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Best Famous Clan Poems

Here is a collection of the all-time best famous Clan poems. This is a select list of the best famous Clan poetry. Reading, writing, and enjoying famous Clan poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of clan poems.

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Written by Rudyard Kipling | Create an image from this poem

The Ballad of East and West

 Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God's great Judgment Seat;
But there is neither East nor West, Border, nor Breed, nor Birth,
When two strong men stand face to face, tho' they come from the ends of the earth!

Kamal is out with twenty men to raise the Border-side,
And he has lifted the Colonel's mare that is the Colonel's pride:
He has lifted her out of the stable-door between the dawn and the day,
And turned the calkins upon her feet, and ridden her far away.
Then up and spoke the Colonel's son that led a troop of the Guides:
"Is there never a man of all my men can say where Kamal hides?"
Then up and spoke Mahommed Khan, the son of the Ressaldar:
"If ye know the track of the morning-mist, ye know where his pickets are.
At dusk he harries the Abazai -- at dawn he is into Bonair,
But he must go by Fort Bukloh to his own place to fare,
So if ye gallop to Fort Bukloh as fast as a bird can fly,
By the favour of God ye may cut him off ere he win to the Tongue of Jagai.
But if he be past the Tongue of Jagai, right swiftly turn ye then,
For the length and the breadth of that grisly plain is sown with Kamal's men.
There is rock to the left, and rock to the right, and low lean thorn between,
And ye may hear a breech-bolt snick where never a man is seen."
The Colonel's son has taken a horse, and a raw rough dun was he,
With the mouth of a bell and the heart of Hell
 and the head of the gallows-tree.
The Colonel's son to the Fort has won, they bid him stay to eat --
Who rides at the tail of a Border thief, he sits not long at his meat.
He's up and away from Fort Bukloh as fast as he can fly,
Till he was aware of his father's mare in the gut of the Tongue of Jagai,
Till he was aware of his father's mare with Kamal upon her back,
And when he could spy the white of her eye, he made the pistol crack.
He has fired once, he has fired twice, but the whistling ball went wide.
"Ye shoot like a soldier," Kamal said. "Show now if ye can ride."
It's up and over the Tongue of Jagai, as blown dustdevils go,
The dun he fled like a stag of ten, but the mare like a barren doe.
The dun he leaned against the bit and slugged his head above,
But the red mare played with the snaffle-bars, as a maiden plays with a glove.
There was rock to the left and rock to the right, and low lean thorn between,
And thrice he heard a breech-bolt snick tho' never a man was seen.
They have ridden the low moon out of the sky, their hoofs drum up the dawn,
The dun he went like a wounded bull, but the mare like a new-roused fawn.
The dun he fell at a water-course -- in a woful heap fell he,
And Kamal has turned the red mare back, and pulled the rider free.
He has knocked the pistol out of his hand -- small room was there to strive,
"'Twas only by favour of mine," quoth he, "ye rode so long alive:
There was not a rock for twenty mile, there was not a clump of tree,
But covered a man of my own men with his rifle cocked on his knee.
If I had raised my bridle-hand, as I have held it low,
The little jackals that flee so fast were feasting all in a row:
If I had bowed my head on my breast, as I have held it high,
The kite that whistles above us now were gorged till she could not fly."
Lightly answered the Colonel's son: "Do good to bird and beast,
But count who come for the broken meats before thou makest a feast.
If there should follow a thousand swords to carry my bones away,
Belike the price of a jackal's meal were more than a thief could pay.
They will feed their horse on the standing crop,
 their men on the garnered grain,
The thatch of the byres will serve their fires when all the cattle are slain.
But if thou thinkest the price be fair, -- thy brethren wait to sup,
The hound is kin to the jackal-spawn, -- howl, dog, and call them up!
And if thou thinkest the price be high, in steer and gear and stack,
Give me my father's mare again, and I'll fight my own way back!"
Kamal has gripped him by the hand and set him upon his feet.
"No talk shall be of dogs," said he, "when wolf and gray wolf meet.
May I eat dirt if thou hast hurt of me in deed or breath;
What dam of lances brought thee forth to jest at the dawn with Death?"
Lightly answered the Colonel's son: "I hold by the blood of my clan:
Take up the mare for my father's gift -- by God, she has carried a man!"
The red mare ran to the Colonel's son, and nuzzled against his breast;
"We be two strong men," said Kamal then, "but she loveth the younger best.
So she shall go with a lifter's dower, my turquoise-studded rein,
My broidered saddle and saddle-cloth, and silver stirrups twain."
The Colonel's son a pistol drew and held it muzzle-end,
"Ye have taken the one from a foe," said he;
 "will ye take the mate from a friend?"
"A gift for a gift," said Kamal straight; "a limb for the risk of a limb.
Thy father has sent his son to me, I'll send my son to him!"
With that he whistled his only son, that dropped from a mountain-crest --
He trod the ling like a buck in spring, and he looked like a lance in rest.
"Now here is thy master," Kamal said, "who leads a troop of the Guides,
And thou must ride at his left side as shield on shoulder rides.
Till Death or I cut loose the tie, at camp and board and bed,
Thy life is his -- thy fate it is to guard him with thy head.
So, thou must eat the White Queen's meat, and all her foes are thine,
And thou must harry thy father's hold for the peace of the Border-line,
And thou must make a trooper tough and hack thy way to power --
Belike they will raise thee to Ressaldar when I am hanged in Peshawur."

They have looked each other between the eyes, and there they found no fault,
They have taken the Oath of the Brother-in-Blood on leavened bread and salt:
They have taken the Oath of the Brother-in-Blood on fire and fresh-cut sod,
On the hilt and the haft of the Khyber knife, and the Wondrous Names of God.
The Colonel's son he rides the mare and Kamal's boy the dun,
And two have come back to Fort Bukloh where there went forth but one.
And when they drew to the Quarter-Guard, full twenty swords flew clear --
There was not a man but carried his feud with the blood of the mountaineer.
"Ha' done! ha' done!" said the Colonel's son.
 "Put up the steel at your sides!
Last night ye had struck at a Border thief --
 to-night 'tis a man of the Guides!"

Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God's great Judgment Seat;
But there is neither East nor West, Border, nor Breed, nor Birth,
When two strong men stand face to face, tho' they come from the ends of the earth!


Written by Andrew Barton Paterson | Create an image from this poem

The Scapegoat

 We have all of us read how the Israelites fled 
From Egypt with Pharaoh in eager pursuit of 'em, 
And Pharaoh's fierce troop were all put "in the soup" 
When the waters rolled softly o'er every galoot of 'em. 
The Jews were so glad when old Pharaoh was "had" 
That they sounded their timbrels and capered like mad. 
You see he was hated from Jordan to Cairo -- 
Whence comes the expression "to buck against faro". 
For forty long years, 'midst perils and fears 
In deserts with never a famine to follow by, 
The Israelite horde went roaming abroad 
Like so many sundowners "out on the wallaby". 
When Moses, who led 'em, and taught 'em, and fed 'em, 
Was dying, he murmured, "A rorty old hoss you are: 
I give you command of the whole of the band" -- 
And handed the Government over to Joshua. 

But Moses told 'em before he died, 
"Wherever you are, whatever betide, 
Every year as the time draws near 
By lot or by rote choose you a goat, 
And let the high priest confess on the beast 
The sins of the people the worst and the least, 
Lay your sins on the goat! Sure the plan ought to suit yer. 
Because all your sins are 'his troubles' in future. 
Then lead him away to the wilderness black 
To die with the weight of your sins on his back: 
Of thirst let him perish alone and unshriven, 
For thus shall your sins be absolved and forgiven!" 

'Tis needless to say, though it reeked of barbarity 
This scapegoat arrangement gained great popularity. 
By this means a Jew, whate'er he might do, 
Though he burgled, or murdered, or cheated at loo, 
Or meat on Good Friday (a sin most terrific) ate, 
Could get his discharge, like a bankrupt's certificate; 
Just here let us note -- Did they choose their best goat? 
It's food for conjecture, to judge from the picture 
By Hunt in the Gallery close to our door, a 
Man well might suppose that the scapegoat they chose 
Was a long way from being their choicest Angora. 

In fact I should think he was one of their weediest: 
'Tis a rule that obtains, no matter who reigns, 
When making a sacrifice, offer the seediest; 
Which accounts for a theory known to my hearers 
Who live in the wild by the wattle beguiled, 
That a "stag" makes quite good enough mutton for shearers. 
Be that as it may, as each year passed away, 
a scapegoat was led to the desert and freighted 
With sin (the poor brute must have been overweighted) 
And left there -- to die as his fancy dictated. 

The day it has come, with trumpet and drum. 
With pomp and solemnity fit for the tomb 
They lead the old billy-goat off to his doom: 
On every hand a reverend band, 
Prophets and preachers and elders stand 
And the oldest rabbi, with a tear in his eye, 
Delivers a sermon to all standing by. 
(We haven't his name -- whether Cohen or Harris, he 
No doubt was the "poisonest" kind of Pharisee.) 
The sermon was marked by a deal of humility 
And pointed the fact, with no end of ability. 
That being a Gentile's no mark of gentility, 
And, according to Samuel, would certainly d--n you well. 
Then, shedding his coat, he approaches the goat 
And, while a red fillet he carefully pins on him, 
Confesses the whole of the Israelites' sins on him. 
With this eloquent burst he exhorts the accurst -- 
"Go forth in the desert and perish in woe, 
The sins of the people are whiter than snow!" 
Then signs to his pal "for to let the brute go". 
(That "pal" as I've heard, is an elegant word, 
Derived from the Persian "Palaykhur" or "Pallaghur"), 
As the scapegoat strains and tugs at the reins 
The Rabbi yells rapidly, "Let her go, Gallagher!" 

The animal, freed from all restraint 
Lowered his head, made a kind of feint, 
And charged straight at that elderly saint. 
So fierce his attack and so very severe, it 
Quite floored the Rabbi, who, ere he could fly, 
Was rammed on the -- no, not the back -- but just near it. 
The scapegoat he snorted, and wildly cavorted, 
A light-hearted antelope "out on the ramp", 
Then stopped, looked around, got the "lay of the ground", 
And made a beeline back again to the camp. 
The elderly priest, as he noticed the beast 
So gallantly making his way to the east, 
Says he, "From the tents may I never more roam again 
If that there old billy-goat ain't going home again. 
He's hurrying, too! This never will do. 
Can't somebody stop him? I'm all of a stew. 
After all our confessions, so openly granted, 
He's taking our sins back to where they're not wanted. 
We've come all this distance salvation to win agog, 
If he takes home our sins, it'll burst up the Synagogue!" 

He turned to an Acolyte who was making his bacca light, 
A fleet-footed youth who could run like a crack o' light. 
"Run, Abraham, run! Hunt him over the plain, 
And drive back the brute to the desert again. 
The Sphinx is a-watching, the Pyramids will frown on you, 
From those granite tops forty cent'ries look down on you -- 
Run, Abraham, run! I'll bet half-a-crown on you." 
So Abraham ran, like a man did he go for him, 
But the goat made it clear each time he drew near 
That he had what the racing men call "too much toe" for him. 

The crowd with great eagerness studied the race -- 
"Great Scott! isn't Abraham forcing the pace -- 
And don't the goat spiel? It is hard to keep sight on him, 
The sins of the Israelites ride mighty light on him. 
The scapegoat is leading a furlong or more, 
And Abraham's tiring -- I'll lay six to four! 
He rolls in his stride; he's done, there's no question!" 
But here the old Rabbi brought up a suggestion. 
('Twas strange that in racing he showed so much cunning), 
"It's a hard race," said he, "and I think it would be 
A good thing for someone to take up the running." 
As soon said as done, they started to run -- 
The priests and the deacons, strong runners and weak 'uns 
All reckoned ere long to come up with the brute, 
And so the whole boiling set off in pursuit. 
And then it came out, as the rabble and rout 
Streamed over the desert with many a shout -- 
The Rabbi so elderly, grave, and patrician, 
Had been in his youth a bold metallician, 
And offered, in gasps, as they merrily spieled, 
"Any price Abraham! Evens the field!" 
Alas! the whole clan, they raced and they ran, 
And Abraham proved him an "even time" man, 
But the goat -- now a speck they could scarce keep their eyes on -- 
Stretched out in his stride in a style most surprisin' 
And vanished ere long o'er the distant horizon. 

Away in the camp the bill-sticker's tramp 
Is heard as he wanders with paste, brush, and notices, 
And paling and wall he plasters them all, 
"I wonder how's things gettin' on with the goat," he says, 
The pulls out his bills, "Use Solomon's Pills" 
"Great Stoning of Christians! To all devout Jews! you all 
Must each bring a stone -- Great sport will be shown; 
Enormous Attractions! And prices as usual! 
Roll up to the Hall!! Wives, children and all, 
For naught the most delicate feelings to hurt is meant!!" 
Here his eyes opened wide, for close by his side 
Was the scapegoat: And eating his latest advertisement! 
One shriek from him burst -- "You creature accurst!" 
And he ran from the spot like one fearing the worst. 
His language was chaste, as he fled in his haste, 
But the goat stayed behind him -- and "scoffed up" the paste. 

With downcast head, and sorrowful tread, 
The people came back from the desert in dread. 
"The goat -- was he back there? Had anyone heard of him?" 
In very short order they got plenty word of him. 
In fact as they wandered by street, lane and hall, 
"The trail of the serpent was over them all." 
A poor little child knocked out stiff in the gutter 
Proclaimed that the scapegoat was bred for a "butter". 
The bill-sticker's pail told a sorrowful tale, 
The scapegoat had licked it as dry as a nail; 
He raced through their houses, and frightened their spouses, 
But his latest achievement most anger arouses, 
For while they were searching, and scratching their craniums, 
One little Ben Ourbed, who looked in the flow'r-bed, 
Discovered him eating the Rabbi's geraniums. 


Moral 
The moral is patent to all the beholders -- 
Don't shift your own sins on to other folks' shoulders; 
Be kind to dumb creatures and never abuse them, 
Nor curse them nor kick them, nor spitefully use them: 
Take their lives if needs must -- when it comes to the worst, 
But don't let them perish of hunger or thirst. 
Remember, no matter how far you may roam 
That dogs, goats, and chickens, it's simply the dickens, 
Their talent stupendous for "getting back home". 
Your sins, without doubt, will aye find you out, 
And so will a scapegoat, he's bound to achieve it, 
But, die in the wilderness! Don't you believe it!
Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
Written by William Butler Yeats | Create an image from this poem

To Ireland In The Coming Times

 Know, that I would accounted be
True brother of a company
That sang, to sweeten Ireland's wrong,
Ballad and story, rann and song;
Nor be I any less of them,
Because the red-rose-bordered hem
Of her, whose history began
Before God made the angelic clan,
Trails all about the written page.
When Time began to rant and rage
The measure of her flying feet
Made Ireland's heart hegin to beat;
And Time bade all his candles flare
To light a measure here and there;
And may the thoughts of Ireland brood
Upon a measured guietude.
Nor may I less be counted one
With Davis, Mangan, Ferguson,
Because, to him who ponders well,
My rhymes more than their rhyming tell
Of things discovered in the deep,
Where only body's laid asleep.
For the elemental creatures go
About my table to and fro,
That hurry from unmeasured mind
To rant and rage in flood and wind,
Yet he who treads in measured ways
May surely barter gaze for gaze.
Man ever journeys on with them
After the red-rose-bordered hem.
Ah, faerics, dancing under the moon,
A Druid land, a Druid tune.!
While still I may, I write for you
The love I lived, the dream I knew.
From our birthday, until we die,
Is but the winking of an eye;
And we, our singing and our love,
What measurer Time has lit above,
And all benighted things that go
About my table to and fro,
Are passing on to where may be,
In truth's consuming ecstasy,
No place for love and dream at all;
For God goes by with white footfall.
I cast my heart into my rhymes,
That you, in the dim coming times,
May know how my heart went with them
After the red-rose-bordered hem.
Written by Etheridge Knight | Create an image from this poem

The Idea of Ancestry

 Taped to the wall of my cell are 47 pictures: 47 black
faces: my father, mother, grandmothers (1 dead), grand-
fathers (both dead), brothers, sisters, uncles, aunts,
cousins (1st and 2nd), nieces, and nephews.They stare
across the space at me sprawling on my bunk.I know
their dark eyes, they know mine.I know their style,
they know mine.I am all of them, they are all of me;
they are farmers, I am a thief, I am me, they are thee.

I have at one time or another been in love with my mother,
1 grandmother, 2 sisters, 2 aunts (1 went to the asylum),
and 5 cousins.I am now in love with a 7-yr-old niece
(she sends me letters in large block print, and
her picture is the only one that smiles at me).

I have the same name as 1 grandfather, 3 cousins, 3 nephews,
and 1 uncle. The uncle disappeared when he was 15, just took
off and caught a freight (they say).He's discussed each year
when the family has a reunion, he causes uneasiness in
the clan, he is an empty space.My father's mother, who is 93
and who keeps the Family Bible with everbody's birth dates
(and death dates) in it, always mentions him.There is no
place in her Bible for "whereabouts unknown."


Written by Sir Walter Scott | Create an image from this poem

Lochinvar

Oh! young Lochinvar is come out of the west,
Through all the wide Border his steed was the best;
And save his good broadsword he weapons had none.
He rode all unarmed and he rode all alone.
So faithful in love and so dauntless in war,
There never was knight like the young Lochinvar. 

He stayed not for brake and he stopped not for stone,
He swam the Eske river where ford there was none,
But ere he alighted at Netherby gate
The bride had consented, the gallant came late:
For a laggard in love and a dastard in war
Was to wed the fair Ellen of brave Lochinvar. 

So boldly he entered the Netherby Hall,
Among bridesmen, and kinsmen, and brothers, and all:
Then spoke the bride’s father, his hand on his sword,
For the poor craven bridegroom said never a word,
‘Oh! come ye in peace here, or come ye in war,
Or to dance at our bridal, young Lord Lochinvar?’

‘I long wooed your daughter, my suit you denied;
Love swells like the Solway, but ebbs like its tide
And now am I come, with this lost love of mine,
To lead but one measure, drink one cup of wine.
There are maidens in Scotland more lovely by far,
That would gladly be bride to the young Lochinvar.’ 

The bride kissed the goblet; the knight took it up,
He quaffed off the wine, and he threw down the cup,
She looked down to blush, and she looked up to sigh,
With a smile on her lips and a tear in her eye.
He took her soft hand ere her mother could bar,
‘Now tread we a measure!’ said young Lochinvar. 

So stately his form, and so lovely her face,
That never a hall such a galliard did grace;
While her mother did fret, and her father did fume,
And the bridegroom stood dangling his bonnet and plume;
And the bride-maidens whispered ‘’Twere better by far
To have matched our fair cousin with young Lochinvar.’ 

One touch to her hand and one word in her ear,
When they reached the hall-door, and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
‘She is won! we are gone, over bank, bush, and scaur;
They’ll have fleet steeds that follow,’ quoth young Lochinvar. 

There was mounting ’mong Graemes of the Netherby clan;
Fosters, Fenwicks, and Musgraves, they rode and they ran:
There was racing and chasing on Cannobie Lee,
But the lost bride of Netherby ne’er did they see.
So daring in love and so dauntless in war,
Have ye e’er heard of gallant like young Lochinvar? 
Written by Robert William Service | Create an image from this poem

A Song For Kilts

 How grand the human race would be
 If every man would wear a kilt,
A flirt of Tartan finery,
 Instead of trousers, custom built!
Nay, do not think I speak to joke:
 (You know I'm not that kind of man),
I am convinced that all men folk.
 Should wear the costume of a Clan.

Imagine how it's braw and clean
 As in the wind it flutters free;
And so conducive to hygiene
 In its sublime simplicity.
No fool fly-buttons to adjust,--
 Wi' shanks and maybe buttocks bare;
Oh chiels, just take my word on trust,
 A bonny kilt's the only wear.

'Twill save a lot of siller too,
 (And here a canny Scotsman speaks),
For one good kilt will wear you through
 A half-a-dozen pairs of breeks.
And how it's healthy in the breeze!
 And how it swings with saucy tilt!
How lassies love athletic knees
 Below the waggle of a kilt!

True, I just wear one in my mind,
 Since sent to school by Celtic aunts,
When girls would flip it up behind,
 Until I begged for lowland pants.
But now none dare do that to me,
 And so I sing with lyric lilt,--
How happier the world would be
 If every male would wear a kilt!
Written by John Keats | Create an image from this poem

Robin Hood

 to a friend 

No! those days are gone away
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Of the leaves of many years:
Many times have winter's shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest's whispering fleeces,
Since men knew nor rent nor leases.

 No, the bugle sounds no more,
And the twanging bow no more;
Silent is the ivory shrill
Past the heath and up the hill;
There is no mid-forest laugh,
Where lone Echo gives the half
To some wight, amaz'd to hear
Jesting, deep in forest drear.

 On the fairest time of June
You may go, with sun or moon,
Or the seven stars to light you,
Or the polar ray to right you;
But you never may behold
Little John, or Robin bold;
Never one, of all the clan,
Thrumming on an empty can
Some old hunting ditty, while
He doth his green way beguile
To fair hostess Merriment,
Down beside the pasture Trent;
For he left the merry tale
Messenger for spicy ale.

 Gone, the merry morris din;
Gone, the song of Gamelyn;
Gone, the tough-belted outlaw
Idling in the "grenè shawe";
All are gone away and past!
And if Robin should be cast
Sudden from his turfed grave,
And if Marian should have
Once again her forest days,
She would weep, and he would craze:
He would swear, for all his oaks,
Fall'n beneath the dockyard strokes,
Have rotted on the briny seas;
She would weep that her wild bees
Sang not to her--strange! that honey
Can't be got without hard money!

 So it is: yet let us sing,
Honour to the old bow-string!
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
Sleeping in the underwood!
Honour to maid Marian,
 And to all the Sherwood-clan!
Though their days have hurried by
Let us two a burden try.
Written by Rudyard Kipling | Create an image from this poem

Cleared

 Help for a patriot distressed, a spotless spirit hurt,
Help for an honourable clan sore trampled in the dirt!
From Queenstown Bay to Donegal, O listen to my song,
The honourable gentlemen have suffered grievous wrong.

Their noble names were mentioned -- O the burning black disgrace! --
By a brutal Saxon paper in an Irish shooting-case;
They sat upon it for a year, then steeled their heart to brave it,
And "coruscating innocence" the learned Judges gave it.

Bear witness, Heaven, of that grim crime beneath the surgeon's knife,
The honourable gentlemen deplored the loss of life!
Bear witness of those chanting choirs that burk and shirk and snigger,
No man laid hand upon the knife or finger to the trigger!

Cleared in the face of all mankind beneath the winking skies,
Like ph]oenixes from Ph]oenix Park (and what lay there) they rise!
Go shout it to the emerald seas -- give word to Erin now,
Her honourable gentlemen are cleared -- and this is how: --

They only paid the Moonlighter his cattle-hocking price,
They only helped the murderer with counsel's best advice,
But -- sure it keeps their honour white -- the learned Court believes
They never gave a piece of plate to murderers and thieves.

They never told the ramping crowd to card a woman's hide,
They never marked a man for death -- what fault of theirs he died? --
They only said "intimidate", and talked and went away --
By God, the boys that did the work were braver men than they!

Their sin it was that fed the fire -- small blame to them that heard --
The "bhoys" get drunk on rhetoric, and madden at a word --
They knew whom they were talking at, if they were Irish too,
The gentlemen that lied in Court, they knew, and well they knew.

They only took the Judas-gold from Fenians out of jail,
They only fawned for dollars on the blood-dyed Clanna-Gael.
If black is black or white is white, in black and white it's down,
They're only traitors to the Queen and rebels to the Crown.

"Cleared", honourable gentlemen! Be thankful it's no more: --
The widow's curse is on your house, the dead are at your door.
On you the shame of open shame, on you from North to South
The hand of every honest man flat-heeled across your mouth.

"Less black than we were painted"? -- Faith, no word of black was said;
The lightest touch was human blood, and that, you know, runs red.
It's sticking to your fist to-day for all your sneer and scoff,
And by the Judge's well-weighed word you cannot wipe it off.

Hold up those hands of innocence -- go, scare your sheep together,
The blundering, tripping tups that bleat behind the old bell-wether;
And if they snuff the taint and break to find another pen,
Tell them it's tar that glistens so, and daub them yours again!

"The charge is old"? -- As old as Cain -- as fresh as yesterday;
Old as the Ten Commandments -- have ye talked those laws away?
If words are words, or death is death, or powder sends the ball,
You spoke the words that sped the shot -- the curse be on you all.

"Our friends believe"? -- Of course they do -- as sheltered women may;
But have they seen the shrieking soul ripped from the quivering clay?
They! -- If their own front door is shut,
 they'll swear the whole world's warm;
What do they know of dread of death or hanging fear of harm?

The secret half a county keeps, the whisper in the lane,
The shriek that tells the shot went home behind the broken pane,
The dry blood crisping in the sun that scares the honest bees,
And shows the "bhoys" have heard your talk -- what do they know of these?

But you -- you know -- ay, ten times more; the secrets of the dead,
Black terror on the country-side by word and whisper bred,
The mangled stallion's scream at night, the tail-cropped heifer's low.
Who set the whisper going first? You know, and well you know!

My soul! I'd sooner lie in jail for murder plain and straight,
Pure crime I'd done with my own hand for money, lust, or hate,
Than take a seat in Parliament by fellow-felons cheered,
While one of those "not provens" proved me cleared as you are cleared.

Cleared -- you that "lost" the League accounts -- go, guard our honour still,
Go, help to make our country's laws that broke God's law at will --
One hand stuck out behind the back, to signal "strike again";
The other on your dress-shirt-front to show your heart is clane.

If black is black or white is white, in black and white it's down,
You're only traitors to the Queen and rebels to the Crown.
If print is print or words are words, the learned Court perpends: --
We are not ruled by murderers, but only -- by their friends.
Written by John Keats | Create an image from this poem

Fragment of an Ode to Maia

 MOTHER of Hermes! and still youthful Maia! 
 May I sing to thee 
As thou wast hymned on the shores of Baiae? 
 Or may I woo thee 
In earlier Sicilian? or thy smiles 
Seek as they once were sought, in Grecian isles, 
By bards who died content on pleasant sward, 
 Leaving great verse unto a little clan? 
O give me their old vigour! and unheard 
 Save of the quiet primrose, and the span 
 Of heaven, and few ears, 
Rounded by thee, my song should die away 
 Content as theirs, 
Rich in the simple worship of a day.

Book: Radiant Verses: A Journey Through Inspiring Poetry