Written by
George Herbert |
My God, I heard this day
That none doth build a stately habitation,
But he that means to dwell therein.
What house more stately hath there been,
Or can be, than is Man? to whose creation
All things are in decay.
For Man is every thing,
And more: he is a tree, yet bears more fruit;
A beast, yet is or should be more:
Reason and speech we only bring.
Parrots may thank us, if they are not mute,
They go upon the score.
Man is all symmetry,
Full of proportions, one limb to another,
And all to all the world besides:
Each part may call the furthest, brother;
For head with foot hath private amity,
And both with moons and tides.
Nothing hath got so far,
But man hath caught and kept it, as his prey.
His eyes dismount the highest star:
He is in little all the sphere.
Herbs gladly cure our flesh, because that they
Find their acquaintance there.
For us the winds do blow,
The earth doth rest, heaven move, and fountains flow.
Nothing we see but means our good,
As our delight or as our treasure:
The whole is either our cupboard of food,
Or cabinet of pleasure.
The stars have us to bed;
Night draws the curtain, which the sun withdraws;
Music and light attend our head.
All things unto our flesh are kind
In their descent and being; to our mind
In their ascent and cause.
Each thing is full of duty:
Waters united are our navigation;
Distinguishèd, our habitation;
Below, our drink; above, our meat;
Both are our cleanliness.
Hath one such beauty?
Then how are all things neat?
More servants wait on Man
Than he'll take notice of: in every path
He treads down that which doth befriend him
When sickness makes him pale and wan.
O mighty love! Man is one world, and hath
Another to attend him.
Since then, my God, thou hast
So brave a palace built, O dwell in it
That it may dwell with thee at last!
Till then, afford us so much wit,
That, as the world serves us, we may serve thee,
And both thy servants be.
|
Written by
Andrew Marvell |
Clora, come view my soul, and tell
Whether I have contrived it well.
Now all its several lodgings lie
Composed into one gallery;
And the great arras-hangings, made
Of various faces, by are laid;
That, for all furniture, you'll find
Only your picture in my mind.
Here thou art painted in the dress
Of an inhuman murderess;
Examining upon our hearts
Thy fertile shop of cruel arts:
Engines more keen than ever yet
Adornèd tyrant's cabinet;
Of which the most tormenting are
Black eyes, red lips, and curlèd hair.
But, on the other side, thou'rt drawn
Like to Aurora in the dawn;
When in the east she slumb'ring lies,
And stretches out her milky thighs;
While all the morning choir does sing,
And manna falls, and roses spring;
And, at thy feet, the wooing doves
Sit perfecting their harmless loves.
Like an enchantress here thou show'st,
Vexing thy restless lover's ghost;
And, by a light obscure, dost rave
Over his entrails, in the cave;
Divining thence, with horrid care,
How long thou shalt continue fair;
And (when informed) them throw'st away,
To be the greedy vulture's prey.
But, against that, thou sit'st afloat
Like Venus in her pearly boat.
The halcyons, calming all that's nigh,
Betwixt the air and water fly:
Or, if some rolling wave appears,
A mass of ambergris it bears:
Nor blows more wind than what may well
Convoy the perfume to the smell.
These pictures and a thousand more,
Of thee, my gallery do store;
In all the forms thou canst invent
Either to please me, or torment:
For thou alone to people me,
Art grown a num'rous colony;
And a collection choicer far
Than or Whitehall's, or Mantua's were.
But, of these pictures and the rest,
That at the entrance likes me best;
Where the same posture, and the look
Remains, with which I first was took:
A tender shepherdess, whose hair
Hangs loosely playing in the air,
Transplanting flowers from the green hill,
To crown her head, and bosom fill.
|
Written by
William Shakespeare |
Lo, here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The sun ariseth in his majesty;
Who doth the world so gloriously behold
That cedar-tops and hills seem burnish'd gold.
Venus salutes him with this fair good-morrow;
"O thou clear god, and patron of all light,
From whom each lamp and shining star doth borrow
The beauteous influence that makes him bright,
There lives a son that suck'd an earthly mother,
May lend thee light, as thou dost lend to other.
"
This said, she hasteth to a myrtle grove,
Musing the morning is so much o'erworn,
And yet she hears no tidings of her love:
She hearkens for his hounds and for his horn:
Anon she hears them chant it lustily,
And all in haste she coasteth to the cry.
And as she runs, the bushes in the way
Some catch her by the neck, some kiss her face,
Some twine about her thigh to make her stay:
She wildly breaketh from their strict embrace,
Like a milch doe, whose swelling dugs do ache,
Hasting to feed her fawn, hid in some brake.
By this she hears the hounds are at a bay;
Whereat she starts, like one that spies an adder
Wreath'd up in fatal folds just in his way,
The fear whereof doth make him shake and shudder;
Even so the timorous yelping of the hounds
Appals her senses and her spirit confounds.
For now she knows it is no gentle chase,
But the blunt boar, rough bear, or lion proud,
Because the cry remaineth in one place,
Where fearfully the dogs exclaim aloud:
Finding their enemy to be so curst,
They all strain court'sy who shall cope him first.
This dismal cry rings sadly in her ear,
Through which it enters to surprise her heart;
Who, overcome by doubt and bloodless fear,
With cold-pale weakness numbs each feeling part:
Like soldiers, when their captain once doth yield,
They basely fly and dare not stay the field.
Thus stands she in a trembling ecstasy;
Till, cheering up her senses all dismay'd,
She tells them 'tis a causeless fantasy,
And childish error, that they are afraid;
Bids them leave quaking, bids them fear no more:--
And with that word she spied the hunted boar;
Whose frothy mouth, bepainted all with red,
Like milk and blood being mingled both together,
A second fear through all her sinews spread,
Which madly hurries her she knows not whither:
This way she runs, and now she will no further,
But back retires to rate the boar for murther.
A thousand spleens bear her a thousand ways;
She treads the path that she untreads again;
Her more than haste is mated with delays,
Like the proceedings of a drunken brain,
Full of respects, yet nought at all respecting;
In hand with all things, nought at all effecting.
Here kennell'd in a brake she finds a hound,
And asks the weary caitiff for his master,
And there another licking of his wound,
'Gainst venom'd sores the only sovereign plaster;
And here she meets another sadly scowling,
To whom she speaks, and he replies with howling.
When he hath ceas'd his ill-resounding noise,
Another flap-mouth'd mourner, black and grim,
Against the welkin volleys out his voice;
Another, and another, answer him,
Clapping their proud tails to the ground below,
Shaking their scratch'd ears, bleeding as they go.
Look, how the world's poor people are amazed
At apparitions, signs, and prodigies,
Whereon with fearful eyes they long have gazed,
Infusing them with dreadful prophecies;
So she at these sad signs draws up her breath
And sighing it again, exclaims on Death.
"Hard-favour'd tyrant, ugly, meagre, lean,
Hateful divorce of love,"--thus chides she Death,--
"Grim-grinning ghost, earth's worm, what dost thou mean
To stifle beauty and to steal his breath,
Who when he liv'd, his breath and beauty set
Gloss on the rose, smell to the violet?
"If he be dead,--O no, it cannot be,
Seeing his beauty, thou shouldst strike at it:--
O yes, it may; thou hast no eyes to see,
But hatefully at random dost thou hit.
Thy mark is feeble age, but thy false dart
Mistakes that aim and cleaves an infant's heart.
"Hadst thou but bid beware, then he had spoke,
And, hearing him, thy power had lost his power.
The Destinies will curse thee for this stroke;
They bid thee crop a weed, thou pluck'st a flower:
Love's golden arrow at him should have fled,
And not Death's ebon dart, to strike him dead.
"Dost thou drink tears, that thou provok'st such weeping?
What may a heavy groan advantage thee?
Why hast thou cast into eternal sleeping
Those eyes that taught all other eyes to see?
Now nature cares not for thy mortal vigour,
Since her best work is ruin'd with thy rigour.
"
Here overcome, as one full of despair,
She vail'd her eyelids, who, like sluices, stopt
The crystal tide that from her two cheeks fair
In the sweet channel of her bosom dropt;
But through the flood-gates breaks the silver rain,
And with his strong course opens them again.
O, how her eyes and tears did lend and borrow!
Her eyes seen in the tears, tears in her eye;
Both crystals, where they view'd each other's sorrow,
Sorrow that friendly sighs sought still to dry;
But like a stormy day, now wind, now rain,
Sighs dry her cheeks, tears make them wet again.
Variable passions throng her constant woe,
As striving who should best become her grief;
All entertain'd, each passion labours so,
That every present sorrow seemeth chief,
But none is best: then join they all together,
Like many clouds consulting for foul weather.
By this, far off she hears some huntsman hollo;
A nurse's song ne'er pleased her babe so well:
The dire imagination she did follow
This sound of hope doth labour to expel;
For now reviving joy bids her rejoice,
And flatters her it is Adonis' voice.
Whereat her tears began to turn their tide,
Being prison'd in her eye like pearls in glass;
Yet sometimes falls an orient drop beside,
Which her cheek melts, as scorning it should pass,
To wash the foul face of the sluttish ground,
Who is but drunken when she seemeth drown'd.
O hard-believing love, how strange it seems
Not to believe, and yet too credulous!
Thy weal and woe are both of them extremes;
Despair and hope make thee ridiculous:
The one doth flatter thee in thoughts unlikely,
In likely thoughts the other kills thee quickly.
Now she unweaves the web that she hath wrought;
Adonis lives, and Death is not to blame;
It was not she that call'd him all to naught:
Now she adds honours to his hateful name;
She clepes him king of graves and grave for kings,
Imperious supreme of all mortal things.
"No, no," quoth she, "sweet Death, I did but jest;
Yet pardon me I felt a kind of fear
When as I met the boar, that bloody beast,
Which knows no pity, but is still severe;
Then, gentle shadow,--truth I must confess,--
I rail'd on thee, fearing my love's decease.
"'Tis not my fault: the boar provok'd my tongue;
Be wreak'd on him, invisible commander;
'Tis he, foul creature, that hath done thee wrong;
I did but act, he's author of thy slander:
Grief hath two tongues, and never woman yet
Could rule them both without ten women's wit.
"
Thus hoping that Adonis is alive,
Her rash suspect she doth extenuate;
And that his beauty may the better thrive,
With Death she humbly doth insinuate;
Tells him of trophies, statues, tombs, and stories
His victories, his triumphs and his glories.
"O Jove," quoth she, "how much a fool was I
To be of such a weak and silly mind
To wail his death who lives and must not die
Till mutual overthrow of mortal kind;
For he being dead, with him is beauty slain,
And, beauty dead, black chaos comes again.
"Fie, fie, fond love, thou art so full of fear
As one with treasure laden, hemm'd with thieves;
Trifles, unwitnessed with eye or ear,
Thy coward heart with false bethinking grieves.
"
Even at this word she hears a merry horn,
Whereat she leaps that was but late forlorn.
As falcon to the lure, away she flies;
The grass stoops not, she treads on it so light;
And in her haste unfortunately spies
The foul boar's conquest on her fair delight;
Which seen, her eyes, as murder'd with the view,
Like stars asham'd of day, themselves withdrew;
Or, as the snail, whose tender horns being hit,
Shrinks backward in his shelly cave with pain,
And there, all smother'd up, in shade doth sit,
Long after fearing to creep forth again;
So, at his bloody view, her eyes are fled
Into the deep dark cabins of her head:
Where they resign their office and their light
To the disposing of her troubled brain;
Who bids them still consort with ugly night,
And never wound the heart with looks again;
Who, like a king perplexed in his throne,
By their suggestion gives a deadly groan,
Whereat each tributary subject quakes;
As when the wind, imprison'd in the ground,
Struggling for passage, earth's foundation shakes,
Which with cold terror doth men's minds confound.
This mutiny each part doth so surprise
That from their dark beds once more leap her eyes;
And, being open'd, threw unwilling light
Upon the wide wound that the boar had trench'd
In his soft flank; whose wonted lily white
With purple tears, that his wound wept, was drench'd:
No flower was nigh, no grass, herb, leaf, or weed,
But stole his blood and seem'd with him to bleed.
This solemn sympathy poor Venus noteth;
Over one shoulder doth she hang her head;
Dumbly she passions, franticly she doteth;
She thinks he could not die, he is not dead:
Her voice is stopt, her joints forget to bow;
Her eyes are mad that they have wept till now.
|
Written by
Jonathan Swift |
Five hours, (and who can do it less in?)
By haughty Celia spent in dressing;
The goddess from her chamber issues,
Arrayed in lace, brocades, and tissues.
Strephon, who found the room was void
And Betty otherwise employed,
Stole in and took a strict survey
Of all the litter as it lay;
Whereof, to make the matter clear,
An inventory follows here.
And first a dirty smock appeared,
Beneath the arm-pits well besmeared.
Strephon, the rogue, displayed it wide
And turned it round on every side.
On such a point few words are best,
And Strephon bids us guess the rest;
And swears how damnably the men lie
In calling Celia sweet and cleanly.
Now listen while he next produces
The various combs for various uses,
Filled up with dirt so closely fixt,
No brush could force a way betwixt.
A paste of composition rare,
Sweat, dandruff, powder, lead and hair;
A forehead cloth with oil upon't
To smooth the wrinkles on her front.
Here alum flower to stop the steams
Exhaled from sour unsavory streams;
There night-gloves made of Tripsy's hide,
Bequeath'd by Tripsy when she died,
With puppy water, beauty's help,
Distilled from Tripsy's darling whelp;
Here gallypots and vials placed,
Some filled with washes, some with paste,
Some with pomatum, paints and slops,
And ointments good for scabby chops.
Hard by a filthy basin stands,
Fouled with the scouring of her hands;
The basin takes whatever comes,
The scrapings of her teeth and gums,
A nasty compound of all hues,
For here she spits, and here she spews.
But oh! it turned poor Strephon's bowels,
When he beheld and smelt the towels,
Begummed, besmattered, and beslimed
With dirt, and sweat, and ear-wax grimed.
No object Strephon's eye escapes:
Here petticoats in frowzy heaps;
Nor be the handkerchiefs forgot
All varnished o'er with snuff and snot.
The stockings, why should I expose,
Stained with the marks of stinking toes;
Or greasy coifs and pinners reeking,
Which Celia slept at least a week in?
A pair of tweezers next he found
To pluck her brows in arches round,
Or hairs that sink the forehead low,
Or on her chin like bristles grow.
The virtues we must not let pass,
Of Celia's magnifying glass.
When frighted Strephon cast his eye on't
It shewed the visage of a giant.
A glass that can to sight disclose
The smallest worm in Celia's nose,
And faithfully direct her nail
To squeeze it out from head to tail;
(For catch it nicely by the head,
It must come out alive or dead.
)
Why Strephon will you tell the rest?
And must you needs describe the chest?
That careless wench! no creature warn her
To move it out from yonder corner;
But leave it standing full in sight
For you to exercise your spite.
In vain, the workman shewed his wit
With rings and hinges counterfeit
To make it seem in this disguise
A cabinet to vulgar eyes;
For Strephon ventured to look in,
Resolved to go through thick and thin;
He lifts the lid, there needs no more:
He smelt it all the time before.
As from within Pandora's box,
When Epimetheus oped the locks,
A sudden universal crew
Of humane evils upwards flew,
He still was comforted to find
That Hope at last remained behind;
So Strephon lifting up the lid
To view what in the chest was hid,
The vapours flew from out the vent.
But Strephon cautious never meant
The bottom of the pan to grope
And foul his hands in search of Hope.
O never may such vile machine
Be once in Celia's chamber seen!
O may she better learn to keep
"Those secrets of the hoary deep"!
As mutton cutlets, prime of meat,
Which, though with art you salt and beat
As laws of cookery require
And toast them at the clearest fire,
If from adown the hopeful chops
The fat upon the cinder drops,
To stinking smoke it turns the flame
Poisoning the flesh from whence it came;
And up exhales a greasy stench
For which you curse the careless wench;
So things which must not be exprest,
When plumpt into the reeking chest,
Send up an excremental smell
To taint the parts from whence they fell,
The petticoats and gown perfume,
Which waft a stink round every room.
Thus finishing his grand survey,
Disgusted Strephon stole away
Repeating in his amorous fits,
Oh! Celia, Celia, Celia shits!
But vengeance, Goddess never sleeping,
Soon punished Strephon for his peeping:
His foul Imagination links
Each dame he see with all her stinks;
And, if unsavory odors fly,
Conceives a lady standing by.
All women his description fits,
And both ideas jump like wits
By vicious fancy coupled fast,
And still appearing in contrast.
I pity wretched Strephon blind
To all the charms of female kind.
Should I the Queen of Love refuse
Because she rose from stinking ooze?
To him that looks behind the scene
Satira's but some pocky queen.
When Celia in her glory shows,
If Strephon would but stop his nose
(Who now so impiously blasphemes
Her ointments, daubs, and paints and creams,
Her washes, slops, and every clout
With which he makes so foul a rout),
He soon would learn to think like me
And bless his ravished sight to see
Such order from confusion sprung,
Such gaudy tulips raised from dung.
|
Written by
Hilaire Belloc |
Who was too Freely Moved to Tears, and thereby ruined his Political Career
Lord Lundy from his earliest years
Was far too freely moved to Tears.
For instance if his Mother said,
"Lundy! It's time to go to Bed!"
He bellowed like a Little Turk.
Or if his father Lord Dunquerque
Said "Hi!" in a Commanding Tone,
"Hi, Lundy! Leave the Cat alone!"
Lord Lundy, letting go its tail,
Would raise so terrible a wail
As moved His Grandpapa the Duke
To utter the severe rebuke:
"When I, Sir! was a little Boy,
An Animal was not a Toy!"
His father's Elder Sister, who
Was married to a Parvenoo,
Confided to Her Husband, Drat!
The Miserable, Peevish Brat!
Why don't they drown the Little Beast?"
Suggestions which, to say the least,
Are not what we expect to hear
From Daughters of an English Peer.
His Grandmamma, His Mother's Mother,
Who had some dignity or other,
The Garter, or no matter what,
I can't remember all the Lot!
Said "Oh! That I were Brisk and Spry
To give him that for which to cry!"
(An empty wish, alas! For she
Was Blind and nearly ninety-three).
The Dear Old Butler thought-but there!
I really neither know nor care
For what the Dear Old Butler thought!
In my opinion, Butlers ought
To know their place, and not to play
The Old Retainer night and day.
I'm getting tired and so are you,
Let's cut the poem into two!
Second Part
It happened to Lord Lundy then,
As happens to so many men:
Towards the age of twenty-six,
They shoved him into politics;
In which profession he commanded
The Income that his rank demanded
In turn as Secretary for
India, the Colonies, and War.
But very soon his friends began
To doubt is he were quite the man:
Thus if a member rose to say
(As members do from day to day),
"Arising out of that reply .
.
.
!"
Lord Lundy would begin to cry.
A Hint at harmless little jobs
Would shake him with convulsive sobs.
While as for Revelations, these
Would simply bring him to his knees,
And leave him whimpering like a child.
It drove his colleagues raving wild!
They let him sink from Post to Post,
From fifteen hundred at the most
To eight, and barely six--and then
To be Curator of Big Ben!.
.
.
And finally there came a Threat
To oust him from the Cabinet!
The Duke -- his aged grand-sire -- bore
The shame till he could bear no more.
He rallied his declining powers,
Summoned the youth to Brackley Towers,
And bitterly addressed him thus--
"Sir! you have disappointed us!
We had intended you to be
The next Prime Minister but three:
The stocks were sold; the Press was squared:
The Middle Class was quite prepared.
But as it is! .
.
.
My language fails!
Go out and govern New South Wales!"
The Aged Patriot groaned and died:
And gracious! how Lord Lundy cried!
|
Written by
T S (Thomas Stearns) Eliot |
Tra-la-la-la-la-la-laire—nil nisi divinum stabile est; caetera fumus—the gondola
stopped, the old palace was there, how charming its grey and pink—goats and
monkeys, with such hair too!—so the countess passed on until she came through the
little park, where Niobe presented her with a cabinet, and so departed.
BURBANK crossed a little bridge
Descending at a small hotel;
Princess Volupine arrived,
They were together, and he fell.
Defunctive music under sea
Passed seaward with the passing bell
Slowly: the God Hercules
Had left him, that had loved him well.
The horses, under the axletree
Beat up the dawn from Istria
With even feet.
Her shuttered barge
Burned on the water all the day.
But this or such was Bleistein’s way:
A saggy bending of the knees
And elbows, with the palms turned out,
Chicago Semite Viennese.
A lustreless protrusive eye
Stares from the protozoic slime
At a perspective of Canaletto.
The smoky candle end of time
Declines.
On the Rialto once.
The rats are underneath the piles.
The jew is underneath the lot.
Money in furs.
The boatman smiles,
Princess Volupine extends
A meagre, blue-nailed, phthisic hand
To climb the waterstair.
Lights, lights,
She entertains Sir Ferdinand
Klein.
Who clipped the lion’s wings
And flea’d his rump and pared his claws?
Thought Burbank, meditating on
Time’s ruins, and the seven laws.
|
Written by
Stanley Kunitz |
My mother never forgave my father
for killing himself,
especially at such an awkward time
and in a public park,
that spring
when I was waiting to be born.
She locked his name
in her deepest cabinet
and would not let him out,
though I could hear him thumping.
When I came down from the attic
with the pastel portrait in my hand
of a long-lipped stranger
with a brave moustache
and deep brown level eyes,
she ripped it into shreds
without a single word
and slapped me hard.
In my sixty-fourth year
I can feel my cheek
still burning.
|
Written by
Sir Philip Sidney |
In truth, oh Love, with what a boyish kind
Thou doest proceed in thy most serious ways:
That when the heav'n to thee his best displays,
Yet of that best thou leav'st the best behind.
For like a child that some fair book doth find,
With gilded leaves or colored vellum plays,
Or at the most on some find picture stays,
But never heeds the fruit of writer's mind:
So when thou saw'st in Nature's cabinet
Stella, thou straight lookst babies in her eyes,
In her cheek's pit thou didst thy pitfall set:
And in her breast bopeep or couching lies,
Playing and shining in each outward part:
But, fool, seekst not to get into her heart.
|
Written by
Richard Crashaw |
I sing the Name which None can say
But touch’t with An interiour Ray:
The Name of our New Peace; our Good:
Our Blisse: and Supernaturall Blood:
The Name of All our Lives and Loves.
Hearken, And Help, ye holy Doves!
The high-born Brood of Day; you bright
Candidates of blissefull Light,
The Heirs Elect of Love; whose Names belong
Unto The everlasting life of Song;
All ye wise Soules, who in the wealthy Brest
Of This unbounded Name build your warm Nest.
Awake, My glory.
Soul, (if such thou be,
And That fair Word at all referr to Thee)
Awake and sing
And be All Wing;
Bring hither thy whole Self; and let me see
What of thy Parent Heaven yet speakes in thee,
O thou art Poore
Of noble Powres, I see,
And full of nothing else but empty Me,
Narrow, and low, and infinitely lesse
Then this Great mornings mighty Busynes.
One little World or two
(Alas) will never doe.
We must have store.
Goe, Soul, out of thy Self, and seek for More.
Goe and request
Great Nature for the Key of her huge Chest
Of Heavns, the self involving Sett of Sphears
(Which dull mortality more Feeles then heares)
Then rouse the nest
Of nimble, Art, and traverse round
The Aiery Shop of soul-appeasing Sound:
And beat a summons in the Same
All-soveraign Name
To warn each severall kind
And shape of sweetnes, Be they such
As sigh with supple wind
Or answer Artfull Touch,
That they convene and come away
To wait at the love-crowned Doores of
This Illustrious Day.
Shall we dare This, my Soul? we’l doe’t and bring
No Other note for’t, but the Name we sing.
Wake Lute and Harp
And every sweet-lipp’t Thing
That talkes with tunefull string;
Start into life, And leap with me
Into a hasty Fitt-tun’d Harmony.
Nor must you think it much
T’obey my bolder touch;
I have Authority in Love’s name to take you
And to the worke of Love this morning wake you;
Wake; In the Name
Of Him who never sleeps, All Things that Are,
Or, what’s the same,
Are Musicall;
Answer my Call
And come along;
Help me to meditate mine Immortall Song.
Come, ye soft ministers of sweet sad mirth,
Bring All your houshold stuffe of Heavn on earth;
O you, my Soul’s most certain Wings,
Complaining Pipes, and prattling Strings,
Bring All the store
Of Sweets you have; And murmur that you have no more.
Come, n? to part,
Nature and Art!
Come; and come strong,
To the conspiracy of our Spatious song.
Bring All the Powres of Praise
Your Provinces of well-united Worlds can raise;
Bring All your Lutes and Harps of Heaven and Earth;
What ?re cooperates to The common mirthe
Vessells of vocall Ioyes,
Or You, more noble Architects of Intellectuall Noise,
Cymballs of Heav’n, or Humane sphears,
Solliciters of Soules or Eares;
And when you’are come, with All
That you can bring or we can call;
O may you fix
For ever here, and mix
Your selves into the long
And everlasting series of a deathlesse Song;
Mix All your many Worlds, Above,
And loose them into One of Love.
Chear thee my Heart!
For Thou too hast thy Part
And Place in the Great Throng
Of This unbounded All-imbracing Song.
Powres of my Soul, be Proud!
And speake lowd
To All the dear-bought Nations This Redeeming Name,
And in the wealth of one Rich Word proclaim
New Similes to Nature.
May it be no wrong
Blest Heavns, to you, and your Superiour song,
That we, dark Sons of Dust and Sorrow,
A while Dare borrow
The Name of Your Dilights and our Desires,
And fitt it to so farr inferior Lyres.
Our Murmurs have their Musick too,
Ye mighty Orbes, as well as you,
Nor yeilds the noblest Nest
Of warbling Seraphim to the eares of Love,
A choicer Lesson then the joyfull Brest
Of a poor panting Turtle-Dove.
And we, low Wormes have leave to doe
The Same bright Busynes (ye Third Heavens) with you.
Gentle Spirits, doe not complain.
We will have care
To keep it fair,
And send it back to you again.
Come, lovely Name! Appeare from forth the Bright
Regions of peacefull Light,
Look from thine own Illustrious Home,
Fair King of Names, and come.
Leave All thy native Glories in their Georgeous Nest,
And give thy Self a while The gracious Guest
Of humble Soules, that seek to find
The hidden Sweets
Which man’s heart meets
When Thou art Master of the Mind.
Come, lovely Name; life of our hope!
Lo we hold our Hearts wide ope!
Unlock thy Cabinet of Day
Dearest Sweet, and come away.
Lo how the thirsty Lands
Gasp for thy Golden Showres! with longstretch’t Hands.
Lo how the laboring Earth
That hopes to be
All Heaven by Thee,
Leapes at thy Birth.
The’ attending World, to wait thy Rise,
First turn’d to eyes;
And then, not knowing what to doe;
Turn’d Them to Teares, and spent Them too.
Come Royall Name, and pay the expence
Of all this Pretious Patience.
O come away
And kill the Death of This Delay.
O see, so many Worlds of barren yeares
Melted and measur’d out is Seas of Teares.
O see, The Weary liddes of wakefull Hope
(Love’s Eastern windowes) All wide ope
With Curtains drawn,
To catch The Day-break of Thy Dawn.
O dawn, at last, long look’t for Day!
Take thine own wings, and come away.
Lo, where Aloft it comes! It comes, Among
The Conduct of Adoring Spirits, that throng
Like diligent Bees, And swarm about it.
O they are wise;
And know what Sweetes are suck’t from out it.
It is the Hive,
By which they thrive,
Where All their Hoard of Hony lyes.
Lo where it comes, upon The snowy Dove’s
Soft Back; And brings a Bosom big with Loves.
Welcome to our dark world, Thou
Womb of Day!
Unfold thy fair Conceptions; And display
The Birth of our Bright Ioyes.
O thou compacted
Body of Blessings: spirit of Soules extracted!
O dissipate thy spicy Powres
(Clowd of condensed sweets) and break upon us
In balmy showrs;
O fill our senses, And take from us
All force of so Prophane a Fallacy
To think ought sweet but that which smells of Thee.
Fair, flowry Name; In none but Thee
And Thy Nectareall Fragrancy,
Hourly there meetes
An universall Synod of All sweets;
By whom it is defined Thus
That no Perfume
For ever shall presume
To passe for Odoriferous,
But such alone whose sacred Pedigree
Can prove it Self some kin (sweet name) to Thee.
Sweet Name, in Thy each Syllable
A Thousand Blest Arabias dwell;
A Thousand Hills of Frankincense;
Mountains of myrrh, and Beds of species,
And ten Thousand Paradises,
The soul that tasts thee takes from thence.
How many unknown Worlds there are
Of Comforts, which Thou hast in keeping!
How many Thousand Mercyes there
In Pitty’s soft lap ly a sleeping!
Happy he who has the art
To awake them,
And to take them
Home, and lodge them in his Heart.
O that it were as it was wont to be!
When thy old Freinds of Fire, All full of Thee,
Fought against Frowns with smiles; gave Glorious chase
To Persecutions; And against the Face
Of Death and feircest Dangers, durst with Brave
And sober pace march on to meet A Grave.
On their Bold Brests about the world they bore thee
And to the Teeth of Hell stood up to teach thee,
In Center of their inmost Soules they wore thee,
Where Rackes and Torments striv’d, in vain, to reach thee.
Little, alas, thought They
Who tore the Fair Brests of thy Freinds,
Their Fury but made way
For Thee; And serv’d them in Thy glorious ends.
What did Their weapons but with wider pores
Inlarge thy flaming-brested Lovers
More freely to transpire
That impatient Fire
The Heart that hides Thee hardly covers.
What did their Weapons but sett wide the Doores
For Thee: Fair, purple Doores, of love’s devising;
The Ruby windowes which inrich’t the East
Of Thy so oft repeated Rising.
Each wound of Theirs was Thy new Morning;
And reinthron’d thee in thy Rosy Nest,
With blush of thine own Blood thy day adorning,
It was the witt of love ?reflowd the Bounds
Of Wrath, and made thee way through All Those wounds.
Wellcome dear, All-Adored Name!
For sure there is no Knee
That knowes not Thee.
Or if there be such sonns of shame,
Alas what will they doe
When stubborn Rocks shall bow
And Hills hang down their Heavn-saluting Heads
To seek for humble Beds
Of Dust, where in the Bashfull shades of night
Next to their own low Nothing they may ly,
And couch before the dazeling light of thy dread majesty.
They that by Love’s mild Dictate now
Will not adore thee,
Shall Then with Just Confusion, bow
And break before thee.
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Written by
Sylvia Plath |
All summer we moved in a villa brimful of echos,
Cool as the pearled interior of a conch.
Bells, hooves, of the high-stipping black goats woke us.
Around our bed the baronial furniture
Foundered through levels of light seagreen and strange.
Not one leaf wrinkled in the clearing air.
We dreamed how we were perfect, and we were.
Against bare, whitewashed walls, the furniture
Anchored itself, griffin-legged and darkly grained.
Two of us in a place meant for ten more-
Our footsteps multiplied in the shadowy chambers,
Our voices fathomed a profounder sound:
The walnut banquet table, the twelve chairs
Mirrored the intricate gestures of two others.
Heavy as a statuary, shapes not ours
Performed a dumbshow in the polished wood,
That cabinet without windows or doors:
He lifts an arm to bring her close, but she
Shies from his touch: his is an iron mood.
Seeing her freeze, he turns his face away.
They poise and grieve as in some old tragedy.
Moon-blanched and implacable, he and she
Would not be eased, released.
Our each example
Of temderness dove through their purgatory
Like a planet, a stone, swallowed in a great darkness,
Leaving no sparky track, setting up no ripple.
Nightly we left them in their desert place.
Lights out, they dogged us, sleepless and envious:
We dreamed their arguments, their stricken voices.
We might embrace, but those two never did,
Come, so unlike us, to a stiff impasse,
Burdened in such a way we seemed the lighter-
Ourselves the haunters, and they, flesh and blood;
As if, above love's ruinage, we were
The heaven those two dreamed of, in despair.
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