Written by
Robert Browning |
That's my last duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Frà Pandolf's hands
Worked busily a day, and there she stands.
Will't please you sit and look at her? I said
"Frà Pandolf" by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, 'twas not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Frà Pandolf chanced to say "Her mantle laps
Over my lady's wrist too much," or "Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat": such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart—how shall I say?—too soon made glad,
Too easily impressed; she liked whate'er
She looked on, and her looks went everywhere.
Sir, 'twas all one! My favor at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace—all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men—good! but thanked
Somehow—I know not how—as if she ranked
My gift of a nine-hundred-years-old name
With anybody's gift. Who'd stoop to blame
This sort of trifling? Even had you skill
In speech—which I have not—to make your will
Quite clear to such an one, and say, "Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark"—and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
—E'en then would be some stooping; and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene'er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will't please you rise? We'll meet
The company below, then. I repeat,
The Count your master's known munificence
Is ample warrant that no just pretense
Of mine for dowry will be disallowed;
Though his fair daughter's self as I avowed
At starting, is my object. Nay, we'll go
Together down, sir. Notice Neptune, though,
Taming a sea horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
|
Written by
Elinor Wylie |
1
When the world turns completely upside down
You say we'll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We'll live among wild peach trees, miles from town,
You'll wear a coonskin cap, and I a gown
Homespun, dyed butternut's dark gold colour.
Lost, like your lotus-eating ancestor,
We'll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter's over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colours of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird's beak,
We shall live well -- we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We'll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There's something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There's something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom's breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
|
Written by
Thomas Lux |
More like a vault -- you pull the handle out
and on the shelves: not a lot,
and what there is (a boiled potato
in a bag, a chicken carcass
under foil) looking dispirited,
drained, mugged. This is not
a place to go in hope or hunger.
But, just to the right of the middle
of the middle door shelf, on fire, a lit-from-within red,
heart red, sexual red, wet neon red,
shining red in their liquid, exotic,
aloof, slumming
in such company: a jar
of maraschino cherries. Three-quarters
full, fiery globes, like strippers
at a church social. Maraschino cherries, maraschino,
the only foreign word I knew. Not once
did I see these cherries employed: not
in a drink, nor on top
of a glob of ice cream,
or just pop one in your mouth. Not once.
The same jar there through an entire
childhood of dull dinners -- bald meat,
pocked peas and, see above,
boiled potatoes. Maybe
they came over from the old country,
family heirlooms, or were status symbols
bought with a piece of the first paycheck
from a sweatshop,
which beat the pig farm in Bohemia,
handed down from my grandparents
to my parents
to be someday mine,
then my child's?
They were beautiful
and, if I never ate one,
it was because I knew it might be missed
or because I knew it would not be replaced
and because you do not eat
that which rips your heart with joy.
|
Written by
Christina Rossetti |
It's a weary life, it is, she said:
Doubly blank in a woman's lot:
I wish and I wish I were a man:
Or, better then any being, were not:
Were nothing at all in all the world,
Not a body and not a soul:
Not so much as a grain of dust
Or a drop of water from pole to pole.
Still the world would wag on the same,
Still the seasons go and come:
Blossoms bloom as in days of old,
Cherries ripen and wild bees hum.
None would miss me in all the world,
How much less would care or weep:
I should be nothing, while all the rest
Would wake and weary and fall asleep.
|
Written by
William Blake |
When the green woods laugh with the voice of joy
And the dimpling stream runs laughing by,
When the air does laugh with our merry wit,
And the green hill laughs with the noise of it.
When the meadows laugh with lively green
And the grasshopper laughs in the merry scene.
When Mary and Susan and Emily.
With their sweet round mouths sing Ha, Ha, He.
When the painted birds laugh in the shade
Where our table with cherries and nuts is spread
Come live & be merry and join with me,
To sing the sweet chorus of Ha, Ha, He.
|
Written by
Johann Wolfgang von Goethe |
WHAT time our Lord still walk'd the earth,
Unknown, despised, of humble birth,
And on Him many a youth attended
(His words they seldom comprehended),
It ever seem'd to Him most meet
To hold His court in open street,
As under heaven's broad canopy
One speaks with greater liberty.
The teachings of His blessed word
From out His holy mouth were heard;
Each market to a fane turn'd He
With parable and simile.
One day, as tow'rd a town He roved,
In peace of mind with those He loved,
Upon the path a something gleam'd;
A broken horseshoe 'twas, it seem'd.
So to St. Peter thus He spake:
"That piece of iron prythee take!"
St. Peter's thoughts had gone astray,--
He had been musing on his way
Respecting the world's government,
A dream that always gives content,
For in the head 'tis check'd by nought;
This ever was his dearest thought,
For him this prize was far too mean
Had it a crown and sceptre been!
But, surely, 'twasn't worth the trouble
For half a horseshoe to bend double!
And so he turn'd away his head,
As if he heard not what was said,
The Lord, forbearing tow'rd all men,
Himself pick'd up the horseshoe then
(He ne'er again like this stoop'd down).
And when at length they reach'd the town,
Before a smithy He remain'd,
And there a penny for 't obtain'd.
As they the market-place went by,
Some beauteous cherries caught His eye:
Accordingly He bought as many
As could be purchased for a penny,
And then, as oft His wont had been,
Placed them within His sleeve unseen.
They went out by another gate,
O'er plains and fields proceeding straight,
No house or tree was near the spot,
The sun was bright, the day was hot;
In short, the weather being such,
A draught of water was worth much.
The Lord walk'd on before them all,
And let, unseen, a cherry fall.
St. Peter rush'd to seize it hold,
As though an apple 'twere of gold;
His palate much approv'd the berry;
The Lord ere long another cherry
Once more let fall upon the plain;
St. Peter forthwith stoop'd again.
The Lord kept making him thus bend
To pick up cherries without end.
For a long time the thing went on;
The Lord then said, in cheerful tone:
"Had'st thou but moved when thou wert bid,
Thou of this trouble had'st been rid;
The man who small things scorns, will next,
By things still smaller be perplex'd."
1797.
|
Written by
Robert Graves |
Children born of fairy stock
Never need for shirt or frock,
Never want for food or fire,
Always get their hearts desire:
Jingle pockets full of gold,
Marry when they're seven years old.
Every fairy child may keep
Two ponies and ten sheep;
All have houses, each his own,
Built of brick or granite stone;
They live on cherries, they run wild--
I'd love to be a Fairy's child.
|
Written by
Robert Burns |
ON Cessnock banks a lassie dwells;
Could I describe her shape and mein;
Our lasses a’ she far excels,
An’ she has twa sparkling roguish een.
She’s sweeter than the morning dawn,
When rising Phoebus first is seen,
And dew-drops twinkle o’er the lawn;
An’ she has twa sparkling roguish een.
She’s stately like yon youthful ash,
That grows the cowslip braes between,
And drinks the stream with vigour fresh;
An’ she has twa sparkling roguish een.
She’s spotless like the flow’ring thorn,
With flow’rs so white and leaves so green,
When purest in the dewy morn;
An’ she has twa sparkling roguish een.
Her looks are like the vernal May,
When ev’ning Phoebus shines serene,
While birds rejoice on every spray;
An’ she has twa sparkling roguish een.
Her hair is like the curling mist,
That climbs the mountain-sides at e’en,
When flow’r-reviving rains are past;
An’ she has twa sparkling roguish een.
Her forehead’s like the show’ry bow,
When gleaming sunbeams intervene
And gild the distant mountain’s brow;
An’ she has twa sparkling roguish een.
Her cheeks are like yon crimson gem,
The pride of all the flowery scene,
Just opening on its thorny stem;
An’ she has twa sparkling roguish een.
Her bosom’s like the nightly snow,
When pale the morning rises keen,
While hid the murm’ring streamlets flow;
An’ she has twa sparkling roguish een.
Her lips are like yon cherries ripe,
That sunny walls from Boreas screen;
They tempt the taste and charm the sight;
An’ she has twa sparkling roguish een.
Her teeth are like a flock of sheep,
With fleeces newly washen clean,
That slowly mount the rising steep;
An’ she has twa sparkling roguish een.
Her breath is like the fragrant breeze,
That gently stirs the blossom’d bean,
When Phoebus sinks behind the seas;
An’ she has twa sparkling roguish een.
Her voice is like the ev’ning thrush,
That sings on Cessnock banks unseen,
While his mate sits nestling in the bush;
An’ she has twa sparkling roguish een.
But it’s not her air, her form, her face,
Tho’ matching beauty’s fabled queen;
’Tis the mind that shines in ev’ry grace,
An’ chiefly in her roguish een.
Note 1. The lass is identified as Ellison Begbie, a servant wench, daughter of a farmer.—Lang. [back]
|
Written by
Robert Burns |
IN Tarbolton, ye ken, there are proper young men,
And proper young lasses and a’, man;
But ken ye the Ronalds that live in the Bennals,
They carry the gree frae them a’, man.
Their father’s laird, and weel he can spare’t,
Braid money to tocher them a’, man;
To proper young men, he’ll clink in the hand
Gowd guineas a hunder or twa, man.
There’s ane they ca’ Jean, I’ll warrant ye’ve seen
As bonie a lass or as braw, man;
But for sense and guid taste she’ll vie wi’ the best,
And a conduct that beautifies a’, man.
The charms o’ the min’, the langer they shine,
The mair admiration they draw, man;
While peaches and cherries, and roses and lilies,
They fade and they wither awa, man,
If ye be for Miss Jean, tak this frae a frien’,
A hint o’ a rival or twa, man;
The Laird o’ Blackbyre wad gang through the fire,
If that wad entice her awa, man.
The Laird o’ Braehead has been on his speed,
For mair than a towmond or twa, man;
The Laird o’ the Ford will straught on a board,
If he canna get her at a’, man.
Then Anna comes in, the pride o’ her kin,
The boast of our bachelors a’, man:
Sae sonsy and sweet, sae fully complete,
She steals our affections awa, man.
If I should detail the pick and the wale
O’ lasses that live here awa, man,
The fau’t wad be mine if they didna shine
The sweetest and best o’ them a’, man.
I lo’e her mysel, but darena weel tell,
My poverty keeps me in awe, man;
For making o’ rhymes, and working at times,
Does little or naething at a’, man.
Yet I wadna choose to let her refuse,
Nor hae’t in her power to say na, man:
For though I be poor, unnoticed, obscure,
My stomach’s as proud as them a’, man.
Though I canna ride in weel-booted pride,
And flee o’er the hills like a craw, man,
I can haud up my head wi’ the best o’ the breed,
Though fluttering ever so braw, man.
My coat and my vest, they are Scotch o’ the best,
O’ pairs o’ guid breeks I hae twa, man;
And stockings and pumps to put on my stumps,
And ne’er a wrang steek in them a’, man.
My sarks they are few, but five o’ them new,
Twal’ hundred, as white as the snaw, man,
A ten-shillings hat, a Holland cravat;
There are no mony poets sae braw, man.
I never had frien’s weel stockit in means,
To leave me a hundred or twa, man;
Nae weel-tocher’d aunts, to wait on their drants,
And wish them in hell for it a’, man.
I never was cannie for hoarding o’ money,
Or claughtin’t together at a’, man;
I’ve little to spend, and naething to lend,
But deevil a shilling I awe, man.
|
Written by
Elinor Wylie |
Here's a wonderful thing,
A humming-bird's wing
In hammered gold,
And store well chosen
Of snowflakes frozen
In crystal cold.
Black onyx cherries
And mistletoe berries
Of chrysoprase,
Jade buds, tight shut,
All carven and cut
In intricate ways.
Here, if you please
Are little gilt bees
In amber drops
Which look like honey,
Translucent and sunny,
From clover-tops.
Here's an elfin girl
Of mother-of-pearl
And moonshine made,
With tortise-shell hair
Both dusky and fair
In its light and shade.
Here's lacquer laid thin,
Like a scarlet skin
On an ivory fruit;
And a filigree frost
Of frail notes lost
From a fairy lute.
Here's a turquoise chain
Of sun-shower rain
To wear if you wish;
And glittering green
With aquamarine,
A silvery fish.
Here are pearls all strung
On a thread among
Pretty pink shells;
And bubbles blown
From the opal stone
Which ring like bells.
Touch them and take them,
But do not break them!
Beneath your hand
They will wither like foam
If you carry them home
Out of fairy-lannd.
O, they never can last
Though you hide them fast
From moth and from rust;
In your monstrous day
They will crumble away
Into quicksilver dust.
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