Written by
D. H. Lawrence |
I wish it were spring in the world.
Let it be spring!
Come, bubbling, surging tide of sap!
Come, rush of creation!
Come, life! surge through this mass of mortification!
Come, sweep away these exquisite, ghastly first-flowers,
which are rather last-flowers!
Come, thaw down their cool portentousness, dissolve them:
snowdrops, straight, death-veined exhalations of white and purple crocuses,
flowers of the penumbra, issue of corruption, nourished in mortification,
jets of exquisite finality;
Come, spring, make havoc of them!
I trample on the snowdrops, it gives me pleasure to tread down the jonquils,
to destroy the chill Lent lilies;
for I am sick of them, their faint-bloodedness,
slow-blooded, icy-fleshed, portentous.
I want the fine, kindling wine-sap of spring,
gold, and of inconceivably fine, quintessential brightness,
rare almost as beams, yet overwhelmingly potent,
strong like the greatest force of world-balancing.
This is the same that picks up the harvest of wheat
and rocks it, tons of grain, on the ripening wind;
the same that dangles the globe-shaped pleiads of fruit
temptingly in mid-air, between a playful thumb and finger;
oh, and suddenly, from out of nowhere, whirls the pear-bloom,
upon us, and apple- and almond- and apricot- and quince-blossom,
storms and cumulus clouds of all imaginable blossom
about our bewildered faces,
though we do not worship.
I wish it were spring
cunningly blowing on the fallen sparks, odds and ends of the old, scattered fire,
and kindling shapely little conflagrations
curious long-legged foals, and wide-eared calves, and naked sparrow-bubs.
I wish that spring
would start the thundering traffic of feet
new feet on the earth, beating with impatience.
I wish it were spring, thundering
delicate, tender spring.
I wish these brittle, frost-lovely flowers of passionate, mysterious corruption
were not yet to come still more from the still-flickering discontent.
Oh, in the spring, the bluebell bows him down for very exuberance,
exulting with secret warm excess,
bowed down with his inner magnificence!
Oh, yes, the gush of spring is strong enough
to toss the globe of earth like a ball on a water-jet
dancing sportfully;
as you see a tiny celluloid ball tossing on a squirt of water
for men to shoot at, penny-a-time, in a booth at a fair.
The gush of spring is strong enough
to play with the globe of earth like a ball on a fountain;
At the same time it opens the tiny hands of the hazel
with such infinite patience.
The power of the rising, golden, all-creative sap could take the earth
and heave it off among the stars, into the invisible;
the same sets the throstle at sunset on a bough
singing against the blackbird;
comes out in the hesitating tremor of the primrose,
and betrays its candour in the round white strawberry flower,
is dignified in the foxglove, like a Red-Indian brave.
Ah come, come quickly, spring!
come and lift us towards our culmination, we myriads;
we who have never flowered, like patient cactuses.
Come and lift us to our end, to blossom, bring us to our summer
we who are winter-weary in the winter of the of the world.
Come making the chaffinch nests hollow and cosy,
come and soften the willow buds till they are puffed and furred,
then blow them over with gold.
Coma and cajole the gawky colt’s-foot flowers.
Come quickly, and vindicate us.
against too much death.
Come quickly, and stir the rotten globe of the world from within,
burst it with germination, with world anew.
Come now, to us, your adherents, who cannot flower from the ice.
All the world gleams with the lilies of death the Unconquerable,
but come, give us our turn.
Enough of the virgins and lilies, of passionate, suffocating perfume of corruption,
no more narcissus perfume, lily harlots, the blades of sensation
piercing the flesh to blossom of death.
Have done, have done with this shuddering, delicious business
of thrilling ruin in the flesh, of pungent passion, of rare, death-edged ecstasy.
Give us our turn, give us a chance, let our hour strike,
O soon, soon!
Let the darkness turn violet with rich dawn.
Let the darkness be warmed, warmed through to a ruddy violet,
incipient purpling towards summer in the world of the heart of man.
Are the violets already here!
Show me! I tremble so much to hear it, that even now
on the threshold of spring, I fear I shall die.
Show me the violets that are out.
Oh, if it be true, and the living darkness of the blood of man is purpling with violets,
if the violets are coming out from under the rack of men, winter-rotten and fallen,
we shall have spring.
Pray not to die on this Pisgah blossoming with violets.
Pray to live through.
If you catch a whiff of violets from the darkness of the shadow of man
it will be spring in the world,
it will be spring in the world of the living;
wonderment organising itself, heralding itself with the violets,
stirring of new seasons.
Ah, do not let me die on the brink of such anticipation!
Worse, let me not deceive myself.
|
Written by
Dylan Thomas |
The bows glided down, and the coast
Blackened with birds took a last look
At his thrashing hair and whale-blue eye;
The trodden town rang its cobbles for luck.
Then good-bye to the fishermanned
Boat with its anchor free and fast
As a bird hooking over the sea,
High and dry by the top of the mast,
Whispered the affectionate sand
And the bulwarks of the dazzled quay.
For my sake sail, and never look back,
Said the looking land.
Sails drank the wind, and white as milk
He sped into the drinking dark;
The sun shipwrecked west on a pearl
And the moon swam out of its hulk.
Funnels and masts went by in a whirl.
Good-bye to the man on the sea-legged deck
To the gold gut that sings on his reel
To the bait that stalked out of the sack,
For we saw him throw to the swift flood
A girl alive with his hooks through her lips;
All the fishes were rayed in blood,
Said the dwindling ships.
Good-bye to chimneys and funnels,
Old wives that spin in the smoke,
He was blind to the eyes of candles
In the praying windows of waves
But heard his bait buck in the wake
And tussle in a shoal of loves.
Now cast down your rod, for the whole
Of the sea is hilly with whales,
She longs among horses and angels,
The rainbow-fish bend in her joys,
Floated the lost cathedral
Chimes of the rocked buoys.
Where the anchor rode like a gull
Miles over the moonstruck boat
A squall of birds bellowed and fell,
A cloud blew the rain from its throat;
He saw the storm smoke out to kill
With fuming bows and ram of ice,
Fire on starlight, rake Jesu's stream;
And nothing shone on the water's face
But the oil and bubble of the moon,
Plunging and piercing in his course
The lured fish under the foam
Witnessed with a kiss.
Whales in the wake like capes and Alps
Quaked the sick sea and snouted deep,
Deep the great bushed bait with raining lips
Slipped the fins of those humpbacked tons
And fled their love in a weaving dip.
Oh, Jericho was falling in their lungs!
She nipped and dived in the nick of love,
Spun on a spout like a long-legged ball
Till every beast blared down in a swerve
Till every turtle crushed from his shell
Till every bone in the rushing grave
Rose and crowed and fell!
Good luck to the hand on the rod,
There is thunder under its thumbs;
Gold gut is a lightning thread,
His fiery reel sings off its flames,
The whirled boat in the burn of his blood
Is crying from nets to knives,
Oh the shearwater birds and their boatsized brood
Oh the bulls of Biscay and their calves
Are making under the green, laid veil
The long-legged beautiful bait their wives.
Break the black news and paint on a sail
Huge weddings in the waves,
Over the wakeward-flashing spray
Over the gardens of the floor
Clash out the mounting dolphin's day,
My mast is a bell-spire,
Strike and smoothe, for my decks are drums,
Sing through the water-spoken prow
The octopus walking into her limbs
The polar eagle with his tread of snow.
From salt-lipped beak to the kick of the stern
Sing how the seal has kissed her dead!
The long, laid minute's bride drifts on
Old in her cruel bed.
Over the graveyard in the water
Mountains and galleries beneath
Nightingale and hyena
Rejoicing for that drifting death
Sing and howl through sand and anemone
Valley and sahara in a shell,
Oh all the wanting flesh his enemy
Thrown to the sea in the shell of a girl
Is old as water and plain as an eel;
Always good-bye to the long-legged bread
Scattered in the paths of his heels
For the salty birds fluttered and fed
And the tall grains foamed in their bills;
Always good-bye to the fires of the face,
For the crab-backed dead on the sea-bed rose
And scuttled over her eyes,
The blind, clawed stare is cold as sleet.
The tempter under the eyelid
Who shows to the selves asleep
Mast-high moon-white women naked
Walking in wishes and lovely for shame
Is dumb and gone with his flame of brides.
Susannah's drowned in the bearded stream
And no-one stirs at Sheba's side
But the hungry kings of the tides;
Sin who had a woman's shape
Sleeps till Silence blows on a cloud
And all the lifted waters walk and leap.
Lucifer that bird's dropping
Out of the sides of the north
Has melted away and is lost
Is always lost in her vaulted breath,
Venus lies star-struck in her wound
And the sensual ruins make
Seasons over the liquid world,
White springs in the dark.
Always good-bye, cried the voices through the shell,
Good-bye always, for the flesh is cast
And the fisherman winds his reel
With no more desire than a ghost.
Always good luck, praised the finned in the feather
Bird after dark and the laughing fish
As the sails drank up the hail of thunder
And the long-tailed lightning lit his catch.
The boat swims into the six-year weather,
A wind throws a shadow and it freezes fast.
See what the gold gut drags from under
Mountains and galleries to the crest!
See what clings to hair and skull
As the boat skims on with drinking wings!
The statues of great rain stand still,
And the flakes fall like hills.
Sing and strike his heavy haul
Toppling up the boatside in a snow of light!
His decks are drenched with miracles.
Oh miracle of fishes! The long dead bite!
Out of the urn a size of a man
Out of the room the weight of his trouble
Out of the house that holds a town
In the continent of a fossil
One by one in dust and shawl,
Dry as echoes and insect-faced,
His fathers cling to the hand of the girl
And the dead hand leads the past,
Leads them as children and as air
On to the blindly tossing tops;
The centuries throw back their hair
And the old men sing from newborn lips:
Time is bearing another son.
Kill Time! She turns in her pain!
The oak is felled in the acorn
And the hawk in the egg kills the wren.
He who blew the great fire in
And died on a hiss of flames
Or walked the earth in the evening
Counting the denials of the grains
Clings to her drifting hair, and climbs;
And he who taught their lips to sing
Weeps like the risen sun among
The liquid choirs of his tribes.
The rod bends low, divining land,
And through the sundered water crawls
A garden holding to her hand
With birds and animals
With men and women and waterfalls
Trees cool and dry in the whirlpool of ships
And stunned and still on the green, laid veil
Sand with legends in its virgin laps
And prophets loud on the burned dunes;
Insects and valleys hold her thighs hard,
Times and places grip her breast bone,
She is breaking with seasons and clouds;
Round her trailed wrist fresh water weaves,
with moving fish and rounded stones
Up and down the greater waves
A separate river breathes and runs;
Strike and sing his catch of fields
For the surge is sown with barley,
The cattle graze on the covered foam,
The hills have footed the waves away,
With wild sea fillies and soaking bridles
With salty colts and gales in their limbs
All the horses of his haul of miracles
Gallop through the arched, green farms,
Trot and gallop with gulls upon them
And thunderbolts in their manes.
O Rome and Sodom To-morrow and London
The country tide is cobbled with towns
And steeples pierce the cloud on her shoulder
And the streets that the fisherman combed
When his long-legged flesh was a wind on fire
And his loin was a hunting flame
Coil from the thoroughfares of her hair
And terribly lead him home alive
Lead her prodigal home to his terror,
The furious ox-killing house of love.
Down, down, down, under the ground,
Under the floating villages,
Turns the moon-chained and water-wound
Metropolis of fishes,
There is nothing left of the sea but its sound,
Under the earth the loud sea walks,
In deathbeds of orchards the boat dies down
And the bait is drowned among hayricks,
Land, land, land, nothing remains
Of the pacing, famous sea but its speech,
And into its talkative seven tombs
The anchor dives through the floors of a church.
Good-bye, good luck, struck the sun and the moon,
To the fisherman lost on the land.
He stands alone in the door of his home,
With his long-legged heart in his hand.
|
Written by
Andre Breton |
(Translated from the French by Edouard Rodti)
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
|
Written by
William Henry Davies |
While joy gave clouds the light of stars,
That beamed wher'er they looked;
And calves and lambs had tottering knees,
Excited, while they sucked;
While every bird enjoyed his song,
Without one thought of harm or wrong--
I turned my head and saw the wind,
Not far from where I stood,
Dragging the corn by her golden hair,
Into a dark and lonely wood.
|
Written by
W S Merwin |
Gray whale
Now that we are sinding you to The End
That great god
Tell him
That we who follow you invented forgiveness
And forgive nothing
I write as though you could understand
And I could say it
One must always pretend something
Among the dying
When you have left the seas nodding on their stalks
Empty of you
Tell him that we were made
On another day
The bewilderment will diminish like an echo
Winding along your inner mountains
Unheard by us
And find its way out
Leaving behind it the future
Dead
And ours
When you will not see again
The whale calves trying the light
Consider what you will find in the black garden
And its court
The sea cows the Great Auks the gorillas
The irreplaceable hosts ranged countless
And fore-ordaining as stars
Our sacrifices
Join your work to theirs
Tell him
That it is we who are important
|
Written by
Paul Muldoon |
Even as we speak, there's a smoker's cough
from behind the whitethorn hedge: we stop dead in our tracks;
a distant tingle of water into a trough.
In the past half-hour—since a cattle truck
all but sent us shuffling off this mortal coil—
we've consoled ourselves with the dregs
of a bottle of Redbreast. Had Hawthorne been a Gael,
I insist, the scarlet A on Hester Prynne
would have stood for "Alcohol."
This must be the same truck whose taillights burn
so dimly, as if caked with dirt,
three or four hundred yards along the boreen
(a diminutive form of the Gaelic bóthar, "a road,"
from bó, "a cow," and thar
meaning, in this case, something like "athwart,"
"boreen" has entered English "through the air"
despite the protestations of the O.E.D.):
why, though, should one taillight flash and flare
then flicker-fade
to an afterimage of tourmaline
set in a dark part-jet, part-jasper or -jade?
That smoker's cough again: it triggers off from drumlin
to drumlin an emphysemantiphon
of cows. They hoist themselves onto their trampoline
and steady themselves and straight away divine
water in some far-flung spot
to which they then gravely incline. This is no Devon
cow-coterie, by the way, whey-faced, with Spode
hooves and horns: nor are they the metaphysicattle of Japan
that have merely to anticipate
scoring a bull's-eye and, lo, it happens;
these are earth-flesh, earth-blood, salt of the earth,
whose talismans are their own jawbones
buried under threshold and hearth.
For though they trace themselves to the kith and kine
that presided over the birth
of Christ (so carry their calves a full nine
months and boast liquorice
cachous on their tongues), they belong more to the line
that's tramped these cwms and corries
since Cuchulainn tramped Aoife.
Again the flash. Again the fade. However I might allegorize
some oscaraboscarabinary bevy
of cattle there's no getting round this cattle truck,
one light on the blink, laden with what? Microwaves? Hi-fis?
Oscaraboscarabinary: a twin, entwined, a tree, a Tuareg;
a double dung-beetle; a plain
and simple hi-firing party; an off-the-back-of-a-lorry drogue?
Enough of Colette and Céline, Céline and Paul Celan:
enough of whether Nabokov
taught at Wellesley or Wesleyan.
Now let us talk of slaughter and the slain,
the helicopter gunship, the mighty Kalashnikov:
let's rest for a while in a place where a cow has lain.
|
Written by
D. H. Lawrence |
They say the sea is cold, but the sea contains
the hottest blood of all, and the wildest, the most urgent.
All the whales in the wider deeps, hot are they, as they urge
on and on, and dive beneath the icebergs.
The right whales, the sperm-whales, the hammer-heads, the killers
there they blow, there they blow, hot wild white breath out of
the sea!
And they rock, and they rock, through the sensual ageless ages
on the depths of the seven seas,
and through the salt they reel with drunk delight
and in the tropics tremble they with love
and roll with massive, strong desire, like gods.
Then the great bull lies up against his bride
in the blue deep bed of the sea,
as mountain pressing on mountain, in the zest of life:
and out of the inward roaring of the inner red ocean of whale-blood
the long tip reaches strong, intense, like the maelstrom-tip, and
comes to rest
in the clasp and the soft, wild clutch of a she-whale's
fathomless body.
And over the bridge of the whale's strong phallus, linking the
wonder of whales
the burning archangels under the sea keep passing, back and
forth,
keep passing, archangels of bliss
from him to her, from her to him, great Cherubim
that wait on whales in mid-ocean, suspended in the waves of the
sea
great heaven of whales in the waters, old hierarchies.
And enormous mother whales lie dreaming suckling their whale-
tender young
and dreaming with strange whale eyes wide open in the waters of
the beginning and the end.
And bull-whales gather their women and whale-calves in a ring
when danger threatens, on the surface of the ceaseless flood
and range themselves like great fierce Seraphim facing the threat
encircling their huddled monsters of love.
And all this happens in the sea, in the salt
where God is also love, but without words:
and Aphrodite is the wife of whales
most happy, happy she!
and Venus among the fishes skips and is a she-dolphin
she is the gay, delighted porpoise sporting with love and the sea
she is the female tunny-fish, round and happy among the males
and dense with happy blood, dark rainbow bliss in the sea.
|
Written by
Rudyard Kipling |
Cain and Abel were brothers born.
(Koop-la! Come along, cows!)
One raised cattle and one raised corn.
(Koop-la! Come along! Co-hoe!)
And Cain he farmed by the river-side,
So he did not care how much it dried.
For he banked, and he sluiced, and he ditched and he led
(And the Corn don't care for the Horn)--
A-half Euphrates out of her bed
To water his dam' Corn!
But Abel herded out on the plains
Where you have to go by the dams and rains.
It happened, after a three-year drought,
The wells, and the springs, and the dams gave out.
The Herd-bulls came to Cain's new house
( They wanted water so!--)
With the hot red Sun between their brows,
Sayin' "Give us water for our pore cows!"
But Cain he told 'em--"No!"
The Cows they came to Cain's big house
With the cold white Moon between their brows,
Sayin' "Give some water to us pore cows!"
But Cain he told 'em--"No?"
The li'l Calves came to Cain's fine house
With the Evenin' Star between their brows,
Sayin' "'Give us water an' we'll be cows."
But Cain he told 'em--"No!"
The Herd-bulls led 'em back again,
An' Abel went an' said to Cain: --
"Oh sell me water, my brother dear,
Or there will be no beef this year."
And Cain he answered--"No! "
"Then draw your hatches, my brother true,
An' let a little water through."
But Cain he answered: -"No!
"My dams are tight an' my ditches are sound,
An' not a drop goes through or round
Till she's done her duty by the Corn.
"I will not sell, an' I will not draw,
An' if you breach, I'll have the Law,
As sure as you are borne! "
Then Abel took his best bull-goad,
An' holed a dyke on the Eden road.
He opened her up with foot an' hand,
An' let Euphrates loose on the land.
He spilled Euphrates out on the plain,
So's all his cattle could drink again.
Then Cain he saw what Abel done--
But, in those days, there was no Gun!
So he made him a club of a hickory-limb,
An' halted Abel an' said to him: --
"I did not sell an' I did not draw,
An' now you've breached I'll have the Law.
"You ride abroad in your hat and spurs,
Hell-hoofin' over my cucumbers!
"You pray to the Lord to send you luck
An' you loose your steers in my garden-truck:
"An' now you're bust, as you ought to be,
You can keep on prayin' but not to me!"
Then Abel saw it meant the life;
But, in those days, there was no Knife:
So he up with his big bull-goad instead,
But--Cain hit first and dropped him dead!
The Herd-bulls ran when they smelt the blood,
An' horned an' pawed in that Red Mud.
The Calves they bawled, and the Steers they milled,
Because it was the First Man Killed; -
An' the whole Herd broke for the Land of Nod,
An' Cain was left to be judged by God!
But, seein' all he had had to bear,
I never could call the Judgment fair!
|
Written by
Dylan Thomas |
Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.
And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.
All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars
Flying with the ricks, and the horses
Flashing into the dark.
And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.
And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace.
Nothing I cared, in the lamb white days, that time would
take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.
|
Written by
Hilaire Belloc |
Who ran away from his Nurse and was eaten by a Lion
There was a Boy whose name was Jim;
His Friends were very good to him.
They gave him Tea, and Cakes, and Jam,
And slices of delicious Ham,
And Chocolate with pink inside
And little Tricycles to ride,
And read him Stories through and through,
And even took him to the Zoo--
But there it was the dreadful Fate
Befell him, which I now relate.
You know--or at least you ought to know,
For I have often told you so--
That Children never are allowed
To leave their Nurses in a Crowd;
Now this was Jim's especial Foible,
He ran away when he was able,
And on this inauspicious day
He slipped his hand and ran away!
He hadn't gone a yard when--Bang!
With open Jaws, a lion sprang,
And hungrily began to eat
The Boy: beginning at his feet.
Now, just imagine how it feels
When first your toes and then your heels,
And then by gradual degrees,
Your shins and ankles, calves and knees,
Are slowly eaten, bit by bit.
No wonder Jim detested it!
No wonder that he shouted ``Hi!''
The Honest Keeper heard his cry,
Though very fat he almost ran
To help the little gentleman.
``Ponto!'' he ordered as he came
(For Ponto was the Lion's name),
``Ponto!'' he cried, with angry Frown,
``Let go, Sir! Down, Sir! Put it down!''
The Lion made a sudden stop,
He let the Dainty Morsel drop,
And slunk reluctant to his Cage,
Snarling with Disappointed Rage.
But when he bent him over Jim,
The Honest Keeper's Eyes were dim.
The Lion having reached his Head,
The Miserable Boy was dead!
When Nurse informed his Parents, they
Were more Concerned than I can say:--
His Mother, as She dried her eyes,
Said, ``Well--it gives me no surprise,
He would not do as he was told!''
His Father, who was self-controlled,
Bade all the children round attend
To James's miserable end,
And always keep a-hold of Nurse
For fear of finding something worse.
|