Written by
Rg Gregory |
(a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there
poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light
people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)
and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside
a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers
it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction
there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench
the rites of words in orthodox
belief - difference is essential
and delightful (integrity's all)
quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay
(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)
can surface in a side-attempt
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works
the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and
impolitic to confront - ball
to be bounced from high art to low
when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down
and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since
plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all
fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time
and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace
they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres
all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests
inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment
these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich
poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause
everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog
to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all
the praisiest worms but in the nest
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads
winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams
prometheus gnawed by eagles
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references
and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend
agents breathing fire up their pants
those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens
universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me
above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up
waving their thin bright books
for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)
a poem from one of them is like
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that
but what i can't accept is (all
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of
shoved in wilderness by those
who've gone the gilded route (mapped out
by ego and a driving need to claim
best prick with a capital pee)
it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there
it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
|
Written by
Henry Lawson |
No church-bell rings them from the Track,
No pulpit lights theirblindness--
'Tis hardship, drought, and homelessness
That teach those Bushmen kindness:
The mateship born, in barren lands,
Of toil and thirst and danger,
The camp-fare for the wanderer set,
The first place to the stranger.
They do the best they can to-day--
Take no thought of the morrow;
Their way is not the old-world way--
They live to lend and borrow.
When shearing's done and cheques gone wrong,
They call it "time to slither"--
They saddle up and say "So-long!"
And ride the Lord knows whither.
And though he may be brown or black,
Or wrong man there, or right man,
The mate that's steadfast to his mates
They call that man a "white man!"
They tramp in mateship side by side--
The Protestant and Roman--
They call no biped lord or sir,
And touch their hat to no man!
They carry in their swags perhaps,
A portrait and a letter--
And, maybe, deep down in their hearts,
The hope of "something better."
Where lonely miles are long to ride,
And long, hot days recurrent,
There's lots of time to think of men
They might have been--but weren't.
They turn their faces to the west
And leave the world behind them
(Their drought-dry graves are seldom set
Where even mates can find them).
They know too little of the world
To rise to wealth or greatness;
But in these lines I gladly pay
My tribute to their greatness.
|
Written by
Philip Larkin |
Quarterly, is it, money reproaches me:
'Why do you let me lie here wastefully?
I am all you never had of goods and sex,
You could get them still by writing a few cheques.'
So I look at others, what they do with theirs:
They certainly don't keep it upstairs.
By now they've a second house and car and wife:
Clearly money has something to do with life
- In fact, they've a lot in common, if you enquire:
You can't put off being young until you retire,
And however you bank your screw, the money you save
Won't in the end buy you more than a shave.
I listen to money singing. It's like looking down
From long French windows at a provincial town,
The slums, the canal, the churches ornate and mad
In the evening sun. It is intensely sad.
|
Written by
Alec Derwent (A D) Hope |
Crossing the frontier they were stopped in time,
Told, quite politely, they would have to wait:
Passports in order, nothing to declare
And surely holding hands was not a crime
Until they saw how, ranged across the gate,
All their most formidable friends were there.
Wearing his conscience like a crucifix,
Her father, rampant, nursed the Family Shame;
And, armed wlth their old-fashioned dinner-gong,
His aunt, who even when they both were six,
Had just to glance towards a childish game
To make them feel that they were doing wrong.
And both their mothers, simply weeping floods,
Her head-mistress, his boss, the parish priest,
And the bank manager who cashed their cheques;
The man who sold him his first rubber-goods;
Dog Fido, from whose love-life, shameless beast,
She first observed the basic facts of sex.
They looked as though they had stood there for hours;
For years - perhaps for ever. In the trees
Two furtive birds stopped courting and flew off;
While in the grass beside the road the flowers
Kept up their guilty traffic with the bees.
Nobody stirred. Nobody risked a cough.
Nobody spoke. The minutes ticked away;
The dog scratched idly. Then, as parson bent
And whispered to a guard who hurried in,
The customs-house loudspeakers with a bray
Of raucous and triumphant argument
Broke out the wedding march from Lohengrin.
He switched the engine off: "We must turn back."
She heard his voice break, though he had to shout
Against a din that made their senses reel,
And felt his hand, so tense in hers, go slack.
But suddenly she laughed and said: "Get out!
Change seatsl Be quickl" and slid behind the wheel.
And drove the car straight at them with a harsh,
Dry crunch that showered both with scraps and chips,
Drove through them; barriers rising let them pass
Drove through and on and on, with Dad's moustache
Beside her twitching still round waxen lips
And Mother's tears still streaming down the glass.
|
Written by
Henry Lawson |
I met Jack Ellis in town to-day --
Jack Ellis -- my old mate, Jack --
Ten years ago, from the Castlereagh,
We carried our swags together away
To the Never-Again, Out Back.
But times have altered since those old days,
And the times have changed the men.
Ah, well! there's little to blame or praise --
Jack Ellis and I have tramped long ways
On different tracks since then.
His hat was battered, his coat was green,
The toes of his boots were through,
But the pride was his! It was I felt mean --
I wished that my collar was not so clean,
Nor the clothes I wore so new.
He saw me first, and he knew 'twas I --
The holiday swell he met.
Why have we no faith in each other? Ah, why? --
He made as though he would pass me by,
For he thought that I might forget.
He ought to have known me better than that,
By the tracks we tramped far out --
The sweltering scrub and the blazing flat,
When the heat came down through each old felt hat
In the hell-born western drought.
The cheques we made and the shanty sprees,
The camps in the great blind scrub,
The long wet tramps when the plains were seas,
And the oracles worked in days like these
For rum and tobacco and grub.
Could I forget how we struck `the same
Old tale' in the nearer West,
When the first great test of our friendship came --
But -- well, there's little to praise or blame
If our mateship stood the test.
`Heads!' he laughed (but his face was stern) --
`Tails!' and a friendly oath;
We loved her fair, we had much to learn --
And each was stabbed to the heart in turn
By the girl who -- loved us both.
Or the last day lost on the lignum plain,
When I staggered, half-blind, half-dead,
With a burning throat and a tortured brain;
And the tank when we came to the track again
Was seventeen miles ahead.
Then life seemed finished -- then death began
As down in the dust I sank,
But he stuck to his mate as a bushman can,
Till I heard him saying, `Bear up, old man!'
In the shade by the mulga tank.
. . . . .
He took my hand in a distant way
(I thought how we parted last),
And we seemed like men who have nought to say
And who meet -- `Good-day', and who part -- `Good-day',
Who never have shared the past.
I asked him in for a drink with me --
Jack Ellis -- my old mate, Jack --
But his manner no longer was careless and free,
He followed, but not with the grin that he
Wore always in days Out Back.
I tried to live in the past once more --
Or the present and past combine,
But the days between I could not ignore --
I couldn't help notice the clothes he wore,
And he couldn't but notice mine.
He placed his glass on the polished bar,
And he wouldn't fill up again;
For he is prouder than most men are --
Jack Ellis and I have tramped too far
On different tracks since then.
He said that he had a mate to meet,
And `I'll see you again,' said he,
Then he hurried away through the crowded street
And the rattle of buses and scrape of feet
Seemed suddenly loud to me.
And I almost wished that the time were come
When less will be left to Fate --
When boys will start on the track from home
With equal chances, and no old chum
Have more or less than his mate.
|
Written by
Paul Laurence Dunbar |
This poem must be done to-day;
Then, I 'll e'en to it.
I must not dream my time away,—
I 'm sure to rue it.
The day is rather bright, I know
The Muse will pardon
My half-defection, if I go
Into the garden.
It must be better working there,—
I 'm sure it's sweeter:
And something in the balmy air
May clear my metre.
[In the Garden.]
Ah this is noble, what a sky!
What breezes blowing!
The very clouds, I know not why,
Call one to rowing.
The stream will be a paradise
To-day, I 'll warrant.
I know the tide that's on the rise
Will seem a torrent;
I know just how the leafy boughs
Are all a-quiver;
I know how many skiffs and scows
Are on the river.
I think I 'll just go out awhile
Before I write it;
When Nature shows us such a smile,
We should n't slight it.
For Nature always makes desire
By giving pleasure;
And so 't will help me put more fire
Into my measure.
[On the River.]
The river's fine, I 'm glad I came,
That poem 's teasing;
But health is better far than fame,
[Pg 123]Though cheques are pleasing.
I don't know what I did it for,—
This air 's a poppy.
I 'm sorry for my editor,—
He 'll get no copy!
|
Written by
Barry Tebb |
You are my dream
Of the East
You are my life
In the West
Fused in one
You begin my day
And end each day
With a silent smile
When I die I will
Have only my love
To leave you.
You said I had written
No poems for you
And you had written
Only cheques.
I cannot go on loving
The empty air
No matter how many cheques
That air may bear.
I have a headache
And heartache
Remembering another love
Twenty years ago,
Living and loving and leaving
A city for a cottage
On the moors, the
Hyaline air, the silence
And the distant stars.
I am your poet
Officially or unofficially
You may not know it
But I am.
From the hilly north
I came and sang.
I found myself
At least half-a-swan.
Through all my rage
You see a man
Wanting love.
Through all your calm
I see a woman loving.
|