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Best Famous Cables Poems

Here is a collection of the all-time best famous Cables poems. This is a select list of the best famous Cables poetry. Reading, writing, and enjoying famous Cables poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of cables poems.

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Written by Duncan Campbell Scott | Create an image from this poem

The Harvest

 Sun on the mountain,
Shade in the valley,
Ripple and lightness
Leaping along the world,
Sun, like a gold sword
Plucked from the scabbard,
Striking the wheat-fields,
Splendid and lusty,
Close-standing, full-headed,
Toppling with plenty;
Shade, like a buckler
Kindly and ample,
Sweeping the wheat-fields
Darkening and tossing;
There on the world-rim
Winds break and gather
Heaping the mist
For the pyre of the sunset;
And still as a shadow,
In the dim westward,
A cloud sloop of amethyst
Moored to the world
With cables of rain.

Acres of gold wheat
Stir in the sunshine,
Rounding the hill-top,
Crested with plenty,
Filling the valley,
Brimmed with abundance,
Wind in the wheat-field
Eddying and settling,
Swaying it, sweeping it,
Lifting the rich heads,
Tossing them soothingly
Twinkle and shimmer
The lights and the shadowings,
Nimble as moonlight
Astir in the mere.
Laden with odors
Of peace and of plenty,
Soft comes the wind
From the ranks of the wheat-field,
Bearing a promise 
Of harvest and sickle-time,
Opulent threshing-floors
Dusty and dim 
With the whirl of the flail,
And wagons of bread,
Sown-laden and lumbering
Through the gateways of cities.

When will the reapers 
Strike in their sickles,
Bending and grasping,
Shearing and spreading;
When will the gleaners
Searching the stubble
Take the last wheat-heads
Home in their arms ?

Ask not the question! -
Something tremendous
Moves to the answer.

Hunger and poverty
Heaped like the ocean
Welters and mutters,
Hold back the sickles!

Millions of children
Born to their mothers' womb,
Starved at the nipple, cry,--
Ours is the harvest!
Millions of women 
Learned in the tragical
Secrets of poverty,
Sweated and beaten, cry,--
Hold back the sickles!

Millions of men
With a vestige of manhood,
Wild-eyed and gaunt-throated,
Shout with a leonine
Accent of anger,
Leaves us the wheat-fields!

When will the reapers 
Strike in their sickles?
Ask not the question;
Something tremendous
Moves to the answer.

Long have they sharpened
Their fiery, impetuous
Sickles of carnage,
Welded them aeons
Ago in the mountains
Of suffering and anguish;
Hearts were their hammers 
Blood was their fire,
Sorrow their anvil,
(Trusty the sickle
Tempered with tears;)
Time they had plenty-
Harvests and harvests
Passed them in agony,
Only a half-filled
Ear for their lot;
Man that has taken
God for a master
Made him a law,
Mocked him and cursed him,
Set up this hunger,
Called it necessity,
Put in the blameless mouth
Juda's language:
The poor ye have with you
Always, unending.
But up from the impotent
Anguish of children,
Up from the labor
Fruitless, unmeaning,
Of millions of mothers,
Hugely necessitous,
Grew by a just law
Stern and implacable,
Art born of poverty,
The making of sickles
Meet for the harvest.

And now to the wheat-fields
Come the weird reapers
Armed with their sickles,
Whipping them keenly
In the fresh-air fields,
Wild with the joy of them,
Finding them trusty,
Hilted with teen.
Swarming like ants,
The Idea for captain,
No banners, no bugles,
Only a terrible
Ground-bass of gathering
Tempest and fury,
Only a tossing
Of arms and of garments;
Sexless and featureless,
(Only the children
Different among them,
Crawling between their feet,
Borne on their shoulders;)
Rolling their shaggy heads
Wild with the unheard-of
Drug of the sunshine;
Tears that had eaten
The half of their eyelids
Dry on their cheeks;
Blood in their stiffened hair
Clouted and darkened;
Down in their cavern hearts
Hunger the tiger,
Leaping, exulting;
Sighs that had choked them
Burst into triumphing;
On they come, Victory!
Up to the wheat-fields,
Dreamed of in visions
Bred by the hunger,
Seen for the first time
Splendid and golden;
On they come fluctuant,
Seething and breaking,
Weltering like fire
In the pit of the earthquake,
Bursting in heaps
With the sudden intractable
Lust of the hunger:
Then when they see them-
The miles of the harvest
White in the sunshine,
Rushing and stumbling,
With the mighty and clamorous
Cry of a people
Starved from creation,
Hurl themselves onward,
Deep in the wheat-fields,
Weeping like children,
After ages and ages,
Back at the mother the earth.
Night in the valley,
Gloom on the mountain,
Wind in the wheat,
Far to the southward
The flutter of lightning,
The shudder of thunder;
But high at the zenith,
A cluster of stars
Glimmers and throbs
In the gasp of the midnight,
Steady and absolute,
Ancient and sure


Written by John Matthew | Create an image from this poem

To my son

 You will realize this wisdom,
When you are my age, and experience,
Gained from being in vexing situations,
Yet, being out of it. You do the same,
There is a joy in detachment,
Forsaking instant pleasures, pains,
For things deeper and enduring.

Don’t be a slave to the work,
Of smart slave-drivers in cubicles,
Instead explore the works of men,
Who have experienced the truths,
And distilled in their words, wisdoms,
Which may grate your ears now.

Like me, don’t be prey to sudden,
Rushes of anger that comes over cables,
And with emails and posts demolish,
Without thinking of consequences -
I have done that and am living to regret.

Don’t drink bottled and sealed lifestyles,
Its sugar, water and carbon dioxide,
Will dither you, disorient you, and sap you,
And don’t eat fast food with loose change,
They will suck you into their assembly line.

Lastly do not try to see with closed eyes,
And hear with deaf ears, keep them open.
The music and rhythm can corrupt,
And make sinning seem so tempting.
The age of innocence, son, is gone,
Every man is a mercenary army.

If you follow this advise, son,
When you are mature and wise as me,
You will say, one day, “Thank you Papa,
For your words of advice, wisdom,
To my children, too, I will pass this wisdom.”
Written by Hart Crane | Create an image from this poem

To Brooklyn Bridge

 How many dawns, chill from his rippling rest
The seagull's wings shall dip and pivot him,
Shedding white rings of tumult, building high
Over the chained bay waters Liberty--

Then, with inviolate curve, forsake our eyes
As apparitional as sails that cross
Some page of figures to be filed away;
--Till elevators drop us from our day . . .

I think of cinemas, panoramic sleights
With multitudes bent toward some flashing scene
Never disclosed, but hastened to again,
Foretold to other eyes on the same screen;

And Thee, across the harbor, silver-paced
As though the sun took step of thee, yet left
Some motion ever unspent in thy stride,--
Implicitly thy freedom staying thee!

Out of some subway scuttle, cell or loft
A bedlamite speeds to thy parapets,
Tilting there momently, shrill shirt ballooning,
A jest falls from the speechless caravan.

Down Wall, from girder into street noon leaks,
A rip-tooth of the sky's acetylene;
All afternoon the cloud-flown derricks turn . . .
Thy cables breathe the North Atlantic still.

And obscure as that heaven of the Jews,
Thy guerdon . . . Accolade thou dost bestow
Of anonymity time cannot raise:
Vibrant reprieve and pardon thou dost show.

O harp and altar, of the fury fused,
(How could mere toil align thy choiring strings!)
Terrific threshold of the prophet's pledge,
Prayer of pariah, and the lover's cry,--

Again the traffic lights that skim thy swift
Unfractioned idiom, immaculate sigh of stars,
Beading thy path--condense eternity:
And we have seen night lifted in thine arms.

Under thy shadow by the piers I waited;
Only in darkness is thy shadow clear.
The City's fiery parcels all undone,
Already snow submerges an iron year . . .

O Sleepless as the river under thee,
Vaulting the sea, the prairies' dreaming sod,
Unto us lowliest sometime sweep, descend
And of the curveship lend a myth to God.
Written by Rudyard Kipling | Create an image from this poem

A Pict Song

 Rome never looks where she treads.
 Always her heavy hooves fall
On our stomachs, our hearts or our heads;
 And Rome never heeds when we bawl.
Her sentries pass on--that is all,
 And we gather behind them in hordes,
And plot to reconquer the Wall,
 With only our tongues for our swords.

We are the Little Folk--we!
 Too little to love or to hate.
Leave us alone and you'll see
 How we can drag down the State!
We are the worm in the wood!
 We are the rot at the root!
We are the taint in the blood!
 We are the thorn in the foot!

Mistletoe killing an oak--
 Rats gnawing cables in two--
Moths making holes in a cloak--
 How they must love what they do!
Yes--and we Little Folk too,
 We are busy as they--
Working our works out of view--
 Watch, and you'll see it some day!

No indeed! We are not strong,
 But we know Peoples that are.
Yes, and we'll guide them along
 To smash and destroy you in War!
We shall be slaves just the same?
 Yes, we have always been slaves,
But you--you will die of the shame,
 And then we shall dance on your graves!

 We are the Little Folk, we, etc.
Written by Carl Sandburg | Create an image from this poem

Skyscraper

 BY day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman
the way to it?)

Elevators slide on their cables and tubes catch letters and
parcels and iron pipes carry gas and water in and
sewage out.
Wires climb with secrets, carry light and carry words,
and tell terrors and profits and loves--curses of men
grappling plans of business and questions of women
in plots of love.

Hour by hour the caissons reach down to the rock of the
earth and hold the building to a turning planet.
Hour by hour the girders play as ribs and reach out and
hold together the stone walls and floors.

Hour by hour the hand of the mason and the stuff of the
mortar clinch the pieces and parts to the shape an
architect voted.
Hour by hour the sun and the rain, the air and the rust,
and the press of time running into centuries, play
on the building inside and out and use it.

Men who sunk the pilings and mixed the mortar are laid
in graves where the wind whistles a wild song
without words
And so are men who strung the wires and fixed the pipes
and tubes and those who saw it rise floor by floor.
Souls of them all are here, even the hod carrier begging
at back doors hundreds of miles away and the brick-
layer who went to state's prison for shooting another
man while drunk.
(One man fell from a girder and broke his neck at the
end of a straight plunge--he is here--his soul has
gone into the stones of the building.)

On the office doors from tier to tier--hundreds of names
and each name standing for a face written across
with a dead child, a passionate lover, a driving
ambition for a million dollar business or a lobster's
ease of life.

Behind the signs on the doors they work and the walls
tell nothing from room to room.
Ten-dollar-a-week stenographers take letters from
corporation officers, lawyers, efficiency engineers,
and tons of letters go bundled from the building to all
ends of the earth.
Smiles and tears of each office girl go into the soul of
the building just the same as the master-men who
rule the building.

Hands of clocks turn to noon hours and each floor
empties its men and women who go away and eat
and come back to work.
Toward the end of the afternoon all work slackens and
all jobs go slower as the people feel day closing on
them.
One by one the floors are emptied. . . The uniformed
elevator men are gone. Pails clang. . . Scrubbers
work, talking in foreign tongues. Broom and water
and mop clean from the floors human dust and spit,
and machine grime of the day.
Spelled in electric fire on the roof are words telling
miles of houses and people where to buy a thing for
money. The sign speaks till midnight.

Darkness on the hallways. Voices echo. Silence
holds. . . Watchmen walk slow from floor to floor
and try the doors. Revolvers bulge from their hip
pockets. . . Steel safes stand in corners. Money
is stacked in them.
A young watchman leans at a window and sees the lights
of barges butting their way across a harbor, nets of
red and white lanterns in a railroad yard, and a span
of glooms splashed with lines of white and blurs of
crosses and clusters over the sleeping city.
By night the skyscraper looms in the smoke and the stars
and has a soul.


Written by Robert Frost | Create an image from this poem

Range-Finding

 The battle rent a cobweb diamond-strung
And cut a flower beside a ground bird's nest
Before it stained a single human breast.
The stricken flower bent double and so hung.
And still the bird revisited her young.
A butterfly its fall had dispossessed
A moment sought in air his flower of rest,
Then lightly stooped to it and fluttering clung.
On the bare upland pasture there had spread
O'ernight 'twixt mullein stalks a wheel of thread
And straining cables wet with silver dew.
A sudden passing bullet shook it dry.
The indwelling spider ran to greet the fly,
But finding nothing, sullenly withdrew.
Written by Andrew Barton Paterson | Create an image from this poem

The Ballad of the Calliope

 By the far Samoan shore, 
Where the league-long rollers pour 
All the wash of the Pacific on the coral-guarded bay, 
Riding lightly at their ease, 
In the calm of tropic seas, 
The three great nations' warships at their anchors proudly lay. 
Riding lightly, head to wind, 
With the coral reefs behind, 
Three German and three Yankee ships were mirrored in the blue; 
And on one ship unfurled 
Was the flag that rules the world -- 
For on the old Calliope the flag of England flew. 

When the gentle off-shore breeze, 
That had scarcely stirred the trees, 
Dropped down to utter stillness, and the glass began to fall, 
Away across the main 
Lowered the coming hurricane, 
And far away to seaward hung the cloud-wrack like a pall. 

If the word had passed around, 
"Let us move to safer ground; 
Let us steam away to seaward" -- then his tale were not to tell! 
But each Captain seemed to say 
"If the others stay, I stay!" 
And they lingered at their moorings till the shades of evening fell. 

Then the cloud-wrack neared them fast, 
And there came a sudden blast, 
And the hurricane came leaping down a thousand miles of main! 
Like a lion on its prey, 
Leapt the storm fiend on the bay, 
And the vessels shook and shivered as their cables felt the strain. 

As the surging seas came by, 
That were running mountains high, 
The vessels started dragging, drifting slowly to the lee; 
And the darkness of the night 
Hid the coral reefs from sight, 
And the Captains dared not risk the chance to grope their way to sea. 

In the dark they dared not shift! 
They were forced to wait and drift; 
All hands stood by uncertain would the anchors hold or no. 
But the men on deck could see, 
If a chance for them might be, 
There was little chance of safety for the men who were below. 

Through that long, long night of dread, 
While the storm raged overhead, 
They were waiting by their engines, with the furnace fires aroar; 
So they waited, staunch and true, 
Though they knew, and well they knew, 
They must drown like rats imprisoned if the vessel touched the shore. 

When the grey dawn broke at last, 
And the long, long night was past, 
While the hurricane redoubled, lest its prey should steal away, 
On the rocks, all smashed and strown, 
Were the German vessels thrown, 
While the Yankees, swamped and helpless, drifted shorewards down the bay. 

Then at last spoke Captain Kane, 
"All our anchors are in vain, 
And the Germans and the Yankees they have drifted to the lee! 
Cut the cables at the bow! 
We must trust the engines now! 
Give her steam, and let her have it, lads! we'll fight her out to sea!" 

And the answer came with cheers 
From the stalwart engineers, 
From the grim and grimy firemen at the furnaces below; 
And above the sullen roar 
Of the breakers on the shore 
Came the throbbing of the engines as they laboured to and fro. 

If the strain should find a flaw, 
Should a bolt or rivet draw, 
Then -- God help them! for the vessel were a plaything in the tide! 
With a face of honest cheer 
Quoth an English engineer, 
"I will answer for the engiines that were built on old Thames-side! 

"For the stays and stanchions taut, 
For the rivets truly wrought, 
For the valves that fit their faces as a glove should fit the hand. 
Give her every ounce of power; 
If we make a knot an hour 
Then it's way enough to steer her, and we'll drive her from the land." 

Life a foam-flake tossed and thrown, 
She could barely hold her own, 
While the other ships all helplessly were drifting to the lee. 
Through the smother and the rout 
The Calliope steamed out -- 
And they cheered her from the Trenton that was foundering in the sea. 

Ay! drifting shoreward there, 
All helpless as they were, 
Their vessel hurled upon the reefs as weed ashore is hurled, 
Without a thought of fear 
The Yankees raised a cheer -- 
A cheer that English-speaking folk should echo round the world.
Written by Donald Justice | Create an image from this poem

The Assassination

 It begins again, the nocturnal pulse.
It courses through the cables laid for it.
It mounts to the chandeliers and beats there, hotly.
We are too close. Too late, we would move back.
We are involved with the surge.

Now it bursts. Now it has been announced.
Now it is being soaked up by newspapers.
Now it is running through the streets.
The crowd has it. The woman selling carnations
And the man in the straw hat stand with it in their shoes.

Here is the red marquee it sheltered under.
Here is the ballroom, here
The sadly various orchestra led
By a single gesture. My arms open.
It enters. Look, we are dancing.
Written by Rudyard Kipling | Create an image from this poem

Harp Song of the Dane Women

 What is a woman that you forsake her,
And the hearth-fire and the home-acre,
To go with the old grey Widow-maker?

She has no house to lay a guest in--
But one chill bed for all to rest in,
That the pale suns and the stray bergs nest in.

She has no strong white arms to fold you,
But the ten-times-fingering weed to hold you--
Out on the rocks where the tide has rolled you.

Yet, when the signs of summer thicken,
And the ice breaks, and the birch-buds quicken,
Yearly you turn from our side, and sicken--

Sicken again for the shouts and the slaughters.
You steal away to the lapping waters,
And look at your ship in her winter-quarters.

You forget our mirth, and talk at the tables,
The kine in the shed and the horse in the stables--
To pitch her sides and go over her cables.

Then you drive out where the storm-clouds swallow,
And the sound of your oar-blades, falling hollow,
As all we have left through the months to follow.

Ah, what is Woman that you forsake her,
And the hearth-fire and the home-acre,
To go with the old grey Widow--maker ?
Written by Horace | Create an image from this poem

O LUCKLESS bark! (O NAVIS, REFERENT)


     O LUCKLESS bark! new waves will force you back
     To sea. O, haste to make the haven yours!
          E'en now, a helpless wrack,
            You drift, despoil'd of oars;
     The Afric gale has dealt your mast a wound;
       Your sailyards groan, nor can your keel sustain,
          Till lash'd with cables round,
             A more imperious main.
     Your canvass hangs in ribbons, rent and torn;
       No gods are left to pray to in fresh need.
          A pine of Pontus born
            Of noble forest breed,
     You boast your name and lineage—madly blind!
       Can painted timbers quell a seaman's fear?
          Beware! or else the wind
            Makes you its mock and jeer.
     Your trouble late made sick this heart of mine,
       And still I love you, still am ill at ease.
          O, shun the sea, where shine
            The thick-sown Cyclades!

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