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Best Famous Buds Poems

Here is a collection of the all-time best famous Buds poems. This is a select list of the best famous Buds poetry. Reading, writing, and enjoying famous Buds poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of buds poems.

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Written by Henry Wadsworth Longfellow | Create an image from this poem

Flowers

 Spake full well, in language quaint and olden,
One who dwelleth by the castled Rhine,
When he called the flowers, so blue and golden,
Stars, that in earth's firmament do shine.
Stars they are, wherein we read our history, As astrologers and seers of eld; Yet not wrapped about with awful mystery, Like the burning stars, which they beheld.
Wondrous truths, and manifold as wondrous, God hath written in those stars above; But not less in the bright flowerets under us Stands the revelation of his love.
Bright and glorious is that revelation, Written all over this great world of ours; Making evident our own creation, In these stars of earth, these golden flowers.
And the Poet, faithful and far-seeing, Sees, alike in stars and flowers, a part Of the self-same, universal being, Which is throbbing in his brain and heart.
Gorgeous flowerets in the sunlight shining, Blossoms flaunting in the eye of day, Tremulous leaves, with soft and silver lining, Buds that open only to decay; Brilliant hopes, all woven in gorgeous tissues, Flaunting gayly in the golden light; Large desires, with most uncertain issues, Tender wishes, blossoming at night! These in flowers and men are more than seeming; Workings are they of the self-same powers, Which the Poet, in no idle dreaming, Seeth in himself and in the flowers.
Everywhere about us are they glowing, Some like stars, to tell us Spring is born; Others, their blue eyes with tears o'er-flowing, Stand like Ruth amid the golden corn; Not alone in Spring's armorial bearing, And in Summer's green-emblazoned field, But in arms of brave old Autumn's wearing, In the centre of his brazen shield; Not alone in meadows and green alleys, On the mountain-top, and by the brink Of sequestered pools in woodland valleys, Where the slaves of nature stoop to drink; Not alone in her vast dome of glory, Not on graves of bird and beast alone, But in old cathedrals, high and hoary, On the tombs of heroes, carved in stone; In the cottage of the rudest peasant, In ancestral homes, whose crumbling towers, Speaking of the Past unto the Present, Tell us of the ancient Games of Flowers; In all places, then, and in all seasons, Flowers expand their light and soul-like wings, Teaching us, by most persuasive reasons, How akin they are to human things.
And with childlike, credulous affection We behold their tender buds expand; Emblems of our own great resurrection, Emblems of the bright and better land.


Written by William Shakespeare | Create an image from this poem

Shall I compare thee to a summers day? (Sonnet 18 XVIII)

Shall I compare thee to a summer's day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature's changing course, untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow'st,
Nor shall death brag thou wand'rest in his shade,
When in eternal lines to Time thou grow'st.
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.
Written by Percy Bysshe Shelley | Create an image from this poem

A Dream of the Unknown

I DREAM'D that as I wander'd by the way 
Bare winter suddenly was changed to spring, 
And gentle odours led my steps astray, 
Mix'd with a sound of waters murmuring 
Along a shelving bank of turf, which lay 5 
Under a copse, and hardly dared to fling 
Its green arms round the bosom of the stream, 
But kiss'd it and then fled, as thou mightest in dream.
There grew pied wind-flowers and violets, Daisies, those pearl'd Arcturi of the earth, 10 The constellated flower that never sets; Faint oxlips; tender bluebells, at whose birth The sod scarce heaved; and that tall flower that wets¡ª Like a child, half in tenderness and mirth¡ª Its mother's face with heaven-collected tears, 15 When the low wind, its playmate's voice, it hears.
And in the warm hedge grew lush eglantine, Green cow-bind and the moonlight-colour'd may, And cherry-blossoms, and white cups, whose wine Was the bright dew yet drain'd not by the day; 20 And wild roses, and ivy serpentine With its dark buds and leaves, wandering astray; And flowers azure, black, and streak'd with gold, Fairer than any waken'd eyes behold.
And nearer to the river's trembling edge 25 There grew broad flag-flowers, purple prank'd with white, And starry river-buds among the sedge, And floating water-lilies, broad and bright, Which lit the oak that overhung the hedge With moonlight beams of their own watery light; 30 And bulrushes, and reeds of such deep green As soothed the dazzled eye with sober sheen.
Methought that of these visionary flowers I made a nosegay, bound in such a way That the same hues, which in their natural bowers 35 Were mingled or opposed, the like array Kept these imprison'd children of the Hours Within my hand,¡ªand then, elate and gay, I hasten'd to the spot whence I had come That I might there present it¡ªoh! to Whom? 40
Written by John Drinkwater | Create an image from this poem

Persuasion

Persuasion

I 	At any moment love unheralded
Comes, and is king.
Then as, with a fall Of frost, the buds upon the hawthorn spread Are withered in untimely burial, So love, occasion gone, his crown puts by, And as a beggar walks unfriended ways, With but remembered beauty to defy The frozen sorrows of unsceptred days.
Or in that later travelling he comes Upon a bleak oblivion, and tells Himself, again, again, forgotten tombs Are all now that love was, and blindly spells His royal state of old a glory cursed, Saying 'I have forgot', and that's the worst.
II If we should part upon that one embrace, And set our courses ever, each from each, With all our treasure but a fading face And little ghostly syllables of speech; Should beauty's moment never be renewed, And moons on moons look out for us in vain, And each but whisper from a solitude To hear but echoes of a lonely pain, — Still in a world that fortune cannot change Should walk those two that once were you and I, Those two that once when moon and stars were strange Poets above us in an April sky, Heard a voice falling on the midnight sea, Mute, and for ever, but for you and me.
III This nature, this great flood of life, this cheat That uses us as baubles for her coat, Takes love, that should be nothing but the beat Of blood for its own beauty, by the throat, Saying, you are my servant and shall do My purposes, or utter bitterness Shall be your wage, and nothing come to you But stammering tongues that never can confess.
Undaunted then in answer here I cry, 'You wanton, that control the hand of him Who masquerades as wisdom in a sky Where holy, holy, sing the cherubim, I will not pay one penny to your name Though all my body crumble into shame.
' IV Woman, I once had whimpered at your hand, Saying that all the wisdom that I sought Lay in your brain, that you were as the sand Should cleanse the muddy mirrors of my thought; I should have read in you the character Of oracles that quick a thousand lays, Looked in your eyes, and seen accounted there Solomons legioned for bewildered praise.
Now have I learnt love as love is.
I take Your hand, and with no inquisition learn All that your eyes can tell, and that's to make A little reckoning and brief, then turn Away, and in my heart I hear a call, 'I love, I love, I love'; and that is all.
V When all the hungry pain of love I bear, And in poor lightless thought but burn and burn, And wit goes hunting wisdom everywhere, Yet can no word of revelation learn; When endlessly the scales of yea and nay In dreadful motion fall and rise and fall, When all my heart in sorrow I could pay Until at last were left no tear at all; Then if with tame or subtle argument Companions come and draw me to a place Where words are but the tappings of content, And life spreads all her garments with a grace, I curse that ease, and hunger in my heart Back to my pain and lonely to depart.
VI Not anything you do can make you mine, For enterprise with equal charity In duty as in love elect will shine, The constant slave of mutability.
Nor can your words for all their honey breath Outsing the speech of many an older rhyme, And though my ear deliver them from death One day or two, it is so little time.
Nor does your beauty in its excellence Excel a thousand in the daily sun, Yet must I put a period to pretence, And with my logic's catalogue have done, For act and word and beauty are but keys To unlock the heart, and you, dear love, are these.
VII Never the heart of spring had trembled so As on that day when first in Paradise We went afoot as novices to know For the first time what blue was in the skies, What fresher green than any in the grass, And how the sap goes beating to the sun, And tell how on the clocks of beauty pass Minute by minute till the last is done.
But not the new birds singing in the brake, And not the buds of our discovery, The deeper blue, the wilder green, the ache For beauty that we shadow as we see, Made heaven, but we, as love's occasion brings, Took these, and made them Paradisal things.
VIII The lilacs offer beauty to the sun, Throbbing with wonder as eternally For sad and happy lovers they have done With the first bloom of summer in the sky; Yet they are newly spread in honour now, Because, for every beam of beauty given Out of that clustering heart, back to the bough My love goes beating, from a greater heaven.
So be my love for good or sorry luck Bound, it has virtue on this April eve That shall be there for ever when they pluck Lilacs for love.
And though I come to grieve Long at a frosty tomb, there still shall be My happy lyric in the lilac tree.
IX When they make silly question of my love, And speak to me of danger and disdain, And look by fond old argument to move My wisdom to docility again; When to my prouder heart they set the pride Of custom and the gossip of the street, And show me figures of myself beside A self diminished at their judgment seat; Then do I sit as in a drowsy pew To hear a priest expounding th' heavenly will, Defiling wonder that he never knew With stolen words of measured good and ill; For to the love that knows their counselling, Out of my love contempt alone I bring.
X Not love of you is most that I can bring, Since what I am to love you is the test, And should I love you more than any thing You would but be of idle love possessed, A mere love wandering in appetite, Counting your glories and yet bringing none, Finding in you occasions of delight, A thief of payment for no service done.
But when of labouring life I make a song And bring it you, as that were my reward, To let what most is me to you belong, Then do I come of high possessions lord, And loving life more than my love of you I give you love more excellently true.
XI What better tale could any lover tell When age or death his reckoning shall write Than thus, 'Love taught me only to rebel Against these things, — the thieving of delight Without return; the gospellers of fear Who, loving, yet deny the truth they bear, Sad-suited lusts with lecherous hands to smear The cloth of gold they would but dare not wear.
And love gave me great knowledge of the trees, And singing birds, and earth with all her flowers; Wisdom I knew and righteousness in these, I lived in their atonement all my hours; Love taught me how to beauty's eye alone The secret of the lying heart is known.
' XII This then at last; we may be wiser far Than love, and put his folly to our measure, Yet shall we learn, poor wizards that we are, That love chimes not nor motions at our pleasure.
We bid him come, and light an eager fire, And he goes down the road without debating; We cast him from the house of our desire, And when at last we leave he will be waiting.
And in the end there is no folly but this, To counsel love out of our little learning.
For still he knows where rotten timber is, And where the boughs for the long winter burning; And when life needs no more of us at all, Love's word will be the last that we recall.
Written by Percy Bysshe Shelley | Create an image from this poem

To a Lady with a Guitar

ARIEL to Miranda:¡ªTake 
This slave of music for the sake 
Of him who is the slave of thee; 
And teach it all the harmony 
In which thou canst and only thou 5 
Make the delighted spirit glow  
Till joy denies itself again 
And too intense is turn'd to pain.
For by permission and command 
Of thine own Prince Ferdinand 10 
Poor Ariel sends this silent token 
Of more than ever can be spoken; 
Your guardian spirit Ariel who 
From life to life must still pursue 
Your happiness for thus alone 15 
Can Ariel ever find his own. 
From Prospero's enchanted cell  
As the mighty verses tell  
To the throne of Naples he 
Lit you o'er the trackless sea 20 
Flitting on your prow before  
Like a living meteor. 
When you die the silent Moon 
In her interlunar swoon 
Is not sadder in her cell 25 
Than deserted Ariel:¡ª 
When you live again on earth  
Like an unseen Star of birth 
Ariel guides you o'er the sea 
Of life from your nativity:¡ª 30 
Many changes have been run 
Since Ferdinand and you begun 
Your course of love and Ariel still 
Has track'd your steps and served your will. 
Now in humbler happier lot 35 
This is all remember'd not; 
And now alas the poor Sprite is 
Imprison'd for some fault of his 
In a body like a grave¡ª 
From you he only dares to crave 40 
For his service and his sorrow 
A smile to-day a song to-morrow. 

The artist who this viol wrought 
To echo all harmonious thought  
Fell'd a tree while on the steep 45 
The woods were in their winter sleep  
Rock'd in that repose divine 
On the wind-swept Apennine; 
And dreaming some of autumn past  
And some of spring approaching fast 50 
And some of April buds and showers  
And some of songs in July bowers  
And all of love; and so this tree ¡ª 
Oh that such our death may be!¡ª 
Died in sleep and felt no pain 55 
To live in happier form again: 
From which beneath heaven's fairest star  
The artist wrought this loved guitar; 
And taught it justly to reply 
To all who question skilfully 60 
In language gentle as thine own; 
Whispering in enamour'd tone 
Sweet oracles of woods and dells  
And summer winds in sylvan cells. 
For it had learnt all harmonies 65 
Of the plains and of the skies  
Of the forests and the mountains  
And the many-voic¨¨d fountains; 
The clearest echoes of the hills  
The softest notes of falling rills 70 
The melodies of birds and bees  
The murmuring of summer seas  
And pattering rain and breathing dew  
And airs of evening; and it knew 
That seldom-heard mysterious sound 75 
Which driven on its diurnal round  
As it floats through boundless day  
Our world enkindles on its way:¡ª 
All this it knows but will not tell 
To those who cannot question well 80 
The spirit that inhabits it: 
It talks according to the wit 
Of its companions; and no more 
Is heard than has been felt before 
By those who tempt it to betray 85 
These secrets of an elder day. 
But sweetly as its answers will 
Flatter hands of perfect skill  
It keeps its highest holiest tone 
For one beloved Friend alone. 90 


Written by D. H. Lawrence | Create an image from this poem

Craving for Spring

 I wish it were spring in the world.
Let it be spring! Come, bubbling, surging tide of sap! Come, rush of creation! Come, life! surge through this mass of mortification! Come, sweep away these exquisite, ghastly first-flowers, which are rather last-flowers! Come, thaw down their cool portentousness, dissolve them: snowdrops, straight, death-veined exhalations of white and purple crocuses, flowers of the penumbra, issue of corruption, nourished in mortification, jets of exquisite finality; Come, spring, make havoc of them! I trample on the snowdrops, it gives me pleasure to tread down the jonquils, to destroy the chill Lent lilies; for I am sick of them, their faint-bloodedness, slow-blooded, icy-fleshed, portentous.
I want the fine, kindling wine-sap of spring, gold, and of inconceivably fine, quintessential brightness, rare almost as beams, yet overwhelmingly potent, strong like the greatest force of world-balancing.
This is the same that picks up the harvest of wheat and rocks it, tons of grain, on the ripening wind; the same that dangles the globe-shaped pleiads of fruit temptingly in mid-air, between a playful thumb and finger; oh, and suddenly, from out of nowhere, whirls the pear-bloom, upon us, and apple- and almond- and apricot- and quince-blossom, storms and cumulus clouds of all imaginable blossom about our bewildered faces, though we do not worship.
I wish it were spring cunningly blowing on the fallen sparks, odds and ends of the old, scattered fire, and kindling shapely little conflagrations curious long-legged foals, and wide-eared calves, and naked sparrow-bubs.
I wish that spring would start the thundering traffic of feet new feet on the earth, beating with impatience.
I wish it were spring, thundering delicate, tender spring.
I wish these brittle, frost-lovely flowers of passionate, mysterious corruption were not yet to come still more from the still-flickering discontent.
Oh, in the spring, the bluebell bows him down for very exuberance, exulting with secret warm excess, bowed down with his inner magnificence! Oh, yes, the gush of spring is strong enough to toss the globe of earth like a ball on a water-jet dancing sportfully; as you see a tiny celluloid ball tossing on a squirt of water for men to shoot at, penny-a-time, in a booth at a fair.
The gush of spring is strong enough to play with the globe of earth like a ball on a fountain; At the same time it opens the tiny hands of the hazel with such infinite patience.
The power of the rising, golden, all-creative sap could take the earth and heave it off among the stars, into the invisible; the same sets the throstle at sunset on a bough singing against the blackbird; comes out in the hesitating tremor of the primrose, and betrays its candour in the round white strawberry flower, is dignified in the foxglove, like a Red-Indian brave.
Ah come, come quickly, spring! come and lift us towards our culmination, we myriads; we who have never flowered, like patient cactuses.
Come and lift us to our end, to blossom, bring us to our summer we who are winter-weary in the winter of the of the world.
Come making the chaffinch nests hollow and cosy, come and soften the willow buds till they are puffed and furred, then blow them over with gold.
Coma and cajole the gawky colt’s-foot flowers.
Come quickly, and vindicate us.
against too much death.
Come quickly, and stir the rotten globe of the world from within, burst it with germination, with world anew.
Come now, to us, your adherents, who cannot flower from the ice.
All the world gleams with the lilies of death the Unconquerable, but come, give us our turn.
Enough of the virgins and lilies, of passionate, suffocating perfume of corruption, no more narcissus perfume, lily harlots, the blades of sensation piercing the flesh to blossom of death.
Have done, have done with this shuddering, delicious business of thrilling ruin in the flesh, of pungent passion, of rare, death-edged ecstasy.
Give us our turn, give us a chance, let our hour strike, O soon, soon! Let the darkness turn violet with rich dawn.
Let the darkness be warmed, warmed through to a ruddy violet, incipient purpling towards summer in the world of the heart of man.
Are the violets already here! Show me! I tremble so much to hear it, that even now on the threshold of spring, I fear I shall die.
Show me the violets that are out.
Oh, if it be true, and the living darkness of the blood of man is purpling with violets, if the violets are coming out from under the rack of men, winter-rotten and fallen, we shall have spring.
Pray not to die on this Pisgah blossoming with violets.
Pray to live through.
If you catch a whiff of violets from the darkness of the shadow of man it will be spring in the world, it will be spring in the world of the living; wonderment organising itself, heralding itself with the violets, stirring of new seasons.
Ah, do not let me die on the brink of such anticipation! Worse, let me not deceive myself.
Written by William Shakespeare | Create an image from this poem

Hark! Hark! The Lark

 Hark! hark! the lark at heaven's gate sings,
And Phoebus 'gins arise,
His steeds to water at those springs
On chalic'd flowers that lies;
And winking Mary-buds begin
To ope their golden eyes;
With everything that pretty is,
My lady sweet, arise:
Arise, arise!
Written by Christopher Marlowe | Create an image from this poem

The Passionate Shepherd to His Love

COME live with me and be my Love,
And we will all the pleasures prove
That hills and valleys, dale and field,
And all the craggy mountains yield.
There will we sit upon the rocks And see the shepherds feed their flocks, By shallow rivers, to whose falls Melodious birds sing madrigals.
There will I make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroider'd all with leaves of myrtle.
A gown made of the finest wool Which from our pretty lambs we pull, Fair linèd slippers for the cold, With buckles of the purest gold.
A belt of straw and ivy buds With coral clasps and amber studs: And if these pleasures may thee move, Come live with me and be my Love.
Thy silver dishes for thy meat As precious as the gods do eat, Shall on an ivory table be Prepared each day for thee and me.
The shepherd swains shall dance and sing For thy delight each May-morning: If these delights thy mind may move, Then live with me and be my Love.
Written by William Shakespeare | Create an image from this poem

Aubade

 HARK! hark! the lark at heaven's gate sings, 
 And Phoebus 'gins arise, 
His steeds to water at those springs 
 On chaliced flowers that lies; 
And winking Mary-buds begin 
 To ope their golden eyes: 
With everything that pretty bin, 
 My lady sweet, arise! 
 Arise, arise!
Written by John Keats | Create an image from this poem

Fancy

EVER let the Fancy roam, 
Pleasure never is at home: 
At a touch sweet Pleasure melteth, 
Like to bubbles when rain pelteth; 
Then let wing¨¨d Fancy wander 5 
Through the thought still spread beyond her: 
Open wide the mind's cage-door, 
She'll dart forth, and cloudward soar.
O sweet Fancy! let her loose; Summer's joys are spoilt by use, 10 And the enjoying of the Spring Fades as does its blossoming; Autumn's red-lipp'd fruitage too, Blushing through the mist and dew, Cloys with tasting: What do then? 15 Sit thee by the ingle, when The sear ****** blazes bright, Spirit of a winter's night; When the soundless earth is muffled, And the cak¨¨d snow is shuffled 20 From the ploughboy's heavy shoon; When the Night doth meet the Noon In a dark conspiracy To banish Even from her sky.
Sit thee there, and send abroad, 25 With a mind self-overawed, Fancy, high-commission'd:¡ªsend her! She has vassals to attend her: She will bring, in spite of frost, Beauties that the earth hath lost; 30 She will bring thee, all together, All delights of summer weather; All the buds and bells of May, From dewy sward or thorny spray; All the heap¨¨d Autumn's wealth, 35 With a still, mysterious stealth: She will mix these pleasures up Like three fit wines in a cup, And thou shalt quaff it:¡ªthou shalt hear Distant harvest-carols clear; 40 Rustle of the reap¨¨d corn; Sweet birds antheming the morn: And, in the same moment¡ªhark! 'Tis the early April lark, Or the rooks, with busy caw, 45 Foraging for sticks and straw.
Thou shalt, at one glance, behold The daisy and the marigold; White-plumed lilies, and the first Hedge-grown primrose that hath burst; 50 Shaded hyacinth, alway Sapphire queen of the mid-May; And every leaf, and every flower Pearl¨¨d with the self-same shower.
Thou shalt see the fieldmouse peep 55 Meagre from its cell¨¨d sleep; And the snake all winter-thin Cast on sunny bank its skin; Freckled nest-eggs thou shalt see Hatching in the hawthorn-tree, 60 When the hen-bird's wing doth rest Quiet on her mossy nest; Then the hurry and alarm When the beehive casts its swarm; Acorns ripe down-pattering 65 While the autumn breezes sing.
O sweet Fancy! let her loose; Every thing is spoilt by use: Where 's the cheek that doth not fade, Too much gazed at? Where 's the maid 70 Whose lip mature is ever new? Where 's the eye, however blue, Doth not weary? Where 's the face One would meet in every place? Where 's the voice, however soft, 75 One would hear so very oft? At a touch sweet Pleasure melteth Like to bubbles when rain pelteth.
Let, then, wing¨¨d Fancy find Thee a mistress to thy mind: 80 Dulcet-eyed as Ceres' daughter, Ere the God of Torment taught her How to frown and how to chide; With a waist and with a side White as Hebe's, when her zone 85 Slipt its golden clasp, and down Fell her kirtle to her feet, While she held the goblet sweet, And Jove grew languid.
¡ªBreak the mesh Of the Fancy's silken leash; 90 Quickly break her prison-string, And such joys as these she'll bring.
¡ª Let the wing¨¨d Fancy roam, Pleasure never is at home.

Book: Reflection on the Important Things