Written by
Robert William Service |
In the little Crimson Manual it's written plain and clear
That who would wear the scarlet coat shall say good-bye to fear;
Shall be a guardian of the right, a sleuth-hound of the trail--
In the little Crimson Manual there's no such word as "fail"--
Shall follow on though heavens fall, or hell's top-turrets freeze,
Half round the world, if need there be, on bleeding hands and knees.
It's duty, duty, first and last, the Crimson Manual saith;
The Scarlet Rider makes reply: "It's duty--to the death."
And so they sweep the solitudes, free men from all the earth;
And so they sentinel the woods, the wilds that know their worth;
And so they scour the startled plains and mock at hurt and pain,
And read their Crimson Manual, and find their duty plain.
Knights of the lists of unrenown, born of the frontier's need,
Disdainful of the spoken word, exultant in the deed;
Unconscious heroes of the waste, proud players of the game,
Props of the power behind the throne, upholders of the name:
For thus the Great White Chief hath said, "In all my lands be peace",
And to maintain his word he gave his West the Scarlet Police.
Livid-lipped was the valley, still as the grave of God;
Misty shadows of mountain thinned into mists of cloud;
Corpselike and stark was the land, with a quiet that crushed and awed,
And the stars of the weird sub-arctic glimmered over its shroud.
Deep in the trench of the valley two men stationed the Post,
Seymour and Clancy the reckless, fresh from the long patrol;
Seymour, the sergeant, and Clancy--Clancy who made his boast
He could cinch like a bronco the Northland, and cling to the prongs of the Pole.
Two lone men on detachment, standing for law on the trail;
Undismayed in the vastness, wise with the wisdom of old--
Out of the night hailed a half-breed telling a pitiful tale,
"White man starving and crazy on the banks of the Nordenscold."
Up sprang the red-haired Clancy, lean and eager of eye;
Loaded the long toboggan, strapped each dog at its post;
Whirled his lash at the leader; then, with a whoop and a cry,
Into the Great White Silence faded away like a ghost.
The clouds were a misty shadow, the hills were a shadowy mist;
Sunless, voiceless and pulseless, the day was a dream of woe;
Through the ice-rifts the river smoked and bubbled and hissed;
Behind was a trail fresh broken, in front the untrodden snow.
Ahead of the dogs ploughed Clancy, haloed by steaming breath;
Through peril of open water, through ache of insensate cold;
Up rivers wantonly winding in a land affianced to death,
Till he came to a cowering cabin on the banks of the Nordenscold.
Then Clancy loosed his revolver, and he strode through the open door;
And there was the man he sought for, crouching beside the fire;
The hair of his beard was singeing, the frost on his back was hoar,
And ever he crooned and chanted as if he never would tire:--
"I panned and I panned in the shiny sand, and I sniped on the river bar;
But I know, I know, that it's down below that the golden treasures are;
So I'll wait and wait till the floods abate, and I'll sink a shaft once more,
And I'd like to bet that I'll go home yet with a brass band playing before."
He was nigh as thin as a sliver, and he whined like a Moose-hide cur;
So Clancy clothed him and nursed him as a mother nurses a child;
Lifted him on the toboggan, wrapped him in robes of fur,
Then with the dogs sore straining started to face the Wild.
Said the Wild, "I will crush this Clancy, so fearless and insolent;
For him will I loose my fury, and blind and buffet and beat;
Pile up my snows to stay him; then when his strength is spent,
Leap on him from my ambush and crush him under my feet.
"Him will I ring with my silence, compass him with my cold;
Closer and closer clutch him unto mine icy breast;
Buffet him with my blizzards, deep in my snows enfold,
Claiming his life as my tribute, giving my wolves the rest."
Clancy crawled through the vastness; o'er him the hate of the Wild;
Full on his face fell the blizzard; cheering his huskies he ran;
Fighting, fierce-hearted and tireless, snows that drifted and piled,
With ever and ever behind him singing the crazy man.
"Sing hey, sing ho, for the ice and snow,
And a heart that's ever merry;
Let us trim and square with a lover's care
(For why should a man be sorry?)
A grave deep, deep, with the moon a-peep,
A grave in the frozen mould.
Sing hey, sing ho, for the winds that blow,
And a grave deep down in the ice and snow,
A grave in the land of gold."
Day after day of darkness, the whirl of the seething snows;
Day after day of blindness, the swoop of the stinging blast;
On through a blur of fury the swing of staggering blows;
On through a world of turmoil, empty, inane and vast.
Night with its writhing storm-whirl, night despairingly black;
Night with its hours of terror, numb and endlessly long;
Night with its weary waiting, fighting the shadows back,
And ever the crouching madman singing his crazy song.
Cold with its creeping terror, cold with its sudden clinch;
Cold so utter you wonder if 'twill ever again be warm;
Clancy grinned as he shuddered, "Surely it isn't a cinch
Being wet-nurse to a looney in the teeth of an arctic storm.
"The blizzard passed and the dawn broke, knife-edged and crystal clear;
The sky was a blue-domed iceberg, sunshine outlawed away;
Ever by snowslide and ice-rip haunted and hovered the Fear;
Ever the Wild malignant poised and panted to slay.
The lead-dog freezes in harness--cut him out of the team!
The lung of the wheel-dog's bleeding--shoot him and let him lie!
On and on with the others--lash them until they scream!
"Pull for your lives, you devils! On! To halt is to die."
There in the frozen vastness Clancy fought with his foes;
The ache of the stiffened fingers, the cut of the snowshoe thong;
Cheeks black-raw through the hood-flap, eyes that tingled and closed,
And ever to urge and cheer him quavered the madman's song.
Colder it grew and colder, till the last heat left the earth,
And there in the great stark stillness the bale fires glinted and gleamed,
And the Wild all around exulted and shook with a devilish mirth,
And life was far and forgotten, the ghost of a joy once dreamed.
Death! And one who defied it, a man of the Mounted Police;
Fought it there to a standstill long after hope was gone;
Grinned through his bitter anguish, fought without let or cease,
Suffering, straining, striving, stumbling, struggling on.
Till the dogs lay down in their traces, and rose and staggered and fell;
Till the eyes of him dimmed with shadows, and the trail was so hard to see;
Till the Wild howled out triumphant, and the world was a frozen hell--
Then said Constable Clancy: "I guess that it's up to me."
Far down the trail they saw him, and his hands they were blanched like bone;
His face was a blackened horror, from his eyelids the salt rheum ran;
His feet he was lifting strangely, as if they were made of stone,
But safe in his arms and sleeping he carried the crazy man.
So Clancy got into Barracks, and the boys made rather a scene;
And the O. C. called him a hero, and was nice as a man could be;
But Clancy gazed down his trousers at the place where his toes had been,
And then he howled like a husky, and sang in a shaky key:
"When I go back to the old love that's true to the finger-tips,
I'll say: `Here's bushels of gold, love,' and I'll kiss my girl on the lips;
It's yours to have and to hold, love.' It's the proud, proud boy I'll be,
When I go back to the old love that's waited so long for me."
|
Written by
Walt Whitman |
FROM pent-up, aching rivers;
From that of myself, without which I were nothing;
From what I am determin’d to make illustrious, even if I stand sole among men;
From my own voice resonant—singing the phallus,
Singing the song of procreation,
Singing the need of superb children, and therein superb grown people,
Singing the muscular urge and the blending,
Singing the bedfellow’s song, (O resistless yearning!
O for any and each, the body correlative attracting!
O for you, whoever you are, your correlative body! O it, more than all else, you
delighting!)
—From the hungry gnaw that eats me night and day;
From native moments—from bashful pains—singing them;
Singing something yet unfound, though I have diligently sought it, many a long year;
Singing the true song of the Soul, fitful, at random;
Singing what, to the Soul, entirely redeem’d her, the faithful one, even the
prostitute, who detain’d me when I went to the city;
Singing the song of prostitutes;
Renascent with grossest Nature, or among animals;
Of that—of them, and what goes with them, my poems informing;
Of the smell of apples and lemons—of the pairing of birds,
Of the wet of woods—of the lapping of waves,
Of the mad pushes of waves upon the land—I them chanting;
The overture lightly sounding—the strain anticipating;
The welcome nearness—the sight of the perfect body;
The swimmer swimming naked in the bath, or motionless on his back lying and floating;
The female form approaching—I, pensive, love-flesh tremulous, aching;
The divine list, for myself or you, or for any one, making;
The face—the limbs—the index from head to foot, and what it arouses;
The mystic deliria—the madness amorous—the utter abandonment;
(Hark close, and still, what I now whisper to you,
I love you—-O you entirely possess me,
O I wish that you and I escape from the rest, and go utterly off—O free and lawless,
Two hawks in the air—two fishes swimming in the sea not more lawless than we;)
—The furious storm through me careering—I passionately trembling;
The oath of the inseparableness of two together—of the woman that loves me, and whom
I love more than my life—that oath swearing;
(O I willingly stake all, for you!
O let me be lost, if it must be so!
O you and I—what is it to us what the rest do or think?
What is all else to us? only that we enjoy each other, and exhaust each other, if it must
be so:)
—From the master—the pilot I yield the vessel to;
The general commanding me, commanding all—from him permission taking;
From time the programme hastening, (I have loiter’d too long, as it is;)
From sex—From the warp and from the woof;
(To talk to the perfect girl who understands me,
To waft to her these from my own lips—to effuse them from my own body;)
From privacy—from frequent repinings alone;
From plenty of persons near, and yet the right person not near;
From the soft sliding of hands over me, and thrusting of fingers through my hair and
beard;
From the long sustain’d kiss upon the mouth or bosom;
From the close pressure that makes me or any man drunk, fainting with excess;
From what the divine husband knows—from the work of fatherhood;
From exultation, victory, and relief—from the bedfellow’s embrace in the night;
From the act-poems of eyes, hands, hips, and bosoms,
From the cling of the trembling arm,
From the bending curve and the clinch,
From side by side, the pliant coverlid off-throwing,
From the one so unwilling to have me leave—and me just as unwilling to leave,
(Yet a moment, O tender waiter, and I return;)
—From the hour of shining stars and dropping dews,
From the night, a moment, I, emerging, flitting out,
Celebrate you, act divine—and you, children prepared for,
And you, stalwart loins.
|
Written by
Andrew Barton Paterson |
The news came down on the Castlereagh, and went to the world at large,
That twenty thousand travelling sheep, with Saltbush Bill in charge,
Were drifting down from a dried-out run to ravage the Castlereagh;
And the squatters swore when they heard the news, and wished they were well away:
For the name and the fame of Saltbush Bill were over the country-side
For the wonderful way that he fed his sheep, and the dodges and tricks he tried.
He would lose his way on a Main Stock Route, and stray to the squatters' grass;
He would come to a run with the boss away, and swear he had leave to pass;
And back of all and behind it all, as well the squatters knew,
If he had to fight, he would fight all day, so long as his sheep got through:
But this is the story of Stingy Smith, the owner of Hard Times Hill,
And the way that he chanced on a fighting man to reckon with Saltbush Bill.
'Twas Stingy Smith on his stockyard sat, and prayed for an early Spring,
When he started at sight of a clean-shaved tramp, who walked with a jaunty swing;
For a clean-shaved tramp with a jaunty walk a-swinging along the track
Is as rare a thing as a feathered frog on the desolate roads out back.
So the tramp he made for the travellers' hut, to ask could he camp the night;
But Stingy Smith had a bright idea, and called to him, "Can you fight?"
"Why, what's the game?" said the clean-shaved tramp, as he looked at him up and down;
"If you want a battle, get off that fence, and I'll kill you for half-a-crown!
But, Boss, you'd better not fight with me -- it wouldn't be fair nor right;
I'm Stiffener Joe, from the Rocks Brigade, and I killed a man in a fight:
I served two years for it, fair and square, and now I'm trampin' back,
To look for a peaceful quiet life away on the outside track."
"Oh, it's not myself, but a drover chap," said Stingy Smith with glee,
"A bullying fellow called Saltbush Bill, and you are the man for me.
He's on the road with his hungry sheep, and he's certain to raise a row,
For he's bullied the whole of the Castlereagh till he's got them under cow --
Just pick a quarrel and raise a fight, and leather him good and hard,
And I'll take good care that his wretched sheep don't wander a half a yard.
It's a five-pound job if you belt him well -- do anything short of kill,
For there isn't a beak on the Castlereagh will fine you for Saltbush Bill."
"I'll take the job," said the fighting man; "and, hot as this cove appears,
He'll stand no chance with a bloke like me, what's lived on the game for years;
For he's maybe learnt in a boxing school, and sparred for a round or so,
But I've fought all hands in a ten-foot ring each night in a travelling show;
They earned a pound if they stayed three rounds, and they tried for it every night.
In a ten-foot ring! Oh, that's the game that teaches a bloke to fight,
For they'd rush and clinch -- it was Dublin Rules, and we drew no colour line;
And they all tried hard for to earn the pound, but they got no pound of mine.
If I saw no chance in the opening round I'd slog at their wind, and wait
Till an opening came -- and it always came -- and I settled 'em, sure as fate;
Left on the ribs and right on the jaw -- and, when the chance comes, make sure!
And it's there a professional bloke like me gets home on an amateur:
For it's my experience every day, and I make no doubt it's yours,
That a third-class pro is an over-match for the best of the amateurs --"
"Oh, take your swag to the travellers' hut," said Smith, "for you waste your breath;
You've a first-class chance, if you lose the fight, of talking your man to death.
I'll tell the cook you're to have your grub, and see that you eat your fill,
And come to the scratch all fit and well to leather this Saltbush Bill."
'Twas Saltbush Bill, and his travelling sheep were wending their weary way
On the Main Stock Route, through the Hard Times Run, on their six-mile stage a day;
And he strayed a mile from the Main Stock Route, and started to feed along,
And when Stingy Smith came up Bill said that the Route was surveyed wrong;
And he tried to prove that the sheep had rushed and strayed from their camp at night,
But the fighting man he kicked Bill's dog, and of course that meant a fight.
So they sparred and fought, and they shifted ground, and never a sound was heard
But the thudding fists on their brawny ribs, and the seconds' muttered word,
Till the fighting man shot home his left on the ribs with a mighty clout,
And his right flashed up with a half-arm blow -- and Saltbush Bill "went out".
He fell face down, and towards the blow; and their hearts with fear were filled,
For he lay as still as a fallen tree, and they thought that he must be killed.
So Stingy Smith and the fighting man, they lifted him from the ground,
And sent back home for a brandy-flask, and they slowly fetched him round;
But his head was bad, and his jaw was hurt -- in fact, he could scarcely speak --
So they let him spell till he got his wits; and he camped on the run a week,
While the travelling sheep went here and there, wherever they liked to stray,
Till Saltbush Bill was fit once more for the track to the Castlereagh.
Then Stingy Smith he wrote a note, and gave to the fighting man:
'Twas writ to the boss of the neighbouring run, and thus the missive ran:
"The man with this is a fighting man, one Stiffener Joe by name;
He came near murdering Saltbush Bill, and I found it a costly game:
But it's worth your while to employ the chap, for there isn't the slightest doubt
You'll have no trouble from Saltbush Bill while this man hangs about."
But an answer came by the next week's mail, with news that might well appal:
"The man you sent with a note is not a fighting man at all!
He has shaved his beard, and has cut his hair, but I spotted him at a look;
He is Tom Devine, who has worked for years for Saltbush Bill as cook.
Bill coached him up in the fighting yard, and taught him the tale by rote,
And they shammed to fight, and they got your grass, and divided your five-pound note.
'Twas a clean take-in; and you'll find it wise -- 'twill save you a lot of pelf --
When next you're hiring a fighting man, just fight him a round yourself."
And the teamsters out on the Castlereagh, when they meet with a week of rain,
And the waggon sinks to its axle-tree, deep down in the black-soil plain,
When the bullocks wade in a sea of mud, and strain at the load of wool,
And the cattle-dogs at the bullocks' heels are biting to make them pull,
When the off-side driver flays the team, and curses tham while he flogs,
And the air is thick with the language used, and the clamour of men and dogs --
The teamsters say, as they pause to rest and moisten each hairy throat,
They wish they could swear like Stingy Smith when he read that neighbour's note.
|
Written by
Carl Sandburg |
BY day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman
the way to it?)
Elevators slide on their cables and tubes catch letters and
parcels and iron pipes carry gas and water in and
sewage out.
Wires climb with secrets, carry light and carry words,
and tell terrors and profits and loves--curses of men
grappling plans of business and questions of women
in plots of love.
Hour by hour the caissons reach down to the rock of the
earth and hold the building to a turning planet.
Hour by hour the girders play as ribs and reach out and
hold together the stone walls and floors.
Hour by hour the hand of the mason and the stuff of the
mortar clinch the pieces and parts to the shape an
architect voted.
Hour by hour the sun and the rain, the air and the rust,
and the press of time running into centuries, play
on the building inside and out and use it.
Men who sunk the pilings and mixed the mortar are laid
in graves where the wind whistles a wild song
without words
And so are men who strung the wires and fixed the pipes
and tubes and those who saw it rise floor by floor.
Souls of them all are here, even the hod carrier begging
at back doors hundreds of miles away and the brick-
layer who went to state's prison for shooting another
man while drunk.
(One man fell from a girder and broke his neck at the
end of a straight plunge--he is here--his soul has
gone into the stones of the building.)
On the office doors from tier to tier--hundreds of names
and each name standing for a face written across
with a dead child, a passionate lover, a driving
ambition for a million dollar business or a lobster's
ease of life.
Behind the signs on the doors they work and the walls
tell nothing from room to room.
Ten-dollar-a-week stenographers take letters from
corporation officers, lawyers, efficiency engineers,
and tons of letters go bundled from the building to all
ends of the earth.
Smiles and tears of each office girl go into the soul of
the building just the same as the master-men who
rule the building.
Hands of clocks turn to noon hours and each floor
empties its men and women who go away and eat
and come back to work.
Toward the end of the afternoon all work slackens and
all jobs go slower as the people feel day closing on
them.
One by one the floors are emptied. . . The uniformed
elevator men are gone. Pails clang. . . Scrubbers
work, talking in foreign tongues. Broom and water
and mop clean from the floors human dust and spit,
and machine grime of the day.
Spelled in electric fire on the roof are words telling
miles of houses and people where to buy a thing for
money. The sign speaks till midnight.
Darkness on the hallways. Voices echo. Silence
holds. . . Watchmen walk slow from floor to floor
and try the doors. Revolvers bulge from their hip
pockets. . . Steel safes stand in corners. Money
is stacked in them.
A young watchman leans at a window and sees the lights
of barges butting their way across a harbor, nets of
red and white lanterns in a railroad yard, and a span
of glooms splashed with lines of white and blurs of
crosses and clusters over the sleeping city.
By night the skyscraper looms in the smoke and the stars
and has a soul.
|
Written by
Carl Sandburg |
DRUM on your drums, batter on your banjoes, sob on the long cool winding saxophones. Go to it, O jazzmen.
Sling your knuckles on the bottoms of the happy tin pans, let your trombones ooze, and go hushahusha-hush with the slippery sand-paper.
Moan like an autumn wind high in the lonesome tree-tops, moan soft like you wanted somebody terrible, cry like a racing car slipping away from a motorcycle cop, bang-bang! you jazzmen, bang altogether drums, traps, banjoes, horns, tin cans—make two people fight on the top of a stairway and scratch each other’s eyes in a clinch tumbling down the stairs.
Can the rough stuff … now a Mississippi steamboat pushes up the night river with a hoo-hoo-hoo-oo … and the green lanterns calling to the high soft stars … a red moon rides on the humps of the low river hills … go to it, O jazzmen.
|
Written by
Amy Lowell |
From out the dragging vastness of the sea,
Wave-fettered, bound in sinuous, seaweed strands,
He toils toward the rounding beach, and stands
One moment, white and dripping, silently,
Cut like a cameo in lazuli,
Then falls, betrayed by shifting shells, and lands
Prone in the jeering water, and his hands
Clutch for support where no support can be.
So up, and down, and forward, inch by inch,
He gains upon the shore, where poppies glow
And sandflies dance their little lives away.
The sucking waves retard, and tighter clinch
The weeds about him, but the land-winds blow,
And in the sky there blooms the sun of May.
|
Written by
Robert Browning |
An imaginary composer.]
I.
Hist, but a word, fair and soft!
Forth and be judged, Master Hugues!
Answer the question I've put you so oft:
What do you mean by your mountainous fugues?
See, we're alone in the loft,---
II.
I, the poor organist here,
Hugues, the composer of note,
Dead though, and done with, this many a year:
Let's have a colloquy, something to quote,
Make the world prick up its ear!
III.
See, the church empties apace:
Fast they extinguish the lights.
Hallo there, sacristan! Five minutes' grace!
Here's a crank pedal wants setting to rights,
Baulks one of holding the base.
IV.
See, our huge house of the sounds,
Hushing its hundreds at once,
Bids the last loiterer back to his bounds!
O you may challenge them, not a response
Get the church-saints on their rounds!
V.
(Saints go their rounds, who shall doubt?
---March, with the moon to admire,
Up nave, down chancel, turn transept about,
Supervise all betwixt pavement and spire,
Put rats and mice to the rout---
VI.
Aloys and Jurien and Just---
Order things back to their place,
Have a sharp eye lest the candlesticks rust,
Rub the church-plate, darn the sacrament-lace,
Clear the desk-velvet of dust.)
VII.
Here's your book, younger folks shelve!
Played I not off-hand and runningly,
Just now, your masterpiece, hard number twelve?
Here's what should strike, could one handle it cunningly:
HeIp the axe, give it a helve!
VIII.
Page after page as I played,
Every bar's rest, where one wipes
Sweat from one's brow, I looked up and surveyed,
O'er my three claviers yon forest of pipes
Whence you still peeped in the shade.
IX.
Sure you were wishful to speak?
You, with brow ruled like a score,
Yes, and eyes buried in pits on each cheek,
Like two great breves, as they wrote them of yore,
Each side that bar, your straight beak!
X.
Sure you said---``Good, the mere notes!
``Still, couldst thou take my intent,
``Know what procured me our Company's votes---
``A master were lauded and sciolists shent,
``Parted the sheep from the goats!''
XI.
Well then, speak up, never flinch!
Quick, ere my candle's a snuff
---Burnt, do you see? to its uttermost inch---
_I_ believe in you, but that's not enough:
Give my conviction a clinch!
XII.
First you deliver your phrase
---Nothing propound, that I see,
Fit in itself for much blame or much praise---
Answered no less, where no answer needs be:
Off start the Two on their ways.
XIII.
Straight must a Third interpose,
Volunteer needlessly help;
In strikes a Fourth, a Fifth thrusts in his nose,
So the cry's open, the kennel's a-yelp,
Argument's hot to the close.
XIV.
One dissertates, he is candid;
Two must discept,--has distinguished;
Three helps the couple, if ever yet man did;
Four protests; Five makes a dart at the thing wished:
Back to One, goes the case bandied.
XV.
One says his say with a difference
More of expounding, explaining!
All now is wrangle, abuse, and vociferance;
Now there's a truce, all's subdued, self-restraining:
Five, though, stands out all the stiffer hence.
XVI.
One is incisive, corrosive:
Two retorts, nettled, curt, crepitant;
Three makes rejoinder, expansive, explosive;
Four overbears them all, strident and strepitant,
Five ... O Danaides, O Sieve!
XVII.
Now, they ply axes and crowbars;
Now, they prick pins at a tissue
Fine as a skein of the casuist Escobar's
Worked on the bone of a lie. To what issue?
Where is our gain at the Two-bars?
XVIII.
_Est fuga, volvitur rota._
On we drift: where looms the dim port?
One, Two, Three, Four, Five, contribute their quota;
Something is gained, if one caught but the import---
Show it us, Hugues of Saxe-Gotha!
XIX.
What with affirming, denying,
Holding, risposting, subjoining,
All's like ... it's like ... for an instance I'm trying ...
There! See our roof, its gilt moulding and groining
Under those spider-webs lying!
XX.
So your fugue broadens and thickens,
Greatens and deepens and lengthens,
Till we exclaim---``But where's music, the dickens?
``Blot ye the gold, while your spider-web strengthens
``---Blacked to the stoutest of tickens?''
XXI.
I for man's effort am zealous:
Prove me such censure unfounded!
Seems it surprising a lover grows jealous---
Hopes 'twas for something, his organ-pipes sounded,
Tiring three boys at the bellows?
XXII.
Is it your moral of Life?
Such a web, simple and subtle,
Weave we on earth here in impotent strife,
Backward and forward each throwing his shuttle,
Death ending all with a knife?
XXIII.
Over our heads truth and nature---
Still our life's zigzags and dodges,
Ins and outs, weaving a new legislature---
God's gold just shining its last where that lodges,
Palled beneath man's usurpature.
XXIV.
So we o'ershroud stars and roses,
Cherub and trophy and garland;
Nothings grow something which quietly closes
Heaven's earnest eye: not a glimpse of the far land
Gets through our comments and glozes.
XXV.
Ah but traditions, inventions,
(Say we and make up a visage)
So many men with such various intentions,
Down the past ages, must know more than this age!
Leave we the web its dimensions!
XXVI.
Who thinks Hugues wrote for the deaf,
Proved a mere mountain in labour?
Better submit; try again; what's the clef?
'Faith, 'tis no trifle for pipe and for tabor---
Four flats, the minor in F.
XXVII.
Friend, your fugue taxes the finger
Learning it once, who would lose it?
Yet all the while a misgiving will linger,
Truth's golden o'er us although we refuse it---
Nature, thro' cobwebs we string her.
XXVIII.
Hugues! I advise _Me Pn_
(Counterpoint glares like a Gorgon)
Bid One, Two, Three, Four, Five, clear the arena!
Say the word, straight I unstop the full-organ,
Blare out the _mode Palestrina._
XXIX.
While in the roof, if I'm right there,
... Lo you, the wick in the socket!
Hallo, you sacristan, show us a light there!
Down it dips, gone like a rocket.
What, you want, do you, to come unawares,
Sweeping the church up for first morning-prayers,
And find a poor devil has ended his cares
At the foot of your rotten-runged rat-riddled stairs?
Do I carry the moon in my pocket?
* 1 A fugue is a short melody.
* 2 Keyboard of organ.
* 3 A note in music.
* 4 The daughters of Danaus, condemned to pour water
* into a sieve.
* 5 The Spanish casuist, so severely mauled by Pascal.
* 6 A quick return in fencing.
* 7 A closely woven fabric.
* 8 _Giovanni P. da Palestrina_, celebrated musician (1524-1594).
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Written by
Robert William Service |
If you leave the gloom of London and you seek a glowing land,
Where all except the flag is strange and new,
There's a bronzed and stalwart fellow who will grip you by the hand,
And greet you with a welcome warm and true;
For he's your younger brother, the one you sent away
Because there wasn't room for him at home;
And now he's quite contented, and he's glad he didn't stay,
And he's building Britain's greatness o'er the foam.
When the giant herd is moving at the rising of the sun,
And the prairie is lit with rose and gold,
And the camp is all abustle, and the busy day's begun,
He leaps into the saddle sure and bold.
Through the round of heat and hurry, through the racket and the rout,
He rattles at a pace that nothing mars;
And when the night-winds whisper and camp-fires flicker out,
He is sleeping like a child beneath the stars.
When the wattle-blooms are drooping in the sombre she-oak glade,
And the breathless land is lying in a swoon,
He leaves his work a moment, leaning lightly on his spade,
And he hears the bell-bird chime the Austral noon.
The parrakeets are silent in the gum-tree by the creek;
The ferny grove is sunshine-steeped and still;
But the dew will gem the myrtle in the twilight ere he seek
His little lonely cabin on the hill.
Around the purple, vine-clad slope the argent river dreams;
The roses almost hide the house from view;
A snow-peak of the Winterberg in crimson splendor gleams;
The shadow deepens down on the karroo.
He seeks the lily-scented dusk beneath the orange tree;
His pipe in silence glows and fades and glows;
And then two little maids come out and climb upon his knee,
And one is like the lily, one the rose.
He sees his white sheep dapple o'er the green New Zealand plain,
And where Vancouver's shaggy ramparts frown,
When the sunlight threads the pine-gloom he is fighting might and main
To clinch the rivets of an Empire down.
You will find him toiling, toiling, in the south or in the west,
A child of nature, fearless, frank, and free;
And the warmest heart that beats for you is beating in his breast,
And he sends you loyal greeting o'er the sea.
You've a brother in the army, you've another in the Church;
One of you is a diplomatic swell;
You've had the pick of everything and left him in the lurch,
And yet I think he's doing very well.
I'm sure his life is happy, and he doesn't envy yours;
I know he loves the land his pluck has won;
And I fancy in the years unborn, while England's fame endures,
She will come to bless with pride -- The Younger Son.
|
Written by
Badger Clark |
When my rope takes hold on a two-year-old,
By the foot or the neck or the horn,
He kin plunge and fight till his eyes go white
But I'll throw him as sure as you're born.
Though the taut ropes sing like a banjo string
And the latigoes creak and strain,
Yet I got no fear of an outlaw steer
And I'll tumble him on the plain.
_For a man is a man, but a steer is a beast,_
_And the man is the boss of the herd,_
_And each of the bunch, from the biggest to least,_
_Must come down when he says the word._
When my leg swings 'cross on an outlaw hawse
And my spurs clinch into his hide,
He kin r'ar and pitch over hill and ditch,
But wherever he goes I'll ride.
Let 'im spin and flop like a crazy top
Or flit like a wind-whipped smoke,
But he'll know the feel of my rowelled heel
Till he's happy to own he's broke.
_For a man is a man and a hawse is a brute,_
_And the hawse may be prince of his clan_
_But he'll bow to the bit and the steel-shod boot_
_And own that his boss is the man._
When the devil at rest underneath my vest
Gets up and begins to paw
And my hot tongue strains at its bridle reins,
Then I tackle the real outlaw.
When I get plumb riled and my sense goes wild
And my temper is fractious growed,
If he'll hump his neck just a triflin' speck,
Then it's dollars to dimes I'm throwed.
_For a man is a man, but he's partly a beast._
_He kin brag till he makes you deaf,_
_But the one lone brute, from the west to the east,_
_That he kaint quite break is himse'f._
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