Written by
Federico García Lorca |
The fat lady came out first,
tearing out roots and moistening drumskins.
The fat lady
who turns dying octopuses inside out.
The fat lady, the moon's antagonist,
was running through the streets and deserted buildings
and leaving tiny skulls of pigeons in the corners
and stirring up the furies of the last centuries' feasts
and summoning the demon of bread through the sky's clean-swept hills
and filtering a longing for light into subterranean tunnels.
The graveyards, yes the graveyards
and the sorrow of the kitchens buried in sand,
the dead, pheasants and apples of another era,
pushing it into our throat.
There were murmuring from the jungle of vomit
with the empty women, with hot wax children,
with fermented trees and tireless waiters
who serve platters of salt beneath harps of saliva.
There's no other way, my son, vomit! There's no other way.
It's not the vomit of hussars on the breasts of their whores,
nor the vomit of cats that inadvertently swallowed frogs,
but the dead who scratch with clay hands
on flint gates where clouds and desserts decay.
The fat lady came first
with the crowds from the ships, taverns, and parks.
Vomit was delicately shaking its drums
among a few little girls of blood
who were begging the moon for protection.
Who could imagine my sadness?
The look on my face was mine, but now isn't me,
the naked look on my face, trembling for alcohol
and launching incredible ships
through the anemones of the piers.
I protect myself with this look
that flows from waves where no dawn would go,
I, poet without arms, lost
in the vomiting multitude,
with no effusive horse to shear
the thick moss from my temples.
The fat lady went first
and the crowds kept looking for pharmacies
where the bitter tropics could be found.
Only when a flag went up and the first dogs arrived
did the entire city rush to the railings of the boardwalk.
|
Written by
Delmore Schwartz |
"the cure of souls." Henry James
The radiant soda of the seashore fashions
Fun, foam and freedom. The sea laves
The Shaven sand. And the light sways forward
On self-destroying waves.
The rigor of the weekday is cast aside with shoes,
With business suits and traffic's motion;
The lolling man lies with the passionate sun,
Or is drunken in the ocean.
A socialist health take should of the adult,
He is stripped of his class in the bathing-suit,
He returns to the children digging at summer,
A melon-like fruit.
O glittering and rocking and bursting and blue
-Eternities of sea and sky shadow no pleasure:
Time unheard moves and the heart of man is eaten
Consummately at leisure.
The novelist tangential on the boardwalk overhead
Seeks his cure of souls in his own anxious gaze.
"Here," he says, "With whom?" he asks, "This?" he questions,
"What tedium, what blaze?"
"What satisfaction, fruit? What transit, heaven?
Criminal? justified? arrived at what June?"
That nervous conscience amid the concessions
Is haunting, haunted moon.
|