Written by
James Tate |
Some people go their whole lives
without ever writing a single poem.
Extraordinary people who don't hesitate
to cut somebody's heart or skull open.
They go to baseball games with the greatest of ease.
and play a few rounds of golf as if it were nothing.
These same people stroll into a church
as if that were a natural part of life.
Investing money is second nature to them.
They contribute to political campaigns
that have absolutely no poetry in them
and promise none for the future.
They sit around the dinner table at night
and pretend as though nothing is missing.
Their children get caught shoplifting at the mall
and no one admits that it is poetry they are missing.
The family dog howls all night,
lonely and starving for more poetry in his life.
Why is it so difficult for them to see
that, without poetry, their lives are effluvial.
Sure, they have their banquets, their celebrations,
croquet, fox hunts, their sea shores and sunsets,
their cocktails on the balcony, dog races,
and all that kissing and hugging, and don't
forget the good deeds, the charity work,
nursing the baby squirrels all through the night,
filling the birdfeeders all winter,
helping the stranger change her tire.
Still, there's that disagreeable exhalation
from decaying matter, subtle but everpresent.
They walk around erect like champions.
They are smooth-spoken and witty.
When alone, rare occasion, they stare
into the mirror for hours, bewildered.
There was something they meant to say, but didn't:
"And if we put the statue of the rhinoceros
next to the tweezers, and walk around the room three times,
learn to yodel, shave our heads, call
our ancestors back from the dead--"
poetrywise it's still a bust, bankrupt.
You haven't scribbled a syllable of it.
You're a nowhere man misfiring
the very essence of your life, flustering
nothing from nothing and back again.
The hereafter may not last all that long.
Radiant childhood sweetheart,
secret code of everlasting joy and sorrow,
fanciful pen strokes beneath the eyelids:
all day, all night meditation, knot of hope,
kernel of desire, pure ordinariness of life
seeking, through poetry, a benediction
or a bed to lie down on, to connect, reveal,
explore, to imbue meaning on the day's extravagant labor.
And yet it's cruel to expect too much.
It's a rare species of bird
that refuses to be categorized.
Its song is barely audible.
It is like a dragonfly in a dream--
here, then there, then here again,
low-flying amber-wing darting upward
then out of sight.
And the dream has a pain in its heart
the wonders of which are manifold,
or so the story is told.
|
Written by
Edward Taylor |
Some people go their whole lives
without ever writing a single poem.
Extraordinary people who don't hesitate
to cut somebody's heart or skull open.
They go to baseball games with the greatest of ease.
and play a few rounds of golf as if it were nothing.
These same people stroll into a church
as if that were a natural part of life.
Investing money is second nature to them.
They contribute to political campaigns
that have absolutely no poetry in them
and promise none for the future.
They sit around the dinner table at night
and pretend as though nothing is missing.
Their children get caught shoplifting at the mall
and no one admits that it is poetry they are missing.
The family dog howls all night,
lonely and starving for more poetry in his life.
Why is it so difficult for them to see
that, without poetry, their lives are effluvial.
Sure, they have their banquets, their celebrations,
croquet, fox hunts, their sea shores and sunsets,
their cocktails on the balcony, dog races,
and all that kissing and hugging, and don't
forget the good deeds, the charity work,
nursing the baby squirrels all through the night,
filling the birdfeeders all winter,
helping the stranger change her tire.
Still, there's that disagreeable exhalation
from decaying matter, subtle but everpresent.
They walk around erect like champions.
They are smooth-spoken and witty.
When alone, rare occasion, they stare
into the mirror for hours, bewildered.
There was something they meant to say, but didn't:
"And if we put the statue of the rhinoceros
next to the tweezers, and walk around the room three times,
learn to yodel, shave our heads, call
our ancestors back from the dead--"
poetrywise it's still a bust, bankrupt.
You haven't scribbled a syllable of it.
You're a nowhere man misfiring
the very essence of your life, flustering
nothing from nothing and back again.
The hereafter may not last all that long.
Radiant childhood sweetheart,
secret code of everlasting joy and sorrow,
fanciful pen strokes beneath the eyelids:
all day, all night meditation, knot of hope,
kernel of desire, pure ordinariness of life
seeking, through poetry, a benediction
or a bed to lie down on, to connect, reveal,
explore, to imbue meaning on the day's extravagant labor.
And yet it's cruel to expect too much.
It's a rare species of bird
that refuses to be categorized.
Its song is barely audible.
It is like a dragonfly in a dream--
here, then there, then here again,
low-flying amber-wing darting upward
then out of sight.
And the dream has a pain in its heart
the wonders of which are manifold,
or so the story is told.
|
Written by
Walt Whitman |
AS I walk these broad, majestic days of peace,
(For the war, the struggle of blood finish’d, wherein, O terrific Ideal!
Against vast odds, having gloriously won,
Now thou stridest on—yet perhaps in time toward denser wars,
Perhaps to engage in time in still more dreadful contests, dangers,
Longer campaigns and crises, labors beyond all others;
—As I walk solitary, unattended,
Around me I hear that eclat of the world—politics, produce,
The announcements of recognized things—science,
The approved growth of cities, and the spread of inventions.
I see the ships, (they will last a few years,)
The vast factories, with their foremen and workmen,
And here the indorsement of all, and do not object to it.
But I too announce solid things;
Science, ships, politics, cities, factories, are not nothing—I watch them,
Like a grand procession, to music of distant bugles, pouring, triumphantly moving—and
grander heaving in sight;
They stand for realities—all is as it should be.
Then my realities;
What else is so real as mine?
Libertad, and the divine average—Freedom to every slave on the face of the earth,
The rapt promises and luminé of seers—the spiritual world—these centuries
lasting songs,
And our visions, the visions of poets, the most solid announcements of any.
For we support all, fuse all,
After the rest is done and gone, we remain;
There is no final reliance but upon us;
Democracy rests finally upon us (I, my brethren, begin it,)
And our visions sweep through eternity.
|
Written by
Thomas Lux |
What I love about this little leaning mark
is how it divides
without divisiveness.
The left
or bottom side prying that choice up or out,
the right or top side pressing down upon
its choice: either/or,
his/her.
Sometimes called a slash (too harsh), a slant
(a little dizzy, but the Dickinson association
nice: "Tell all the Truth but tell it slant--"), solidus (sounding
too much like a Roman legionnaire
of many campaigns),
or a separatrix (reminding one of a sexual
variant).
No, I like virgule.
I like the word
and I like the function: "Whichever is appropriate
may be chosen to complete the sense.
"
There is something democratic
about that, grown-up; a long
and slender walking stick set against the house.
Virgule: it feels good in your mouth.
Virgule: its foot on backwards, trochaic, that's OK, American.
Virgule: you could name your son that,
or your daughter Virgula.
I'm sorry now
I didn't think to give my daughter such a name
though I doubt that she and/or
her mother would share that thought.
|
Written by
Walt Whitman |
I MET a Seer,
Passing the hues and objects of the world,
The fields of art and learning, pleasure, sense, To glean Eidólons.
Put in thy chants, said he,
No more the puzzling hour, nor day—nor segments, parts, put in,
Put first before the rest, as light for all, and entrance-song of all, That of
Eidólons.
Ever the dim beginning;
Ever the growth, the rounding of the circle;
Ever the summit, and the merge at last, (to surely start again,) Eidólons!
Eidólons!
Ever the mutable!
Ever materials, changing, crumbling, re-cohering;
Ever the ateliers, the factories divine, Issuing Eidólons!
Lo! I or you!
Or woman, man, or State, known or unknown,
We seeming solid wealth, strength, beauty build, But really build Eidólons.
The ostent evanescent;
The substance of an artist’s mood, or savan’s studies long,
Or warrior’s, martyr’s, hero’s toils, To fashion his Eidólon.
Of every human life,
(The units gather’d, posted—not a thought, emotion, deed, left out;)
The whole, or large or small, summ’d, added up, In its Eidólon.
The old, old urge;
Based on the ancient pinnacles, lo! newer, higher pinnacles;
From Science and the Modern still impell’d, The old, old urge, Eidólons.
The present, now and here,
America’s busy, teeming, intricate whirl,
Of aggregate and segregate, for only thence releasing, To-day’s Eidólons.
These, with the past,
Of vanish’d lands—of all the reigns of kings across the sea,
Old conquerors, old campaigns, old sailors’ voyages, Joining Eidólons.
Densities, growth, façades,
Strata of mountains, soils, rocks, giant trees,
Far-born, far-dying, living long, to leave, Eidólons everlasting.
Exaltè, rapt, extatic,
The visible but their womb of birth,
Of orbic tendencies to shape, and shape, and shape, The mighty Earth-Eidólon.
All space, all time,
(The stars, the terrible perturbations of the suns,
Swelling, collapsing, ending—serving their longer, shorter use,) Fill’d with
Eidólons only.
The noiseless myriads!
The infinite oceans where the rivers empty!
The separate, countless free identities, like eyesight; The true realities,
Eidólons.
Not this the World,
Nor these the Universes—they the Universes,
Purport and end—ever the permanent life of life, Eidólons, Eidólons.
Beyond thy lectures, learn’d professor,
Beyond thy telescope or spectroscope, observer keen—beyond all mathematics,
Beyond the doctor’s surgery, anatomy—beyond the chemist with his chemistry, The
entities of entities, Eidólons.
Unfix’d, yet fix’d;
Ever shall be—ever have been, and are,
Sweeping the present to the infinite future, Eidólons, Eidólons,
Eidólons.
The prophet and the bard,
Shall yet maintain themselves—in higher stages yet,
Shall mediate to the Modern, to Democracy—interpret yet to them, God, and
Eidólons.
And thee, My Soul!
Joys, ceaseless exercises, exaltations!
Thy yearning amply fed at last, prepared to meet, Thy mates, Eidólons.
Thy Body permanent,
The Body lurking there within thy Body,
The only purport of the Form thou art—the real I myself, An image, an
Eidólon.
Thy very songs, not in thy songs;
No special strains to sing—none for itself;
But from the whole resulting, rising at last and floating, A round, full-orb’d
Eidólon.
|
Written by
Anne Kingsmill Finch |
While Monarchs in stern Battle strove
For proud Imperial Sway;
Abandon'd to his milder Love,
Within a silent peaceful Grove,
Alcidor careless lay.
Some term'd it cold, unmanly Fear;
Some, Nicety of Sense,
That Drums and Trumpets cou'd not hear,
The sullying Blasts of Powder bear,
Or with foul Camps dispense.
A patient Martyr to their Scorn,
And each ill-fashion'd Jest;
The Youth, who but for Love was born,
Remain'd, and thought it vast Return,
To reign in Cloria's Breast.
But oh! a ruffling Soldier came
In all the Pomp of War:
The Gazettes long had spoke his Fame;
Now Hautboys his Approach proclaim,
And draw in Crouds from far.
Cloria unhappily wou'd gaze;
And as he nearer drew,
The Man of Feather and of Lace
Stopp'd short, and with profound Amaze
Took all her Charms to view.
A Bow, which from Campaigns he brought,
And to his Holsters low,
Herself, and the Spectators taught,
That Her the fairest Nymph he thought,
Of all that form'd the Row.
Next day, ere Phoebus cou'd be seen,
Or any Gate unbarr'd;
At hers, upon th' adjoining Green,
From Ranks, with waving Flags between,
Were soften'd Trumpets heard.
The Noon do's following Treats provide,
In the Pavilion's Shade;
The Neighborhood, and all beside,
That will attend the amorous Pride,
Are welcom'd with the Maid.
Poor Alcidor! thy Hopes are cross'd,
Go perish on the Ground;
Thy Sighs by stronger Notes are toss'd,
Drove back, or in the Passage lost;
Rich Wines thy Tears have drown'd.
In Women's Hearts, the softest Things
Which Nature cou'd devise,
Are yet some harsh, and jarring Strings,
That, when loud Fame, or Profit rings,
Will answer to the Noise.
Poor Alcidor! go Fight or Dye;
Let thy fond Notions cease:
Man was not made in Shades to lie,
Or his full Bliss, at ease, enjoy,
To Live, or Love in peace.
|
Written by
Walt Whitman |
WEAVE in! weave in, my hardy life!
Weave yet a soldier strong and full, for great campaigns to come;
Weave in red blood! weave sinews in, like ropes! the senses, sight weave in!
Weave lasting sure! weave day and night the weft, the warp, incessant weave! tire not!
(We know not what the use, O life! nor know the aim, the end—nor really aught we
know;
But know the work, the need goes on, and shall go on—the death-envelop’d march
of
peace as well as war goes on;)
For great campaigns of peace the same, the wiry threads to weave;
We know not why or what, yet weave, forever weave.
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