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Best Famous Blocking Poems

Here is a collection of the all-time best famous Blocking poems. This is a select list of the best famous Blocking poetry. Reading, writing, and enjoying famous Blocking poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of blocking poems.

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Written by John Ashbery | Create an image from this poem

My Philosophy of Life

 Just when I thought there wasn't room enough
for another thought in my head, I had this great idea--
call it a philosophy of life, if you will.Briefly,
it involved living the way philosophers live,
according to a set of principles. OK, but which ones?

That was the hardest part, I admit, but I had a
kind of dark foreknowledge of what it would be like.
Everything, from eating watermelon or going to the bathroom
or just standing on a subway platform, lost in thought
for a few minutes, or worrying about rain forests,
would be affected, or more precisely, inflected
by my new attitude.I wouldn't be preachy,
or worry about children and old people, except
in the general way prescribed by our clockwork universe.
Instead I'd sort of let things be what they are
while injecting them with the serum of the new moral climate
I thought I'd stumbled into, as a stranger
accidentally presses against a panel and a bookcase slides back,
revealing a winding staircase with greenish light
somewhere down below, and he automatically steps inside
and the bookcase slides shut, as is customary on such occasions.
At once a fragrance overwhelms him--not saffron, not lavender,
but something in between.He thinks of cushions, like the one
his uncle's Boston bull terrier used to lie on watching him
quizzically, pointed ear-tips folded over. And then the great rush 
is on.Not a single idea emerges from it.It's enough
to disgust you with thought.But then you remember something
William James
wrote in some book of his you never read--it was fine, it had the
fineness,
the powder of life dusted over it, by chance, of course, yet
still looking
for evidence of fingerprints. Someone had handled it
even before he formulated it, though the thought was his and
his alone.

It's fine, in summer, to visit the seashore.
There are lots of little trips to be made.
A grove of fledgling aspens welcomes the traveler.Nearby
are the public toilets where weary pilgrims have carved
their names and addresses, and perhaps messages as well,
messages to the world, as they sat
and thought about what they'd do after using the toilet
and washing their hands at the sink, prior to stepping out
into the open again.Had they been coaxed in by principles,
and were their words philosophy, of however crude a sort?
I confess I can move no farther along this train of thought--
something's blocking it.Something I'm 
not big enough to see over.Or maybe I'm frankly scared.
What was the matter with how I acted before?
But maybe I can come up with a compromise--I'll let
things be what they are, sort of.In the autumn I'll put up jellies
and preserves, against the winter cold and futility,
and that will be a human thing, and intelligent as well.
I won't be embarrassed by my friends' dumb remarks,
or even my own, though admittedly that's the hardest part,
as when you are in a crowded theater and something you say
riles the spectator in front of you, who doesn't even like the idea
of two people near him talking together. Well he's 
got to be flushed out so the hunters can have a crack at him--
this thing works both ways, you know. You can't always
be worrying about others and keeping track of yourself
at the same time.That would be abusive, and about as much fun
as attending the wedding of two people you don't know.
Still, there's a lot of fun to be had in the gaps between ideas.
That's what they're made for!Now I want you to go out there
and enjoy yourself, and yes, enjoy your philosophy of life, too.
They don't come along every day. Look out!There's a big one...


Written by Margaret Atwood | Create an image from this poem

The Landlady

 This is the lair of the landlady

She is
a raw voice
loose in the rooms beneath me.

the continuous henyard
squabble going on below
thought in this house like
the bicker of blood through the head.

She is everywhere, intrusive as the smells
that bulge in under my doorsill;
she presides over my
meagre eating, generates
the light for eyestrain.

From her I rent my time:
she slams
my days like doors.
Nothing is mine.

and when I dream images
of daring escapes through the snow
I find myself walking
always over a vast face
which is the land-
lady's, and wake up shouting.

She is a bulk, a knot
swollen in a space. Though I have tried
to find some way around
her, my senses
are cluttered by perception
and can't see through her.

She stands there, a raucous fact
blocking my way:
immutable, a slab
of what is real.

solid as bacon.
Written by Charles Simic | Create an image from this poem

The Initiate

 St. John of the Cross wore dark glasses
As he passed me on the street.
St. Theresa of Avila, beautiful and grave,
Turned her back on me.

"Soulmate," they hissed. "It's high time."

I was a blind child, a wind-up toy . . .
I was one of death's juggling red balls
On a certain street corner
Where they peddle things out of suitcases.

The city like a huge cinema
With lights dimmed.
The performance already started.

So many blurred faces in a complicated plot.

The great secret which kept eluding me: knowing who I am . . .

The Redeemer and the Virgin,
Their eyes wide open in the empty church
Where the killer came to hide himself . . .

The new snow on the sidewalk bore footprints
That could have been made by bare feet.
Some unknown penitent guiding me.
In truth, I didn't know where I was going.
My feet were frozen,
My stomach growled.

Four young hoods blocking my way.
Three deadpan, one smiling crazily.

I let them have my black raincoat.

Thinking constantly of the Divine Love 
 and the Absolute had disfigured me.
People mistook me for someone else.
I heard voices after me calling out unknown names.
"I'm searching for someone to sell my soul to,"
The drunk who followed me whispered,
While appraising me from head to foot.

At the address I had been given.
The building had large X's over its windows.
I knocked but no one came to open.
By and by a black girl joined me on the steps.
She banged at the door till her fist hurt.

Her name was Alma, a propitious sign.
She knew someone who solved life's riddles
In a voice of an ancient Sumerian queen.
We had a long talk about that
While shivering and stamping our wet feet.

It was necessary to stay calm, I explained,
Even with the earth trembling,
And to continue to watch oneself
As if one were a complete stranger.

Once in Chicago, for instance,
I caught sight of a man in a shaving mirror
Who had my naked shoulders and face,
But whose eyes terrified me!
Two hard staring, all-knowing eyes!

After we parted, the night, the cold, and the endless walking
Brought on a kind of ecstasy.
I went as if pursued, trying to warm myself.

There was the East River; there was the Hudson.
Their waters shone like oil in sanctuary lamps.

Something supreme was occurring
For which there will never be any words.

The sky was full of racing clouds and tall buildings,
Whirling and whirling silently.

In that whole city you could hear a pin drop.
Believe me.
I thought I heard a pin drop and I went looking for it.
Written by John Betjeman | Create an image from this poem

Meditation on the A30

 A man on his own in a car
Is revenging himself on his wife;
He open the throttle and bubbles with dottle
and puffs at his pitiful life

She's losing her looks very fast,
she loses her temper all day;
that lorry won't let me get past,
this Mini is blocking my way.

"Why can't you step on it and shift her!
I can't go on crawling like this!
At breakfast she said that she wished I was dead-
Thank heavens we don't have to kiss.

"I'ld like a nice blonde on my knee
And one who won't argue or nag.
Who dares to come hooting at me?
I only give way to a Jag.

"You're barmy or plastered, I'll pass you, you bastard-
I will overtake you. I will!"
As he clenches his pipe, his moment is ripe
And the corner's accepting its kill.
Written by Rudyard Kipling | Create an image from this poem

Farewell and adieu..

  1914-18
 Farewell and adieu to you, Harwich Ladies,
 Farewell and adieu to you, ladies ashore!
 For we've received orders to work to the eastward
 Where we hope in a short time to strafe 'em some more.

 We'll duck and we'll dive like little tin turtles,
 We'll duck and we'll dive underneath the North Seas,
 Until we strike something that doesn't expect us.
 From here to Cuxhaven it's go as you please!

 The first thing we did was to dock in a minefield,
 Which isn't a place where repairs should be done;
 And there we lay doggo in twelve-fathom water
 With tri-nitro-toluol hogging our run.

 The next thing we did, we rose under a Zeppelin,
 With his shiny big belly half blocking the sky.
 But what in the--Heavens can you do with six-pounders?
 So we fired what we had and we bade him good-bye.
 Farewell and adieu, etc. 
 The Fringes of the Fleet.


Written by Rg Gregory | Create an image from this poem

legs rivers and age

 with landbound legs a wish
for the easy flow of a river - not 
the clambering up crags to seek 
more favour from the sun
(or long-haired moon) harped for
since those sparks of who am i 
first clicked through consciousness

how the river sidles round 
rocks blocking the painful straight
seems to brush aside
all snags disrupting its ambition
to be sea - certain from its source
downwardness is good - legs don’t have 
that gift (being boned with doubt)

rivers in their waywardness 
become a rattling cage of tigers 
when the storm god snarls
legs are happy then 
to have hard ground to run away on
legs and rivers you could say
should show compassion for each other

as if legs themselves aren’t rivers
when (from hip to toe) the energy 
runs down from impulses
the high brain sources - summer’s joys
or winter’s nobbling aches
make the same ground safe
or fearful - as when the river legs it

legs or rivers - the game’s alike
seasons distort the flow
in age the river’s more appealing
(legs have a way of silting up)
after the high ground’s turmoils
you hope for the sanctity of meadows
a kind of green relief

legs feed on past dreams (now
kick a ball the leg drops off)
rivers are geared to what comes next
even in the sea’s maw 
hope is on their lips (ever) - legs
rest on their elegiac laurels
with the weight off them they flow best
Written by John Berryman | Create an image from this poem

Dream Song 60: Afters eight years be less dan eight percent

 Afters eight years, be less dan eight percent,
distinguish' friend, of coloured wif de whites
in de School, in de Souf.
—Is coloured gobs, is coloured officers,
Mr Bones. Dat's nuffin?—Uncle Tom,
sweep shut yo mouf,

is million blocking from de proper job,
de fairest houses & de churches eben.
—You may be right, Friend Bones.
Indeed you is. Defy flyin ober de world,
de pilots, ober ofays. Bit by bit
our immemorial moans

brown down to all dere moans. I flees that, sah.
They brownin up to ourn. Who gonna win?
—I wouldn't predict.
But I do guess mos peoples gonna lose.
I never saw no pickle wifout no hand.
O my, without no hand.

Book: Radiant Verses: A Journey Through Inspiring Poetry