Written by
Edward Hirsch |
In Memory of Dennis Turner, 1946-1984
A hook shot kisses the rim and
hangs there, helplessly, but doesn't drop,
and for once our gangly starting center
boxes out his man and times his jump
perfectly, gathering the orange leather
from the air like a cherished possession
and spinning around to throw a strike
to the outlet who is already shoveling
an underhand pass toward the other guard
scissoring past a flat-footed defender
who looks stunned and nailed to the floor
in the wrong direction, trying to catch sight
of a high, gliding dribble and a man
letting the play develop in front of him
in slow motion, almost exactly
like a coach's drawing on the blackboard,
both forwards racing down the court
the way that forwards should, fanning out
and filling the lanes in tandem, moving
together as brothers passing the ball
between them without a dribble, without
a single bounce hitting the hardwood
until the guard finally lunges out
and commits to the wrong man
while the power-forward explodes past them
in a fury, taking the ball into the air
by himself now and laying it gently
against the glass for a lay-up,
but losing his balance in the process,
inexplicably falling, hitting the floor
with a wild, headlong motion
for the game he loved like a country
and swiveling back to see an orange blur
floating perfectly though the net.
|
Written by
David Lehman |
He woke up in New York City on Valentine's Day,
Speeding. The body in the booth next to his was still warm,
Was gone. He had bought her a sweater, a box of chocolate
Said her life wasn't working he looked stricken she said
You're all bent out of shape, accusingly, and when he
She went from being an Ivy League professor of French
To an illustrator for a slick midtown magazine
They agreed it was his fault. But for now they needed
To sharpen to a point like a pencil the way
The Empire State Building does. What I really want to say
To you, my love, is a whisper on the rooftop lost in the wind
And you turn to me with your rally cap on backwards rooting
For a big inning, the bases loaded, our best slugger up
And no one out, but it doesn't work that way. Like the time
Kirk Gibson hit the homer off Dennis Eckersley to win the game:
It doesn't happen like that in fiction. In fiction, we are
On a train, listening to a storyteller about to reach the climax
Of his tale as the train pulls into Minsk, his stop. That's
My stop, he says, stepping off the train, confounding us who
Can't get off it. "You can't leave without telling us the end,"
We say, but he is already on the platform, grinning.
"End?" he says. "It was only the beginning."
|
Written by
Edward Hirsch |
In Memory of Dennis Turner, 1946-1984
A hook shot kisses the rim and
hangs there, helplessly, but doesn't drop,
and for once our gangly starting center
boxes out his man and times his jump
perfectly, gathering the orange leather
from the air like a cherished possession
and spinning around to throw a strike
to the outlet who is already shoveling
an underhand pass toward the other guard
scissoring past a flat-footed defender
who looks stunned and nailed to the floor
in the wrong direction, trying to catch sight
of a high, gliding dribble and a man
letting the play develop in front of him
in slow motion, almost exactly
like a coach's drawing on the blackboard,
both forwards racing down the court
the way that forwards should, fanning out
and filling the lanes in tandem, moving
together as brothers passing the ball
between them without a dribble, without
a single bounce hitting the hardwood
until the guard finally lunges out
and commits to the wrong man
while the power-forward explodes past them
in a fury, taking the ball into the air
by himself now and laying it gently
against the glass for a lay-up,
but losing his balance in the process,
inexplicably falling, hitting the floor
with a wild, headlong motion
for the game he loved like a country
and swiveling back to see an orange blur
floating perfectly though the net.
|