Written by
Shel Silverstein |
"I cannot go to school today"
Said little Peggy Ann McKay.
"I have the measles and the mumps,
A gash, a rash and purple bumps.
My mouth is wet, my throat is dry.
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox.
And there's one more - that's seventeen,
And don't you think my face looks green?
My leg is cut, my eyes are blue,
It might be the instamatic flu.
I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke.
My hip hurts when I move my chin,
My belly button's caving in.
My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My toes are cold, my toes are numb,
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There is a hole inside my ear.
I have a hangnail, and my heart is ...
What? What's that? What's that you say?
You say today is .............. Saturday?
G'bye, I'm going out to play!"
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Written by
Andrew Barton Paterson |
Men fight all shapes and sizes as the racing horses run,
And no man knows his courage till he stands before a gun.
At mixed-up fighting, hand to hand, and clawing men about
They reckon Fuzzy-Wuzzy is the hottest fighter out.
But Fuzzy gives himself away -- his style is out of date,
He charges like a driven grouse that rushes on its fate;
You've nothing in the world to do but pump him full of lead:
But when you're fighting Johhny Boer you have to use your head;
He don't believe in front attacks or charging at the run,
He fights you from a kopje with his little Maxim gun.
For when the Lord He made the earth, it seems uncommon clear,
He gave the job of Africa to some good engineer,
Who started building fortresses on fashions of his own --
Lunettes, redoubts, and counterscarps all made of rock and stone.
The Boer need only bring a gun, for ready to his hand
He finds these heaven-built fortresses all scattered through the land;
And there he sits and winks his eye and wheels his gun about,
And we must charge across the plain to hunt the beggar out.
It ain't a game that grows on us -- there's lots of better fun
Than charging at old Johnny with his little Maxim gun.
On rocks a goat could scarcely climb, steep as the walls of Troy,
He wheels a four-point-seven about as easy as a toy;
With bullocks yoked and drag-ropes manned, he lifts her up the rocks
And shifts her every now and then, as cunning as a fox.
At night you mark her right ahead, you see her clean and clear,
Next day at dawn -- "What, ho! she bumps" -- from somewhere in the rear.
Or else the keenest-eyed patrol will miss him with the glass --
He's lying hidden in the rocks to let the leaders pass;
But when the mainguard comes along he opens up the fun;
There's lots of ammunition for the little Maxim gun.
But after all the job is sure, although the job is slow.
We have to see the business through, the Boer has got to go.
With Nordenfeldt and lyddite shell it's certain, soon or late,
We'll hunt him from his kopjes and across the Orange State;
And then across those open flats you'll see the beggar run,
And we'll be running after him with our little Maxim gun.
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Written by
Andrew Barton Paterson |
Oh the airman's game is a showman's game, for we all of us watch him go
With his roaring soaring aeroplane and his bombs for the blokes below,
Over the railways and over the dumps, over the Hun and the Turk,
You'll hear him mutter, "What ho, she bumps," when the Archies get to work.
But not of him is the song I sing, though he follow the eagle's flight,
And with shrapnel holes in his splintered wing comes home to his roost at night.
He may silver his wings on the shining stars, he may look from the throne on high,
He may follow the flight of the wheeling kite in the blue Egyptian sky,
But he's only a hero built to plan, turned out by the Army schools,
And I sing of the rankless, thankless man who hustles the Army mules.
Now where he comes from and where he lives is a mystery dark and dim,
And it's rarely indeed that the General gives a D.S.O. to him.
The stolid infantry digs its way like a mole in a ruined wall;
The cavalry lends a tone, they say, to what were else but a brawl;
The Brigadier of the Mounted Fut like a cavalry Colonel swanks
When he goeth abroad like a gilded nut to receive the General's thanks;
The Ordnance man is a son of a gun and his lists are a standing joke;
You order, "Choke arti Jerusalem one" for Jerusalem artichoke.
The Medicals shine with a number nine, and the men of the great R.E.,
Their Colonels are Methodist, married or mad, and some of them all the three;
In all these units the road to fame is taught by the Army schools,
But a man has got to be born to the game when he tackles the Army mules.
For if you go where the depots are as the dawn is breaking grey,
By the waning light of the morning star as the dust cloud clears away,
You'll see a vision among the dust like a man and a mule combined --
It's the kind of thing you must take on trust for its outlines aren't defined,
A thing that whirls like a spinning top and props like a three legged stool,
And you find its a long-legged Queensland boy convincing an Army mule.
And the rider sticks to the hybrid's hide like paper sticks to a wall,
For a "magnoon" Waler is next to ride with every chance of a fall,
It's a rough-house game and a thankless game, and it isn't a game for a fool,
For an army's fate and a nation's fame may turn on an Army mule.
And if you go to the front-line camp where the sleepless outposts lie,
At the dead of night you can hear the tramp of the mule train toiling by.
The rattle and clink of a leading-chain, the creak of the lurching load,
As the patient, plodding creatures strain at their task in the shell-torn road,
Through the dark and the dust you may watch them go till the dawn is grey in the sky,
And only the watchful pickets know when the "All-night Corps" goes by.
And far away as the silence falls when the last of the train has gone,
A weary voice through the darkness: "Get on there, men, get on!"
It isn't a hero, built to plan, turned out by the modern schools,
It's only the Army Service man a-driving his Army mules.
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Written by
James A Emanuel |
Pin- La- SCATS :
ball dy
tis- tas- bumps
ket raps ket, back.
yel- bas-
Wins low ket.
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Written by
Eugene Field |
O mother-my-love, if you'll give me your hand,
And go where I ask you to wander,
I will lead you away to a beautiful land,--
The Dreamland that's waiting out yonder.
We'll walk in a sweet posie-garden out there,
Where moonlight and starlight are streaming,
And the flowers and the birds are filling the air
With the fragrance and music of dreaming.
There'll be no little tired-out boy to undress,
No questions or cares to perplex you,
There'll be no little bruises or bumps to caress,
Nor patching of stockings to vex you;
For I'll rock you away on a silver-dew stream
And sing you asleep when you're weary,
And no one shall know of our beautiful dream
But you and your own little dearie.
And when I am tired I'll nestle my head
In the bosom that's soothed me so often,
And the wide-awake stars shall sing, in my stead,
A song which our dreaming shall soften.
So, Mother-my-Love, let me take your dear hand,
And away through the starlight we'll wander,--
Away through the mist to the beautiful land,--
The Dreamland that's waiting out yonder.
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Written by
Siegfried Sassoon |
Now light the candles; one; two; there’s a moth;
What silly beggars they are to blunder in
And scorch their wings with glory, liquid flame—
No, no, not that,—it’s bad to think of war,
When thoughts you’ve gagged all day come back to scare you;
And it’s been proved that soldiers don’t go mad
Unless they lose control of ugly thoughts
That drive them out to jabber among the trees.
Now light your pipe; look, what a steady hand.
Draw a deep breath; stop thinking; count fifteen,
And you’re as right as rain...
Why won’t it rain?...
I wish there’d be a thunder-storm to-night,
With bucketsful of water to sluice the dark,
And make the roses hang their dripping heads.
Books; what a jolly company they are,
Standing so quiet and patient on their shelves,
Dressed in dim brown, and black, and white, and green,
And every kind of colour. Which will you read?
Come on; O do read something; they’re so wise.
I tell you all the wisdom of the world
Is waiting for you on those shelves; and yet
You sit and gnaw your nails, and let your pipe out,
And listen to the silence: on the ceiling
There’s one big, dizzy moth that bumps and flutters;
And in the breathless air outside the house
The garden waits for something that delays.
There must be crowds of ghosts among the trees,—
Not people killed in battle,—they’re in France,—
But horrible shapes in shrouds—old men who died
Slow, natural deaths,—old men with ugly souls,
Who wore their bodies out with nasty sins.
. . . .
You’re quiet and peaceful, summering safe at home;
You’d never think there was a bloody war on!...
O yes, you would ... why, you can hear the guns.
Hark! Thud, thud, thud,—quite soft ... they never cease—
Those whispering guns—O Christ, I want to go out
And screech at them to stop—I’m going crazy;
I’m going stark, staring mad because of the guns.
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Written by
Eugene Field |
Achievin' sech distinction with his moddel tabble dote
Ez to make his Red Hoss Mountain restauraw a place uv note,
Our old friend Casey innovated somewhat round the place,
In hopes he would ameliorate the sufferin's uv the race;
'Nd uv the many features Casey managed to import
The most important wuz a Steenway gran' pianny-fort,
An' bein' there wuz nobody could play upon the same,
He telegraffed to Denver, 'nd a real perfesser came,--
The last an' crownin' glory uv the Casey restauraw
Wuz that tenderfoot musicianer, Perfesser Vere de Blaw!
His hair wuz long an' dishybill, an' he had a yaller skin,
An' the absence uv a collar made his neck look powerful thin:
A sorry man he wuz to see, az mebby you'd surmise,
But the fire uv inspiration wuz a-blazin' in his eyes!
His name wuz Blanc, wich same is Blaw (for that's what Casey said,
An' Casey passed the French ez well ez any Frenchie bred);
But no one ever reckoned that it really wuz his name,
An' no one ever asked him how or why or whence he came,--
Your ancient history is a thing the Coloradan hates,
An' no one asks another what his name wuz in the States!
At evenin', when the work wuz done, an' the miners rounded up
At Casey's, to indulge in keerds or linger with the cup,
Or dally with the tabble dote in all its native glory,
Perfessor Vere de Blaw discoursed his music repertory
Upon the Steenway gran' piannyfort, the wich wuz sot
In the hallway near the kitchen (a warm but quiet spot),
An' when De Blaw's environments induced the proper pride,--
Wich gen'rally wuz whiskey straight, with seltzer on the side,--
He throwed his soulful bein' into opry airs 'nd things
Wich bounded to the ceilin' like he'd mesmerized the strings.
Oh, you that live in cities where the gran' piannies grow,
An' primy donnies round up, it's little that you know
Uv the hungerin' an' the yearnin' wich us miners an' the rest
Feel for the songs we used to hear before we moved out West.
Yes, memory is a pleasant thing, but it weakens mighty quick;
It kind uv dries an' withers, like the windin' mountain crick,
That, beautiful, an' singin' songs, goes dancin' to the plains,
So long ez it is fed by snows an' watered by the rains;
But, uv that grace uv lovin' rains 'nd mountain snows bereft,
Its bleachin' rocks, like dummy ghosts, is all its memory left.
The toons wich the perfesser would perform with sech eclaw
Would melt the toughest mountain gentleman I ever saw,--
Sech touchin' opry music ez the Trovytory sort,
The sollum "Mizer Reery," an' the thrillin' "Keely Mort;"
Or, sometimes, from "Lee Grond Dooshess" a trifle he would play,
Or morsoze from a' opry boof, to drive dull care away;
Or, feelin' kind uv serious, he'd discourse somewhat in C,--
The wich he called a' opus (whatever that may be);
But the toons that fetched the likker from the critics in the crowd
Wuz not the high-toned ones, Perfesser Vere de Blaw allowed.
'T wuz "Dearest May," an' "Bonnie Doon," an' the ballard uv "Ben Bolt,"
Ez wuz regarded by all odds ez Vere de Blaw's best holt;
Then there wuz "Darlin' Nellie Gray," an' "Settin' on the Stile,"
An' "Seein' Nellie Home," an' "Nancy Lee," 'nd "Annie Lisle,"
An' "Silver Threads among the Gold," an' "The Gal that Winked at Me,"
An' "Gentle Annie," "Nancy Till," an' "The Cot beside the Sea."
Your opry airs is good enough for them ez likes to pay
Their money for the truck ez can't be got no other way;
But opry to a miner is a thin an' holler thing,--The
music that he pines for is the songs he used to sing.
One evenin' down at Casey's De Blaw wuz at his best,
With four-fingers uv old Wilier-run concealed beneath his vest;
The boys wuz settin' all around, discussin' folks an' things,
'Nd I had drawed the necessary keerds to fill on kings;
Three-fingered Hoover kind uv leaned acrosst the bar to say
If Casey'd liquidate right off, he'd liquidate next day;
A sperrit uv contentment wuz a-broodin' all around
(Onlike the other sperrits wich in restauraws abound),
When, suddenly, we heerd from yonder kitchen-entry rise
A toon each ornery galoot appeared to recognize.
Perfesser Vere de Blaw for once eschewed his opry ways,
An' the remnants uv his mind went back to earlier, happier days,
An' grappled like an' wrassled with a' old familiar air
The wich we all uv us had heern, ez you have, everywhere!
Stock still we stopped,--some in their talk uv politics an' things,
I in my unobtrusive attempt to fill on kings,
'Nd Hoover leanin' on the bar, an' Casey at the till,--
We all stopped short an' held our breaths (ez a feller sometimes will),
An' sot there more like bumps on logs than healthy, husky men,
Ez the memories uv that old, old toon come sneakin' back again.
You've guessed it? No, you hav n't; for it wuzn't that there song
Uv the home we'd been away from an' had hankered for so long,--
No, sir; it wuzn't "Home, Sweet Home," though it's always heard around
Sech neighborhoods in wich the home that is "sweet home" is found.
And, ez for me, I seemed to see the past come back again,
And hear the deep-drawed sigh my sister Lucy uttered when
Her mother asked her if she 'd practised her two hours that day,
Wich, if she hadn't, she must go an' do it right away!
The homestead in the States 'nd all its memories seemed to come
A-floatin' round about me with that magic lumty-tum.
And then uprose a stranger wich had struck the camp that night;
His eyes wuz sot an' fireless, 'nd his face wuz spookish white,
'Nd he sez: "Oh, how I suffer there is nobody kin say,
Onless, like me, he's wrenched himself from home an' friends away
To seek surcease from sorrer in a fur, seclooded spot,
Only to find--alars, too late!--the wich surcease is not!
Only to find that there air things that, somehow, seem to live
For nothin' in the world but jest the misery they give!
I've travelled eighteen hundred miles, but that toon has got here first;
I'm done,--I'm blowed,--I welcome death, an' bid it do its worst!"
Then, like a man whose mind wuz sot on yieldin' to his fate,
He waltzed up to the counter an' demanded whiskey straight,
Wich havin' got outside uv,--both the likker and the door,--
We never seen that stranger in the bloom uv health no more!
But some months later, what the birds had left uv him wuz found
Associated with a tree, some distance from the ground;
And Husky Sam, the coroner, that set upon him, said
That two things wuz apparent, namely: first, deceast wuz dead;
And, second, previously had got involved beyond all hope
In a knotty complication with a yard or two uv rope!
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Written by
Vasko Popa |
Enough chattering violets enough sweet trash
I won't hear anything know anything
Enough enough of all
I'll say the last enough
Fill my mouth with earth
Grit my teeth
To break off you skull guzzler
To break off once for all
I'll just be what I am
Without root without branch without crown
I'll lean on myself
On my own bumps and bruises
I'll be the hawthorn stake through you
That's all I can be in you
In you spoilsport in you muddlehead
Get lost
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Written by
Kenneth Patchen |
In the footsteps of the walking air
Sky's prophetic chickens weave their cloth of awe
And hillsides lift green wings in somber journeying.
Night in his soft haste bumps on the shoulders of the abyss
And a single drop of dark blood covers the earth.
Now is the China of the spirit at walking
In my reaches.
A sable organ sounds in my gathered will
And love's inscrutable skeleton sings.
My seeing moves under a vegetable shroud
And dead forests stand where once Mary stood.
Sullen stone dogs wait in the groves of water ...
Though the wanderer drown, his welfare is as a fire
That burns at the bottom of the sea, warming
Unknown roads for sleep to walk upon.
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Written by
Robert William Service |
Now Eddie Malone got a swell grammyfone to draw all the trade to his store;
An' sez he: "Come along for a season of song, which the like ye had niver before."
Then Dogrib, an' Slave, an' Yellow-knife brave, an' Cree in his dinky canoe,
Confluated near, to see an' to hear Ed's grammyfone make its dayboo.
Then Ed turned the crank, an' there on the bank they squatted like bumps on a log.
For acres around there wasn't a sound, not even the howl of a dog.
When out of the horn there sudden was born such a marvellous elegant tone;
An' then like a spell on that auddyence fell the voice of its first grammyfone.
"Bad medicine!" cried Old Tom, the One-eyed, an' made for to jump in the lake;
But no one gave heed to his little stampede, so he guessed he had made a mistake.
Then Roll-in-the-Mud, a chief of the blood, observed in choice Chippewayan:
"You've brought us canned beef, an' it's now my belief that this here's a case of canned man."
Well, though I'm not strong on the Dago in song, that sure got me goin' for fair.
There was Crusoe an' Scotty, an' Ma'am Shoeman Hank, an' Melber an' Bonchy was there.
'Twas silver an' gold, an' sweetness untold to hear all them big guinneys sing;
An' thick all around an' inhalin' the sound, them Indians formed in a ring.
So solemn they sat, an' they smoked an' they spat, but their eyes sort o' glistened an' shone;
Yet niver a word of approvin' occurred till that guy Harry Lauder came on.
Then hunter of moose, an' squaw an' papoose jest laughed till their stummicks was sore;
Six times Eddie set back that record an' yet they hollered an' hollered for more.
I'll never forget that frame-up, you bet; them caverns of sunset agleam;
Them still peaks aglow, them shadders below, an' the lake like a petrified dream;
The teepees that stood by the edge of the wood; the evenin' star blinkin' alone;
The peace an' the rest, an' final an' best, the music of Ed's grammyfone.
Then sudden an' clear there rang on my ear a song mighty simple an' old;
Heart-hungry an' high it thrilled to the sky, all about "silver threads in the gold".
'Twas tender to tears, an' it brung back the years, the mem'ries that hallow an' yearn;
'Twas home-love an' joy, 'twas the thought of my boy . . . an' right there I vowed I'd return.
Big Four-finger Jack was right at my back, an' I saw with a kind o' surprise,
He gazed at the lake with a heartful of ache, an' the tears irrigated his eyes.
An' sez he: "Cuss me, pard! but that there hits me hard; I've a mother does nuthin' but wait.
She's turned eighty-three, an' she's only got me, an' I'm scared it'll soon be too late."
* * * * *
On Fond-du-lac's shore I'm hearin' once more that blessed old grammyfone play.
The summer's all gone, an' I'm still livin' on in the same old haphazardous way.
Oh, I cut out the booze, an' with muscles an' thews I corralled all the coin to go back;
But it wasn't to be: he'd a mother, you see, so I -- sliped it to Four-finger Jack.
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