Get Your Premium Membership

Best Famous Climb On Poems

Here is a collection of the all-time best famous Climb On poems. This is a select list of the best famous Climb On poetry. Reading, writing, and enjoying famous Climb On poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of climb on poems.

Search and read the best famous Climb On poems, articles about Climb On poems, poetry blogs, or anything else Climb On poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)


Written by Ralph Waldo Emerson | Create an image from this poem

Dæmonic Love

 Man was made of social earth,
Child and brother from his birth;
Tethered by a liquid cord
Of blood through veins of kindred poured,
Next his heart the fireside band
Of mother, father, sister, stand;
Names from awful childhood heard,
Throbs of a wild religion stirred,
Their good was heaven, their harm was vice,
Till Beauty came to snap all ties,
The maid, abolishing the past,
With lotus-wine obliterates
Dear memory's stone-incarved traits,
And by herself supplants alone
Friends year by year more inly known.
When her calm eyes opened bright, All were foreign in their light.
It was ever the self-same tale, The old experience will not fail,— Only two in the garden walked, And with snake and seraph talked.
But God said; I will have a purer gift, There is smoke in the flame; New flowerets bring, new prayers uplift, And love without a name.
Fond children, ye desire To please each other well; Another round, a higher, Ye shall climb on the heavenly stair, And selfish preference forbear; And in right deserving, And without a swerving Each from your proper state, Weave roses for your mate.
Deep, deep are loving eyes, Flowed with naphtha fiery sweet, And the point is Paradise Where their glances meet: Their reach shall yet be more profound, And a vision without bound: The axis of those eyes sun-clear Be the axis of the sphere; Then shall the lights ye pour amain Go without check or intervals, Through from the empyrean walls, Unto the same again.
Close, close to men, Like undulating layer of air, Right above their heads, The potent plain of Dæmons spreads.
Stands to each human soul its own, For watch, and ward, and furtherance In the snares of nature's dance; And the lustre and the grace Which fascinate each human heart, Beaming from another part, Translucent through the mortal covers, Is the Dæmon's form and face.
To and fro the Genius hies, A gleam which plays and hovers Over the maiden's head, And dips sometimes as low as to her eyes.
Unknown, — albeit lying near, — To men the path to the Dæmon sphere, And they that swiftly come and go, Leave no track on the heavenly snow.
Sometimes the airy synod bends, And the mighty choir descends, And the brains of men thenceforth, In crowded and in still resorts, Teem with unwonted thoughts.
As when a shower of meteors Cross the orbit of the earth, And, lit by fringent air, Blaze near and far.
Mortals deem the planets bright Have slipped their sacred bars, And the lone seaman all the night Sails astonished amid stars.
Beauty of a richer vein, Graces of a subtler strain, Unto men these moon-men lend, And our shrinking sky extend.
So is man's narrow path By strength and terror skirted, Also (from the song the wrath Of the Genii be averted! The Muse the truth uncolored speaking), The Dæmons are self-seeking; Their fierce and limitary will Draws men to their likeness still.
The erring painter made Love blind, Highest Love who shines on all; Him radiant, sharpest-sighted god None can bewilder; Whose eyes pierce The Universe, Path-finder, road-builder, Mediator, royal giver, Rightly-seeing, rightly-seen, Of joyful and transparent mien.
'Tis a sparkle passing From each to each, from me to thee, Perpetually, Sharing all, daring all, Levelling, misplacing Each obstruction, it unites Equals remote, and seeming opposites.
And ever and forever Love Delights to build a road; Unheeded Danger near him strides, Love laughs, and on a lion rides.
But Cupid wears another face Born into Dæmons less divine, His roses bleach apace, His nectar smacks of wine.
The Dæmon ever builds a wall, Himself incloses and includes, Solitude in solitudes: In like sort his love doth fall.
He is an oligarch, He prizes wonder, fame, and mark, He loveth crowns, He scorneth drones; He doth elect The beautiful and fortunate, And the sons of intellect, And the souls of ample fate, Who the Future's gates unbar, Minions of the Morning Star.
In his prowess he exults, And the multitude insults.
His impatient looks devour Oft the humble and the poor, And, seeing his eye glare, They drop their few pale flowers Gathered with hope to please Along the mountain towers, Lose courage, and despair.
He will never be gainsaid, Pitiless, will not be stayed.
His hot tyranny Burns up every other tie; Therefore comes an hour from Jove Which his ruthless will defies, And the dogs of Fate unties.
Shiver the palaces of glass, Shrivel the rainbow-colored walls Where in bright art each god and sibyl dwelt Secure as in the Zodiack's belt; And the galleries and halls Wherein every Siren sung, Like a meteor pass.
For this fortune wanted root In the core of God's abysm, Was a weed of self and schism: And ever the Dæmonic Love Is the ancestor of wars, And the parent of remorse.
Written by Robert William Service | Create an image from this poem

Kathleen

 It was the steamer Alice May that sailed the Yukon foam.
And touched in every river camp from Dawson down to Nome.
It was her builder, owner, pilot, Captain Silas Geer, Who took her through the angry ice, the last boat of the year; Who patched her cracks with gunny sacks and wound her pipes with wire, And cut the spruce upon the banks to feed her boiler fire; Who headed her into the stream and bucked its mighty flow, And nosed her up the little creeks where no one else would go; Who bragged she had so small a draft, if dew were on the grass, With gallant heart and half a start his little boat would pass.
Aye, ships might come and ships might go, but steady every year The Alice May would chug away with Skipper Silas Geer.
Now though Cap geer had ne'er a fear the devil he could bilk, He owned a gastric ulcer and his grub was mostly milk.
He also owned a Jersey cow to furnish him the same, So soft and sleek and mild and meek, and Kathleen was her name.
And so his source of nourishment he got to love her so That everywhere the captain went the cow would also go; And though his sleeping quarters were ridiculously small, He roped a section of them off to make Kathleen a stall.
So every morn she'd wake him up with mellifluous moo, And he would pat her on the nose and go to wake the crew.
Then when he'd done his daily run and hitched on to the bank, She'd breath above his pillow till to soothing sleep he sank.
So up and down the river seeded sourdoughs would allow, They made a touching tableau, Captain Silas and his cow.
Now as the Captain puffed his pipe and Kathleen chewed her cud, There came to him a poetess, a Miss Belinda Budd.
"An epic I would write," said she, "about this mighty stream, And from your gallant bark 'twould be romantic as a dream.
" Somewhat amazed the Captain gazed at her and shook his head; "I'm sorry, Miss, but we don't take she passengers," he said.
"My boat's a freighter, we have no accommodation space For women-folk - my cabin is the only private palce.
It's eight foot small from wall to wall, and I have, anyhow, No room to spare, for half I share with Kathleen, That's my cow.
" The lady sighed, then soft replied: "I love your Yukon scene, And for its sake your room I'll take, and put up with Kathleen.
" Well, she was so dead set to go the Captain said: "By heck! I like your *****; you take my bunk and I'll camp on the deck.
" So days went by then with a sigh she sought him so anew: "Oh, Captain Geer, Kathleen's a dear, but does she have to moo? In early morn like motor horn she bellows overhead, While all the night without respite she snores above my bed.
I know it's true she dotes on you, your smile she seems to miss; She leans so near I live in fear my brow she'll try to kiss.
Her fond regard makes it so hard my Pegasus to spur.
.
.
Oh, please be kind and try to find another place for her.
" Bereft of cheer was captain Geer; his face was glazed with gloom: He scratched his head: "There ain't," he said, "another inch of room.
With freight we're packed; it's stowed and stacked - why even on the deck.
There's seven salted sourdoughs and they're sleeping neck and neck.
I'm sorry, Miss, that Kathleen's kiss has put your muse to flight; I realize her amber eyes abstract you when you write.
I used to love them orbs above a-shining down on me, And when she'd chew my whickers you can't calculate my glee.
I ain't at all poetical, but gosh! I guess your plight, So I will try to plan what I can fix up for to-night.
" Thus while upon her berth the wan and weary Author Budd Bewailed her fate, Kathleen sedate above her chewed her cud; And as he sought with brain distraught a steady course to steer, Yet find a plan, a worried man was Captain Silas Geer.
Then suddenly alert was he, he hollerred to his mate; "Hi, Patsy, press our poetess to climb on deck and wait.
Hip-hip-hooray! Bid her be gay and never more despair; My search is crowned - by heck, I've found an answer to her prayer.
" To Patsy's yell like glad gazelle came bounding Bardess Budd; No more forlorn, with hope new-born she faced the foaming flood; While down the stair with eager air was seen to disappear, Like one inspired (by genius fired) exultant Captain Geer.
Then up he came with eye aflame and honest face aglow, And oh, how loud he laughed, as proud he led her down below.
"Now you may write by day or night upon our Yukon scene, For I," he cried, "have clarified the problem of Kathleen.
I thought a lot, then like a shot the remedy I found: I jest unhitched her rope and switched the loving creature round.
No more her moo will trouble you, you'll sleep right restful now.
Look, Lady, look! - I'm giving you.
.
.
the tail end of the cow.
"
Written by Thomas Hardy | Create an image from this poem

Domicilium

 It faces west, and round the back and sides 
High beeches, bending, hang a veil of boughs, 
And sweep against the roof.
Wild honeysucks Climb on the walls, and seem to sprout a wish (If we may fancy wish of trees and plants) To overtop the apple trees hard-by.
Red roses, lilacs, variegated box Are there in plenty, and such hardy flowers As flourish best untrained.
Adjoining these Are herbs and esculents; and farther still A field; then cottages with trees, and last The distant hills and sky.
Behind, the scene is wilder.
Heath and furze Are everything that seems to grow and thrive Upon the uneven ground.
A stunted thorn Stands here and there, indeed; and from a pit An oak uprises, Springing from a seed Dropped by some bird a hundred years ago.
In days bygone-- Long gone--my father's mother, who is now Blest with the blest, would take me out to walk.
At such a time I once inquired of her How looked the spot when first she settled here.
The answer I remember.
'Fifty years Have passed since then, my child, and change has marked The face of all things.
Yonder garden-plots And orchards were uncultivated slopes O'ergrown with bramble bushes, furze and thorn: That road a narrow path shut in by ferns, Which, almost trees, obscured the passers-by.
Our house stood quite alone, and those tall firs And beeches were not planted.
Snakes and efts Swarmed in the summer days, and nightly bats Would fly about our bedrooms.
Heathcroppers Lived on the hills, and were our only friends; So wild it was when we first settled here.
'
Written by D. H. Lawrence | Create an image from this poem

Butterfly

 Butterfly, the wind blows sea-ward, 
 strong beyond the garden-wall!
Butterfly, why do you settle on my
 shoe, and sip the dirt on my shoe, 
Lifting your veined wings, lifting them?
 big white butterfly!

Already it is October, and the wind
 blows strong to the sea
from the hills where snow must have 
 fallen, the wind is polished with 
 snow.
Here in the garden, with red geraniums, it is warm, it is warm but the wind blows strong to sea-ward, white butterfly, content on my shoe! Will you go, will you go from my warm house? Will you climb on your big soft wings, black-dotted, as up an invisible rainbow, an arch till the wind slides you sheer from the arch-crest and in a strange level fluttering you go out to sea-ward, white speck!


Written by W S Merwin | Create an image from this poem

A Family

Would you believe me
if I told you the name of the farmers
at the end of the lake
where it grew shallow over the mossy rocks
and if you came in the morning the grass was blue
the fur of the rocks was wet the small frogs jumped
and the lake was silent behind you
except for echoes

you tied your boat carefully to a tree
before setting out across the cool pasture
watching for the bull
all the way to the barn

or if you came in the afternoon
the pasture glared and hummed the dark leaves smelled
from beside the water and the barn was drunk
by the time you got to it

to climb on the beams
to dive into the distant hay
will you believe
the names of the farmers' children
Written by William Butler Yeats | Create an image from this poem

Why Should Not Old Men Be Mad?

 Why should not old men be mad?
Some have known a likely lad
That had a sound fly-fisher's wrist
Turn to a drunken journalist;
A girl that knew all Dante once
Live to bear children to a dunce;
A Helen of social welfare dream,
Climb on a wagonette to scream.
Some think it a matter of course that chance Should starve good men and bad advance, That if their neighbours figured plain, As though upon a lighted screen, No single story would they find Of an unbroken happy mind, A finish worthy of the start.
Young men know nothing of this sort, Observant old men know it well; And when they know what old books tell And that no better can be had, Know why an old man should be mad.
Written by Carl Sandburg | Create an image from this poem

The South Wind Say So

 IF the oriole calls like last year
when the south wind sings in the oats,
if the leaves climb and climb on a bean pole
saying over a song learnt from the south wind,
if the crickets send up the same old lessons
found when the south wind keeps on coming,
we will get by, we will keep on coming,
we will get by, we will come along,
we will fix our hearts over,
the south wind says so.

Book: Radiant Verses: A Journey Through Inspiring Poetry