Written by
Robert Browning |
I.
Your ghost will walk, you lover of trees,
(If our loves remain)
In an English lane,
By a cornfield-side a-flutter with poppies.
Hark, those two in the hazel coppice---
A boy and a girl, if the good fates please,
Making love, say,---
The happier they!
Draw yourself up from the light of the moon,
And let them pass, as they will too soon,
With the bean-flowers' boon,
And the blackbird's tune,
And May, and June!
II.
What I love best in all the world
Is a castle, precipice-encurled,
In a gash of the wind-grieved Apennine
Or look for me, old fellow of mine,
(If I get my head from out the mouth
O' the grave, and loose my spirit's bands,
And come again to the land of lands)---
In a sea-side house to the farther South,
Where the baked cicala dies of drouth,
And one sharp tree---'tis a cypress---stands,
By the many hundred years red-rusted,
Rough iron-spiked, ripe fruit-o'ercrusted,
My sentinel to guard the sands
To the water's edge. For, what expands
Before the house, but the great opaque
Blue breadth of sea without a break?
While, in the house, for ever crumbles
Some fragment of the frescoed walls,
From blisters where a scorpion sprawls.
A girl bare-footed brings, and tumbles
Down on the pavement, green-flesh melons,
And says there's news to-day---the king
Was shot at, touched in the liver-wing,
Goes with his Bourbon arm in a sling:
---She hopes they have not caught the felons.
Italy, my Italy!
Queen Mary's saying serves for me---
(When fortune's malice
Lost her---Calais)---
Open my heart and you will see
Graved inside of it, ``Italy.''
Such lovers old are I and she:
So it always was, so shall ever be!
|
Written by
Rudyard Kipling |
We've drunk to the Queen -- God bless her! --
We've drunk to our mothers' land;
We've drunk to our English brother,
(But he does not understand);
We've drunk to the wide creation,
And the Cross swings low for the mom,
Last toast, and of Obligation,
A health to the Native-born!
They change their skies above them,
But not their hearts that roam!
We learned from our wistful mothers
To call old England "home";
We read of the English skylark,
Of the spring in the English lanes,
But we screamed with the painted lories
As we rode on the dusty plains!
They passed with their old-world legends --
Their tales of wrong and dearth --
Our fathers held by purchase,
But we by the right of birth;
Our heart's where they rocked our cradle,
Our love where we spent our toil,
And our faith and our hope and our honour
We pledge to our native soil!
I charge you charge your glasses --
I charge you drink with me
To the men of the Four New Nations,
And the Islands of the Sea --
To the last least lump of coral
That none may stand outside,
And our own good pride shall teach us
To praise our comrade's pride,
To the hush of the breathless morning
On the thin, tin, crackling roofs,
To the haze of the burned back-ranges
And the dust of the shoeless hoofs --
To the risk of a death by drowning,
To the risk of a death by drouth --
To the men ef a million acres,
To the Sons of the Golden South!
To the Sons of the Golden South (Stand up!),
And the life we live and know,
Let a felow sing o' the little things he cares about,
If a fellow fights for the little things he cares about
With the weight o a single blow!
To the smoke of a hundred coasters,
To the sheep on a thousand hills,
To the sun that never blisters,
To the rain that never chills --
To the land of the waiting springtime,
To our five-meal, meat-fed men,
To the tall, deep-bosomed women,
And the children nine and ten!
And the children nine and ten (Stand up!),
And the life we live and know,
Let a fellow sing o' the little things he cares about,
If a fellow fights for the little things he cares about
With the weight of a two-fold blow!
To the far-flung, fenceless prairie
Where the quick cloud-shadows trail,
To our neighbours' barn in the offing
And the line of the new-cut rail;
To the plough in her league-long furrow
With the grey Lake' gulls behind --
To the weight of a half-year's winter
And the warm wet western wind!
To the home of the floods and thunder,
To her pale dry healing blue --
To the lift of the great Cape combers,
And the smell of the baked Karroo.
To the growl of the sluicing stamp-head --
To the reef and the water-gold,
To the last and the largest Empire,
To the map that is half unrolled!
To our dear dark foster-mothers,
To the heathen songs they sung --
To the heathen speech we babbled
Ere we came to the white man's tongue.
To the cool of our deep verandah --
To the blaze of our jewelled main,
To the night, to the palms in the moonlight,
And the fire-fly in the cane!
To the hearth of Our People's People --
To her well-ploughed windy sea,
To the hush of our dread high-altar
Where The Abbey makes us We.
To the grist of the slow-ground ages,
To the gain that is yours and mine --
To the Bank of the Open Credit,
To the Power-house of the Line!
We've drunk to the Queen -- God bless her!
We've drunk to our mothers'land;
We've drunk to our English brother
(And we hope he'll understand).
We've drunk as much as we're able,
And the Cross swings low for the morn;
Last toast-and your foot on the table! --
A health to the Native-born!
A health to the Nativeborn (Stand up!),
We're six white men arow,
All bound to sing o' the Little things we care about,
All bound to fight for the Little things we care about
With the weight of a six-fold blow!
By the might of our Cable-tow (Take hands!),
From the Orkneys to the Horn
All round the world (and a Little loop to pull it by),
All round the world (and a Little strap to buckle it).
A health to the Native-born!
|
Written by
Vachel Lindsay |
SECTION ONE
"Give the engines room,
Give the engines room."
Louder, faster
The little band-master
Whips up the fluting,
Hurries up the tooting.
He thinks that he stands,
[*] The reins in his hands,
In the fire-chief's place
In the night alarm chase.
The cymbals whang,
The kettledrums bang: —
"Clear the street,
Clear the street,
Clear the street — Boom, boom.
In the evening gloom,
In the evening gloom,
Give the engines room,
Give the engines room.
Lest souls be trapped
In a terrible tomb."
The sparks and the pine-brands
Whirl on high
From the black and reeking alleys
To the wide red sky.
Hear the hot glass crashing,
Hear the stone steps hissing.
Coal black streams
Down the gutters pour.
There are cries for help
From a far fifth floor.
For a longer ladder
Hear the fire-chief call.
Listen to the music
Of the firemen's ball.
Listen to the music
Of the firemen's ball.
"'Tis the
NIGHT
Of doom,"
Say the ding-dong doom-bells.
"NIGHT
Of doom,"
Say the ding-dong doom-bells.
Faster, faster
The red flames come.
"Hum grum," say the engines,
"Hum grum grum."
"Buzz, buzz,"
Says the crowd.
"See, see,"
Calls the crowd.
And the high walls fall:—
Listen to the music
Of the firemen's ball
"'Tis the
NIGHT
Of doom,"
Say the ding-dong doom-bells.
NIGHT
Of doom,
Say the ding-dong doom-bells.
Whangaranga, whangaranga,
Whang, whang, whang,
Clang, clang, clangaranga,
Clang, clang, clang.
Clang—a—ranga—
Clang—a—ranga—
Clang,
Clang,
Clang.
Listen—to—the—music—
Of the firemen's ball—
SECTION TWO
"Many's the heart that's breaking
If we could read them all
After the ball is over."
(An old song.)
Scornfully, gaily
The bandmaster sways,
Changing the strain
That the wild band plays.
With a red and royal intoxication,
A tangle of sounds
And a syncopation,
Sweeping and bending
From side to side,
Master of dreams,
With a peacock pride.
A lord of the delicate flowers of delight
He drives compunction
Back through the night.
Dreams he's a soldier
Plumed and spurred,
And valiant lads
Arise at his word,
Flaying the sober
Thoughts he hates,
Driving them back
From the dream-town gates.
How can the languorous
Dancers know
The red dreams come
When the good dreams go?
'"Tis the
NIGHT
Of love,"
Call the silver joy-bells,
"NIGHT
Of love,"
Call the silver joy-bells.
"Honey and wine,
Honey and wine.
Sing low, now, violins,
Sing, sing low,
Blow gently, wood-wind,
Mellow and slow.
Like midnight poppies
The sweethearts bloom.
Their eyes flash power,
Their lips are dumb.
Faster and faster
Their pulses come,
Though softer now
The drum-beats fall.
Honey and wine,
Honey and wine.
'Tis the firemen's ball,
'Tis the firemen's ball.
"I am slain,"
Cries true-love
There in the shadow.
"And I die,"
Cries true-love,
There laid low.
"When the fire-dreams come,
The wise dreams go."
BUT HIS CRY IS DROWNED
BY THE PROUD BAND-MASTER.
And now great gongs whang,
Sharper, faster,
And kettledrums rattle
And hide the shame
With a swish and a swirk
In dead love's name.
Red and crimson
And scarlet and rose
Magical poppies
The sweethearts bloom.
The scarlet stays
When the rose-flush goes,
And love lies low
In a marble tomb.
"'Tis the
NIGHT
Of doom,"
Call the ding-dong doom-bells.
"NIGHT
Of Doom,"
Call the ding-dong doom-bells.
Hark how the piccolos still make cheer.
'Tis a moonlight night in the spring of the year."
CLANGARANGA, CLANGARANGA,
CLANG . . . CLANG . . . CLANG.
CLANG . . . A . . . RANGA . . .
CLANG . . . A . . . RANGA . . .
CLANG . . . CLANG . . . CLANG . . .
LISTEN . . . TO . . . THE . . . MUSIC . . .
OF . . . THE . . . FIREMEN'S BALL . . .
LISTEN . . . TO . . . THE . . . MUSIC . . .
OF . . . THE . . . FIREMEN'S . . . BALL . . .
SECTION THREE
In Which, contrary to Artistic Custom, the moral of the piece is placed before the reader.
(From the first Khandaka of the Mahavagga: "There Buddha thus addressed his disciples: 'Everything, O mendicants, is burning. With what fire is it burning? I declare unto you it is burning with the fire of passion, with the fire of anger, with the fire of ignorance. It is burning with the anxieties of birth, decay and death, grief, lamentation, suffering and despair. . . . A disciple, . . . becoming weary of all that, divests himself of passion. By absence of passion, he is made free.'")
I once knew a teacher,
Who turned from desire,
Who said to the young men
"Wine is a fire."
Who said to the merchants:—
"Gold is a flame
That sears and tortures
If you play at the game."
I once knew a teacher
Who turned from desire
Who said to the soldiers,
"Hate is a fire."
Who said to the statesmen:—
"Power is a flame
That flays and blisters
If you play at the game."
I once knew a teacher
Who turned from desire,
Who said to the lordly,
"Pride is a fire."
Who thus warned the revellers:—
"Life is a flame.
Be cold as the dew
Would you win at the game
With hearts like the stars,
With hearts like the stars."
SO BEWARE,
SO BEWARE,
SO BEWARE OF THE FIRE.
Clear the streets,
BOOM, BOOM,
Clear the streets,
BOOM, BOOM,
GIVE THE ENGINES ROOM,
GIVE THE ENGINES ROOM,
LEST SOULS BE TRAPPED
IN A TERRIBLE TOMB.
SAYS THE SWIFT WHITE HORSE
TO THE SWIFT BLACK HORSE:—
"THERE GOES THE ALARM,
THERE GOES THE ALARM.
THEY ARE HITCHED, THEY ARE OFF,
THEY ARE GONE IN A FLASH,
AND THEY STRAIN AT THE DRIVER'S IRON ARM."
CLANG . . . A . . . RANGA, . . . CLANG.. A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG. . . .
CLANG . . . A . . . RANGA. . . . CLANG . . . A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG. . . .
CLANG . . . A . . . RANGA. . . . CLANG . . . A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG . . . .
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