Get Your Premium Membership

Best Famous Chintz Poems

Here is a collection of the all-time best famous Chintz poems. This is a select list of the best famous Chintz poetry. Reading, writing, and enjoying famous Chintz poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of chintz poems.

Search and read the best famous Chintz poems, articles about Chintz poems, poetry blogs, or anything else Chintz poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)


Written by Henry Lawson | Create an image from this poem

Peter Anderson And Co

 He had offices in Sydney, not so many years ago, 
And his shingle bore the legend `Peter Anderson and Co.', 
But his real name was Careless, as the fellows understood -- 
And his relatives decided that he wasn't any good. 
'Twas their gentle tongues that blasted any `character' he had -- 
He was fond of beer and leisure -- and the Co. was just as bad. 
It was limited in number to a unit, was the Co. -- 
'Twas a bosom chum of Peter and his Christian name was Joe. 

'Tis a class of men belonging to these soul-forsaken years: 
Third-rate canvassers, collectors, journalists and auctioneers. 
They are never very shabby, they are never very spruce -- 
Going cheerfully and carelessly and smoothly to the deuce. 
Some are wanderers by profession, `turning up' and gone as soon, 
Travelling second-class, or steerage (when it's cheap they go saloon); 
Free from `ists' and `isms', troubled little by belief or doubt -- 
Lazy, purposeless, and useless -- knocking round and hanging out. 
They will take what they can get, and they will give what they can give, 
God alone knows how they manage -- God alone knows how they live! 
They are nearly always hard-up, but are cheerful all the while -- 
Men whose energy and trousers wear out sooner than their smile! 
They, no doubt, like us, are haunted by the boresome `if' or `might', 
But their ghosts are ghosts of daylight -- they are men who live at night! 

Peter met you with the comic smile of one who knows you well, 
And is mighty glad to see you, and has got a joke to tell; 
He could laugh when all was gloomy, he could grin when all was blue, 
Sing a comic song and act it, and appreciate it, too. 
Only cynical in cases where his own self was the jest, 
And the humour of his good yarns made atonement for the rest. 
Seldom serious -- doing business just as 'twere a friendly game -- 
Cards or billiards -- nothing graver. And the Co. was much the same. 

They tried everything and nothing 'twixt the shovel and the press, 
And were more or less successful in their ventures -- mostly less. 
Once they ran a country paper till the plant was seized for debt, 
And the local sinners chuckle over dingy copies yet. 

They'd been through it all and knew it in the land of Bills and Jims -- 
Using Peter's own expression, they had been in `various swims'. 
Now and then they'd take an office, as they called it, -- make a dash 
Into business life as `agents' -- something not requiring cash. 
(You can always furnish cheaply, when your cash or credit fails, 
With a packing-case, a hammer, and a pound of two-inch nails -- 
And, maybe, a drop of varnish and sienna, too, for tints, 
And a scrap or two of oilcloth, and a yard or two of chintz). 
They would pull themselves together, pay a week's rent in advance, 
But it never lasted longer than a month by any chance. 

The office was their haven, for they lived there when hard-up -- 
A `daily' for a table cloth -- a jam tin for a cup; 
And if the landlord's bailiff happened round in times like these 
And seized the office-fittings -- well, there wasn't much to seize -- 
They would leave him in possession. But at other times they shot 
The moon, and took an office where the landlord knew them not. 
And when morning brought the bailiff there'd be nothing to be seen 
Save a piece of bevelled cedar where the tenant's plate had been; 
There would be no sign of Peter -- there would be no sign of Joe 
Till another portal boasted `Peter Anderson and Co.' 

And when times were locomotive, billiard-rooms and private bars -- 
Spicy parties at the cafe -- long cab-drives beneath the stars; 
Private picnics down the Harbour -- shady campings-out, you know -- 
No one would have dreamed 'twas Peter -- 
no one would have thought 'twas Joe! 
Free-and-easies in their `diggings', when the funds began to fail, 
Bosom chums, cigars, tobacco, and a case of English ale -- 
Gloriously drunk and happy, till they heard the roosters crow -- 
And the landlady and neighbours made complaints about the Co. 
But that life! it might be likened to a reckless drinking-song, 
For it can't go on for ever, and it never lasted long. 

. . . . . 

Debt-collecting ruined Peter -- people talked him round too oft, 
For his heart was soft as butter (and the Co.'s was just as soft); 
He would cheer the haggard missus, and he'd tell her not to fret, 
And he'd ask the worried debtor round with him to have a wet; 
He would ask him round the corner, and it seemed to him and her, 
After each of Peter's visits, things were brighter than they were. 
But, of course, it wasn't business -- only Peter's careless way; 
And perhaps it pays in heaven, but on earth it doesn't pay. 
They got harder up than ever, and, to make it worse, the Co. 
Went more often round the corner than was good for him to go. 

`I might live,' he said to Peter, `but I haven't got the nerve -- 
I am going, Peter, going -- going, going -- no reserve. 
Eat and drink and love they tell us, for to-morrow we may die, 
Buy experience -- and we bought it -- we're experienced, you and I.' 
Then, with a weary movement of his hand across his brow: 
`The death of such philosophy's the death I'm dying now. 
Pull yourself together, Peter; 'tis the dying wish of Joe 
That the business world shall honour Peter Anderson and Co. 

`When you feel your life is sinking in a dull and useless course, 
And begin to find in drinking keener pleasure and remorse -- 
When you feel the love of leisure on your careless heart take holt, 
Break away from friends and pleasure, though it give your heart a jolt. 
Shun the poison breath of cities -- billiard-rooms and private bars, 
Go where you can breathe God's air and see the grandeur of the stars! 
Find again and follow up the old ambitions that you had -- 
See if you can raise a drink, old man, I'm feelin' mighty bad -- 
Hot and sweetened, nip o' butter -- squeeze o' lemon, Pete,' he sighed. 
And, while Peter went to fetch it, Joseph went to sleep -- and died 
With a smile -- anticipation, maybe, of the peace to come, 
Or a joke to try on Peter -- or, perhaps, it was the rum. 

. . . . . 

Peter staggered, gripped the table, swerved as some old drunkard swerves -- 
At a gulp he drank the toddy, just to brace his shattered nerves. 
It was awful, if you like. But then he hadn't time to think -- 
All is nothing! Nothing matters! Fill your glasses -- dead man's drink. 

. . . . . 

Yet, to show his heart was not of human decency bereft, 
Peter paid the undertaker. He got drunk on what was left; 
Then he shed some tears, half-maudlin, on the grave where lay the Co., 
And he drifted to a township where the city failures go. 
Where, though haunted by the man he was, the wreck he yet might be, 
Or the man he might have been, or by each spectre of the three, 
And the dying words of Joseph, ringing through his own despair, 
Peter `pulled himself together' and he started business there. 

But his life was very lonely, and his heart was very sad, 
And no help to reformation was the company he had -- 
Men who might have been, who had been, but who were not in the swim -- 
'Twas a town of wrecks and failures -- they appreciated him. 
They would ask him who the Co. was -- that ***** company he kept -- 
And he'd always answer vaguely -- he would say his partner slept; 
That he had a `sleeping partner' -- jesting while his spirit broke -- 
And they grinned above their glasses, for they took it as a joke. 
He would shout while he had money, he would joke while he had breath -- 
No one seemed to care or notice how he drank himself to death; 
Till at last there came a morning when his smile was seen no more -- 
He was gone from out the office, and his shingle from the door, 
And a boundary-rider jogging out across the neighb'ring run 
Was attracted by a something that was blazing in the sun; 
And he found that it was Peter, lying peacefully at rest, 
With a bottle close beside him and the shingle on his breast. 
Well, they analysed the liquor, and it would appear that he 
Qualified his drink with something good for setting spirits free. 
Though 'twas plainly self-destruction -- `'twas his own affair,' they said; 
And the jury viewed him sadly, and they found -- that he was dead.
Written by Robert William Service | Create an image from this poem

The Auction Sale

 Her little head just topped the window-sill;
She even mounted on a stool, maybe;
She pressed against the pane, as children will,
And watched us playing, oh so wistfully!
And then I missed her for a month or more,
And idly thought: "She's gone away, no doubt,"
Until a hearse drew up beside the door . . .
I saw a tiny coffin carried out.

And after that, towards dusk I'd often see
Behind the blind another face that looked:
Eyes of a young wife watching anxiously,
Then rushing back to where her dinner cooked.
She often gulped it down alone, I fear,
Within her heart the sadness of despair,
For near to midnight I would vaguely hear
A lurching step, a stumbling on the stair.

These little dramas of the common day!
A man weak-willed and fore-ordained to fail . . .
The window's empty now, they've gone away,
And yonder, see, their furniture's for sale.
To all the world their door is open wide,
And round and round the bargain-hunters roam,
And peer and gloat, like vultures avid-eyed,
Above the corpse of what was once a home.

So reverent I go from room to room,
And see the patient care, the tender touch,
The love that sought to brighten up the gloom,
The woman-courage tested overmuch.
Amid those things so intimate and dear,
Where now the mob invades with brutal tread,
I think: "What happiness is buried here,
What dreams are withered and what hopes are dead!"

Oh, woman dear, and were you sweet and glad
Over the lining of your little nest!
What ponderings and proud ideas you had!
What visions of a shrine of peace and rest!
For there's his easy-chair upon the rug,
His reading-lamp, his pipe-rack on the wall,
All that you could devise to make him snug --
And yet you could not hold him with it all.

Ah, patient heart, what homelike joys you planned
To stay him by the dull domestic flame!
Those silken cushions that you worked by hand
When you had time, before the baby came.
Oh, how you wove around him cozy spells,
And schemed so hard to keep him home of nights!
Aye, every touch and turn some story tells
Of sweet conspiracies and dead delights.

And here upon the scratched piano stool,
Tied in a bundle, are the songs you sung;
That cozy that you worked in colored wool,
The Spanish lace you made when you were young,
And lots of modern novels, cheap reprints,
And little dainty knick-knacks everywhere;
And silken bows and curtains of gay chintz . . .
And oh, her tiny crib, her folding chair!

Sweet woman dear, and did your heart not break,
To leave this precious home you made in vain?
Poor shabby things! so prized for old times' sake,
With all their memories of love and pain.
Alas! while shouts the raucous auctioneer,
And rat-faced dames are prying everywhere,
The echo of old joy is all I hear,
All, all I see just heartbreak and despair.
Written by Emily Dickinson | Create an image from this poem

I suppose the time will come

 I suppose the time will come
Aid it in the coming
When the Bird will crowd the Tree
And the Bee be booming.

I suppose the time will come
Hinder it a little
When the Corn in Silk will dress
And in Chintz the Apple

I believe the Day will be
When the Jay will giggle
At his new white House the Earth
That, too, halt a little --

Book: Reflection on the Important Things