my prick inside the thorniest rose.
Jeanne Conn of ‘Connections’ your letters
are even longer than my own and Maggie Allen
Sent me the only Valentine I’ve had in sixty years
These two do know my longings and my fears,
Dear Simon Jenner, Eratica’s erratic editor, your speech
So like the staccato of a bren, yet loaded
With a lifetime’s hard-won ken of poetry’s obscurest corners.
I salute David Wright, that ‘difficult deaf son’
Of the sixties, acknowledged my own youthful spasm of enthusiasm
But Simon you must share the honour with Jimmy Keery,
Of whom I will admit I’m somewhat leery,
His critical acuity so absolute and steely.
I ask you all to stay with me
Through time into infinity
Not even death can undo
The love I have for you.
|
Written by
Li Po |
As down Mount Emerald at eve I came,
The mountain moon went all the way with me.
Backward I looked, to see the heights aflame
With a pale light that glimmered eerily.
A little lad undid the rustic latch
As hand in hand your cottage we did gain,
Where green limp tendrils at our cloaks did catch,
And dim bamboos o'erhung a shadowy lane.
Gaily I cried, "Here may we rest our fill!"
Then choicest wines we quaffed; and cheerily
"The Wind among the Pines" we sang, until
A few faint stars hung in the Galaxy.
Merry were you, my friend: and drunk was I,
Blissfully letting all the world go by.
|
Written by
Henry Wadsworth Longfellow |
On the Mountains of the Prairie,
On the great Red Pipe-stone Quarry,
Gitche Manito, the mighty,
He the Master of Life, descending,
On the red crags of the quarry
Stood erect, and called the nations,
Called the tribes of men together.
From his footprints flowed a river,
Leaped into the light of morning,
O'er the precipice plunging downward
Gleamed like Ishkoodah, the comet.
And the Spirit, stooping earthward,
With his finger on the meadow
Traced a winding pathway for it,
Saying to it, "Run in this way!"
From the red stone of the quarry
With his hand he broke a fragment,
Moulded it into a pipe-head,
Shaped and fashioned it with figures;
From the margin of the river
Took a long reed for a pipe-stem,
With its dark green leaves upon it;
Filled the pipe with bark of willow,
With the bark of the red willow;
Breathed upon the neighboring forest,
Made its great boughs chafe together,
Till in flame they burst and kindled;
And erect upon the mountains,
Gitche Manito, the mighty,
Smoked the calumet, the Peace-Pipe,
As a signal to the nations.
And the smoke rose slowly, slowly,
Through the tranquil air of morning,
First a single line of darkness,
Then a denser, bluer vapor,
Then a snow-white cloud unfolding,
Like the tree-tops of the forest,
Ever rising, rising, rising,
Till it touched the top of heaven,
Till it broke against the heaven,
And rolled outward all around it.
From the Vale of Tawasentha,
From the Valley of Wyoming,
From the groves of Tuscaloosa,
From the far-off Rocky Mountains,
From the Northern lakes and rivers
All the tribes beheld the signal,
Saw the distant smoke ascending,
The Pukwana of the Peace-Pipe.
And the Prophets of the nations
Said: "Behold it, the Pukwana!
By the signal of the Peace-Pipe,
Bending like a wand of willow,
Waving like a hand that beckons,
Gitche Manito, the mighty,
Calls the tribes of men together,
Calls the warriors to his council!"
Down the rivers, o'er the prairies,
Came the warriors of the nations,
Came the Delawares and Mohawks,
Came the Choctaws and Camanches,
Came the Shoshonies and Blackfeet,
Came the Pawnees and Omahas,
Came the Mandans and Dacotahs,
Came the Hurons and Ojibways,
All the warriors drawn together
By the signal of the Peace-Pipe,
To the Mountains of the Prairie,
To the great Red Pipe-stone Quarry,
And they stood there on the meadow,
With their weapons and their war-gear,
Painted like the leaves of Autumn,
Painted like the sky of morning,
Wildly glaring at each other;
In their faces stem defiance,
In their hearts the feuds of ages,
The hereditary hatred,
The ancestral thirst of vengeance.
Gitche Manito, the mighty,
The creator of the nations,
Looked upon them with compassion,
With paternal love and pity;
Looked upon their wrath and wrangling
But as quarrels among children,
But as feuds and fights of children!
Over them he stretched his right hand,
To subdue their stubborn natures,
To allay their thirst and fever,
By the shadow of his right hand;
Spake to them with voice majestic
As the sound of far-off waters,
Falling into deep abysses,
Warning, chiding, spake in this wise :
"O my children! my poor children!
Listen to the words of wisdom,
Listen to the words of warning,
From the lips of the Great Spirit,
From the Master of Life, who made you!
"I have given you lands to hunt in,
I have given you streams to fish in,
I have given you bear and bison,
I have given you roe and reindeer,
I have given you brant and beaver,
Filled the marshes full of wild-fowl,
Filled the rivers full of fishes:
Why then are you not contented?
Why then will you hunt each other?
"I am weary of your quarrels,
Weary of your wars and bloodshed,
Weary of your prayers for vengeance,
Of your wranglings and dissensions;
All your strength is in your union,
All your danger is in discord;
Therefore be at peace henceforward,
And as brothers live together.
"I will send a Prophet to you,
A Deliverer of the nations,
Who shall guide you and shall teach you,
Who shall toil and suffer with you.
If you listen to his counsels,
You will multiply and prosper;
If his warnings pass unheeded,
You will fade away and perish!
"Bathe now in the stream before you,
Wash the war-paint from your faces,
Wash the blood-stains from your fingers,
Bury your war-clubs and your weapons,
Break the red stone from this quarry,
Mould and make it into Peace-Pipes,
Take the reeds that grow beside you,
Deck them with your brightest feathers,
Smoke the calumet together,
And as brothers live henceforward!"
Then upon the ground the warriors
Threw their cloaks and shirts of deer-skin,
Threw their weapons and their war-gear,
Leaped into the rushing river,
Washed the war-paint from their faces.
Clear above them flowed the water,
Clear and limpid from the footprints
Of the Master of Life descending;
Dark below them flowed the water,
Soiled and stained with streaks of crimson,
As if blood were mingled with it!
From the river came the warriors,
Clean and washed from all their war-paint;
On the banks their clubs they buried,
Buried all their warlike weapons.
Gitche Manito, the mighty,
The Great Spirit, the creator,
Smiled upon his helpless children!
And in silence all the warriors
Broke the red stone of the quarry,
Smoothed and formed it into Peace-Pipes,
Broke the long reeds by the river,
Decked them with their brightest feathers,
And departed each one homeward,
While the Master of Life, ascending,
Through the opening of cloud-curtains,
Through the doorways of the heaven,
Vanished from before their faces,
In the smoke that rolled around him,
The Pukwana of the Peace-Pipe!
|
Written by
Louisa May Alcott |
Swallow, swallow, neighbor swallow,
Starting on your autumn flight,
Pause a moment at my window,
Twitter softly your good-night;
For the summer days are over,
All your duties are well done,
And the happy homes you builded
Have grown empty, one by one.
Swallow, swallow, neighbor swallow,
Are you ready for your flight?
Are all the feather cloaks completed?
Are the little caps all right?
Are the young wings strong and steady
For the journey through the sky?
Come again in early spring-time;
And till then, good-by, good-by!
|
Written by
Rudyard Kipling |
God gave all men all earth to love,
But, since our hearts are small
Ordained for each one spot should prove
Beloved over all;
That, as He watched Creation's birth,
So we, in godlike mood,
May of our love create our earth
And see that it is good.
So one shall Baltic pines content,
As one some Surrey glade,
Or one the palm-grove's droned lament
Before Levuka's Trade.
Each to his choice, and I rejoice
The lot has fallen to me
In a fair ground-in a fair ground --
Yea, Sussex by the sea!
No tender-hearted garden crowns,
No bosonied woods adorn
Our blunt, bow-headed, whale-backed Downs,
But gnarled and writhen thorn --
Bare slopes where chasing shadows skim,
And, through the gaps revealed,
Belt upon belt, the wooded, dim,
Blue goodness of the Weald.
Clean of officious fence or hedge,
Half-wild and wholly tame,
The wise turf cloaks the white cliff-edge
As when the Romans came.
What sign of those that fought and died
At shift of sword and sword?
The barrow and the camp abide,
The sunlight and the sward.
Here leaps ashore the full Sou'west
All heavy-winged with brine,
Here lies above the folded crest
The Channel's leaden line,
And here the sea-fogs lap and cling,
And here, each warning each,
The sheep-bells and the ship-bells ring
Along the hidden beach.
We have no waters to delight
Our broad and brookless vales --
Only the dewpond on the height
Unfed, that never fails --
Whereby no tattered herbage tells
Which way the season flies --
Only our close-bit thyme that smells
Like dawn in Paradise.
Here through the strong and shadeless days
The tinkling silence thrills;
Or little, lost, Down churches praise
The Lord who made the hills:
But here the Old Gods guard their round,
And, in her secret heart,
The heathen kingdom Wilfrid found
Dreams, as she dwells, apart.
Though all the rest were all my share,
With equal soul I'd see
Her nine-and-thirty sisters fair,
Yet none more fair than she.
Choose ye your need from Thames to Tweed,
And I will choose instead
Such lands as lie 'twixt Rake and Rye,
Black Down and Beachy Head.
I will go out against the sun
Where the rolled scarp retires,
And the Long Man of Wilmington
Looks naked toward the shires;
And east till doubling Rother crawls
To find the fickle tide,
By dry and sea-forgotten walls,
Our ports of stranded pride.
I will go north about the shaws
And the deep ghylls that breed
Huge oaks and old, the which we hold
No more than Sussex weed;
Or south where windy Piddinghoe's
Begilded dolphin veers,
And red beside wide-banked Ouse
Lie down our Sussex steers.
So to the land our hearts we give
Til the sure magic strike,
And Memory, Use, and Love make live
Us and our fields alike --
That deeper than our speech and thought,
Beyond our reason's sway,
Clay of the pit whence we were wrought
Yearns to its fellow-clay.
God gives all men all earth to love,
But, since man's heart is smal,
Ordains for each one spot shal prove
Beloved over all.
Each to his choice, and I rejoice
The lot has fallen to me
In a fair ground-in a fair ground --
Yea, Sussex by the sea!
|
Written by
A S J Tessimond |
We are a people living in shells and moving
Crablike; reticent, awkward, deeply suspicious;
Watching the world from a corner of half-closed eyelids,
Afraid lest someone show that he hates or loves us,
Afraid lest someone weep in the railway train.
We are coiled and clenched like a foetus clad in armour.
We hold our hearts for fear they fly like eagles.
We grasp our tongues for fear they cry like trumpets.
We listen to our own footsteps. We look both ways
Before we cross the silent empty road.
We are a people easily made uneasy,
Especially wary of praise, of passion, of scarlet
Cloaks, of gesturing hands, of the smiling stranger
In the alien hat who talks to all or the other
In the unfamiliar coat who talks to none.
We are afraid of too-cold thought or too-hot
Blood, of the opening of long-shut shafts or cupboards,
Of light in caves, of X-rays, probes, unclothing
Of emotion, intolerable revelation
Of lust in the light, of love in the palm of the hand.
We are afraid of, one day on a sunny morning,
Meeting ourselves or another without the usual
Outer sheath, the comfortable conversation,
And saying all, all, all we did not mean to,
All, all, all we did not know we meant.
|
Written by
D. H. Lawrence |
Between the avenues of cypresses,
All in their scarlet cloaks, and surplices
Of linen, go the chaunting choristers,
The priests in gold and black, the villagers.
And all along the path to the cemetery
The round, dark heads of men crowd silently
And black-scarved faces of women-folk, wistfully
Watch at the banner of death, and the mystery.
And at the foot of a grave a father stands
With sunken head, and forgotten, folded hands;
And at the foot of a grave a woman kneels
With pale shut face, and neither hears not feels
The coming of the chaunting choristers
Between the avenues of cypresses,
The silence of the many villagers,
The candle-flames beside the surplices.
|
Written by
D. H. Lawrence |
Along the avenue of cypresses,
All in their scarlet cloaks and surplices
Of linen, go the chanting choristers,
The priests in gold and black, the villagers. . .
And all along the path to the cemetery
The round dark heads of men crowd silently,
And black-scarved faces of womenfolk, wistfully
Watch at the banner of death, and the mystery.
And at the foot of a grave a father stands
With sunken head, and forgotten, folded hands;
And at the foot of a grave a mother kneels
With pale shut face, nor either hears nor feels
The coming of the chanting choristers
Between the avenue of cypresses,
The silence of the many villagers,
The candle-flames beside the surplices.
|