Written by
Kahlil Gibran |
As the Sun withdrew his rays from the garden, and the moon threw cushioned beams upon the flowers, I sat under the trees pondering upon the phenomena of the atmosphere, looking through the branches at the strewn stars which glittered like chips of silver upon a blue carpet; and I could hear from a distance the agitated murmur of the rivulet singing its way briskly into the valley.
When the birds took shelter among the boughs, and the flowers folded their petals, and tremendous silence descended, I heard a rustle of feet though the grass.
I took heed and saw a young couple approaching my arbor.
The say under a tree where I could see them without being seen.
After he looked about in every direction, I heard the young man saying, "Sit by me, my beloved, and listen to my heart; smile, for your happiness is a symbol of our future; be merry, for the sparkling days rejoice with us.
"My soul is warning me of the doubt in your heart, for doubt in love is a sin.
"Soon you will be the owner of this vast land, lighted by this beautiful moon; soon you will be the mistress of my palace, and all the servants and maids will obey your commands.
"Smile, my beloved, like the gold smiles from my father's coffers.
"My heart refuses to deny you its secret.
Twelve months of comfort and travel await us; for a year we will spend my father's gold at the blue lakes of Switzerland, and viewing the edifices of Italy and Egypt, and resting under the Holy Cedars of Lebanon; you will meet the princesses who will envy you for your jewels and clothes.
"All these things I will do for you; will you be satisfied?"
In a little while I saw them walking and stepping on flowers as the rich step upon the hearts of the poor.
As they disappeared from my sight, I commenced to make comparison between love and money, and to analyze their position in the heart.
Money! The source of insincere love; the spring of false light and fortune; the well of poisoned water; the desperation of old age!
I was still wandering in the vast desert of contemplation when a forlorn and specter-like couple passed by me and sat on the grass; a young man and a young woman who had left their farming shacks in the nearby fields for this cool and solitary place.
After a few moments of complete silence, I heard the following words uttered with sighs from weather-bitten lips, "Shed not tears, my beloved; love that opens our eyes and enslaves our hearts can give us the blessing of patience.
Be consoled in our delay our delay, for we have taken an oath and entered Love's shrine; for our love will ever grow in adversity; for it is in Love's name that we are suffering the obstacles of poverty and the sharpness of misery and the emptiness of separation.
I shall attack these hardships until I triumph and place in your hands a strength that will help over all things to complete the journey of life.
"Love - which is God - will consider our sighs and tears as incense burned at His altar and He will reward us with fortitude.
Good-bye, my beloved; I must leave before the heartening moon vanishes.
"
A pure voice, combined of the consuming flame of love, and the hopeless bitterness of longing and the resolved sweetness of patience, said, "Good-bye, my beloved.
"
They separated, and the elegy to their union was smothered by the wails of my crying heart.
I looked upon slumbering Nature, and with deep reflection discovered the reality of a vast and infinite thing -- something no power could demand, influence acquire, nor riches purchase.
Nor could it be effaced by the tears of time or deadened by sorrow; a thing which cannot be discovered by the blue lakes of Switzerland or the beautiful edifices of Italy.
It is something that gathers strength with patience, grows despite obstacles, warms in winter, flourishes in spring, casts a breeze in summer, and bears fruit in autumn -- I found Love.
|
Written by
Sidney Lanier |
Down mildest shores of milk-white sand,
By cape and fair Floridian bay,
Twixt billowy pines -- a surf asleep on land --
And the great Gulf at play,
Past far-off palms that filmed to nought,
Or in and out the cunning keys
That laced the land like fragile patterns wrought
To edge old broideries,
The sail sighed on all day for joy,
The prow each pouting wave did leave
All smile and song, with sheen and ripple coy,
Till the dusk diver Eve
Brought up from out the brimming East
The oval moon, a perfect pearl.
In that large lustre all our haste surceased,
The sail seemed fain to furl,
The silent steersman landward turned,
And ship and shore set breast to breast.
Under a palm wherethrough a planet burned
We ate, and sank to rest.
But soon from sleep's dear death (it seemed)
I rose and strolled along the sea
Down silver distances that faintly gleamed
On to infinity.
Till suddenly I paused, for lo!
A shape (from whence I ne'er divined)
Appeared before me, pacing to and fro,
With head far down inclined.
`A wraith' (I thought) `that walks the shore
To solve some old perplexity.
'
Full heavy hung the draggled gown he wore;
His hair flew all awry.
He waited not (as ghosts oft use)
To be `dearheaven'd!' and `oh'd!'
But briskly said: "Good-evenin'; what's the news?
Consumption? After boa'd?
"Or mebbe you're intendin' of
Investments? Orange-plantin'? Pine?
Hotel? or Sanitarium? What above
This yea'th CAN be your line?
"Speakin' of sanitariums, now,
Jest look 'ee here, my friend:
I know a little story, -- well, I swow,
Wait till you hear the end!
"Some year or more ago, I s'pose,
I roamed from Maine to Floridy,
And, -- see where them Palmettos grows?
I bought that little key,
"Cal'latin' for to build right off
A c'lossal sanitarium:
Big surf! Gulf breeze! Jest death upon a cough!
-- I run it high, to hum!
"Well, sir, I went to work in style:
Bought me a steamboat, loaded it
With my hotel (pyazers more'n a mile!)
Already framed and fit,
"Insured 'em, fetched 'em safe around,
Put up my buildin', moored my boat,
COM-plete! then went to bed and slept as sound
As if I'd paid a note.
"Now on that very night a squall,
Cum up from some'eres -- some bad place!
An' blowed an' tore an' reared an' pitched an' all,
-- I had to run a race
"Right out o' bed from that hotel
An' git to yonder risin' ground,
For, 'twixt the sea that riz and rain that fell,
I pooty nigh was drowned!
"An' thar I stood till mornin' cum,
Right on yon little knoll of sand,
FreQUENTly wishin' I had stayed to hum
Fur from this tarnal land.
"When mornin' cum, I took a good
Long look, and -- well, sir, sure's I'm ME --
That boat laid right whar that hotel had stood,
And HIT sailed out to sea!
"No: I'll not keep you: good-bye, friend.
Don't think about it much, -- preehaps
Your brain might git see-sawin', end for end,
Like them asylum chaps,
"For here *I* walk, forevermore,
A-tryin' to make it gee,
How one same wind could blow my ship to shore
And my hotel to sea!"
|
Written by
Robert Frost |
I stayed the night for shelter at a farm
Behind the mountains, with a mother and son,
Two old-believers.
They did all the talking.
MOTHER: Folks think a witch who has familiar spirits
She could call up to pass a winter evening,
But won’t, should be burned at the stake or something.
Summoning spirits isn’t “Button, button,
Who’s got the button,†I would have them know.
SON: Mother can make a common table rear
And kick with two legs like an army mule.
MOTHER: And when I’ve done it, what good have I done?
Rather than tip a table for you, let me
Tell you what Ralle the Sioux Control once told me.
He said the dead had souls, but when I asked him
How could that be — I thought the dead were souls—
He broke my trance.
Don’t that make you suspicious
That there’s something the dead are keeping back?
Yes, there’s something the dead are keeping back.
SON: You wouldn’t want to tell him what we have
Up attic, mother?
MOTHER: Bones — a skeleton.
SON: But the headboard of mother’s bed is pushed
Against the†attic door: the door is nailed.
It’s harmless.
Mother hears it in the night
Halting perplexed behind the barrier
Of door and headboard.
Where it wants to get
Is back into the cellar where it came from.
MOTHER: We’ll never let them, will we, son! We’ll never!
SON: It left the cellar forty years ago
And carried itself like a pile of dishes
Up one flight from the cellar to the kitchen,
Another from the kitchen to the bedroom,
Another from the bedroom to the attic,
Right past both father and mother, and neither stopped it.
Father had gone upstairs; mother was downstairs.
I was a baby: I don’t know where I was.
35
MOTHER: The only fault my husband found with me —
I went to sleep before I went to bed,
Especially in winter when the bed
Might just as well be ice and the clothes snow.
The night the bones came up the cellar-stairs
Toffile had gone to bed alone and left me,
But left an open door to cool the room off
So as to sort of turn me out of it.
I was just coming to myself enough
To wonder where the cold was coming from,
When I heard Toffile upstairs in the bedroom
And thought I heard him downstairs in the cellar.
The board we had laid down to walk dry-shod on
When there was water in the cellar in spring
Struck the hard cellar bottom.
And then someone
Began the stairs, two footsteps for each step,
The way a man with one leg and a crutch,
Or a little child, comes up.
It wasn’t Toffile:
It wasn’t anyone who could be there.
The bulkhead double-doors were double-locked
And swollen tight and buried under snow.
The cellar windows were banked up with sawdust
And swollen tight and buried under snow.
It was the bones.
I knew them — and good reason.
My first impulse was to get to the knob
And hold the door.
But the bones didn’t try
The door; they halted helpless on the landing,
Waiting for things to happen in their favor.
â€
The faintest restless rustling ran all through them.
I never could have done the thing I did
If the wish hadn’t been too strong in me
To see how they were mounted for this walk.
I had a vision of them put together
Not like a man, but like a chandelier.
So suddenly I flung the door wide on him.
A moment he stood balancing with emotion,
And all but lost himself.
(A tongue of fire
Flashed out and licked along his upper teeth.
Smoke rolled inside the sockets of his eyes.
)
Then he came at me with one hand outstretched,
The way he did in life once; but this time
I struck the hand off brittle on the floor,
And fell back from him on the floor myself.
The finger-pieces slid in all directions.
(Where did I see one of those pieces lately?
Hand me my button-box- it must be there.
)
I sat up on the floor and shouted, “Toffile,
It’s coming up to you.
†It had its choice
Of the door to the cellar or the hall.
It took the hall door for the novelty,
And set off briskly for so slow a thing,
Still going every which way in the joints, though,
So that it looked like lightning or a scribble,
From the slap I had just now given its hand.
I listened till it almost climbed the stairs
From the hall to the only finished bedroom,
Before I got up to do anything;
Then ran and shouted, “Shut the bedroom door,
Toffile, for my sake!†“Company?†he said,
“Don’t make me get up; I’m too warm in bed.
â€
So lying forward weakly on the handrail
I pushed myself upstairs, and in the light
(The kitchen had been dark) I had to own
I could see nothing.
“Toffile, I don’t see it.
It’s with us in the room though.
It’s the bones.
â€
“What bones?†“The cellar bones— out of the grave.
â€
That made him throw his bare legs out of bed
And sit up by me and take hold of me.
I wanted to put out the light and see
If I could see it, or else mow the room,
With our arms at the level of our knees,
And bring the chalk-pile down.
“I’ll tell you what-
It’s looking for another door to try.
The uncommonly deep snow has made him think
Of his old song, The Wild Colonial Boy,
He always used to sing along the tote-road.
He’s after an open door to get out-doors.
Let’s trap him with an open door up attic.
â€
Toffile agreed to that, and sure enough,
Almost the moment he was given an opening,
The steps began to climb the attic stairs.
I heard them.
Toffile didn’t seem to hear them.
“Quick !†I slammed to the door and held the knob.
“Toffile, get nails.
†I made him nail the door shut,
And push the headboard of the bed against it.
Then we asked was there anything
Up attic that we’d ever want again.
The attic was less to us than the cellar.
If the bones liked the attic, let them have it.
Let them stay in the attic.
When they sometimes
Come down the stairs at night and stand perplexed
Behind the door and headboard of the bed,
Brushing their chalky skull with chalky fingers,
With sounds like the dry rattling of a shutter,
That’s what I sit up in the dark to say—
To no one any more since Toffile died.
Let them stay in the attic since they went there.
I promised Toffile to be cruel to them
For helping them be cruel once to him.
SON: We think they had a grave down in the cellar.
MOTHER: We know they had a grave down in the cellar.
SON: We never could find out whose bones they were.
MOTHER: Yes, we could too, son.
Tell the truth for once.
They were a man’s his father killed for me.
I mean a man he killed instead of me.
The least I could do was to help dig their grave.
We were about it one night in the cellar.
Son knows the story: but “twas not for him
To tell the truth, suppose the time had come.
Son looks surprised to see me end a lie
We’d kept all these years between ourselves
So as to have it ready for outsiders.
But to-night I don’t care enough to lie—
I don’t remember why I ever cared.
Toffile, if he were here, I don’t believe
Could tell you why he ever cared himself-
She hadn’t found the finger-bone she wanted
Among the buttons poured out in her lap.
I verified the name next morning: Toffile.
The rural letter-box said Toffile Lajway.
|
Written by
Elizabeth Bishop |
Half squatter, half tenant (no rent)—
a sort of inheritance; white,
in your thirties now, and supposed
to supply me with vegetables,
but you don't; or you won't; or you can't
get the idea through your brain—
the world's worst gardener since Cain.
Titled above me, your gardens
ravish my eyes.
You edge
the beds of silver cabbages
with red carnations, and lettuces
mix with alyssum.
And then
umbrella ants arrive,
or it rains for a solid week
and the whole thing's ruined again
and I buy you more pounds of seeds,
imported, guaranteed,
and eventually you bring me
a mystic thee-legged carrot,
or a pumpkin "bigger than the baby.
"
I watch you through the rain,
trotting, light, on bare feet,
up the steep paths you have made—
or your father and grandfather made—
all over my property,
with your head and back inside
a sodden burlap bag,
and feel I can't endure it
another minute; then,
indoors, beside the stove,
keep on reading a book.
You steal my telephone wires,
or someone does.
You starve
your horse and yourself
and your dogs and family.
among endless variety,
you eat boiled cabbage stalks.
And once I yelled at you
so loud to hurry up
and fetch me those potatoes
your holey hat flew off,
you jumped out of your clogs,
leaving three objects arranged
in a triangle at my feet,
as if you'd been a gardener
in a fairy tale all this time
and at the word "potatoes"
had vanished to take up your work
of fairy prince somewhere.
The strangest things happen to you.
Your cows eats a "poison grass"
and drops dead on the spot.
Nobody else's does.
And then your father dies,
a superior old man
with a black plush hat, and a moustache
like a white spread-eagled sea gull.
The family gathers, but you,
no, you "don't think he's dead!
I look at him.
He's cold.
They're burying him today.
But you know, I don't think he's dead.
"
I give you money for the funeral
and you go and hire a bus
for the delighted mourners,
so I have to hand over some more
and then have to hear you tell me
you pray for me every night!
And then you come again,
sniffing and shivering,
hat in hand, with that wistful
face, like a child's fistful
of bluets or white violets,
improvident as the dawn,
and once more I provide
for a shot of penicillin
down at the pharmacy, or
one more bottle of
Electrical Baby Syrup.
Or, briskly, you come to settle
what we call our "accounts,"
with two old copybooks,
one with flowers on the cover,
the other with a camel.
immediate confusion.
You've left out decimal points.
Your columns stagger,
honeycombed with zeros.
You whisper conspiratorially;
the numbers mount to millions.
Account books? They are Dream Books.
in the kitchen we dream together
how the meek shall inherit the earth—
or several acres of mine.
With blue sugar bags on their heads,
carrying your lunch,
your children scuttle by me
like little moles aboveground,
or even crouch behind bushes
as if I were out to shoot them!
—Impossible to make friends,
though each will grab at once
for an orange or a piece of candy.
Twined in wisps of fog,
I see you all up there
along with Formoso, the donkey,
who brays like a pump gone dry,
then suddenly stops.
—All just standing, staring
off into fog and space.
Or coming down at night,
in silence, except for hoofs,
in dim moonlight, the horse
or Formoso stumbling after.
Between us float a few
big, soft, pale-blue,
sluggish fireflies,
the jellyfish of the air.
.
.
Patch upon patch upon patch,
your wife keeps all of you covered.
She has gone over and over
(forearmed is forewarned)
your pair of bright-blue pants
with white thread, and these days
your limbs are draped in blueprints.
You paint—heaven knows why—
the outside of the crown
and brim of your straw hat.
Perhaps to reflect the sun?
Or perhaps when you were small,
your mother said, "Manuelzinho,
one thing; be sure you always
paint your straw hat.
"
One was gold for a while,
but the gold wore off, like plate.
One was bright green.
Unkindly,
I called you Klorophyll Kid.
My visitors thought it was funny.
I apologize here and now.
You helpless, foolish man,
I love you all I can,
I think.
Or I do?
I take off my hat, unpainted
and figurative, to you.
Again I promise to try.
|
Written by
Rg Gregory |
heeley (sheffield) autumn 1988
dodging the broken bottles
dog-**** the pavement spew
i wheel my young son matthew
through the heeley streets
shop to shop this early
morning (short of milk)
unsettled day - the sun
comes through the clouds in
ragged strips where windy
rain has had the night
to puff and piddle
puddles idle in
the dips of surfaces
neglected for decades
another place where caring's
lost a public vision
only detritus of hope
dares poke its battered
visage out of doors
no pride here on pavements
what's local's long been
squashed - wealth's dogs
prefer more stately
avenues to piss up
the air is fresh
i'm moving briskly
getting a lift from
my negotiating skills
take a buggy on
two wheels to skirt
a sudden pool a twirl
past faeces - a kind of
hop-scotch over jags
of milky glass - and come
to stop on a hillside
where slopes of grass drop
sleekly on what were
backs of houses
i'm out of breath
a darkness ripples
past my eyes and knocks
on my unfitness
i am locked for one
brief aeon as a rock
that's held its place upon
this hill inscrutably
a wildness explodes
from every blade of grass
i touch upon deep springs
(a healing flow upsurging
through the **** and glass
the torn-down homes)
my body's lapped - my
old eyes washed of dirt
a comb's gone through the
landscape at my feet
the muck's redeemed
a larger time lets
nothing be what is
but everything is used
for what is coming
today-defunct breeds
trees that bloom tomorrow
nothing's next step on
is one - what's poor is
where new worlds are just
beginning - the ****
spew glass the death
of hope have done their time
(cartons which the future's
thrown away as minds
and spirits snout amongst
the refuse seeking forms
to dress their fresh selves in)
the meek are gathered
in millions on this hill
disparaged destitute
of any say in this
dead time as others
roll their tongues
round easy riches
but here's the future
too - a start of ages
a cry whose agony's
a pinprick or a seedling
a drib of red and green
the statute's blind to
across the valley
sheffield snarls itself
to this day's life
its smoke-tuned buildings
boxed-in by the past
(upheavals mortised in
its joints make it confused)
for all its roar it
slumbers through its present
wanting its glory back
the talk of its old
workers flawed with steely
pride (that stainless stain)
there's no dawn there - its power
and wealth have long borne
all its sons away
it's in the detritus
i stand in (in this mix
of race and stymied
passion heeley has become
- and all such cast-off
cesspits of our dreams)
the not-yet written
songs of human dignity
are not yet being sung
the shudder leaves me
i'm just this oldish
man with his youngest son
pushing a buggy through
scarred heeley streets
more concerned to get
no **** upon the wheels
than to hold a sand-grain
to the world and turn
its atoms inside out
i'll not live to see
the newlaid honest
pavements going down
and houses have that look
within their glass that sings
of confidence-returned
i push on up the hill
(to where my oldest son
has done his house up)
once more safely in
the compound of my
aging flesh talking
with matthew playing
buggy games
triumphant
only that after
so many sorry shops
i'd found one that did
sell milk - the morning
cup of tea reclaimed
the real world put to rights
|
Written by
Anne Killigrew |
I.
HEre take no Care, take here no Care, my Muse,
Nor ought of Art or Labour use:
But let thy Lines rude and unpolisht go,
Nor Equal be their Feet, nor Num'rous let them flow.
The ruggeder my Measures run when read,
They'l livelier paint th'unequal Paths fond Mortals tread.
Who when th'are tempted by the smooth Ascents,
Which flatt'ring Hope presents,
Briskly they clime, and Great Things undertake;
But Fatal Voyages, alas, they make:
For 'tis not long before their Feet,
Inextricable Mazes meet,
Perplexing Doubts obstruct their Way,
Mountains with-stand them of Dismay;
Or to the Brink of black Dispaire them lead,
Where's nought their Ruine to impede,
In vain for Aide they then to Reason call,
Their Senses dazle, and their Heads turn round,
The sight does all their Pow'rs confound,
And headlong down the horrid Precipice they fall:
Where storms of Sighs for ever blow,
Where raped streams of Tears do flow,
Which drown them in a Briny Floud.
My Muse pronounce aloud, there's nothing Good,
Nought that the World can show,
Nought that it can bestow.
II.
Not boundless Heaps of its admired Clay,
Ah, too successful to betray,
When spread in our fraile Vertues way:
For few do run with so Resolv'd a Pace,
That for the Golden Apple will not loose the Race.
And yet not all the Gold the Vain would spend,
Or greedy Avarice would wish to save;
Which on the Earth refulgent Beams doth send,
Or in the Sea has found a Grave,
Joyn'd in one Mass, can Bribe sufficient be,
The Body from a stern Disease to free,
Or purchase for the Minds relief
One Moments sweet Repose, when restless made by grief,
But what may Laughter, more than Pity, move:
When some the Price of what they Dear'st Love
Are Masters of, and hold it in their Hand,
To part with it their Hearts they can't command:
But chose to miss, what miss't does them torment,
And that to hug, affords them no Content.
Wise Fools, to do them Right, we these must hold,
Who Love depose, and Homage pay to Gold.
III.
Nor yet, if rightly understood,
Does Grandeur carry more of Good;
To be o'th' Number of the Great enroll'd,
A Scepter o're a Mighty Realm to hold.
For what is this?
If I not judge amiss.
But all th'Afflicted of a Land to take,
And of one single Family to make?
The Wrong'd, the Poor, th'Opprest, the Sad,
The Ruin'd, Malecontent, and Mad?
Which a great Part of ev'ry Empire frame,
And Interest in the common Father claime.
Again what is't, but always to abide
A Gazing Crowd? upon a Stage to spend
A Life that's vain, or Evil without End?
And which is yet not safely held, nor laid aside?
And then, if lesser Titles carry less of Care,
Yet none but Fools ambitious are to share
Such a Mock-Good, of which 'tis said, 'tis Best,
When of the least of it Men are possest.
IV.
But, O, the Laurel'd Fool! that doats on Fame,
Whose Hope's Applause, whose Fear's to want a Name;
Who can accept for Pay
Of what he does, what others say;
Exposes now to hostile Arms his Breast,
To toylsome Study then betrays his Rest;
Now to his Soul denies a just Content,
Then forces on it what it does resent;
And all for Praise of Fools: for such are those,
Which most of the Admiring Crowd compose.
O famisht Soul, which such Thin Food can feed!
O Wretched Labour crown'd with such a Meed!
Too loud, O Fame! thy Trumpet is, too shrill,
To lull a Mind to Rest,
Or calme a stormy Breast,
Which asks a Musick soft and still.
'Twas not Amaleck's vanquisht Cry,
Nor Israels shout of Victory,
That could in Saul the rising Passion lay,
'Twas the soft strains of David's Lyre the Evil Spirit chace't away.
V.
But Friendship fain would yet it self defend,
And Mighty Things it does pretend,
To be of this Sad Journey, Life, the Baite,
The Sweet Refection of our toylsome State.
But though True Friendship a Rich Cordial be,
Alas, by most 'tis so alay'd,
Its Good so mixt with Ill we see,
That Dross for Gold is often paid.
And for one Grain of Friendship that is found,
Falshood and Interest do the Mass compound,
Or coldness, worse than Steel, the Loyal heart doth wound.
Love in no Two was ever yet the same,
No Happy Two ere felt an Equal Flame.
VI.
Is there that Earth by Humane Foot ne're prest?
That Aire which never yet by Humane Breast
Respir'd, did Life supply?
Oh, thither let me fly!
Where from the World at such a distance set,
All that's past, present, and to come I may forget:
The Lovers Sighs, and the Afflicted Tears,
What e're may wound my Eyes or Ears.
The grating Noise of Private Jars,
The horrid sound of Publick Wars,
Of babling Fame the Idle Stories,
The short-liv'd Triumphs Noysy-Glories,
The Curious Nets the subtile weave,
The Word, the Look that may deceive.
No Mundan Care shall more affect my Breast,
My profound Peace shake or molest:
But Stupor, like to Death, my Senses bind,
That so I may anticipate that Rest,
Which only in my Grave I hope to find.
|
Written by
William Topaz McGonagall |
It was on the 21st of March in the year of 1801,
The British were at their posts every man;
And their position was naturally very strong,
And the whole line from sea to lake was about a mile long.
And on the ruins of a Roman Palace, rested the right,
And every man amongst them was eager for the fight,
And the reserve was under the command of Major General Moore,
A hero brave, whose courage was both firm and sure.
And in the valley between the right were the cavalry,
Which was really a most beautiful sight to see;
And the 28th were posted in a redoubt open in the rear,
Determined to hold it to the last without the least fear.
And the Guards and the Inniskillings were eager for the fray,
Also the Gordon Highlanders and Cameron Highlanders in grand array;
Likewise the dismounted Cavalry and the noble Dragoons,
Who never fear'd the cannons shot when it loudly booms.
And between the two armies stretched a sandy plain,
Which the French tried to chase the British off, but it was all in vain,
And a more imposing battle-field seldom has been chosen,
But alack the valour of the French soon got frozen.
Major General Moore was the general officer of the night,
And had galloped off to the left and to the right,
The instant he heard the enemy briskly firing;
He guessed by their firing they had no thought of retiring.
Then a wild broken huzza was heard from the plain below,
And followed by a rattle of musketry from the foe;
Then the French advanced in column with their drums loudly beating,
While their officers cried forward men and no retreating.
Then the colonel of the 58th reserved his fire,
Until the enemy drew near, which was his desire;
Then he ordered his men to attack them from behind the palace wall,
Then he opened fire at thirty yards, which did the enemy appal.
And thus assailed in front, flank and rear,
The French soon began to shake with fear;
Then the 58th charged them with the bayonet, with courage unshaken,
And all the enemy that entered the palace ruins were killed or taken.
Then the French Invincibles, stimulated by liquor and the promise of gold,
Stole silently along the valley with tact and courage bold,
Proceeded by a 6 pounder gun, between the right of the guards,
But brave Lieutenant-Colonel Stewart quickly their progress retards.
Then Colonel Stewart cried to the right wing,
Forward! My lads, and make the valley ring,
And charge them with your bayonets and capture their gun,
And before very long they will be glad to run.
Then loudly grew the din of battle, like to rend the skies,
As Major Stirling's left wing faced, and charged them likewise;
Then the Invincibles maddened by this double attack,
Dashed forward on the palace ruins, but they soon were driven back.
And by the 58th, and Black Watch they were brought to bay, here,
But still they were resolved to sell their lives most dear,
And it was only after 650 of them had fallen in the fray,
That the rest threw down their arms and quickly ran away.
Then unexpected, another great body of the enemy was seen,
With their banners waving in the breeze, most beautiful and green;
And advancing on the left of the redoubt,
But General Moore instantly ordered the Black Watch out.
And he cried, brave Highlanders you are always in the hottest of the fight,
Now make ready for the bayonet charge with all your might;
And remember our country and your forefathers
As soon as the enemy and ye foregathers.
Then the Black Watch responded with a loud shout,
And charged them with their bayonets without fear or doubt;
And the French tried hard to stand the charge, but it was all in vain,
And in confusion they all fled across the sandy plain.
Oh! It was a glorious victory, the British gained that day,
But the joy of it, alas! Was unfortunately taken away,
Because Sir Ralph Abercrombie, in the hottest of the fight, was shot,
And for his undaunted bravery, his name will never be forgot.
|
Written by
Siegfried Sassoon |
I was near the King that day.
I saw him snatch
And briskly scan the G.
H.
Q.
dispatch.
Thick-voiced, he read it out.
(His face was grave.
)
‘This officer advanced with the first wave,
‘And when our first objective had been gained,
‘(Though wounded twice), reorganized the line:
‘The spirit of the troops was by his fine
‘Example most effectively sustained.
’
He gripped his beard; then closed his eyes and said,
‘Bathsheba must be warned that he is dead.
‘Send for her.
I will be the first to tell
‘This wife how her heroic husband fell.
’
|
Written by
Archibald MacLeish |
Science, that simple saint, cannot be bothered
Figuring what anything is for:
Enough for her devotions that things are
And can be contemplated soon as gathered.
She knows how every living thing was fathered,
She calculates the climate of each star,
She counts the fish at sea, but cannot care
Why any one of them exists, fish, fire or feathered.
Why should she? Her religion is to tell
By rote her rosary of perfect answers.
Metaphysics she can leave to man:
She never wakes at night in heaven or hell
Staring at darkness.
In her holy cell
There is no darkness ever: the pure candle
Burns, the beads drop briskly from her hand.
Who dares to offer Her the curled sea shell!
She will not touch it!--knows the world she sees
Is all the world there is! Her faith is perfect!
And still he offers the sea shell .
.
.
What surf
Of what far sea upon what unknown ground
Troubles forever with that asking sound?
What surge is this whose question never ceases?
|
Written by
Emily Dickinson |
If I should die,
And you should live --
And time should gurgle on --
And morn should beam --
And noon should burn --
As it has usual done --
If Birds should build as early
And Bees as bustling go --
One might depart at option
From enterprise below!
'Tis sweet to know that stocks will stand
When we with Daisies lie --
That Commerce will continue --
And Trades as briskly fly --
It makes the parting tranquil
And keeps the soul serene --
That gentlemen so sprightly
Conduct the pleasing scene!
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