Written by
Allen Ginsberg |
I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look for the sunset over the box house hills and cry.
Jack Kerouac sat beside me on a busted rusty iron pole, companion, we thought the same thoughts of the soul, bleak and blue and sad-eyed, surrounded by the gnarled steel roots of trees of machinery.
The only water on the river mirrored the red sky, sun sank on top of final Frisco peaks, no fish in that stream, no hermit in those mounts, just ourselves rheumy-eyed and hung-over like old bums on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray shadow against the sky, big as a man, sitting dry on top of a pile of ancient sawdust--
--I rushed up enchanted--it was my first sunflower, memories of Blake--my visions--Harlem
and Hells of the Eastern rivers, bridges clanking Joes greasy Sandwiches, dead baby carriages, black treadless tires forgotten and unretreaded, the poem of the riverbank, condoms & pots, steel knives, nothing stainless, only the dank muck and the razor-sharp artifacts passing into the past--
and the gray Sunflower poised against the sunset, crackly bleak and dusty with the smut and smog and smoke of olden locomotives in its eye--
corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy head like a dried wire spiderweb,
leaves stuck out like arms out of the stem, gestures from the sawdust root, broke pieces of plaster fallen out of the black twigs, a dead fly in its ear,
Unholy battered old thing you were, my sunflower O my soul, I loved you then!
The grime was no man's grime but death and human locomotives,
all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that eyelid of black mis'ry, that sooty hand or phallus or protuberance of artificial worse-than-dirt--industrial-- modern--all that civilization spotting your crazy golden crown--
and those blear thoughts of death and dusty loveless eyes and ends and withered roots below, in the home-pile of sand and sawdust, rubber dollar bills, skin of machinery, the guts and innards of the weeping coughing car, the empty lonely tincans with their rusty tongues alack, what more could I name, the smoked ashes of some cock cigar, the cunts of wheelbarrows and the milky breasts of cars, wornout asses out of chairs & sphincters of dynamos--all these
entangled in your mummied roots--and you standing before me in the sunset, all your glory in your form!
A perfect beauty of a sunflower! a perfect excellent lovely sunflower existence! a sweet natural eye to the new hip moon, woke up alive and excited grasping in the sunset shadow sunrise golden monthly breeze!
How many flies buzzed round you innocent of your grime, while you cursed the heavens of your railroad and your flower soul?
Poor dead flower? when did you forget you were a flower? when did you look at your skin and decide you were an impotent dirty old locomotive? the ghost of a locomotive? the specter and shade of a once powerful mad American locomotive?
You were never no locomotive, Sunflower, you were a sunflower!
And you Locomotive, you are a locomotive, forget me not!
So I grabbed up the skeleton thick sunflower and stuck it at my side like a scepter,
and deliver my sermon to my soul, and Jack's soul too, and anyone who'll listen,
--We're not our skin of grime, we're not our dread bleak dusty imageless locomotive, we're all golden sunflowers inside, blessed by our own seed & hairy naked accomplishment-bodies growing into mad black formal sunflowers in the sunset, spied on by our eyes under the shadow of the mad locomotive riverbank sunset Frisco hilly tincan evening sitdown vision.
|
Written by
Tony Hoagland |
They have little tractors in their blood
and all day the tractors climb up and down
inside their arms and legs, their
collarbones and heads.
That is why they yell and scream and slam the barbells
down into their clanking slots,
making the metal ring like sledgehammers on iron,
like dungeon prisoners rattling their chains.
That is why they shriek their tires at the stopsign,
why they turn the base up on the stereo
until it shakes the traffic light, until it
dryhumps the eardrum of the crossing guard.
Testosterone is a drug,
and they say No, No, No until
they are overwhelmed and punch
their buddy in the face for joy,
or make a joke about gravy and bottomless holes
to a middle-aged waitress who is gently
setting down the plate in front of them.
If they are grotesque, if
what they say and do is often nothing more
than a kind of psychopathic fart,
it is only because of the tractors,
the tractors in their blood,
revving their engines, chewing up the turf
inside their arteries and veins
It is the testosterone tractor
constantly climbing the mudhill of the world
and dragging the young man behind it
by a chain around his leg.
In the stink and the noise, in the clouds
of filthy exhaust
is where they live. It is the tractors
that make them
what they are. While they make being a man
look like a disease.
|
Written by
Allen Ginsberg |
To Struga Festival Golden Wreath Laureates
& International Bards 1986
Stand up against governments, against God.
Stay irresponsible.
Say only what we know & imagine.
Absolutes are coercion.
Change is absolute.
Ordinary mind includes eternal perceptions.
Observe what's vivid.
Notice what you notice.
Catch yourself thinking.
Vividness is self-selecting.
If we don't show anyone, we're free to write anything.
Remember the future.
Advise only yourself.
Don't drink yourself to death.
Two molecules clanking against each other requires an observer to become
scientific data.
The measuring instrument determines the appearance of the phenomenal
world after Einstein.
The universe is subjective.
Walt Whitman celebrated Person.
We Are an observer, measuring instrument, eye, subject, Person.
Universe is person.
Inside skull vast as outside skull.
Mind is outer space.
"Each on his bed spoke to himself alone, making no sound."
First thought, best thought.
Mind is shapely, Art is shapely.
Maximum information, minimum number of syllables.
Syntax condensed, sound is solid.
Intense fragments of spoken idiom, best.
Consonants around vowels make sense.
Savor vowels, appreciate consonants.
Subject is known by what she sees.
Others can measure their vision by what we see.
Candor ends paranoia.
Kral Majales
June 25, 1986
Boulder, Colorado
|
Written by
Carl Sandburg |
SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist … in the slow twist … of the wind.
If the north wind comes they run to the south.
If the west wind comes they run to the east.
By this sign
all smokes
know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: “I know you.”
Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from—
You and I and our heads of smoke.
Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:
You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.
Smoke of a city sunset skyline,
Smoke of a country dusk horizon—
They cross on the sky and count our years.
Smoke of a brick-red dust
Winds on a spiral
Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.
Stammer at the slang of this—
Let us understand half of it.
In the rolling mills and sheet mills,
In the harr and boom of the blast fires,
The smoke changes its shadow
And men change their shadow;
A ******, a wop, a bohunk changes.
A bar of steel—it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left—smoke and the blood of a man
And the finished steel, chilled and blue.
So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
Smoke and the blood of a man.
Pittsburg, Youngstown, Gary—they make their steel with men.
In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
The birdmen drone
in the blue; it is steel
a motor sings and zooms.
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up—
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
Smoke nights now.
To-morrow something else.
Luck moons come and go:
Five men swim in a pot of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the sucking plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers—they shadow-dance in laughing tombs.
They are always there and they never answer.
One of them said: “I like my job, the company is good to me, America is a wonderful country.”
One: “Jesus, my bones ache; the company is a liar; this is a free country, like hell.”
One: “I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves.”
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the slag.
Forever the slag gets washed in fire and wind.
The anthem learned by the steel is:
Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
Fire and wind wash at the slag.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors—
Oh, the sleeping slag from the mountains, the slag-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks—flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
“Since you know all
and I know nothing,
tell me what I dreamed last night.”
Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.
A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.
A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.
The wind never bothers … a bar of steel.
The wind picks only .. pearl cobwebs .. pools of moonshine.
|
Written by
Mary Darby Robinson |
Ye, who in alleys green and leafy bow'rs,
Sport, the rude children of fantastic birth;
Where frolic nymphs, and shaggy tribes of mirth,
In clam'rous revels waste the midnight hours;
Who, link'd in flaunting bands of mountain flow'rs,
Weave your wild mazes o'er the dewy earth,
Ere the fierce Lord of Lustre rushes forth,
And o'er the world his beamy radiance pours!
Oft has your clanking cymbal's madd'ning strain,
Loud ringing through the torch-illumin'd grove,
Lur'd my lov'd Phaon from the youthful train,
Through rugged dells, o'er craggy rocks to rove;
Then how can she his vagrant heart detain,
Whose Lyre throbs only to the touch of Love!
|
Written by
Victor Hugo |
("Murs, ville et port.")
{XXVIII., Aug. 28, 1828.}
Town, tower,
Shore, deep,
Where lower
Cliff's steep;
Waves gray,
Where play
Winds gay,
All sleep.
Hark! a sound,
Far and slight,
Breathes around
On the night
High and higher,
Nigh and nigher,
Like a fire,
Roaring, bright.
Now, on 'tis sweeping
With rattling beat,
Like dwarf imp leaping
In gallop fleet
He flies, he prances,
In frolic fancies,
On wave-crest dances
With pattering feet.
Hark, the rising swell,
With each new burst!
Like the tolling bell
Of a convent curst;
Like the billowy roar
On a storm-lashed shore,—
Now hushed, but once more
Maddening to its worst.
O God! the deadly sound
Of the Djinn's fearful cry!
Quick, 'neath the spiral round
Of the deep staircase fly!
See, see our lamplight fade!
And of the balustrade
Mounts, mounts the circling shade
Up to the ceiling high!
'Tis the Djinns' wild streaming swarm
Whistling in their tempest flight;
Snap the tall yews 'neath the storm,
Like a pine flame crackling bright.
Swift though heavy, lo! their crowd
Through the heavens rushing loud
Like a livid thunder-cloud
With its bolt of fiery might!
Ho! they are on us, close without!
Shut tight the shelter where we lie!
With hideous din the monster rout,
Dragon and vampire, fill the sky!
The loosened rafter overhead
Trembles and bends like quivering reed;
Shakes the old door with shuddering dread,
As from its rusty hinge 'twould fly!
Wild cries of hell! voices that howl and shriek!
The horrid troop before the tempest tossed—
O Heaven!—descends my lowly roof to seek:
Bends the strong wall beneath the furious host.
Totters the house as though, like dry leaf shorn
From autumn bough and on the mad blast borne,
Up from its deep foundations it were torn
To join the stormy whirl. Ah! all is lost!
O Prophet! if thy hand but now
Save from these hellish things,
A pilgrim at thy shrine I'll bow,
Laden with pious offerings.
Bid their hot breath its fiery rain
Stream on the faithful's door in vain;
Vainly upon my blackened pane
Grate the fierce claws of their dark wings!
They have passed!—and their wild legion
Cease to thunder at my door;
Fleeting through night's rayless region,
Hither they return no more.
Clanking chains and sounds of woe
Fill the forests as they go;
And the tall oaks cower low,
Bent their flaming light before.
On! on! the storm of wings
Bears far the fiery fear,
Till scarce the breeze now brings
Dim murmurings to the ear;
Like locusts' humming hail,
Or thrash of tiny flail
Plied by the fitful gale
On some old roof-tree sere.
Fainter now are bornen's m Feeble mutterings still; mail As when Arab horn
Swells its magic peal,
Shoreward o'er the deep
Fairy voices sweep,
And the infant's sleep
Golden visions fill.
Each deadly Djinn,
Dark child of fright,
Of death and sin,
Speeds in wild flight.
Hark, the dull moan,
Like the deep tone
Of Ocean's groan,
Afar, by night!
More and more
Fades it slow,
As on shore
Ripples flow,—
As the plaint
Far and faint
Of a saint
Murmured low.
Hark! hist!
Around,
I list!
The bounds
Of space
All trace
Efface
Of sound.
JOHN L. O'SULLIVAN.
|
Written by
Henry Lawson |
"Was I at Eureka?" His figure was drawn to a youthful height,
And a flood of proud recollections made the fire in his grey eyes bright;
With pleasure they lighted and glisten'd, tho' the digger was grizzled and old,
And we gathered about him and listen'd while the tale of Eureka he told.
"Ah, those were the days," said the digger, "twas a glorious life that we led,
When fortunes were dug up and lost in a day in the whirl of the years that are dead.
But there's many a veteran now in the land - old knights of the pick and the spade,
Who could tell you in language far stronger than mine 'bout the fight at Eureka Stockade.
"We were all of us young on the diggings in days when the nation had birth -
Light-hearted, and careless, and happy, and the flower of all nations on earth;
But we would have been peaceful an' quiet if the law had but let us alone;
And the fight - let them call it a riot - was due to no fault of our own.
"The creed of our rulers was narrow - they ruled with a merciless hand,
For the mark of the cursed broad arrow was deep in the heart of the land.
They treated us worse than the ******* were treated in slavery's day -
And justice was not for the diggers, as shown by the Bently affray.
"P'r'aps Bently was wrong. If he wasn't the bloodthirsty villain they said,
He was one of the jackals that gather where the carcass of labour is laid.
'Twas b'lieved that he murdered a digger, and they let him off scot-free as well,
And the beacon o' battle was lighted on the night that we burnt his hotel.
"You may talk as you like, but the facts are the same (as you've often been told),
And how could we pay when the license cost more than the worth of the gold?
We heard in the sunlight the clanking o' chains in the hillocks of clay,
And our mates, they were rounded like cattle an' handcuffed an' driven away.
"The troopers were most of them new-chums, with many a gentleman's son;
And ridin' on horseback was easy, and hunting the diggers was fun.
Why, many poor devils who came from the vessel in rags and down-heeled,
Were copped, if they hadn't their license, before they set foot on the field.
"But they roused the hot blood that was in us, and the cry came to roll up at last;
And I tell you that something had got to be done when the diggers rolled up in the past.
Yet they say that in spite o' the talkin' it all might have ended in smoke,
But just at the point o' the crisis, the voice of a quiet man spoke.
" `We have said all our say and it's useless, you must fight or be slaves!' said the voice;
" `If it's fight, and you're wanting a leader, I will lead to the end - take your choice!'
I looked, it was Pete! Peter Lalor! who stood with his face to the skies,
But his figure seemed nobler and taller, and brighter the light of his eyes.
"The blood to his forehead was rushin' as hot as the words from his mouth;
He had come from the wrongs of the old land to see those same wrongs in the South;
The wrongs that had followed our flight from the land where the life of the worker was spoiled.
Still tyranny followed! no wonder the blood of the Irishman boiled.
"And true to his promise, they found him - the mates who are vanished or dead,
Who gathered for justice around him with the flag of the diggers o'erhead.
When the people are cold and unb'lieving, when the hands of the tyrants are strong,
You must sacrifice life for the people before they'll come down on the wrong.
"I'd a mate on the diggings, a lad, curly-headed, an' blue-eyed, an' white,
And the diggers said I was his father, an', well, p'r'aps the diggers were right.
I forbade him to stir from the tent, made him swear on the book he'd obey,
But he followed me in, in the darkness, and - was - shot - on Eureka that day.
" `Down, down with the tyrant an' bully,' these were the last words from his mouth
As he caught up a broken pick-handle and struck for the Flag of the South
An' let it in sorrow be written - the worst of this terrible strife,
'Twas under the `Banner of Britain' came the bullet that ended his life.
"I struck then! I struck then for vengeance! When I saw him lie dead in the dirt,
And the blood that came oozing like water had darkened the red of his shirt,
I caught up the weapon he dropped an' I struck with the strength of my hate,
Until I fell wounded an' senseless, half-dead by the side of `my mate'.
"Surprised in the grey o' the morning half-armed, and the Barricade bad,
A battle o' twenty-five minutes was long 'gainst the odds that they had,
But the light o' the morning was deadened an' the smoke drifted far o'er the town
An' the clay o' Eureka was reddened ere the flag o' the diggers came down.
"But it rose in the hands of the people an' high in the breezes it tost,
And our mates only died for a cause that was won by the battle they lost.
When the people are selfish and narrow, when the hands of the tyrants are strong,
You must sacrifice life for the public before they come down on a wrong.
"It is thirty-six years this December - (December the first*) since we made
The first stand 'gainst the wrongs of old countries that day in Eureka Stockade,
But the lies and the follies and shams of the North have all landed since then
An' it's pretty near time that you lifted the flag of Eureka again.
"You boast of your progress an' thump empty thunder from out of your drums,
While two of your `marvellous cities' are reeking with alleys an' slums.
An' the landsharks, an' robbers, an' idlers an' -! Yes, I had best draw it mild
But whenever I think o' Eureka my talking is apt to run wild.
"Even now in my tent when I'm dreaming I'll spring from my bunk, strike a light,
And feel for my boots an' revolver, for the diggers' march past in the night.
An' the faces an' forms of old mates an' old comrades go driftin' along,
With a band in the front of 'em playing the tune of an old battle song."
|
Written by
Barry Tebb |
I
Through my bedroom window
The coal carts jolted over the cobbles
A slow heavy rhythm full,
Light and fast returning empty.
The coal office manager was a dwarf
With sixty year old skin
On a ten year old’s body and
Hornrims on a wizened wizard’s face.
The enormous shire horses neighed
In warning if you went near,
Their polished brasses gleaming,
Their worn blinkers waxed;
When they brought in lorries
A two year old died
On the first day.
II
Behind a creosoted fence lay
The goodsyard with a single line
Where LMS wagons shunted from Barnsley
With wet coals gleaming
All the way to Neville Hill.
I never connected the clanking wagons
With our weekly coalmen, their faces
Black like miners, their backs bent
Under hundred weight sacks.
They dumped each load to scree
Down the cellar grate,
Its jet-dust choking
The sunlight.
III
Behind the goodsyard lay the woodyard
With slender knotted planks stacked round.
One night it got alight, the heat
Cracked my window but I never woke.
When I read of the burning of Troy
I remember Standish’s wood yard fire.
|
Written by
Amy Lowell |
The Fool Errant sat by the highway of life
And his gaze wandered up and his gaze wandered down,
A vigorous youth, but with no wish to walk,
Yet his longing was great for the distant town.
He whistled a little frivolous tune
Which he felt to be pulsing with ecstasy,
For he thought that success always followed desire,
Such a very superlative fool was he.
A maiden came by on an ambling mule,
Her gown was rose-red and her kerchief blue,
On her lap she carried a basket of eggs.
Thought the fool, "There is certainly room for two."
So he jauntily swaggered towards the maid
And put out his hand to the bridle-rein.
"My pretty girl," quoth the fool, "take me up,
For to ride with you to the town I am fain."
But the maiden struck at his upraised arm
And pelted him hotly with eggs, a score.
The mule, lashed into a fury, ran;
The fool went back to his stone and swore.
Then out of the cloud of settling dust
The burly form of an abbot appeared,
Reading his office he rode to the town.
And the fool got up, for his heart was cheered.
He stood in the midst of the long, white road
And swept off his cap till it touched the ground.
"Ah, Reverent Sir, well met," said the fool,
"A worthier transport never was found.
"I pray you allow me to mount with you,
Your palfrey seems both sturdy and young."
The abbot looked up from the holy book
And cried out in anger, "Hold your tongue!
"How dare you obstruct the King's highroad,
You saucy varlet, get out of my way."
Then he gave the fool a cut with his whip
And leaving him smarting, he rode away.
The fool was angry, the fool was sore,
And he cursed the folly of monks and maids.
"If I could but meet with a man," sighed the fool,
"For a woman fears, and a friar upbraids."
Then he saw a flashing of distant steel
And the clanking of harness greeted his ears,
And up the road journeyed knights-at-arms,
With waving plumes and glittering spears.
The fool took notice and slowly arose,
Not quite so sure was his foolish heart.
If priests and women would none of him
Was it likely a knight would take his part?
They sang as they rode, these lusty boys,
When one chanced to turn toward the highway's side,
"There's a sorry figure of fun," jested he,
"Well, Sirrah! move back, there is scarce room to ride."
"Good Sirs, Kind Sirs," begged the crestfallen
fool,
"I pray of your courtesy speech with you,
I'm for yonder town, and have no horse to ride,
Have you never a charger will carry two?"
Then the company halted and laughed out loud.
"Was such a request ever made to a knight?"
"And where are your legs," asked one, "if you start,
You may be inside the town gates to-night."
"'T is a lazy fellow, let him alone,
They've no room in the town for such idlers as he."
But one bent from his saddle and said, "My man,
Art thou not ashamed to beg charity!
"Thou art well set up, and thy legs are strong,
But it much misgives me lest thou'rt a fool;
For beggars get only a beggar's crust,
Wise men are reared in a different school."
Then they clattered away in the dust and the wind,
And the fool slunk back to his lonely stone;
He began to see that the man who asks
Must likewise give and not ask alone.
Purple tree-shadows crept over the road,
The level sun flung an orange light,
And the fool laid his head on the hard, gray stone
And wept as he realized advancing night.
A great, round moon rose over a hill
And the steady wind blew yet more cool;
And crouched on a stone a wayfarer sobbed,
For at last he knew he was only a fool.
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Written by
Thomas Hardy |
There was a time in former years--
While my roof-tree was his--
When I should have been distressed by fears
At such a night as this!
I should have murmured anxiously,
'The prickling rain strikes cold;
His road is bare of hedge or tree,
And he is getting old.'
But now the fitful chimney-roar,
The drone of Thorncombe trees,
The Froom in flood upon the moor,
The mud of Mellstock Leaze,
The candle slanting sooty-wick'd,
The thuds upon the thatch,
The eaves drops on the window flicked,
The clanking garden-hatch,
And what they mean to wayfarers,
I scarcely heed or mind;
He has won that storm-tight roof of hers
Which Earth grants all her kind.
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