Written by
Walt Whitman |
1
OUT of the cradle endlessly rocking,
Out of the mocking-bird’s throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d
alone, bare-headed, barefoot,
Down from the shower’d halo,
Up from the mystic play of shadows, twining and twisting as if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories, sad brother—from the fitful risings and fallings I heard,
From under that yellow half-moon, late-risen, and swollen as if with tears,
From those beginning notes of sickness and love, there in the transparent mist,
From the thousand responses of my heart, never to cease,
From the myriad thence-arous’d words,
From the word stronger and more delicious than any,
From such, as now they start, the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither—ere all eludes me, hurriedly,
A man—yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them—but swiftly leaping beyond them,
A reminiscence sing.
2
Once, Paumanok,
When the snows had melted—when the lilac-scent was in the air, and the Fifth-month grass
was
growing,
Up this sea-shore, in some briers,
Two guests from Alabama—two together,
And their nest, and four light-green eggs, spotted with brown,
And every day the he-bird, to and fro, near at hand,
And every day the she-bird, crouch’d on her nest, silent, with bright eyes,
And every day I, a curious boy, never too close, never disturbing them,
Cautiously peering, absorbing, translating.
3
Shine! shine! shine!
Pour down your warmth, great Sun!
While we bask—we two together.
Two together!
Winds blow South, or winds blow North,
Day come white, or night come black,
Home, or rivers and mountains from home,
Singing all time, minding no time,
While we two keep together.
4
Till of a sudden,
May-be kill’d, unknown to her mate,
One forenoon the she-bird crouch’d not on the nest,
Nor return’d that afternoon, nor the next,
Nor ever appear’d again.
And thenceforward, all summer, in the sound of the sea,
And at night, under the full of the moon, in calmer weather,
Over the hoarse surging of the sea,
Or flitting from brier to brier by day,
I saw, I heard at intervals, the remaining one, the he-bird,
The solitary guest from Alabama.
5
Blow! blow! blow!
Blow up, sea-winds, along Paumanok’s shore!
I wait and I wait, till you blow my mate to me.
6
Yes, when the stars glisten’d,
All night long, on the prong of a moss-scallop’d stake,
Down, almost amid the slapping waves,
Sat the lone singer, wonderful, causing tears.
He call’d on his mate;
He pour’d forth the meanings which I, of all men, know.
Yes, my brother, I know;
The rest might not—but I have treasur’d every note;
For once, and more than once, dimly, down to the beach gliding,
Silent, avoiding the moonbeams, blending myself with the shadows,
Recalling now the obscure shapes, the echoes, the sounds and sights after their sorts,
The white arms out in the breakers tirelessly tossing,
I, with bare feet, a child, the wind wafting my hair,
Listen’d long and long.
Listen’d, to keep, to sing—now translating the notes,
Following you, my brother.
7
Soothe! soothe! soothe!
Close on its wave soothes the wave behind,
And again another behind, embracing and lapping, every one close,
But my love soothes not me, not me.
Low hangs the moon—it rose late;
O it is lagging—O I think it is heavy with love, with love.
O madly the sea pushes, pushes upon the land,
With love—with love.
O night! do I not see my love fluttering out there among the breakers?
What is that little black thing I see there in the white?
Loud! loud! loud!
Loud I call to you, my love!
High and clear I shoot my voice over the waves;
Surely you must know who is here, is here;
You must know who I am, my love.
Low-hanging moon!
What is that dusky spot in your brown yellow?
O it is the shape, the shape of my mate!
O moon, do not keep her from me any longer.
Land! land! O land!
Whichever way I turn, O I think you could give me my mate back again, if you only
would;
For I am almost sure I see her dimly whichever way I look.
O rising stars!
Perhaps the one I want so much will rise, will rise with some of you.
O throat! O trembling throat!
Sound clearer through the atmosphere!
Pierce the woods, the earth;
Somewhere listening to catch you, must be the one I want.
Shake out, carols!
Solitary here—the night’s carols!
Carols of lonesome love! Death’s carols!
Carols under that lagging, yellow, waning moon!
O, under that moon, where she droops almost down into the sea!
O reckless, despairing carols.
But soft! sink low;
Soft! let me just murmur;
And do you wait a moment, you husky-noised sea;
For somewhere I believe I heard my mate responding to me,
So faint—I must be still, be still to listen;
But not altogether still, for then she might not come immediately to me.
Hither, my love!
Here I am! Here!
With this just-sustain’d note I announce myself to you;
This gentle call is for you, my love, for you.
Do not be decoy’d elsewhere!
That is the whistle of the wind—it is not my voice;
That is the fluttering, the fluttering of the spray;
Those are the shadows of leaves.
O darkness! O in vain!
O I am very sick and sorrowful.
O brown halo in the sky, near the moon, drooping upon the sea!
O troubled reflection in the sea!
O throat! O throbbing heart!
O all—and I singing uselessly, uselessly all the night.
Yet I murmur, murmur on!
O murmurs—you yourselves make me continue to sing, I know not why.
O past! O life! O songs of joy!
In the air—in the woods—over fields;
Loved! loved! loved! loved! loved!
But my love no more, no more with me!
We two together no more.
8
The aria sinking;
All else continuing—the stars shining,
The winds blowing—the notes of the bird continuous echoing,
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok’s shore, gray and rustling;
The yellow half-moon enlarged, sagging down, drooping, the face of the sea almost
touching;
The boy extatic—with his bare feet the waves, with his hair the atmosphere dallying,
The love in the heart long pent, now loose, now at last tumultuously bursting,
The aria’s meaning, the ears, the Soul, swiftly depositing,
The strange tears down the cheeks coursing,
The colloquy there—the trio—each uttering,
The undertone—the savage old mother, incessantly crying,
To the boy’s Soul’s questions sullenly timing—some drown’d secret hissing,
To the outsetting bard of love.
9
Demon or bird! (said the boy’s soul,)
Is it indeed toward your mate you sing? or is it mostly to me?
For I, that was a child, my tongue’s use sleeping,
Now I have heard you,
Now in a moment I know what I am for—I awake,
And already a thousand singers—a thousand songs, clearer, louder and more sorrowful than
yours,
A thousand warbling echoes have started to life within me,
Never to die.
O you singer, solitary, singing by yourself—projecting me;
O solitary me, listening—nevermore shall I cease perpetuating you;
Never more shall I escape, never more the reverberations,
Never more the cries of unsatisfied love be absent from me,
Never again leave me to be the peaceful child I was before what there, in the night,
By the sea, under the yellow and sagging moon,
The messenger there arous’d—the fire, the sweet hell within,
The unknown want, the destiny of me.
O give me the clew! (it lurks in the night here somewhere;)
O if I am to have so much, let me have more!
O a word! O what is my destination? (I fear it is henceforth chaos;)
O how joys, dreads, convolutions, human shapes, and all shapes, spring as from graves
around
me!
O phantoms! you cover all the land and all the sea!
O I cannot see in the dimness whether you smile or frown upon me;
O vapor, a look, a word! O well-beloved!
O you dear women’s and men’s phantoms!
A word then, (for I will conquer it,)
The word final, superior to all,
Subtle, sent up—what is it?—I listen;
Are you whispering it, and have been all the time, you sea-waves?
Is that it from your liquid rims and wet sands?
10
Whereto answering, the sea,
Delaying not, hurrying not,
Whisper’d me through the night, and very plainly before day-break,
Lisp’d to me the low and delicious word DEATH;
And again Death—ever Death, Death, Death,
Hissing melodious, neither like the bird, nor like my arous’d child’s heart,
But edging near, as privately for me, rustling at my feet,
Creeping thence steadily up to my ears, and laving me softly all over,
Death, Death, Death, Death, Death.
Which I do not forget,
But fuse the song of my dusky demon and brother,
That he sang to me in the moonlight on Paumanok’s gray beach,
With the thousand responsive songs, at random,
My own songs, awaked from that hour;
And with them the key, the word up from the waves,
The word of the sweetest song, and all songs,
That strong and delicious word which, creeping to my feet,
The sea whisper’d me.
|
Written by
John Greenleaf Whittier |
O Mother Earth! upon thy lap
Thy weary ones receiving,
And o'er them, silent as a dream,
Thy grassy mantle weaving,
Fold softly in thy long embrace
That heart so worn and broken,
And cool its pulse of fire beneath
Thy shadows old and oaken.
Shut out from him the bitter word
And serpent hiss of scorning;
Nor let the storms of yesterday
Disturb his quiet morning.
Breathe over him forgetfulness
Of all save deeds of kindness,
And, save to smiles of grateful eyes,
Press down his lids in blindness.
There, where with living ear and eye
He heard Potomac's flowing,
And, through his tall ancestral trees,
Saw autumn's sunset glowing,
He sleeps, still looking to the west,
Beneath the dark wood shadow,
As if he still would see the sun
Sink down on wave and meadow.
Bard, Sage, and Tribune! in himself
All moods of mind contrasting, -
The tenderest wail of human woe,
The scorn like lightning blasting;
The pathos which from rival eyes
Unwilling tears could summon,
The stinging taunt, the fiery burst
Of hatred scarcely human!
Mirth, sparkling like a diamond shower,
From lips of life-long sadness;
Clear picturings of majestic thought
Upon a ground of madness;
And over all Romance and Song
A classic beauty throwing,
And laurelled Clio at his side
Her storied pages showing.
All parties feared him: each in turn
Beheld its schemes disjointed,
As right or left his fatal glance
And spectral finger pointed.
Sworn foe of Cant, he smote it down
With trenchant wit unsparing,
And, mocking, rent with ruthless hand
The robe Pretence was wearing.
Too honest or too proud to feign
A love he never cherished,
Beyond Virginia's border line
His patriotism perished.
While others hailed in distant skies
Our eagle's dusky pinion,
He only saw the mountain bird
Stoop o'er his Old Dominion!
Still through each change of fortune strange
Racked nerve, and brain all burning,
His loving faith in Mother-land
Knew never shade of turning;
By Britain's lakes, by Neva's tide,
Whatever sky was o'er him,
He heard her rivers' rushing sound,
Her blue peaks rose before him.
He held his slaves, yet made withal
No false and vain pretences,
Nor paid a lying priest to seek
For Scriptural defences.
His harshest words of proud rebuke,
His bitterest taunt and scorning,
Fell fire-like on the Northern brow
That bent to him in fawning.
He held his slaves; yet kept the while
His reverence for the Human;
In the dark vassals of his will
He saw but Man and Woman!
No hunter of God's outraged poor
His Roanoke valley entered;
No trader in the souls of men
Across his threshold ventured.
And when the old and wearied man
Lay down for his last sleeping,
And at his side, a slave no more,
His brother-man stood weeping,
His latest thought, his latest breath,
To Freedom's duty giving,
With failing tongue and trembling hand
The dying blest the living.
Oh, never bore his ancient State
A truer son or braver!
None trampling with a calmer scorn
On foreign hate or favor.
He knew her faults, yet never stooped
His proud and manly feeling
To poor excuses of the wrong
Or meanness of concealing.
But none beheld with clearer eye
The plague-spot o'er her spreading
None heard more sure the steps of Doom
Along her future treading.
For her as for himself he spake,
When, his gaunt frame upbracing,
He traced with dying hand 'Remorse!'
And perished in the tracing.
As from the grave where Henry sleeps,
From Vernon's weeping willow,
And from the grassy pall which hides
The Sage of Monticello,
So from the leaf-strewn burial-stone
Of Randolph's lowly dwelling,
Virginia! o'er thy land of slaves
A warning voice is swelling!
And hark! from thy deserted fields
Are sadder warnings spoken,
From quenched hearths, where thy exiled sons
Their household gods have broken.
The curse is on thee, - wolves for men,
And briers for corn-sheaves giving!
Oh, more than all thy dead renown
Were now one hero living!
|
Written by
Robert Burns |
WHILE briers an’ woodbines budding green,
An’ paitricks scraichin loud at e’en,
An’ morning poussie whiddin seen,
Inspire my muse,
This freedom, in an unknown frien’,
I pray excuse.
On Fasten-e’en we had a rockin,
To ca’ the crack and weave our stockin;
And there was muckle fun and jokin,
Ye need na doubt;
At length we had a hearty yokin
At sang about.
There was ae sang, amang the rest,
Aboon them a’ it pleas’d me best,
That some kind husband had addrest
To some sweet wife;
It thirl’d the heart-strings thro’ the breast,
A’ to the life.
I’ve scarce heard ought describ’d sae weel,
What gen’rous, manly bosoms feel;
Thought I “Can this be Pope, or Steele,
Or Beattie’s wark?”
They tauld me ’twas an odd kind chiel
About Muirkirk.
It pat me fidgin-fain to hear’t,
An’ sae about him there I speir’t;
Then a’ that kent him round declar’d
He had ingine;
That nane excell’d it, few cam near’t,
It was sae fine:
That, set him to a pint of ale,
An’ either douce or merry tale,
Or rhymes an’ sangs he’d made himsel,
Or witty catches—
’Tween Inverness an’ Teviotdale,
He had few matches.
Then up I gat, an’ swoor an aith,
Tho’ I should pawn my pleugh an’ graith,
Or die a cadger pownie’s death,
At some dyke-back,
A pint an’ gill I’d gie them baith,
To hear your crack.
But, first an’ foremost, I should tell,
Amaist as soon as I could spell,
I to the crambo-jingle fell;
Tho’ rude an’ rough—
Yet crooning to a body’s sel’
Does weel eneugh.
I am nae poet, in a sense;
But just a rhymer like by chance,
An’ hae to learning nae pretence;
Yet, what the matter?
Whene’er my muse does on me glance,
I jingle at her.
Your critic-folk may cock their nose,
And say, “How can you e’er propose,
You wha ken hardly verse frae prose,
To mak a sang?”
But, by your leaves, my learned foes,
Ye’re maybe wrang.
What’s a’ your jargon o’ your schools—
Your Latin names for horns an’ stools?
If honest Nature made you fools,
What sairs your grammars?
Ye’d better taen up spades and shools,
Or knappin-hammers.
A set o’ dull, conceited hashes
Confuse their brains in college classes!
They gang in stirks, and come out asses,
Plain truth to speak;
An’ syne they think to climb Parnassus
By dint o’ Greek!
Gie me ae spark o’ nature’s fire,
That’s a’ the learning I desire;
Then tho’ I drudge thro’ dub an’ mire
At pleugh or cart,
My muse, tho’ hamely in attire,
May touch the heart.
O for a ***** o’ Allan’s glee,
Or Fergusson’s the bauld an’ slee,
Or bright Lapraik’s, my friend to be,
If I can hit it!
That would be lear eneugh for me,
If I could get it.
Now, sir, if ye hae friends enow,
Tho’ real friends, I b’lieve, are few;
Yet, if your catalogue be fu’,
I’se no insist:
But, gif ye want ae friend that’s true,
I’m on your list.
I winna blaw about mysel,
As ill I like my fauts to tell;
But friends, an’ folk that wish me well,
They sometimes roose me;
Tho’ I maun own, as mony still
As far abuse me.
There’s ae wee faut they whiles lay to me,
I like the lasses—Gude forgie me!
For mony a plack they wheedle frae me
At dance or fair;
Maybe some ither thing they gie me,
They weel can spare.
But Mauchline Race, or Mauchline Fair,
I should be proud to meet you there;
We’se gie ae night’s discharge to care,
If we forgather;
An’ hae a swap o’ rhymin-ware
Wi’ ane anither.
The four-gill chap, we’se gar him clatter,
An’ kirsen him wi’ reekin water;
Syne we’ll sit down an’ tak our whitter,
To cheer our heart;
An’ faith, we’se be acquainted better
Before we part.
Awa ye selfish, war’ly race,
Wha think that havins, sense, an’ grace,
Ev’n love an’ friendship should give place
To catch-the-plack!
I dinna like to see your face,
Nor hear your crack.
But ye whom social pleasure charms
Whose hearts the tide of kindness warms,
Who hold your being on the terms,
“Each aid the others,”
Come to my bowl, come to my arms,
My friends, my brothers!
But, to conclude my lang epistle,
As my auld pen’s worn to the gristle,
Twa lines frae you wad gar me fissle,
Who am, most fervent,
While I can either sing or whistle,
Your friend and servant.
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