Written by
Rudyard Kipling |
Eddi, priest of St.
Wilfrid
In his chapel at Manhood End,
Ordered a midnight service
For such as cared to attend.
But the Saxons were keeping Christmas,
And the night was stormy as well.
Nobody came to service,
Though Eddi rang the bell.
"'Wicked weather for walking,"
Said Eddi of Manhood End.
"But I must go on with the service
For such as care to attend.
"
The altar-lamps were lighted, --
An old marsh-donkey came,
Bold as a guest invited,
And stared at the guttering flame.
The storm beat on at the windows,
The water splashed on the floor,
And a wet, yoke-weary bullock
Pushed in through the open door.
"How do I know what is greatest,
How do I know what is least?
That is My Father's business,"
Said Eddi, Wilfrid's priest.
"But -- three are gathered together --
Listen to me and attend.
I bring good news, my brethren!"
Said Eddi of Manhood End.
And he told the Ox of a Manger
And a Stall in Bethlehem,
And he spoke to the Ass of a Rider,
That rode to Jerusalem.
They steamed and dripped in the chancel,
They listened and never stirred,
While, just as though they were Bishops,
Eddi preached them The World,
Till the gale blew off on the marshes
And the windows showed the day,
And the Ox and the Ass together
Wheeled and clattered away.
And when the Saxons mocked him,
Said Eddi of Manhood End,
"I dare not shut His chapel
On such as care to attend.
"
|
Written by
Thomas Warton |
Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,
That deck'd heroic Albion's elder day;
To mark the mouldering halls of barons bold,
And the rough castle, cast in giant mould;
With Gothic manners Gothic arts explore,
And muse on the magnificence of yore.
But chief, enraptur'd have I lov'd to roam,
A lingering votary, the vaulted dome,
Where the tall shafts, that mount in massy pride,
Their mingling branches shoot from side to side;
Where elfin sculptors, with fantastic clew,
O'er the long roof their wild embroidery drew;
Where Superstition with capricious hand
In many a maze the wreathed window plann'd,
With hues romantic ting'd the gorgeous pane,
To fill with holy light the wondrous fane;
To aid the builder's model, richly rude,
By no Vitruvian symmetry subdu'd;
To suit the genius of the mystic pile:
Whilst as around the far-retiring aisle,
And fretted shrines, with hoary trophies hung,
Her dark illumination wide she flung,
With new solemnity, the nooks profound,
The caves of death, and the dim arches frown'd.
From bliss long felt unwillingly we part:
Ah, spare the weakness of a lover's heart!
Chase not the phantoms of my fairy dream,
Phantoms that shrink at Reason's painful gleam!
That softer touch, insidious artist, stay,
Nor to new joys my struggling breast betray!
Such was a pensive bard's mistaken strain.
--
But, oh, of ravish'd pleasures why complain?
No more the matchless skill I call unkind,
That strives to disenchant my cheated mind.
For when again I view thy chaste design,
The just proportion, and the genuine line;
Those native portraitures of Attic art,
That from the lucid surface seem to start;
Those tints, that steal no glories from the day,
Nor ask the sun to lend his streaming ray:
The doubtful radiance of contending dyes,
That faintly mingle, yet distinctly rise;
'Twixt light and shade the transitory strife;
The feature blooming with immortal life:
The stole in casual foldings taught to flow,
Not with ambitious ornaments to glow;
The tread majestic, and the beaming eye,
That lifted speaks its commerce with the sky;
Heaven's golden emanation, gleaming mild
O'er the mean cradle of the Virgin's child:
Sudden, the sombrous imagery is fled,
Which late my visionary rapture fed:
Thy powerful hand has broke the Gothic chain,
And brought my bosom back to truth again;
To truth, by no peculiar taste confin'd,
Whose universal pattern strikes mankind;
To truth, whose bold and unresisted aim
Checks frail caprice, and fashion's fickle claim;
To truth, whose charms deception's magic quell,
And bind coy Fancy in a stronger spell.
Ye brawny Prophets, that in robes so rich,
At distance due, possess the crisped niche;
Ye rows of Patriarchs, that sublimely rear'd
Diffuse a proud primeval length of beard:
Ye Saints, who clad in crimson's bright array,
More pride than humble poverty display:
Ye Virgins meek, that wear the palmy crown
Of patient faith, and yet so fiercely frown:
Ye Angels, that from clouds of gold recline,
But boast no semblance to a race divine:
Ye tragic tales of legendary lore,
That draw devotion's ready tear no more;
Ye martyrdoms of unenlighten'd days,
Ye miracles, that now no wonder raise:
Shapes, that with one broad glare the gazer strike,
Kings, bishops, nuns, apostles, all alike!
Ye colours, that th' unwary sight amaze,
And only dazzle in the noontide blaze!
No more the sacred window's round disgrace,
But yield to Grecian groups the shining space.
Lo, from the canvas Beauty shifts her throne,
Lo, Picture's powers a new formation own!
Behold, she prints upon the crystal plain,
With her own energy, th' expressive stain!
The mighty master spreads his mimic toil
More wide, nor only blends the breathing oil;
But calls the lineaments of life complete
From genial alchymy's creative heat;
Obedient forms to the bright fusion gives,
While in the warm enamel Nature lives.
Reynolds, 'tis thine, from the broad window's height,
To add new lustre to religious light:
Not of its pomp to strip this ancient shrine,
But bid that pomp with purer radiance shine:
With arts unknown before, to reconcile
The willing Graces to the Gothic pile.
|
Written by
Hilaire Belloc |
Who was cursed with the Sin of Pride, and Became a Boot-Black.
Godolphin Horne was Nobly Born;
He held the Human Race in Scorn,
And lived with all his Sisters where
His father lived, in Berkeley Square.
And oh! The Lad was Deathly Proud!
He never shook your Hand or Bowed,
But merely smirked and nodded thus:
How perfectly ridiculous!
Alas! That such Affected Tricks
Should flourish in a Child of Six!
(For such was Young Godolphin's age).
Just then, the Court required a Page,
Whereat the Lord High Chamberlain
(The Kindest and the Best of Men),
He went good-naturedly and took
A perfectly enormous Book
Called People Qualified to Be
Attendant on His Majesty,
And murmured, as he scanned the list
(To see that no one should be missed),
"There's William Coutts has got the Flu,
And Billy Higgs would never do,
And Guy de Vere is far too young,
And .
.
.
wasn't D'Alton's father hung?
And as for Alexander Byng!-.
.
.
I think I know the kind of thing,
A Churchman, cleanly, nobly born,
Come, let us say Godolphin Horne?"
But hardly had he said the word
When Murmurs of Dissent were heard.
The King of Iceland's Eldest Son
Said, "Thank you! I am taking none!"
The Aged Duchess of Athlone
Remarked, in her sub-acid tone,
"I doubt if He is what we need!"
With which the Bishops all agreed;
And even Lady Mary Flood
(So kind, and oh! So really good)
Said, "No! He wouldn't do at all,
He'd make us feel a lot too small.
"
The Chamberlain said, "Well, well, well!
No doubt you're right.
One cannot tell!"
He took his Gold and Diamond Pen
And scratched Godolphin out again.
So now Godolphin is the Boy
Who Blacks the Boots at the Savoy.
|
Written by
Victor Hugo |
("Dors-tu? mère de notre mère.")
{III., 1823.}
"To die—to sleep."—SHAKESPEARE.
Still asleep! We have been since the noon thus alone.
Oh, the hours we have ceased to number!
Wake, grandmother!—speechless say why thou art grown.
Then, thy lips are so cold!—the Madonna of stone
Is like thee in thy holy slumber.
We have watched thee in sleep, we have watched thee at prayer,
But what can now betide thee?
Like thy hours of repose all thy orisons were,
And thy lips would still murmur a blessing whene'er
Thy children stood beside thee.
Now thine eye is unclosed, and thy forehead is bent
O'er the hearth, where ashes smoulder;
And behold, the watch-lamp will be speedily spent.
Art thou vexed? have we done aught amiss? Oh, relent!
But—parent, thy hands grow colder!
Say, with ours wilt thou let us rekindle in thine
The glow that has departed?
Wilt thou sing us some song of the days of lang syne?
Wilt thou tell us some tale, from those volumes divine,
Of the brave and noble-hearted?
Of the dragon who, crouching in forest green glen,
Lies in wait for the unwary—
Of the maid who was freed by her knight from the den
Of the ogre, whose club was uplifted, but then
Turned aside by the wand of a fairy?
Wilt thou teach us spell-words that protect from all harm,
And thoughts of evil banish?
What goblins the sign of the cross may disarm?
What saint it is good to invoke? and what charm
Can make the demon vanish?
Or unfold to our gaze thy most wonderful book,
So feared by hell and Satan;
At its hermits and martyrs in gold let us look,
At the virgins, and bishops with pastoral crook,
And the hymns and the prayers in Latin.
Oft with legends of angels, who watch o'er the young,
Thy voice was wont to gladden;
Have thy lips yet no language—no wisdom thy tongue?
Oh, see! the light wavers, and sinking, bath flung
On the wall forms that sadden.
Wake! awake! evil spirits perhaps may presume
To haunt thy holy dwelling;
Pale ghosts are, perhaps, stealing into the room—
Oh, would that the lamp were relit! with the gloom
These fearful thoughts dispelling.
Thou hast told us our parents lie sleeping beneath
The grass, in a churchyard lonely:
Now, thine eyes have no motion, thy mouth has no breath,
And thy limbs are all rigid! Oh, say, Is this death,
Or thy prayer or thy slumber only?
ENVOY.
Sad vigil they kept by that grandmother's chair,
Kind angels hovered o'er them—
And the dead-bell was tolled in the hamlet—and there,
On the following eve, knelt that innocent pair,
With the missal-book before them.
"FATHER PROUT" (FRANK S. MAHONY).
|
Written by
Henry Wadsworth Longfellow |
IN the valley of the Pegnitz, where across broad meadowlands
Rise the blue Franconian mountains, Nuremberg, the ancient, stands.
Quaint old town of toil and traffic, quaint old town of art and song,
Memories haunt thy pointed gables, like the rooks that round them throng:
Memories of the Middle Ages, when the emperors, rough and bold, 5
Had their dwelling in thy castle, time-defying, centuries old;
And thy brave and thrifty burghers boasted, in their uncouth rhyme,
That their great imperial city stretched its hand through every clime.
In the court-yard of the castle, bound with many an iron band,
Stands the mighty linden planted by Queen Cunigunde's hand; 10
On the square the oriel window, where in old heroic days
Sat the poet Melchior singing Kaiser Maximilian's praise.
Everywhere I see around me rise the wondrous world of Art:
Fountains wrought with richest sculpture standing in the common mart;
And above cathedral doorways saints and bishops carved in stone, 15
By a former age commissioned as apostles to our own.
In the church of sainted Sebald sleeps enshrined his holy dust,
And in bronze the Twelve Apostles guard from age to age their trust;
In the church of sainted Lawrence stands a pix of sculpture rare,
Like the foamy sheaf of fountains, rising through the painted air.
20
Here, when Art was still religion, with a simple, reverent heart,
Lived and labored Albrecht D¨¹rer, the Evangelist of Art;
Hence in silence and in sorrow, toiling still with busy hand,
Like an emigrant he wandered, seeking for the Better Land.
Emigravit is the inscription on the tombstone where he lies; 25
Dead he is not, but departed,¡ªfor the artist never dies.
Fairer seems the ancient city, and the sunshine seems more fair,
That he once has trod its pavement, that he once has breathed its air!
Through these streets so broad and stately, these obscure and dismal lanes,
Walked of yore the Mastersingers, chanting rude poetic strains.
30
From remote and sunless suburbs came they to the friendly guild,
Building nests in Fame's great temple, as in spouts the swallows build.
As the weaver plied the shuttle, wove he too the mystic rhyme,
And the smith his iron measures hammered to the anvil's chime;
Thanking God, whose boundless wisdom makes the flowers of poesy bloom 35
In the forge's dust and cinders, in the tissues of the loom.
Here Hans Sachs, the cobbler-poet, laureate of the gentle craft,
Wisest of the Twelve Wise Masters, in huge folios sang and laughed.
But his house is now an ale-house, with a nicely sanded floor,
And a garland in the window, and his face above the door; 40
Painted by some humble artist, as in Adam Puschman's song,
As the old man gray and dove-like, with his great beard white and long.
And at night the swart mechanic comes to drown his cark and care,
Quaffing ale from pewter tankards, in the master's antique chair.
Vanished is the ancient splendor, and before my dreamy eye 45
Wave these mingled shapes and figures, like a faded tapestry.
Not thy Councils, not thy Kaisers, win for thee the world's regard;
But thy painter, Albrecht D¨¹rer, and Hans Sachs, thy cobbler bard.
Thus, O Nuremberg, a wanderer from a region far away,
As he paced thy streets and court-yards, sang in thought his careless lay: 50
Gathering from the pavement's crevice, as a floweret of the soil,
The nobility of labor,¡ªthe long pedigree of toil.
|
Written by
Andrew Barton Paterson |
Oh, some folk think vice-royalty is festive and hilarious,
The duties of an A.
D.
C.
are manifold and various,
So listen, whilst I tell in song
The duties of an aide-de-cong.
Whatsoever betide
To the Governor's side
We must stick -- or the public would eat him --
For each bounder we see
Says, "Just introduce me
To His Lordship -- I'm anxious to meet him.
"
Then they grab at his paw
And they chatter and jaw
Till they'd talk him to death -- if we'd let 'em --
And the folk he has met,
They are all in a fret,
Just for fear he might chance to forget 'em.
When some local King Billy
Is talking him silly,
Or the pound-keeper's wife has waylaid him,
From folks of that stamp
When he has to decamp --
We're his aides to decamp -- so we aid him.
Then some feminine beauty
Will come and salute ye,
She may be a Miss or a Madam,
Or a man comes in view,
Bails you up, "How de do!"
And you don't know the fellow from Adam!
But you've got to keep sweet
With each man that you meet,
And a trifle like this mustn't bar you,
So you clutch at his fin,
And you say, with a grin,
"Oh, delighted to see you -- how are you?"
Then we do country shows
Where some prize-taker blows
Of his pig -- a great, vast forty-stoner --
"See, my Lord! ain't he fine!
How is that for a swine!"
When it isn't a patch on its owner!
We fix up the dinners
For parsons and sinners
And lawyers and bishops and showmen,
And a judge of the court
We put next to a "sport",
And an Orangeman next to a Roman.
We send invitations
To all celebrations,
Some Nobody's presence entreating,
And the old folks of all
We invite to a ball,
And the young -- to a grandmothers' meeting.
And when we go dancing,
Like cart-horses prancing,
We plunge where the people are thickenkn';
And each gay local swell
Thinks it's "off" to dance well,
So he copies our style -- ain't it sickenin'!
Then at banquets we dine
And swig cheap, nasty wine,
But the poor aide-de-camp mustn't funk it --
And they call it champagne,
But we're free to maintain
That he feels real pain when he's drunk it.
Then our horses bestriding
We go out a-riding
Lest our health by confinement we'd injure;
You can notice the glare
Of the Governor's hair
When the little boys say, "Go it, Ginger!"
Then some wandering lords --
They so often are frauds --
This out-of-way country invading,
If a man dresses well
And behaves like a swell,
Then he's somebody's cook masquerading.
But an out-an-out ass
With a thirst for the glass
And the symptoms of drink on his "boko",
Who is perpetually
Pursuing the ballet,
He is always the "true Orinoco".
We must slave with our quills --
Keep the cash -- pay the bills --
Keep account of the liquor and victuals --
So I think you'll agree
That the gay A.
D.
C.
Has a life that's not all beer and skittles!
|
Written by
Thomas Moore |
How can you, my Lord, thus delight to torment all
The Peers of realm about cheapening their corn,
When you know, if one hasn't a very high rental,
'Tis hardly worth while being very high born?
Why bore them so rudely, each night of your life,
On a question, my Lord, there's so much to abhor in?
A question - like asking one, "How is your wife?" --
At once so confounded domestic and foreign.
As to weavers, no matter how poorly they feast;
But Peers, and such animals, fed up for show,
(Like the well-physick'd elephant, lately deceas'd,)
Take wonderful quantum of cramming, you know.
You might see, my dear Baron, how bor'd and distrest
Were their high noble hearts by your merciless tale,
When the force of the agony wrung even a jest
From the frugal Scotch wit of my Lord L-d-d-le!
Bright Peer! to whom Nature and Berwickshire gave
A humour, endow'd with effects so provoking,
That, when the whole House looks unusually grave,
You may always conclude that Lord L-d-d-le's joking!
And then, those unfortunate weavers of Perth -
Not to know the vast difference Providence dooms
Between weavers of Perth and Peers of high birth,
'Twixt those who have heir-looms, and those who've but looms!
"To talk now of starving!" - as great Ath-l said --
(and nobles all cheer'd, and the bishops all wonder'd,)
"When, some years ago, he and others had fed
Of these same hungry devils about fifteen hundred!"
It follows from hence - and the Duke's very words
Should be publish'd wherever poor rogues of this craft are --
That weavers,once rescued from starving by Lords,
Are bound to be starved by said Lords ever after.
When Rome was uproarious, her knowing patricians
Made "Bread and the Circus" a cure for each row;
But not so the plan of our noble physicians,
"No Bread and the Tread-mill" 's the regimen now.
So cease, my dear Baron of Ockham, your prose,
As I shall my poetry -- neither convinces;
And all we have spoken and written but show,
When you tread on a nobleman's corn, how he winces.
|
Written by
Siegfried Sassoon |
Ring your sweet bells; but let them be farewells
To the green-vista’d gladness of the past
That changed us into soldiers; swing your bells
To a joyful chime; but let it be the last.
What means this metal in windy belfries hung
When guns are all our need? Dissolve these bells
Whose tones are tuned for peace: with martial tongue
Let them cry doom and storm the sun with shells.
Bells are like fierce-browed prelates who proclaim
That ‘if our Lord returned He’d fight for us.
’
So let our bells and bishops do the same,
Shoulder to shoulder with the motor-bus.
|
Written by
Robert William Service |
It hurts my pride that I should be
The issue of a night of lust;
Yet even Bishops, you'll agree,
Obey the biologic 'must';
Though no doubt with more dignity
Than we of layman dust.
I think the Lord made a mistake
When he designed the human race,
That man and angel in the make
Should have brutality for base.
Jehovah might have planned at least
Not to confound us with the beast.
So with humiliation I
Think of my basic origin;
And yet with some relief I sigh,--
I might have been conceived in sin;
Instead of being, I believe,
The offspring of a nuptial eve.
So when I look in beauty's face,
Or that of king or saint or sage,
It seems to me I darkly trace
Their being to a rutting rage .
.
.
Had I been Deity's adviser
Meseems I might have planned it wiser.
|
Written by
William Butler Yeats |
Come gather round me, Parnellites,
And praise our chosen man;
Stand upright on your legs awhile,
Stand upright while you can,
For soon we lie where he is laid,
And he is underground;
Come fill up all those glasses
And pass the bottle round.
And here's a cogent reason,
And I have many more,
He fought the might of England
And saved the Irish poor,
Whatever good a farmer's got
He brought it all to pass;
And here's another reason,
That parnell loved a lass.
And here's a final reason,
He was of such a kind
Every man that sings a song
Keeps Parnell in his mind.
For Parnell was a proud man,
No prouder trod the ground,
And a proud man's a lovely man,
So pass the bottle round.
The Bishops and the party
That tragic story made,
A husband that had sold hiS wife
And after that betrayed;
But stories that live longest
Are sung above the glass,
And Parnell loved his countrey
And parnell loved his lass.
|