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Best Famous Blackbird Poems

Here is a collection of the all-time best famous Blackbird poems. This is a select list of the best famous Blackbird poetry. Reading, writing, and enjoying famous Blackbird poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of blackbird poems.

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Written by David Herbert Lawrence | Create an image from this poem

Craving for Spring

 I wish it were spring in the world.
Let it be spring! Come, bubbling, surging tide of sap! Come, rush of creation! Come, life! surge through this mass of mortification! Come, sweep away these exquisite, ghastly first-flowers, which are rather last-flowers! Come, thaw down their cool portentousness, dissolve them: snowdrops, straight, death-veined exhalations of white and purple crocuses, flowers of the penumbra, issue of corruption, nourished in mortification, jets of exquisite finality; Come, spring, make havoc of them! I trample on the snowdrops, it gives me pleasure to tread down the jonquils, to destroy the chill Lent lilies; for I am sick of them, their faint-bloodedness, slow-blooded, icy-fleshed, portentous.
I want the fine, kindling wine-sap of spring, gold, and of inconceivably fine, quintessential brightness, rare almost as beams, yet overwhelmingly potent, strong like the greatest force of world-balancing.
This is the same that picks up the harvest of wheat and rocks it, tons of grain, on the ripening wind; the same that dangles the globe-shaped pleiads of fruit temptingly in mid-air, between a playful thumb and finger; oh, and suddenly, from out of nowhere, whirls the pear-bloom, upon us, and apple- and almond- and apricot- and quince-blossom, storms and cumulus clouds of all imaginable blossom about our bewildered faces, though we do not worship.
I wish it were spring cunningly blowing on the fallen sparks, odds and ends of the old, scattered fire, and kindling shapely little conflagrations curious long-legged foals, and wide-eared calves, and naked sparrow-bubs.
I wish that spring would start the thundering traffic of feet new feet on the earth, beating with impatience.
I wish it were spring, thundering delicate, tender spring.
I wish these brittle, frost-lovely flowers of passionate, mysterious corruption were not yet to come still more from the still-flickering discontent.
Oh, in the spring, the bluebell bows him down for very exuberance, exulting with secret warm excess, bowed down with his inner magnificence! Oh, yes, the gush of spring is strong enough to toss the globe of earth like a ball on a water-jet dancing sportfully; as you see a tiny celluloid ball tossing on a squirt of water for men to shoot at, penny-a-time, in a booth at a fair.
The gush of spring is strong enough to play with the globe of earth like a ball on a fountain; At the same time it opens the tiny hands of the hazel with such infinite patience.
The power of the rising, golden, all-creative sap could take the earth and heave it off among the stars, into the invisible; the same sets the throstle at sunset on a bough singing against the blackbird; comes out in the hesitating tremor of the primrose, and betrays its candour in the round white strawberry flower, is dignified in the foxglove, like a Red-Indian brave.
Ah come, come quickly, spring! come and lift us towards our culmination, we myriads; we who have never flowered, like patient cactuses.
Come and lift us to our end, to blossom, bring us to our summer we who are winter-weary in the winter of the of the world.
Come making the chaffinch nests hollow and cosy, come and soften the willow buds till they are puffed and furred, then blow them over with gold.
Coma and cajole the gawky colt’s-foot flowers.
Come quickly, and vindicate us.
against too much death.
Come quickly, and stir the rotten globe of the world from within, burst it with germination, with world anew.
Come now, to us, your adherents, who cannot flower from the ice.
All the world gleams with the lilies of death the Unconquerable, but come, give us our turn.
Enough of the virgins and lilies, of passionate, suffocating perfume of corruption, no more narcissus perfume, lily harlots, the blades of sensation piercing the flesh to blossom of death.
Have done, have done with this shuddering, delicious business of thrilling ruin in the flesh, of pungent passion, of rare, death-edged ecstasy.
Give us our turn, give us a chance, let our hour strike, O soon, soon! Let the darkness turn violet with rich dawn.
Let the darkness be warmed, warmed through to a ruddy violet, incipient purpling towards summer in the world of the heart of man.
Are the violets already here! Show me! I tremble so much to hear it, that even now on the threshold of spring, I fear I shall die.
Show me the violets that are out.
Oh, if it be true, and the living darkness of the blood of man is purpling with violets, if the violets are coming out from under the rack of men, winter-rotten and fallen, we shall have spring.
Pray not to die on this Pisgah blossoming with violets.
Pray to live through.
If you catch a whiff of violets from the darkness of the shadow of man it will be spring in the world, it will be spring in the world of the living; wonderment organising itself, heralding itself with the violets, stirring of new seasons.
Ah, do not let me die on the brink of such anticipation! Worse, let me not deceive myself.
Written by Wallace Stevens | Create an image from this poem

Thirteen Ways of Looking at a Blackbird

I 
Among twenty snowy mountains, 
The only moving thing 
Was the eye of the blackbird.
II I was of three minds, Like a tree In which there are three blackbirds.
III The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV A man and a woman Are one.
A man and a woman and a blackbird Are one.
V I do not know which to prefer, The beauty of inflections Or the beauty of innuendoes, The blackbird whistling Or just after.
VI Icicles filled the long window With barbaric glass.
The shadow of the blackbird Crossed it, to and fro.
The mood Traced in the shadow An indecipherable cause.
VII O thin men of Haddam, Why do you imagine golden birds? Do you not see how the blackbird Walks around the feet Of the women about you? VIII I know noble accents And lucid, inescapable rhythms; But I know, too, That the blackbird is involved In what I know.
IX When the blackbird flew out of sight, It marked the edge Of one of many circles.
X At the sight of blackbirds Flying in a green light, Even the bawds of euphony Would cry out sharply.
XI He rode over Connecticut In a glass coach.
Once, a fear pierced him, In that he mistook The shadow of his equipage For blackbirds.
XII The river is moving.
The blackbird must be flying.
XIII It was evening all afternoon.
It was snowing And it was going to snow.
The blackbird sat In the cedar-limbs.
Written by Eavan Boland | Create an image from this poem

The Black Lace Fan My Mother Gave Me

 It was the first gift he ever gave her,
buying it for five five francs in the Galeries
in pre-war Paris.
It was stifling.
A starless drought made the nights stormy.
They stayed in the city for the summer.
The met in cafes.
She was always early.
He was late.
That evening he was later.
They wrapped the fan.
He looked at his watch.
She looked down the Boulevard des Capucines.
She ordered more coffee.
She stood up.
The streets were emptying.
The heat was killing.
She thought the distance smelled of rain and lightning.
These are wild roses, appliqued on silk by hand, darkly picked, stitched boldly, quickly.
The rest is tortoiseshell and has the reticent clear patience of its element.
It is a worn-out, underwater bullion and it keeps, even now, an inference of its violation.
The lace is overcast as if the weather it opened for and offset had entered it.
The past is an empty cafe terrace.
An airless dusk before thunder.
A man running.
And no way to know what happened then— none at all—unless ,of course, you improvise: The blackbird on this first sultry morning, in summer, finding buds, worms, fruit, feels the heat.
Suddenly she puts out her wing— the whole, full, flirtatious span of it.
Written by Robert Frost | Create an image from this poem

Our Singing Strength

 It snowed in spring on earth so dry and warm
The flakes could find no landing place to form.
Hordes spent themselves to make it wet and cold, And still they failed of any lasting hold.
They made no white impression on the black.
They disappeared as if earth sent them back.
Not till from separate flakes they changed at night To almost strips and tapes of ragged white Did grass and garden ground confess it snowed, And all go back to winter but the road.
Next day the scene was piled and puffed and dead.
The grass lay flattened under one great tread.
Borne down until the end almost took root, The rangey bough anticipated fruit With snowball cupped in every opening bud.
The road alone maintained itself in mud, Whatever its secret was of greater heat From inward fires or brush of passing feet.
In spring more mortal singers than belong To any one place cover us with song.
Thrush, bluebird, blackbird, sparrow, and robin throng; Some to go further north to Hudson's Bay, Some that have come too far north back away, Really a very few to build and stay.
Now was seen how these liked belated snow.
the field had nowhere left for them to go; They'd soon exhausted all there was in flying; The trees they'd had enough of with once trying And setting off their heavy powder load.
They could find nothing open but the road.
Sot there they let their lives be narrowed in By thousands the bad weather made akin.
The road became a channel running flocks Of glossy birds like ripples over rocks.
I drove them under foot in bits of flight That kept the ground.
almost disputing right Of way with me from apathy of wing, A talking twitter all they had to sing.
A few I must have driven to despair Made quick asides, but having done in air A whir among white branches great and small As in some too much carven marble hall Where one false wing beat would have brought down all, Came tamely back in front of me, the Drover, To suffer the same driven nightmare over.
One such storm in a lifetime couldn't teach them That back behind pursuit it couldn't reach them; None flew behind me to be left alone.
Well, something for a snowstorm to have shown The country's singing strength thus brought together, the thought repressed and moody with the weather Was none the less there ready to be freed And sing the wildflowers up from root and seed.
Written by Galway Kinnell | Create an image from this poem

Little Sleeps-Head Sprouting Hair in the Moonlight

1

You scream, waking from a nightmare.
When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us.
I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you.
2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die.
Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the cultures of the plague, and iron twists weapons toward the true north, and grease refuses to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and lovers no longer whisper to the presence beside them in the dark, O corpse-to-be .
.
.
And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls.
3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam.
Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old men, which once could call up the lost nouns.
4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-g?t, ci-g?t, ci-g?t, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in.
5 If one day it happens you find yourself with someone you love in a caf¨¦ at one end of the Pont Mirabeau, at the zinc bar where white wine stands in upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn, as you stand at this end of the bridge which arcs, from love, you think, into enduring love, learn to reach deeper into the sorrows to come ¨C to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones.
Kiss the mouth which tells you, here, here is the world.
This mouth.
This laughter.
These temple bones.
The still undanced cadence of vanishing.
6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string.
7 Back you go, into your crib.
The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head, in sleep.
Already in your dreams the hours begin to sing.
Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched too late with such knowledge, the wages of dying is love.
Written by Stephen Dunn | Create an image from this poem

Walking The Marshland

 It was no place for the faithless,
so I felt a little odd
walking the marshland with my daughters,

Canada geese all around and the blue 
herons just standing there;
safe, and the abundance of swans.
The girls liked saying the words, gosling, egret, whooping crane, and they liked when I agreed.
The casinos were a few miles to the east.
I liked saying craps and croupier and sometimes I wanted to be lost in those bright windowless ruins.
It was April, the gnats and black flies weren't out yet.
The mosquitoes hadn't risen from their stagnant pools to trouble paradise and to give us the great right to complain.
I loved these girls.
The world beyond Brigantine awaited their beauty and beauty is what others want to own.
I'd keep that to myself.
The obvious was so sufficient just then.
Sandpiper.
Red-wing Blackbird.
"Yes," I said.
But already we were near the end.
Praise refuge, I thought.
Praise whatever you can.
Written by Rudyard Kipling | Create an image from this poem

A Boy ScoutsPatrol Song

  1913
These are our regulations-- 
 There's just one law for the Scout 
And the first and the last, and the present and the past,
 And the future and the perfect is "Look out!"
 I, thou and he, look out!
 We, ye and they, look out!
 Though you didn't or you wouldn't
 Or you hadn't or you couldn't;
 You jolly well must look out!


Look out, when you start for the day
 That your kit is packed to your mind;
There is no use going away 
 With half of it left behind.
Look out that your laces are tight, And your boots are easy and stout, Or you'll end with a blister at night.
(Chorus) All Patrols look out! Look out for the birds of the air, Look out for the beasts of the field-- They'll tell you how and where The other side's concealed.
When the blackbird bolts from the copse, Or the cattle are staring about, The wise commander stops And (chorus) All Patrols look out! Look out when your front is clear, And you feel you are bound to win.
Look out for your flank and your rear-- That's where surprises begin.
For the rustle that isn't a rat, For the splash that isn't a trout, For the boulder that may be a hat (Chorus) All Patrols look out! For the innocent knee-high grass, For the ditch that never tells, Look out! Look out ere you pass-- And look out for everything else A sign mis-read as you run May turn retreat to a rout-- For all things under the sun (Chorus) All Patrols look out! Look out where your temper goes At the end of a losing game; When your boots too tight for your toes; And you answer and argue and blame.
It's the hardest part of the Low, But it has to be learned by the Scout-- For whining and shrinking and "jaw" (Chorus) All Patrols look out!
Written by Austin Clarke | Create an image from this poem

The Blackbird Of Derrycairn

 Stop, stop and listen for the bough top
Is whistling and the sun is brighter
Than God's own shadow in the cup now!
Forget the hour-bell.
Mournful matins Will sound, Patric, as well at nightfall.
Faintly through mist of broken water Fionn heard my melody in Norway.
He found the forest track, he brought back This beak to gild the branch and tell, there, Why men must welcome in the daylight.
He loved the breeze that warns the black grouse, The shouts of gillies in the morning When packs are counted and the swans cloud Loch Erne, but more than all those voices My throat rejoicing from the hawthorn.
In little cells behind a cashel, Patric, no handbell gives a glad sound.
But knowledge is found among the branches.
Listen! That song that shakes my feathers Will thong the leather of your satchels.
Written by R S Thomas | Create an image from this poem

A Blackbird Singing

 It seems wrong that out of this bird,
Black, bold, a suggestion of dark 
Places about it, there yet should come
Such rich music, as though the notes'
Ore were changed to a rare metal
At one touch of that bright bill.
You have heard it often, alone at your desk In a green April, your mind drawn Away from its work by sweet disturbance Of the mild evening outside your room.
A slow singer, but loading each phrase With history's overtones, love, joy And grief learned by his dark tribe In other orchards and passed on Instinctively as they are now, But fresh always with new tears.
Written by Mary Darby Robinson | Create an image from this poem

Second Ode to the Nightingale

 BLEST be thy song, sweet NIGHTINGALE, 
Lorn minstrel of the lonely vale ! 
Where oft I've heard thy dulcet strain 
In mournful melody complain; 
When in the POPLAR'S trembling shade, 
At Evening's purple hour I've stray'd, 
While many a silken folded flow'r 
Wept on its couch of Gossamer, 
And many a time in pensive mood 
Upon the upland mead I've stood, 
To mark grey twilight's shadows glide 
Along the green hill's velvet side; 
To watch the perfum'd hand of morn 
Hang pearls upon the silver thorn, 
Till rosy day with lustrous eye 
In saffron mantle deck'd the sky, 
And bound the mountain's brow with fire, 
And ting'd with gold the village spire: 
While o'er the frosted vale below 
The amber tints began to glow: 
And oft I seek the daisied plain 
To greet the rustic nymph and swain, 
When cowslips gay their bells unfold, 
And flaunt their leaves of glitt'ring gold, 
While from the blushes of the rose 
A tide of musky essence flows, 
And o'er the odour-breathing flow'rs 
The woodlands shed their diamond show'rs, 
When from the scented hawthorn bud 
The BLACKBIRD sips the lucid flood, 
While oft the twitt'ring THRUSH essays 
To emulate the LINNET'S lays; 
While the poiz'd LARK her carol sings 
And BUTTERFLIES expand their wings, 
And BEES begin their sultry toils 
And load their limbs with luscious spoils, 
I stroll along the pathless vale, 
And smile, and bless thy soothing tale.
But ah ! when hoary winter chills The plumy race­and wraps the hills In snowy vest, I tell my pains Beside the brook in icy chains Bound its weedy banks between, While sad I watch night's pensive queen, Just emblem of MY weary woes: For ah ! where'er the virgin goes, Each flow'ret greets her with a tear To sympathetic sorrow dear; And when in black obtrusive clouds The chilly MOON her pale cheek shrouds, I mark the twinkling starry train Exulting glitter in her wane, And proudly gleam their borrow'd light To gem the sombre dome of night.
Then o'er the meadows cold and bleak, The glow-worm's glimm'ring lamp I seek.
Or climb the craggy cliff to gaze On some bright planet's azure blaze, And o'er the dizzy height inclin'd I listen to the passing wind, That loves my mournful song to seize, And bears it to the mountain breeze.
Or where the sparry caves among Dull ECHO sits with aëry tongue, Or gliding on the ZEPHYR'S wings From hill to hill her cadence flings, O, then my melancholy tale Dies on the bosom of the gale, While awful stillness reigning round Blanches my cheek with chilling fear; Till from the bushy dell profound, The woodman's song salutes mine ear.
When dark NOVEMBER'S boist'rous breath Sweeps the blue hill and desart heath, When naked trees their white tops wave O'er many a famish'd REDBREAST'S grave, When many a clay-built cot lays low Beneath the growing hills of snow, Soon as the SHEPHERD's silv'ry head Peeps from his tottering straw-roof'd shed, To hail the glimm'ring glimpse of day, With feeble steps he ventures forth Chill'd by the bleak breath of the North, And to the forest bends his way, To gather from the frozen ground Each branch the night-blast scatter'd round.
­ If in some bush o'erspread with snow He hears thy moaning wail of woe, A flush of warmth his cheek o'erspreads, With anxious timid care he treads, And when his cautious hands infold Thy little breast benumb'd with cold, "Come, plaintive fugitive," he cries, While PITY dims his aged eyes, "Come to my glowing heart, and share "My narrow cell, my humble fare, "Tune thy sweet carol­plume thy wing, "And quaff with me the limpid spring, "And peck the crumbs my meals supply, "And round my rushy pillow fly.
" O, MINSTREL SWEET, whose jocund lay Can make e'en POVERTY look gay, Who can the poorest swain inspire And while he fans his scanty fire, When o'er the plain rough Winter pours Nocturnal blasts, and whelming show'rs, Canst thro' his little mansion fling The rapt'rous melodies of spring.
To THEE with eager gaze I turn, Blest solace of the aching breast; Each gaudy, glitt'ring scene I spurn, And sigh for solitude and rest, For art thou not, blest warbler, say, My mind's best balm, my bosom's friend ? Didst thou not trill thy softest lay, And with thy woes my sorrows blend ? YES, darling Songstress ! when of late I sought thy leafy-fringed bow'r, The victim of relentless fate, Fading in life's dark ling'ring hour, Thou heard'st my plaint, and pour'd thy strain Thro' the sad mansion of my breast, And softly, sweetly lull'd to rest The throbbing anguish of my brain.
AH ! while I tread this vale of woe, Still may thy downy measures flow, To wing my solitary hours With kind, obliterating pow'rs; And tho' my pensive, patient heart No wild, extatic bliss shall prove, Tho' life no raptures shall impart, No boundless joy, or, madd'ning love, Sweet NIGHTINGALE, thy lenient strain Shall mock Despair, AND BLUNT THE SHAFT OF PAIN.
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