Written by
Sylvia Plath |
What is this, behind this veil, is it ugly, is it beautiful?
It is shimmering, has it breasts, has it edges?
I am sure it is unique, I am sure it is what I want.
When I am quiet at my cooking I feel it looking, I feel it thinking
'Is this the one I am too appear for,
Is this the elect one, the one with black eye-pits and a scar?
Measuring the flour, cutting off the surplus,
Adhering to rules, to rules, to rules.
Is this the one for the annunciation?
My god, what a laugh!'
But it shimmers, it does not stop, and I think it wants me.
I would not mind if it were bones, or a pearl button.
I do not want much of a present, anyway, this year.
After all I am alive only by accident.
I would have killed myself gladly that time any possible way.
Now there are these veils, shimmering like curtains,
The diaphanous satins of a January window
White as babies' bedding and glittering with dead breath. O ivory!
It must be a tusk there, a ghost column.
Can you not see I do not mind what it is.
Can you not give it to me?
Do not be ashamed--I do not mind if it is small.
Do not be mean, I am ready for enormity.
Let us sit down to it, one on either side, admiring the gleam,
The glaze, the mirrory variety of it.
Let us eat our last supper at it, like a hospital plate.
I know why you will not give it to me,
You are terrified
The world will go up in a shriek, and your head with it,
Bossed, brazen, an antique shield,
A marvel to your great-grandchildren.
Do not be afraid, it is not so.
I will only take it and go aside quietly.
You will not even hear me opening it, no paper crackle,
No falling ribbons, no scream at the end.
I do not think you credit me with this discretion.
If you only knew how the veils were killing my days.
To you they are only transparencies, clear air.
But my god, the clouds are like cotton.
Armies of them. They are carbon monoxide.
Sweetly, sweetly I breathe in,
Filling my veins with invisibles, with the million
Probable motes that tick the years off my life.
You are silver-suited for the occasion. O adding machine-----
Is it impossible for you to let something go and have it go whole?
Must you stamp each piece purple,
Must you kill what you can?
There is one thing I want today, and only you can give it to me.
It stands at my window, big as the sky.
It breathes from my sheets, the cold dead center
Where split lives congeal and stiffen to history.
Let it not come by the mail, finger by finger.
Let it not come by word of mouth, I should be sixty
By the time the whole of it was delivered, and to numb to use it.
Only let down the veil, the veil, the veil.
If it were death
I would admire the deep gravity of it, its timeless eyes.
I would know you were serious.
There would be a nobility then, there would be a birthday.
And the knife not carve, but enter
Pure and clean as the cry of a baby,
And the universe slide from my side.
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Written by
David Lehman |
"He gave her class. She gave him sex. "
-- Katharine Hepburn on Fred Astaire and Ginger Rogers
He gave her money. She gave him head.
He gave her tips on "aggressive growth" mutual funds. She gave him a red rose
and a little statue of eros.
He gave her Genesis 2 (21-23). She gave him Genesis 1 (26-28).
He gave her a square peg. She gave him a round hole.
He gave her Long Beach on a late Sunday in September. She gave him zinnias
and cosmos in the plenitude of July.
He gave her a camisole and a brooch. She gave him a cover and a break.
He gave her Venice, Florida. She gave him Rome, New York.
He gave her a false sense of security. She gave him a true sense of uncertainty.
He gave her the finger. She gave him what for.
He gave her a black eye. She gave him a divorce.
He gave her a steak for her black eye. She gave him his money back.
He gave her what she had never had before. She gave him what he had had and
lost.
He gave her nastiness in children. She gave him prudery in adults.
He gave her Panic Hill. She gave him Mirror Lake.
He gave her an anthology of drum solos. She gave him the rattle of leaves in
the wind.
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Written by
Thomas Moore |
"How sweetly," said the trembling maid,
Of her own gentle voice afraid,
So long had they in silence stood,
Looking upon that tranquil flood--
"How sweetly does the moon-beam smile
To-night upon yon leafy isle!
Oft in my fancy's wanderings,
I've wish'd that little isle had wings,
And we, within its fairy bow'rs,
Were wafted off to seas unknown,
Where not a pulse should beat but ours,
And we might live, love, die alone!
Far from the cruel and the cold,--
Where the bright eyes of angels only
Should come around us, to behold
A paradise so pure and lonely.
Would this be world enough for thee?"--
Playful she turn'd, that he might see
The passing smile her cheek put on;
But when she mark'd how mournfully
His eyes met hers, that smile was gone;
And, bursting into heart-felt tears,
"Yes, yes," she cried, "my hourly fears
My dreams have boded all too right--
We part--for ever part--to-night!
I knew, I knew it could not last--
'Twas bright, 'twas heav'nly, but 'tis past!
Oh! ever thus, from childhood's hour,
I've seen my fondest hopes decay;
I never lov'd a tree or flow'r,
But 'twas the first to fade away.
I never nurs'd a dear gazelle
To glad me with its soft black eye,
But when it came to know me well
And love me, it was sure to die!
Now too--the joy most like divine
Of all I ever dreamt or knew,
To see thee, hear thee, call thee mine,--
Oh misery! must I lose that too?
Yet go--on peril's brink we meet;--
Those frightful rocks--that treach'rous sea--
No, never come again--though sweet,
Though heav'n, it may be death to thee.
Farewell--and blessings on thy way,
Where'er thou goest, beloved stranger!
Better to sit and watch that ray,
And think thee safe, though far away,
Than have thee near me, and in danger!"
|
Written by
Lewis Carroll |
Why is it that Poetry has never yet been subjected to that process of Dilution which has proved so advantageous to her sister-art Music? The Diluter gives us first a few notes of some well-known Air, then a dozen bars of his own, then a few more notes of the Air, and so on alternately: thus saving the listener, if not from all risk of recognising the melody at all, at least from the too-exciting transports which it might produce in a more concentrated form. The process is termed "setting" by Composers, and any one, that has ever experienced the emotion of being unexpectedly set down in a heap of mortar, will recognise the truthfulness of this happy phrase.
For truly, just as the genuine Epicure lingers lovingly over a
morsel of supreme Venison - whose every fibre seems to murmur "Excelsior!" - yet swallows, ere returning to the toothsome dainty, great mouthfuls of oatmeal-porridge and winkles: and just as the perfect Connoisseur in Claret permits himself but one delicate sip, and then tosses off a pint or more of boarding-school beer: so also -
I NEVER loved a dear Gazelle -
NOR ANYTHING THAT COST ME MUCH:
HIGH PRICES PROFIT THOSE WHO SELL,
BUT WHY SHOULD I BE FOND OF SUCH?
To glad me with his soft black eye
MY SON COMES TROTTING HOME FROM SCHOOL;
HE'S HAD A FIGHT BUT CAN'T TELL WHY -
HE ALWAYS WAS A LITTLE FOOL!
But, when he came to know me well,
HE KICKED ME OUT, HER TESTY SIRE:
AND WHEN I STAINED MY HAIR, THAT BELLE
MIGHT NOTE THE CHANGE, AND THUS ADMIRE
And love me, it was sure to dye
A MUDDY GREEN OR STARING BLUE:
WHILST ONE MIGHT TRACE, WITH HALF AN EYE,
THE STILL TRIUMPHANT CARROT THROUGH.
|
Written by
Lewis Carroll |
I never loved a dear Gazelle--
Nor anything that cost me much:
High prices profit those who sell,
But why should I be fond of such?
To glad me with his soft black eye
My son comes trotting home from school;
He's had a fight but can't tell why--
He always was a little fool!
But, when he came to know me well,
He kicked me out, her testy Sire:
And when I stained my hair, that Belle
Might note the change and this admire
And love me, it was sure to dye
A muddy green, or staring blue:
Whilst one might trace, with half an eye,
The still triumphant carrot through
|
Written by
Mother Goose |
Little Bobby Snooks was fond of his books, And loved by his usher and master; But naughty Jack Spry, he got a black eye, And carries his nose in a plaster.
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Written by
Rg Gregory |
schnyder schnyder
the bouncing spider
had a song
wound up inside her
she'd had it taped
on a silken spool
this was the song
she sang as a rule
o little fly
come be my friend
i have fly's gold
for you to spend
i'll wrap you in silks
to make you pretty
if you refuse
then more's the pity
the silk-voice warbled
through the wood
the best bird-song
didn't seem so good
but no flies came
they were too fly
looking through the song
to the web's black eye
o schnyder schnyder
the bouncing spider
who had a song
wound up inside her
passed through hunger
to the edge of death
the wood stopped growing
and held its breath
one day the silken
web was still
and curious flies
came to find how ill
the spider was – but
becoming too daring
many got stuck
in the silken snaring
but schnyder schnyder
the bouncing spider
who had a song
wound up inside her
presented thus
with a feast of flies
cried weakly in anger
i despise i despise
such dull victims
that have no ear
for the silken song
i keep in here
but when in silence
this web is wrapped
stupid and nosey
they all get trapped
and the web grew slack
in the dying wood
the poor flies wriggled
but it did no good
and schnyder schnyder
the bouncing spider
who had a song
wrapped up inside her
spun into herself
to disappear
he was lost to the world
for many a year
but whether she meant it
or it was a fearful tangle
she came out one night
in the african jungle
she was in a tree
quite close to the sun
in the topmost branch
her web was spun
its silken strands
in the sun's gold rays
dazzled her neighbours
into fulsome praise
and soon the jungle
was wrapt in a sound
(as the bouncing spider's
song unwound)
whose piercing beauty
brought dew to the eyes
of every creature
but the jungle flies
no one could tell
what the song might mean
the song and the web
made so rare a screen
and schnyder schnyder
the bouncing spider
who had a song
wound up inside her
wove her sad magic
both day and night
the moon and the sun
never shone so bright
and after the rains
had moistened the jungle
it wore the spider
like a jewelled bangle
the jungle flies though
soon went mad
unable to hear
a song so sad
they buzzed and bashed
uncontrollably
every tree bore signs
of their mortality
it couldn't be guessed
on what the spider fed
no victim was lured
into the sparkling web
yet schnyder schnyder
the bouncing spider
who had a song
wound up inside her
never stopped singing
and the jungle grows
to this very day
in the song's sad throes
but don't go looking
for the bouncing spider
who has a song
wound up inside her
what you can't see
you can always dream
what's song to one
is another's scream
and each one is born
with a touch of fly
that can't tell beauty
from a spit in the eye
and schnyder schnyder
the bouncing spider
who has a song
wound up inside her
with intolerable sheen
puts the price too high
love me or fear me
be enchanted or die
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Written by
William Strode |
Here is paper, pen, and inke,
That your heart and seale may sinke
Into such markes as may expresse
A Soule much blest in heavinesse.
May your paper seeme as fayre
As yourselfe when you appeare:
May the Letters which you write
Looke like black eye-lids on white.
May your penne such fancies bring
As one new puld from Cupid's wing:
That your paper, hand, and seale
His favour, heart, and Soule may steale.
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