Written by
Philip Levine |
Rain filled the streets
once a year, rising almost
to door and window sills,
battering walls and roofs
until it cleaned away the mess
we'd made. My father told
me this, he told me it ran
downtown and spilled into
the river, which in turn
emptied finally into the sea.
He said this only once
while I sat on the arm
of his chair and stared out
at the banks of gray snow
melting as the March rain
streaked past. All the rest
of that day passed on
into childhood, into nothing,
or perhaps some portion hung
on in a tiny corner of thought.
Perhaps a clot of cinders
that peppered the front yard
clung to a spar of old weed
or the concrete lip of the curb
and worked its way back under
the new growth spring brought
and is a part of that yard
still. Perhaps light falling
on distant houses becomes
those houses, hunching them
down at dusk like sheep
browsing on a far hillside,
or at daybreak gilds
the roofs until they groan
under the new weight, or
after rain lifts haloes
of steam from the rinsed,
white aluminum siding,
and those houses and all
they contain live that day
in the sight of heaven.
II
In the blue, winking light
of the International Institute
of Social Revolution
I fell asleep one afternoon
over a book of memoirs
of a Spanish priest who'd
served his own private faith
in a long forgotten war.
An Anarchist and a Catholic,
his remembrances moved
inexplicably from Castilian
to Catalan, a language I
couldn't follow. That dust,
fine and gray, peculiar
to libraries, slipped
between the glossy pages
and my sight, a slow darkness
calmed me, and I forgot
the agony of those men
I'd come to love, forgot
the battles lost and won,
forgot the final trek
over hopeless mountain roads,
defeat, surrender, the vows
to live on. I slept until
the lights came on and off.
A girl was prodding my arm,
for the place was closing.
A slender Indonesian girl
in sweater and American jeans,
her black hair falling
almost to my eyes, she told
me in perfect English
that I could come back,
and she swept up into a folder
the yellowing newspaper stories
and photos spilled out before
me on the desk, the little
chronicles of death themselves
curling and blurring
into death, and took away
the book still unfinished
of a man more confused
even than I, and switched off
the light, and left me alone.
III
In June of 1975 I wakened
one late afternoon in Amsterdam
in a dim corner of a library.
I had fallen asleep over a book
and was roused by a young girl
whose hand lay on my hand.
I turned my head up and stared
into her brown eyes, deep
and gleaming. She was crying.
For a second I was confused
and started to speak, to offer
some comfort or aid, but I
kept still, for she was crying
for me, for the knowledge
that I had wakened to a life
in which loss was final.
I closed my eyes a moment.
When I opened them she'd gone,
the place was dark. I went
out into the golden sunlight;
the cobbled streets gleamed
as after rain, the street cafes
crowded and alive. Not
far off the great bell
of the Westerkirk tolled
in the early evening. I thought
of my oldest son, who years
before had sailed from here
into an unknown life in Sweden,
a life which failed, of how
he'd gone alone to Copenhagen,
Bremen, where he'd loaded trains,
Hamburg, Munich, and finally
-- sick and weary -- he'd returned
to us. He slept in a corner
of the living room for days,
and woke gaunt and quiet,
still only seventeen, his face
in its own shadows. I thought
of my father on the run
from an older war, and wondered
had he passed through Amsterdam,
had he stood, as I did now,
gazing up at the pale sky,
distant and opaque, for the sign
that never comes. Had he drifted
in the same winds of doubt
and change to another continent,
another life, a family, some
years of peace, an early death.
I walked on by myself for miles
and still the light hung on
as though the day would
never end. The gray canals
darkened slowly, the sky
above the high, narrow houses
deepened into blue, and one
by one the stars began
their singular voyages.
|
Written by
Lisa Zaran |
Pale scrapings of people
with lipstick ringed glasses
and cigarettes burning,
and laughter trickling up and down
their knotty throats.
What is this,
a gathering of henhouse critics?
My father's voice in the back of my head,
saying, forget that I'm dead and if you
can not do that than pretend.
I am standing
just outside the gallery
beneath the shadowy bough of a birch.
The moon is floating in the sky's dark lap.
Faraway I can hear the ocean sigh.
Now father, I am asking,
what smile are you wearing?
What color are your eyes again?
How many teeth have you lost?
Don't you think I want a kiss.
Perhaps I don't. Perhaps I don't
want to stand and pretend you
not dead while the wet, champagne
mouths of the living tell me how wonderful
your paintings are.
As they crook their fingers and strain their necks,
lose their vocabulary inside the artwork's depths
and colors.
Father, I want your reputation to outlive the pursuits
of others with their iron-on reviews after an hour's
worth of browsing at a lifetime of your work.
Father, are you crying?
Stop that sound.
Copyright © Lisa Zaran, 2005
|
Written by
Sylvia Plath |
The horizons ring me like faggots,
Tilted and disparate, and always unstable.
Touched by a match, they might warm me,
And their fine lines singe
The air to orange
Before the distances they pin evaporate,
Weighting the pale sky with a soldier color.
But they only dissolve and dissolve
Like a series of promises, as I step forward.
There is no life higher than the grasstops
Or the hearts of sheep, and the wind
Pours by like destiny, bending
Everything in one direction.
I can feel it trying
To funnel my heat away.
If I pay the roots of the heather
Too close attention, they will invite me
To whiten my bones among them.
The sheep know where they are,
Browsing in their dirty wool-clouds,
Gray as the weather.
The black slots of their pupils take me in.
It is like being mailed into space,
A thin, silly message.
They stand about in grandmotherly disguise,
All wig curls and yellow teeth
And hard, marbly baas.
I come to wheel ruts, and water
Limpid as the solitudes
That flee through my fingers.
Hollow doorsteps go from grass to grass;
Lintel and sill have unhinged themselves.
Of people and the air only
Remembers a few odd syllables.
It rehearses them moaningly:
Black stone, black stone.
The sky leans on me, me, the one upright
Among all horizontals.
The grass is beating its head distractedly.
It is too delicate
For a life in such company;
Darkness terrifies it.
Now, in valleys narrow
And black as purses, the house lights
Gleam like small change.
|
Written by
William Butler Yeats |
Shepherd. That cry's from the first cuckoo of the year.
I wished before it ceased.
Goatherd. Nor bird nor beast
Could make me wish for anything this day,
Being old, but that the old alone might die,
And that would be against God's providence.
Let the young wish. But what has brought you here?
Never until this moment have we met
Where my goats browse on the scarce grass or leap
From stone to Stone.
Shepherd. I am looking for strayed sheep;
Something has troubled me and in my rrouble
I let them stray. I thought of rhyme alone,
For rhme can beat a measure out of trouble
And make the daylight sweet once more; but when
I had driven every rhyme into its Place
The sheep had gone from theirs.
Goatherd. I know right well
What turned so good a shepherd from his charge.
Shepherd. He that was best in every country sport
And every country craft, and of us all
Most courteous to slow age and hasty youth,
Is dead.
Goatherd. The boy that brings my griddle-cake
Brought the bare news.
Shepherd. He had thrown the crook away
And died in the great war beyond the sea.
Goatherd. He had often played his pipes among my hills,
And when he played it was their loneliness,
The exultation of their stone, that died
Under his fingers.
Shepherd. I had it from his mother,
And his own flock was browsing at the door.
Goatherd. How does she bear her grief? There is not a
shepherd
But grows more gentle when he speaks her name,
Remembering kindness done, and how can I,
That found when I had neither goat nor grazing
New welcome and old wisdom at her fire
Till winter blasts were gone, but speak of her
Even before his children and his wife?
Shepherd. She goes about her house erect and calm
Between the pantry and the linen-chest,
Or else at meadow or at grazing overlooks
Her labouring men, as though her darling lived,
But for her grandson now; there is no change
But such as I have Seen upon her face
Watching our shepherd sports at harvest-time
When her son's turn was over.
Goatherd. Sing your song.
I too have rhymed my reveries, but youth
Is hot to show whatever it has found,
And till that's done can neither work nor wait.
Old goatherds and old goats, if in all else
Youth can excel them in accomplishment,
Are learned in waiting.
Shepherd. You cannot but have seen
That he alone had gathered up no gear,
Set carpenters to work on no wide table,
On no long bench nor lofty milking-shed
As others will, when first they take possession,
But left the house as in his father's time
As though he knew himself, as it were, a cuckoo,
No settled man. And now that he is gone
There's nothing of him left but half a score
Of sorrowful, austere, sweet, lofty pipe tunes.
Goatherd. You have put the thought in rhyme.
Shepherd. I worked all day,
And when 'twas done so little had I done
That maybe "I am sorry' in plain prose
Had Sounded better to your mountain fancy.
[He sings.]
"Like the speckled bird that steers
Thousands of leagues oversea,
And runs or a while half-flies
On his yellow legs through our meadows.
He stayed for a while; and we
Had scarcely accustomed our ears
To his speech at the break of day,
Had scarcely accustomed our eyes
To his shape at the rinsing-pool
Among the evening shadows,
When he vanished from ears and eyes.
I might have wished on the day
He came, but man is a fool.'
Goatherd. You sing as always of the natural life,
And I that made like music in my youth
Hearing it now have sighed for that young man
And certain lost companions of my own.
Shepherd. They say that on your barren mountain ridge
You have measured out the road that the soul treads
When it has vanished from our natural eyes;
That you have talked with apparitions.
Goatherd. Indeed
My daily thoughts since the first stupor of youth
Have found the path my goats' feet cannot find.
Shepherd. Sing, for it may be that your thoughts have
plucked
Some medicable herb to make our grief
Less bitter.
Goatherd. They have brought me from that ridge
Seed-pods and flowers that are not all wild poppy.
[Sings.]
"He grows younger every second
That were all his birthdays reckoned
Much too solemn seemed;
Because of what he had dreamed,
Or the ambitions that he served,
Much too solemn and reserved.
Jaunting, journeying
To his own dayspring,
He unpacks the loaded pern
Of all 'twas pain or joy to learn,
Of all that he had made.
The outrageous war shall fade;
At some old winding whitethorn root
He'll practise on the shepherd's flute,
Or on the close-cropped grass
Court his shepherd lass,
Or put his heart into some game
Till daytime, playtime seem the same;
Knowledge he shall unwind
Through victories of the mind,
Till, clambering at the cradle-side,
He dreams himself hsi mother's pride,
All knowledge lost in trance
Of sweeter ignorance.'
Shepherd. When I have shut these ewes and this old ram
Into the fold, we'll to the woods and there
Cut out our rhymes on strips of new-torn bark
But put no name and leave them at her door.
To know the mountain and the valley have grieved
May be a quiet thought to wife and mother,
And children when they spring up shoulder-high.
|
Written by
Ogden Nash |
Bound to your bookseller, leap to your library,
Deluge your dealer with bakshish and bribary,
Lean on the counter and never say when,
Wodehouse and Wooster are with us again.
Flourish the fish-slice, your buttons unloosing,
Prepare for the fabulous browsing and sluicing,
And quote, til you're known as the neighborhood nuisance,
The gems that illumine the browsance and sluicance.
Oh, fondle each gem, and after you quote it,
Kindly inform me just who wrote it.
Which came first, the egg or the rooster?
P.G.Wodehouse or Bertram Wooster?
I know hawk from handsaw, and Finn from Fiji,
But I can't disentangle Bertram from PG.
I inquire in the school room, I ask in the road house,
Did Wodehouse write Wooster, or Wooster Wodehouse?
Bertram Wodehouse and PG Wooster,
They are linked in my mind like Simon and Schuster.
No matter which fumbled in '41,
Or which the woebegone figure of fun.
I deduce how the faux pas came about,
It was clearly Jeeves's afternoon out.
Now Jeeves is back, and my cheeks are crumply
From watching him glide through Steeple Bumpleigh.
|
Written by
Sidney Lanier |
Inscribed to the Memory of John Keats.
Dear uplands, Chester's favorable fields,
My large unjealous Loves, many yet one --
A grave good-morrow to your Graces, all,
Fair tilth and fruitful seasons!
Lo, how still!
The midmorn empties you of men, save me;
Speak to your lover, meadows! None can hear.
I lie as lies yon placid Brandywine,
Holding the hills and heavens in my heart
For contemplation.
'Tis a perfect hour.
From founts of dawn the fluent autumn day
Has rippled as a brook right pleasantly
Half-way to noon; but now with widening turn
Makes pause, in lucent meditation locked,
And rounds into a silver pool of morn,
Bottom'd with clover-fields. My heart just hears
Eight lingering strokes of some far village-bell,
That speak the hour so inward-voiced, meseems
Time's conscience has but whispered him eight hints
Of revolution. Reigns that mild surcease
That stills the middle of each rural morn --
When nimble noises that with sunrise ran
About the farms have sunk again to rest;
When Tom no more across the horse-lot calls
To sleepy Dick, nor Dick husk-voiced upbraids
The sway-back'd roan for stamping on his foot
With sulphurous oath and kick in flank, what time
The cart-chain clinks across the slanting shaft,
And, kitchenward, the rattling bucket plumps
Souse down the well, where quivering ducks quack loud,
And Susan Cook is singing.
Up the sky
The hesitating moon slow trembles on,
Faint as a new-washed soul but lately up
From out a buried body. Far about,
A hundred slopes in hundred fantasies
Most ravishingly run, so smooth of curve
That I but seem to see the fluent plain
Rise toward a rain of clover-blooms, as lakes
Pout gentle mounds of plashment up to meet
Big shower-drops. Now the little winds, as bees,
Bowing the blooms come wandering where I lie
Mixt soul and body with the clover-tufts,
Light on my spirit, give from wing and thigh
Rich pollens and divine sweet irritants
To every nerve, and freshly make report
Of inmost Nature's secret autumn-thought
Unto some soul of sense within my frame
That owns each cognizance of the outlying five,
And sees, hears, tastes, smells, touches, all in one.
Tell me, dear Clover (since my soul is thine,
Since I am fain give study all the day,
To make thy ways my ways, thy service mine,
To seek me out thy God, my God to be,
And die from out myself to live in thee) --
Now, Cousin Clover, tell me in mine ear:
Go'st thou to market with thy pink and green?
Of what avail, this color and this grace?
Wert thou but squat of stem and brindle-brown,
Still careless herds would feed. A poet, thou:
What worth, what worth, the whole of all thine art?
Three-Leaves, instruct me! I am sick of price.
Framed in the arching of two clover-stems
Where-through I gaze from off my hill, afar,
The spacious fields from me to Heaven take on
Tremors of change and new significance
To th' eye, as to the ear a simple tale
Begins to hint a parable's sense beneath.
The prospect widens, cuts all bounds of blue
Where horizontal limits bend, and spreads
Into a curious-hill'd and curious-valley'd Vast,
Endless before, behind, around; which seems
Th' incalculable Up-and-Down of Time
Made plain before mine eyes. The clover-stems
Still cover all the space; but now they bear,
For clover-blooms, fair, stately heads of men
With poets' faces heartsome, dear and pale --
Sweet visages of all the souls of time
Whose loving service to the world has been
In the artist's way expressed and bodied. Oh,
In arms' reach, here be Dante, Keats, Chopin,
Raphael, Lucretius, Omar, Angelo,
Beethoven, Chaucer, Schubert, Shakespeare, Bach,
And Buddha (sweetest masters! Let me lay
These arms this once, this humble once, about
Your reverend necks -- the most containing clasp,
For all in all, this world e'er saw!) and there,
Yet further on, bright throngs unnamable
Of workers worshipful, nobilities
In the Court of Gentle Service, silent men,
Dwellers in woods, brooders on helpful art,
And all the press of them, the fair, the large,
That wrought with beauty.
Lo, what bulk is here?
Now comes the Course-of-things, shaped like an Ox,
Slow browsing, o'er my hillside, ponderously --
The huge-brawned, tame, and workful Course-of-things,
That hath his grass, if earth be round or flat,
And hath his grass, if empires plunge in pain
Or faiths flash out. This cool, unasking Ox
Comes browsing o'er my hills and vales of Time,
And thrusts me out his tongue, and curls it, sharp,
And sicklewise, about my poets' heads,
And twists them in, all -- Dante, Keats, Chopin,
Raphael, Lucretius, Omar, Angelo,
Beethoven, Chaucer, Schubert, Shakespeare, Bach,
And Buddha, in one sheaf -- and champs and chews,
With slantly-churning jaws, and swallows down;
Then slowly plants a mighty forefoot out,
And makes advance to futureward, one inch.
So: they have played their part.
And to this end?
This, God? This, troublous-breeding Earth? This, Sun
Of hot, quick pains? To this no-end that ends,
These Masters wrought, and wept, and sweated blood,
And burned, and loved, and ached with public shame,
And found no friends to breathe their loves to, save
Woods and wet pillows? This was all? This Ox?
"Nay," quoth a sum of voices in mine ear,
"God's clover, we, and feed His Course-of-things;
The pasture is God's pasture; systems strange
Of food and fiberment He hath, whereby
The general brawn is built for plans of His
To quality precise. Kinsman, learn this:
The artist's market is the heart of man;
The artist's price, some little good of man.
Tease not thy vision with vain search for ends.
The End of Means is art that works by love.
The End of Ends . . . in God's Beginning's lost."
|
Written by
George Meredith |
WHEN by Zeus relenting the mandate was revoked,
Sentencing to exile the bright Sun-God,
Mindful were the ploughmen of who the steer had yoked,
Who: and what a track show'd the upturn'd sod!
Mindful were the shepherds, as now the noon severe
Bent a burning eyebrow to brown evetide,
How the rustic flute drew the silver to the sphere,
Sister of his own, till her rays fell wide.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Chirping none, the scarlet cicalas crouch'd in ranks:
Slack the thistle-head piled its down-silk gray:
Scarce the stony lizard suck'd hollows in his flanks:
Thick on spots of umbrage our drowsed flocks lay.
Sudden bow'd the chestnuts beneath a wind unheard,
Lengthen'd ran the grasses, the sky grew slate:
Then amid a swift flight of wing'd seed white as curd,
Clear of limb a Youth smote the master's gate.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Water, first of singers, o'er rocky mount and mead,
First of earthly singers, the sun-loved rill,
Sang of him, and flooded the ripples on the reed,
Seeking whom to waken and what ear fill.
Water, sweetest soother to kiss a wound and cool,
Sweetest and divinest, the sky-born brook,
Chuckled, with a whimper, and made a mirror-pool
Round the guest we welcomed, the strange hand shook.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Many swarms of wild bees descended on our fields:
Stately stood the wheatstalk with head bent high:
Big of heart we labour'd at storing mighty yields,
Wool and corn, and clusters to make men cry!
Hand-like rush'd the vintage; we strung the bellied skins
Plump, and at the sealing the Youth's voice rose:
Maidens clung in circle, on little fists their chins;
Gentle beasties through push'd a cold long nose.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Foot to fire in snowtime we trimm'd the slender shaft:
Often down the pit spied the lean wolf's teeth
Grin against his will, trapp'd by masterstrokes of craft;
Helpless in his froth-wrath as green logs seethe!
Safe the tender lambs tugg'd the teats, and winter sped
Whirl'd before the crocus, the year's new gold.
Hung the hooky beak up aloft, the arrowhead
Redden'd through his feathers for our dear fold.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Tales we drank of giants at war with gods above:
Rocks were they to look on, and earth climb'd air!
Tales of search for simples, and those who sought of love
Ease because the creature was all too fair.
Pleasant ran our thinking that while our work was good.
Sure as fruits for sweat would the praise come fast.
He that wrestled stoutest and tamed the billow-brood
Danced in rings with girls, like a sail-flapp'd mast.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Lo, the herb of healing, when once the herb is known,
Shines in shady woods bright as new-sprung flame.
Ere the string was tighten'd we heard the mellow tone,
After he had taught how the sweet sounds came.
Stretch'd about his feet, labour done, 'twas as you see
Red pomegranates tumble and burst hard rind.
So began contention to give delight and be
Excellent in things aim'd to make life kind.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
You with shelly horns, rams! and, promontory goats,
You whose browsing beards dip in coldest dew!
Bulls, that walk the pastures in kingly-flashing coats!
Laurel, ivy, vine, wreathed for feasts not few!
You that build the shade-roof, and you that court the rays,
You that leap besprinkling the rock stream-rent:
He has been our fellow, the morning of our days;
Us he chose for housemates, and this way went.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
NOW the North wind ceases,
The warm South-west awakes;
Swift fly the fleeces,
Thick the blossom-flakes.
Now hill to hill has made the stride,
And distance waves the without-end:
Now in the breast a door flings wide;
Our farthest smiles, our next is friend.
And song of England's rush of flowers
Is this full breeze with mellow stops,
That spins the lark for shine, for showers;
He drinks his hurried flight, and drops.
The stir in memory seem these things,
Which out of moisten'd turf and clay,
Astrain for light push patient rings,
Or leap to find the waterway.
'Tis equal to a wonder done,
Whatever simple lives renew
Their tricks beneath the father sun,
As though they caught a broken clue:
So hard was earth an eyewink back;
But now the common life has come,
The blotting cloud a dappled pack,
The grasses one vast underhum.
A City clothed in snow and soot,
With lamps for day in ghostly rows,
Breaks to the scene of hosts afoot,
The river that reflective flows:
And there did fog down crypts of street
Play spectre upon eye and mouth:--
Their faces are a glass to greet
This magic of the whirl for South.
A burly joy each creature swells
With sound of its own hungry quest;
Earth has to fill her empty wells,
And speed the service of the nest;
The phantom of the snow-wreath melt,
That haunts the farmer's look abroad,
Who sees what tomb a white night built,
Where flocks now bleat and sprouts the clod.
For iron Winter held her firm;
Across her sky he laid his hand;
And bird he starved, he stiffen'd worm;
A sightless heaven, a shaven land.
Her shivering Spring feign'd fast asleep,
The bitten buds dared not unfold:
We raced on roads and ice to keep
Thought of the girl we love from cold.
But now the North wind ceases,
The warm South-west awakes,
The heavens are out in fleeces,
And earth's green banner shakes.
|
Written by
Robert Browning |
FAME.
See, as the prettiest graves will do in time,
Our poet's wants the freshness of its prime;
Spite of the sexton's browsing horse, the sods
Have struggled through its binding osier rods;
Headstone and half-sunk footstone lean awry,
Wanting the brick-work promised by-and-by;
How the minute grey lichens, plate o'er plate,
Have softened down the crisp-cut name and date!
LOVE.
So, the year's done with
(_Love me for ever!_)
All March begun with,
April's endeavour;
May-wreaths that bound me
June needs must sever;
Now snows fall round me,
Quenching June's fever---
(_Love me for ever!_)
|
Written by
Francesco Petrarch |
CANZONE III. Standomi un giorno solo alla finestra. UNDER VARIOUS ALLEGORIES HE PAINTS THE VIRTUE, BEAUTY, AND UNTIMELY DEATH OF LAURA. While at my window late I stood alone,So new and many things there cross'd my sight,To view them I had almost weary grown.A dappled hind appear'd upon the right,In aspect gentle, yet of stately stride,By two swift greyhounds chased, a black and white,Who tore in the poor sideOf that fair creature wounds so deep and wide,That soon they forced her where ravine and rockThe onward passage block:Then triumph'd Death her matchless beauties o'er,And left me lonely there her sad fate to deplore. Upon the summer wave a gay ship danced,Her cordage was of silk, of gold her sails,Her sides with ivory and ebon glanced,The sea was tranquil, favouring were the gales,And heaven as when no cloud its azure veils.A rich and goodly merchandise is hers;But soon the tempest wakes,And wind and wave to such mad fury stirs,That, driven on the rocks, in twain she breaks;My heart with pity aches,That a short hour should whelm, a small space hide,Riches for which the world no equal had beside. [Pg 278]In a fair grove a bright young laurel made—Surely to Paradise the plant belongs!—Of sacred boughs a pleasant summer shade,From whose green depths there issued so sweet songsOf various birds, and many a rare delightOf eye and ear, what marvel from the worldThey stole my senses quite!While still I gazed, the heavens grew black around,The fatal lightning flash'd, and sudden hurl'd,Uprooted to the ground,That blessed birth. Alas! for it laid low,And its dear shade whose like we ne'er again shall know. A crystal fountain in that very groveGush'd from a rock, whose waters fresh and clearShed coolness round and softly murmur'd love;Never that leafy screen and mossy seatDrew browsing flock or whistling rustic nearBut nymphs and muses danced to music sweet.There as I sat and drankWith infinite delight their carols gay,And mark'd their sport, the earth before me sankAnd bore with it awayThe fountain and the scene, to my great grief,Who now in memory find a sole and scant relief. A lovely and rare bird within the wood,Whose crest with gold, whose wings with purple gleam'd,Alone, but proudly soaring, next I view'd,Of heavenly and immortal birth which seem'd,Flitting now here, now there, until it stoodWhere buried fount and broken laurel lay,And sadly seeing thereThe fallen trunk, the boughs all stripp'd and bare,The channel dried—for all things to decaySo tend—it turn'd awayAs if in angry scorn, and instant fled,While through me for her loss new love and pity spread. At length along the flowery sward I sawSo sweet and fair a lady pensive moveThat her mere thought inspires a tender awe;Meek in herself, but haughty against Love,[Pg 279]Flow'd from her waist a robe so fair and fineSeem'd gold and snow together there to join:But, ah! each charm aboveWas veil'd from sight in an unfriendly cloud:Stung by a lurking snake, as flowers that pineHer head she gently bow'd,And joyful pass'd on high, perchance secure:Alas! that in the world grief only should endure. My song! in each sad change,These visions, as they rise, sweet, solemn, strange,But show how deeply in thy master's breastThe fond desire abides to die and be at rest. Macgregor.
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Written by
Edna St. Vincent Millay |
Down, you mongrel, Death!
Back into your kennel!
I have stolen breath
In a stalk of fennel!
You shall scratch and you shall whine
Many a night, and you shall worry
Many a bone, before you bury
One sweet bone of mine!
When shall I be dead?
When my flesh is withered,
And above my head
Yellow pollen gathered
All the empty afternoon?
When sweet lovers pause and wonder
Whom am I that lie thereunder,
Hidden from the moon?
This my personal death?—
That my lungs be failing
To inhale the breath
Others are exhaling?
This my subtle spirit's end?—
Ah, when the thawed winter splashes
Over these chance dust and ashes,
Weep not me, my friend!
Me, by no means dead
In that hour, but surely
When this book, unread,
Rots to earth obscurely,
And no more to any breast,
Close against the clamorous swelling
Of the thing there is no telling,
Are these pages pressed!
When this book is mould,
And a book of many
Waiting to be sold
For a casual penny,
In a little open case,
In a street unclean and cluttered,
Where a heavy mud is spattered
From the passing drays,
Stranger, pause and look;
From the dust of ages
Lift this little book,
Turn the tattered pages,
Read me, do not let me die!
Search the fading letters, finding
Steadfast in the broken binding
All that once was I!
When these veins are weeds,
When these hollowed sockets
Watch the rooty seeds
Bursting down like rockets,
And surmise the spring again,
Or, remote in that black cupboard,
Watch the pink worms writhing upward
At the smell of rain,
Boys and girls that lie
Whispering in the hedges,
Do not let me die,
Mix me with your pledges;
Boys and girls that slowly walk
In the woods, and weep, and quarrel,
Staring past the pink wild laurel,
Mix me with your talk,
Do not let me die!
Farmers at your raking,
When the sun is high,
While the hay is making,
When, along the stubble strewn,
Withering on their stalks uneaten,
Strawberries turn dark and sweeten
In the lapse of noon;
Shepherds on the hills,
In the pastures, drowsing
To the tinkling bells
Of the brown sheep browsing;
Sailors cying through the storm;
Scholars at your study; hunters
Lost amid the whirling winter's
Whiteness uniform;
Men that long to sleep;
Men that wake and revel;—
If an old song leap
To your senses' level
At such moments, may it be
Sometimes, though a moment only,
Some forgotten, quaint and homely
Vehicle of me?
Women at your toil,
Women at your leisure,
Till the kettle boil,
Snatch of me your pleasure,
Where the broom-straw marks the leaf;
Women quiet with your weeping
Lest you wake a workman sleeping,
Mix me with your grief.
Boys and girls that steal
From the shocking laughter
Of the old, to kneel
By a dripping rafter
Under the discoloured eaves,
Out of trunks with hingeless covers
Lifting tales of saints and lovers,
Travellers, goblins, theives,
Suns that shine by night,
Mountains made from valleys,—
Bear me to the light,
Flat upon your bellies
By the webby window lie,
Where the little flies are crawling,
Read me, margin me with scrawling,
Do no let me die!
Sexton, ply your trade!
In a shower of gravel
Stamp upon your spade!
Many a rose shall ravel,
Many a metal wreath shall rust
In the rain, and I go singing
Through the lots where you are flinging
Yellow clay on dust!
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