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Best Famous Carving Poems

Here is a collection of the all-time best famous Carving poems. This is a select list of the best famous Carving poetry. Reading, writing, and enjoying famous Carving poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of carving poems.

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Written by Billy Collins | Create an image from this poem

I Chop Some Parsley While Listening To Art Blakeys Version Of Three Blind Mice

 And I start wondering how they came to be blind.
If it was congenital, they could be brothers and sister,
and I think of the poor mother
brooding over her sightless young triplets.

Or was it a common accident, all three caught
in a searing explosion, a firework perhaps?
If not,
if each came to his or her blindness separately,

how did they ever manage to find one another?
Would it not be difficult for a blind mouse
to locate even one fellow mouse with vision
let alone two other blind ones?

And how, in their tiny darkness,
could they possibly have run after a farmer's wife
or anyone else's wife for that matter?
Not to mention why.

Just so she could cut off their tails
with a carving knife, is the cynic's answer,
but the thought of them without eyes
and now without tails to trail through the moist grass

or slip around the corner of a baseboard
has the cynic who always lounges within me
up off his couch and at the window
trying to hide the rising softness that he feels.

By now I am on to dicing an onion
which might account for the wet stinging
in my own eyes, though Freddie Hubbard's
mournful trumpet on "Blue Moon,"

which happens to be the next cut,
cannot be said to be making matters any better.


Written by Bertolt Brecht | Create an image from this poem

The Mask Of Evil

 On my wall hangs a Japanese carving,
The mask of an evil demon, decorated with gold lacquer.
Sympathetically I observe
The swollen veins of the forehead, indicating
What a strain it is to be evil.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Growltigers Last Stand

 GROWLTIGER was a Bravo Cat, who lived upon a barge;
In fact he was the roughest cat that ever roamed at large.
From Gravesend up to Oxford he pursued his evil aims,
Rejoicing in his title of "The Terror of the Thames."

His manners and appearance did not calculate to please;
His coat was torn and seedy, he was baggy at the knees;
One ear was somewhat missing, no need to tell you why,
And he scowled upon a hostile world from one forbidding eye.

The cottagers of Rotherhithe knew something of his fame,
At Hammersmith and Putney people shuddered at his name.
They would fortify the hen-house, lock up the silly goose,
When the rumour ran along the shore: GROWLTIGER'S ON THE LOOSE!

Woe to the weak canary, that fluttered from its cage;
Woe to the pampered Pekinese, that faced Growltiger's rage.
Woe to the bristly Bandicoot, that lurks on foreign ships,
And woe to any Cat with whom Growltiger came to grips!

But most to Cats of foreign race his hatred had been vowed;
To Cats of foreign name and race no quarter was allowed.
The Persian and the Siamese regarded him with fear--
Because it was a Siamese had mauled his missing ear.

Now on a peaceful summer night, all nature seemed at play,
The tender moon was shining bright, the barge at Molesey lay.
All in the balmy moonlight it lay rocking on the tide--
And Growltiger was disposed to show his sentimental side.

His bucko mate, GRUMBUSKIN, long since had disappeared,
For to the Bell at Hampton he had gone to wet his beard;
And his bosun, TUMBLEBRUTUS, he too had stol'n away-
In the yard behind the Lion he was prowling for his prey.

In the forepeak of the vessel Growltiger sate alone,
Concentrating his attention on the Lady GRIDDLEBONE.
And his raffish crew were sleeping in their barrels and their bunks--
As the Siamese came creeping in their sampans and their junks.

Growltiger had no eye or ear for aught but Griddlebone,
And the Lady seemed enraptured by his manly baritone,
Disposed to relaxation, and awaiting no surprise--
But the moonlight shone reflected from a thousand bright blue eyes.

And closer still and closer the sampans circled round,
And yet from all the enemy there was not heard a sound.
The lovers sang their last duet, in danger of their lives--
For the foe was armed with toasting forks and cruel carving knives.
Then GILBERT gave the signal to his fierce Mongolian horde;
With a frightful burst of fireworks the Chinks they swarmed aboard.
Abandoning their sampans, and their pullaways and junks,
They battened down the hatches on the crew within their bunks.

Then Griddlebone she gave a screech, for she was badly skeered;
I am sorry to admit it, but she quickly disappeared.
She probably escaped with ease, I'm sure she was not drowned--
But a serried ring of flashing steel Growltiger did surround.

The ruthless foe pressed forward, in stubborn rank on rank;
Growltiger to his vast surprise was forced to walk the plank.
He who a hundred victims had driven to that drop,
At the end of all his crimes was forced to go ker-flip, ker-flop.

Oh there was joy in Wapping when the news flew through the land;
At Maidenhead and Henley there was dancing on the strand.
Rats were roasted whole at Brentford, and at Victoria Dock,
And a day of celebration was commanded in Bangkok.
Written by Ezra Pound | Create an image from this poem

A Pact

 I make a pact with you, Walt Whitman-- 
I have detested you long enough. 
I come to you as a grown child 
Who has had a pig-headed father; 
I am old enough now to make friends. 
It was you that broke the new wood, 
Now is a time for carving. 
We have one sap and one root-- 
Let there be commerce between us.
Written by Wallace Stevens | Create an image from this poem

A Rabbit As King Of The Ghosts

 The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—

There was the cat slopping its milk all day,
Fat cat, red tongue, green mind, white milk
And August the most peaceful month.

To be, in the grass, in the peacefullest time,
Without that monument of cat, 
The cat forgotten on the moon;

And to feel that the light is a rabbit-light
In which everything is meant for you
And nothing need be explained;

Then there is nothing to think of. It comes of it-
self;
And east rushes west and west rushes down,
No matter. The grass is full

And full of yourself. The trees around are for you,
The whole of the wideness of night is for you,
A self that touches all edges,

You become a self that fills the four corners of 
 night.
The red cat hides away in the fur-light
And there you are humped high, humped up,

You are humped higher and higher, black as 
 stone—
You sit with your head like a carving in space
And the little green cat is a bug in the grass.


Written by Mary Darby Robinson | Create an image from this poem

January 1795

 Pavement slipp'ry, people sneezing,
Lords in ermine, beggars freezing ;
Titled gluttons dainties carving,
Genius in a garret starving.

Lofty mansions, warm and spacious ;
Courtiers clinging and voracious ;
Misers scarce the wretched heeding ;
Gallant soldiers fighting, bleeding.

Wives who laugh at passive spouses ;
Theatres, and meeting-houses ;
Balls, where simp'ring misses languish ;
Hospitals, and groans of anguish.

Arts and sciences bewailing ;
Commerce drooping, credit failing ;
Placemen mocking subjects loyal ;
Separations, weddings royal.

Authors who can't earn a dinner ;
Many a subtle rogue a winner ;
Fugitives for shelter seeking ;
Misers hoarding, tradesmen breaking.

Taste and talents quite deserted ;
All the laws of truth perverted ;
Arrogance o'er merit soaring ;
Merit silently deploring.

Ladies gambling night and morning ;
Fools the works of genius scorning ;
Ancient dames for girls mistaken,
Youthful damsels quite forsaken.

Some in luxury delighting ;
More in talking than in fighting ;
Lovers old, and beaux decrepid ;
Lordlings empty and insipid.

Poets, painters, and musicians ;
Lawyers, doctors, politicians :
Pamphlets, newspapers, and odes,
Seeking fame by diff'rent roads.

Gallant souls with empty purses ;
Gen'rals only fit for nurses ;
School-boys, smit with martial spirit,
Taking place of vet'ran merit.

Honest men who can't get places,
Knaves who shew unblushing faces ;
Ruin hasten'd, peace retarded ;
Candour spurn'd, and art rewarded.
Written by Ted Hughes | Create an image from this poem

Thrushes

 Terrifying are the attent sleek thrushes on the lawn,
More coiled steel than living - a poised
Dark deadly eye, those delicate legs
Triggered to stirrings beyond sense - with a start, a bounce, 
a stab
Overtake the instant and drag out some writhing thing. 
No indolent procrastinations and no yawning states,
No sighs or head-scratchings. Nothing but bounce and stab 
And a ravening second.

Is it their single-mind-sized skulls, or a trained 
Body, or genius, or a nestful of brats
Gives their days this bullet and automatic
Purpose? Mozart's brain had it, and the shark's mouth
That hungers down the blood-smell even to a leak of its own 
Side and devouring of itself: efficiency which
Strikes too streamlined for any doubt to pluck at it
Or obstruction deflect. 

With a man it is otherwise. Heroisms on horseback, 
Outstripping his desk-diary at a broad desk, 
Carving at a tiny ivory ornament
For years: his act worships itself - while for him,
Though he bends to be blent in the prayer, how loud and 
above what
Furious spaces of fire do the distracting devils 
Orgy and hosannah, under what wilderness 
Of black silent waters weep.
Written by Louis Untermeyer | Create an image from this poem

Roast Leviathan

"Old Jews!" Well, David, aren't we?
What news is that to make you see so red,
To swear and almost tear your beard in half?
Jeered at? Well, let them laugh.
You can laugh longer when you're dead.
What? Are you still too blind to see?
Have you forgot your Midrash!... They were right,
The little goyim, with their angry stones.
You should be buried in the desert out of sight
And not a dog should howl miscarried moans
Over your foul bones....
Have you forgotten what is promised us,
Because of stinking days and rotting nights?
Eternal feasting, drinking, blazing lights
With endless leisure, periods of play!
Supernal pleasures, myriads of gay
Discussions, great debates with prophet-kings!
And rings of riddling scholars all surrounding
God who sits in the very middle, expounding
The Torah.... Now your dull eyes glisten!
Listen:
It is the final Day.

A blast of Gabriel's horn has torn away
The last haze from our eyes, and we can see
Past the three hundred skies and gaze upon
The Ineffable Name engraved deep in the sun.
Now one by one, the pious and the just
Are seated by us, radiantly risen
From their dull prison in the dust.
And then the festival begins!
A sudden music spins great webs of sound
Spanning the ground, the stars and their companions;
While from the cliffs and cañons of blue air,
Prayers of all colors, cries of exultation
Rise into choruses of singing gold.
And at the height of this bright consecration,
The whole Creation's rolled before us.
The seven burning heavens unfold....
We see the first (the only one we know)
Dispersed and, shining through,
The other six declining: Those that hold
The stars and moons, together with all those
Containing rain and fire and sullen weather;
Cellars of dew-fall higher than the brim;
Huge arsenals with centuries of snows;
Infinite rows of storms and swarms of seraphim....
Divided now are winds and waters. Sea and land,
Tohu and Bohu, light and darkness, stand
Upright on either hand.
And down this terrible aisle,

While heaven's ranges roar aghast,
Pours a vast file of strange and hidden things:
Forbidden monsters, crocodiles with wings
And perfumed flesh that sings and glows
With more fresh colors than the rainbow knows....
The reëm, those great beasts with eighteen horns,
Who mate but once in seventy years and die
In their own tears which flow ten stadia high.
The shamir, made by God on the sixth morn,
No longer than a grain of barley corn
But stronger than the bull of Bashan and so hard
It cuts through diamonds. Meshed and starred
With precious stones, there struts the shattering ziz
Whose groans are wrinkled thunder....
For thrice three hundred years the full parade
Files past, a cavalcade of fear and wonder.
And then the vast aisle clears.
Now comes our constantly increased reward.
The Lord commands that monstrous beast,
Leviathan, to be our feast.
What cheers ascend from horde on ravenous horde!
One hears the towering creature rend the seas,
Frustrated, cowering, and his pleas ignored.
In vain his great, belated tears are poured—
For this he was created, kept and nursed.
Cries burst from all the millions that attend:
"Ascend, Leviathan, it is the end!
We hunger and we thirst! Ascend!" ...
Observe him first, my friend.

God's deathless plaything rolls an eye
Five hundred thousand cubits high.
The smallest scale upon his tail
Could hide six dolphins and a whale.
His nostrils breathe—and on the spot
The churning waves turn seething hot.
If he be hungry, one huge fin
Drives seven thousand fishes in;
And when he drinks what he may need,
The rivers of the earth recede.
Yet he is more than huge and strong—
Twelve brilliant colors play along
His sides until, compared to him,
The naked, burning sun seems dim.
New scintillating rays extend
Through endless singing space and rise
Into an ecstasy that cries:
"Ascend, Leviathan, ascend!"
God now commands the multi-colored bands
Of angels to intrude and slay the beast
That His good sons may have a feast of food.
But as they come, Leviathan sneezes twice ...
And, numb with sudden pangs, each arm hangs slack.
Black terror seizes them; blood freezes into ice
And every angel flees from the attack!
God, with a look that spells eternal law,
Compels them back.
But, though they fight and smite him tail and jaw,

Nothing avails; upon his scales their swords
Break like frayed cords or, like a blade of straw,
Bend towards the hilt and wilt like faded grass.
Defeat and fresh retreat.... But once again
God's murmurs pass among them and they mass
With firmer steps upon the crowded plain.
Vast clouds of spears and stones rise from the ground;
But every dart flies past and rocks rebound
To the disheartened angels falling around.
A pause.
The angel host withdraws
With empty boasts throughout its sullen files.
Suddenly God smiles....
On the walls of heaven a tumble of light is caught.
Low thunder rumbles like an afterthought;
And God's slow laughter calls:
"Behemot!"
Behemot, sweating blood,
Uses for his daily food
All the fodder, flesh and juice
That twelve tall mountains can produce.
Jordan, flooded to the brim,
Is a single gulp to him;
Two great streams from Paradise
Cool his lips and scarce suffice.
When he shifts from side to side

Earthquakes gape and open wide;
When a nightmare makes him snore,
All the dead volcanoes roar.
In the space between each toe,
Kingdoms rise and saviours go;
Epochs fall and causes die
In the lifting of his eye.
Wars and justice, love and death,
These are but his wasted breath;
Chews a planet for his cud—
Behemot sweating blood.
Roused from his unconcern,
Behemot burns with anger.
Dripping sleep and languor from his heavy haunches,
He turns from deep disdain and launches
Himself upon the thickening air,
And, with weird cries of sickening despair,
Flies at Leviathan.
None can surmise the struggle that ensues—
The eyes lose sight of it and words refuse
To tell the story in its gory might.
Night passes after night,
And still the fight continues, still the sparks
Fly from the iron sinews,... till the marks
Of fire and belching thunder fill the dark
And, almost torn asunder, one falls stark,
Hammering upon the other!...
What clamor now is born, what crashings rise!

Hot lightnings lash the skies and frightening cries
Clash with the hymns of saints and seraphim.
The bloody limbs thrash through a ruddy dusk,
Till one great tusk of Behemot has gored
Leviathan, restored to his full strength,
Who, dealing fiercer blows in those last throes,
Closes on reeling Behemot at length—
Piercing him with steel-pointed claws,
Straight through the jaws to his disjointed head.
And both lie dead.
Then come the angels!
With hoists and levers, joists and poles,
With knives and cleavers, ropes and saws,
Down the long slopes to the gaping maws,
The angels hasten; hacking and carving,
So nought will be lacking for the starving
Chosen of God, who in frozen wonderment
Realize now what the terrible thunder meant.
How their mouths water while they are looking
At miles of slaughter and sniffing the cooking!
Whiffs of delectable fragrance swim by;
Spice-laden vagrants that float and entice,
Tickling the throat and brimming the eye.
Ah! what rejoicing and crackling and roasting!
Ah! How the boys sing as, cackling and boasting,
The angels' old wives and their nervous assistants
Run in to serve us....
And while we are toasting 

The Fairest of All, they call from the distance
The rare ones of Time, they share our enjoyment;
Their only employment to bear jars of wine
And shine like the stars in a circle of glory.
Here sways Rebekah accompanied by Zilpah;
Miriam plays to the singing of Bilhah;
Hagar has tales for us, Judith her story;
Esther exhales bright romances and musk.
There, in the dusky light, Salome dances.
Sara and Rachel and Leah and Ruth,
Fairer than ever and all in their youth,
Come at our call and go by our leave.
And, from her bower of beauty, walks Eve
While, with the voice of a flower, she sings
Of Eden, young earth and the birth of all things....
Peace without end.
Peace will descend on us, discord will cease;
And we, now so wretched, will lie stretched out
Free of old doubt, on our cushions of ease.
And, like a gold canopy over our bed,
The skin of Leviathan, tail-tip to head,
Soon will be spread till it covers the skies.
Light will still rise from it; millions of bright
Facets of brilliance, shaming the white
Glass of the moon, inflaming the night.
So Time shall pass and rest and pass again,
Burn with an endless zest and then return,

Walk at our side and tide us to new joys;
God's voice to guide us, beauty as our staff.
Thus shall Life be when Death has disappeared....
Jeered at? Well, let them laugh.
Written by Amy Lowell | Create an image from this poem

A Japanese Wood-Carving

 High up above the open, welcoming door
It hangs, a piece of wood with colours dim.
Once, long ago, it was a waving tree
And knew the sun and shadow through the leaves
Of forest trees, in a thick eastern wood.
The winter snows had bent its branches down,
The spring had swelled its buds with coming flowers,
Summer had run like fire through its veins,
While autumn pelted it with chestnut burrs,
And strewed the leafy ground with acorn cups.
Dark midnight storms had roared and crashed among
Its branches, breaking here and there a limb;
But every now and then broad sunlit days
Lovingly lingered, caught among the leaves.
Yes, it had known all this, and yet to us
It does not speak of mossy forest ways,
Of whispering pine trees or the shimmering birch;
But of quick winds, and the salt, stinging sea!
An artist once, with patient, careful knife,
Had fashioned it like to the untamed sea.
Here waves uprear themselves, their tops blown back
By the gay, sunny wind, which whips the blue
And breaks it into gleams and sparks of light.
Among the flashing waves are two white birds
Which swoop, and soar, and scream for very joy
At the wild sport. Now diving quickly in,
Questing some glistening fish. Now flying up,
Their dripping feathers shining in the sun,
While the wet drops like little glints of light,
Fall pattering backward to the parent sea.
Gliding along the green and foam-flecked hollows,
Or skimming some white crest about to break,
The spirits of the sky deigning to stoop
And play with ocean in a summer mood.
Hanging above the high, wide open door,
It brings to us in quiet, firelit room,
The freedom of the earth's vast solitudes,
Where heaping, sunny waves tumble and roll,
And seabirds scream in wanton happiness.
Written by Erica Jong | Create an image from this poem

Colder

 He was six foot four, and forty-six
and even colder than he thought he was
James Thurber, The Thirteen Clocks

Not that I cared about the other woman.
Those perfumed breasts with hearts
of pure rock salt.
Lot's wives-
all of them.

I didn't care
if they fondled him at parties,
eased him in at home
between a husband & a child,
sucked him dry
with vacuum cleaner kisses.

It was the coldness that I minded,
though he's warned me.
"I'm cold," He said- (as if that helped any).
But he was colder
than he thought he was.

Cold sex.
A woman has to die
& be exhumed
four times a week
to know the meaning of it.

His hips are razors
his pelvic bones are knives,
even his elbows could cut butter.

Cold flows from his mouth
like a cloud of carbon dioxide.
Hie ***** is pure dry ice
which turns to smoke.
His face hands over my face-
An ice carving.

One of these days
he'll shatter
or
he'll melt.

Book: Radiant Verses: A Journey Through Inspiring Poetry