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Best Famous Bird On The Wing Poems

Here is a collection of the all-time best famous Bird On The Wing poems. This is a select list of the best famous Bird On The Wing poetry. Reading, writing, and enjoying famous Bird On The Wing poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of bird on the wing poems.

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Written by Carl Sandburg | Create an image from this poem

Broken-face Gargoyles

 ALL I can give you is broken-face gargoyles.
It is too early to sing and dance at funerals,
Though I can whisper to you I am looking for an undertaker humming a lullaby and throwing his feet in a swift and mystic buck-and-wing, now you see it and now you don’t.

Fish to swim a pool in your garden flashing a speckled silver,
A basket of wine-saps filling your room with flame-dark for your eyes and the tang of valley orchards for your nose,
Such a beautiful pail of fish, such a beautiful peck of apples, I cannot bring you now.
It is too early and I am not footloose yet.

I shall come in the night when I come with a hammer and saw.
I shall come near your window, where you look out when your eyes open in the morning,
And there I shall slam together bird-houses and bird-baths for wing-loose wrens and hummers to live in, birds with yellow wing tips to blur and buzz soft all summer,
So I shall make little fool homes with doors, always open doors for all and each to run away when they want to.
I shall come just like that even though now it is early and I am not yet footloose,
Even though I am still looking for an undertaker with a raw, wind-bitten face and a dance in his feet.
I make a date with you (put it down) for six o’clock in the evening a thousand years from now.

All I can give you now is broken-face gargoyles.
All I can give you now is a double gorilla head with two fish mouths and four eagle eyes hooked on a street wall, spouting water and looking two ways to the ends of the street for the new people, the young strangers, coming, coming, always coming.

It is early.
I shall yet be footloose.


Written by | Create an image from this poem

Sympathy

I know what the caged bird feels, alas!
   When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
   When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals—
I know what the caged bird feels!

I know why the caged bird beats his wing
   Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
   And a pain still throbs in the old, old scars
And they pulse again with a keener sting—
I know why he beats his wing!

I know why the caged bird sings, ah me,
   When his wing is bruised and his bosom sore,—
When he beats his bars and he would be free;
It is not a carol of joy or glee,
   But a prayer that he sends from his heart's deep core,
But a plea, that upward to Heaven he flings—
I know why the caged bird sings!
Written by Isaac Watts | Create an image from this poem

Psalm 124

 A song for the fifth of November.

Had not the Lord, may Isr'el say,
Had not the Lord maintained our side,
When men, to make our lives a prey,
Rose like the swelling of the tide;

The swelling tide had stopped our breath,
So fiercely did the waters roll,
We had been swallowed deep in death;
Proud waters had o'erwhelmed our soul.

We leap for joy, we shout and sing,
Who just escaped the fatal stroke;
So flies the bird with cheerful wing,
When once the fowler's snare is broke.

For ever blessed be the Lord,
Who broke the fowler's cursed snare,
Who saved us from the murd'ring sword,
And made our lives and souls his care.

Our help is in Jehovah's name,
Who formed the earth and built the skies:
He that upholds that wondrous frame
Guards his own church with watchful eyes.
Written by Jean Ingelow | Create an image from this poem

Requiescat In Pace!

My heart is sick awishing and awaiting:
  The lad took up his knapsack, he went, he went his way;
And I looked on for his coming, as a prisoner through the grating
  Looks and longs and longs and wishes for its opening day.
On the wild purple mountains, all alone with no other,
  The strong terrible mountains he longed, he longed to be;
And he stooped to kiss his father, and he stooped to kiss his mother,
  And till I said, "Adieu, sweet Sir," he quite forgot me.
He wrote of their white raiment, the ghostly capes that screen them,
  Of the storm winds that beat them, their thunder-rents and scars,
And the paradise of purple, and the golden slopes atween them,
  And fields, where grow God's gentian bells, and His crocus stars.
He wrote of frail gauzy clouds, that drop on them like fleeces,
  And make green their fir forests, and feed their mosses hoar;
Or come sailing up the valleys, and get wrecked and go to pieces,
  Like sloops against their cruel strength: then he wrote no more.
O the silence that came next, the patience and long aching!
  They never said so much as "He was a dear loved son;"
Not the father to the mother moaned, that dreary stillness breaking:
  "Ah! wherefore did he leave us so—this, our only one."
They sat within, as waiting, until the neighbors prayed them,
  At Cromer, by the sea-coast, 'twere peace and change to be;
And to Cromer, in their patience, or that urgency affrayed them,
  Or because the tidings tarried, they came, and took me.
It was three months and over since the dear lad had started:
  On the green downs at Cromer I sat to see the view;
On an open space of herbage, where the ling and fern had parted,
  Betwixt the tall white lighthouse towers, the old and the new.
Below me lay the wide sea, the scarlet sun was stooping,
  And he dyed the waste water, as with a scarlet dye;
And he dyed the lighthouse towers; every bird with white wing swooping
  Took his colors, and the cliffs did, and the yawning sky.
Over grass came that strange flush, and over ling and heather,
  Over flocks of sheep and lambs, and over Cromer town;
And each filmy cloudlet crossing drifted like a scarlet feather
  Torn from the folded wings of clouds, while he settled down.
When I looked, I dared not sigh:—In the light of God's splendor,
  With His daily blue and gold, who am I? what am I?
But that passion and outpouring seemed an awful sign and tender,
  Like the blood of the Redeemer, shown on earth and sky.
O for comfort, O the waste of a long doubt and trouble!
  On that sultry August eve trouble had made me meek;
I was tired of my sorrow—O so faint, for it was double
  In the weight of its oppression, that I could not speak!
And a little comfort grew, while the dimmed eyes were feeding,
  And the dull ears with murmur of water satisfied;
But a dream came slowly nigh me, all my thoughts and fancy leading
  Across the bounds of waking life to the other side.
And I dreamt that I looked out, to the waste waters turning,
  And saw the flakes of scarlet from wave to wave tossed on;
And the scarlet mix with azure, where a heap of gold lay burning
  On the clear remote sea reaches; for the sun was gone.
Then I thought a far-off shout dropped across the still water—
  A question as I took it, for soon an answer came
From the tall white ruined lighthouse: "If it be the old man's daughter
  That we wot of," ran the answer, "what then—who's to blame?"
I looked up at the lighthouse all roofless and storm-broken:
  A great white bird sat on it, with neck stretched out to sea;
Unto somewhat which was sailing in a skiff the bird had spoken,
  And a trembling seized my spirit, for they talked of me.
I was the old man's daughter, the bird went on to name him;
  "He loved to count the starlings as he sat in the sun;
Long ago he served with Nelson, and his story did not shame him:
  Ay, the old man was a good man—and his work was done."
The skiff was like a crescent, ghost of some moon departed,
  Frail, white, she rocked and curtseyed as the red wave she crossed,
And the thing within sat paddling, and the crescent dipped and darted,
  Flying on, again was shouting, but the words were lost.
I said, "That thing is hooded; I could hear but that floweth
  The great hood below its mouth:" then the bird made reply.
"If they know not, more's the pity, for the little shrew-mouse knoweth,
  And the kite knows, and the eagle, and the glead and pye."
And he stooped to whet his beak on the stones of the coping;
  And when once more the shout came, in querulous tones he spake,
"What I said was 'more's the pity;' if the heart be long past hoping,
  Let it say of death, 'I know it,' or doubt on and break.
"Men must die—one dies by day, and near him moans his mother,
  They dig his grave, tread it down, and go from it full loth:
And one dies about the midnight, and the wind moans, and no other,
  And the snows give him a burial—and God loves them both.
"The first hath no advantage—it shall not soothe his slumber
  That a lock of his brown hair his father aye shall keep;
For the last, he nothing grudgeth, it shall nought his quiet cumber,
  That in a golden mesh of HIS callow eaglets sleep.
"Men must die when all is said, e'en the kite and glead know it,
  And the lad's father knew it, and the lad, the lad too;
It was never kept a secret, waters bring it and winds blow it,
  And he met it on the mountain—why then make ado?"
With that he spread his white wings, and swept across the water,
  Lit upon the hooded head, and it and all went down;
And they laughed as they went under, and I woke, "the old man's daughter."
  And looked across the slope of grass, and at Cromer town.
And I said, "Is that the sky, all gray and silver-suited?"
  And I thought, "Is that the sea that lies so white and wan?
I have dreamed as I remember: give me time—I was reputed
  Once to have a steady courage—O, I fear 'tis gone!"
And I said, "Is this my heart? if it be, low 'tis beating
  So he lies on the mountain, hard by the eagles' brood;
I have had a dream this evening, while the white and gold were fleeting,
  But I need not, need not tell it—where would be the good?
"Where would be the good to them, his father and his mother?
  For the ghost of their dead hope appeareth to them still.
While a lonely watch-fire smoulders, who its dying red would smother,
  That gives what little light there is to a darksome hill?"
I rose up, I made no moan, I did not cry nor falter,
  But slowly in the twilight I came to Cromer town.
What can wringing of the hands do that which is ordained to alter?
  He had climbed, had climbed the mountain, he would ne'er come down.
But, O my first, O my best, I could not choose but love thee:
  O, to be a wild white bird, and seek thy rocky bed!
From my breast I'd give thee burial, pluck the down and spread above thee;
  I would sit and sing thy requiem on the mountain head.
Fare thee well, my love of loves! would I had died before thee!
  O, to be at least a cloud, that near thee I might flow,
Solemnly approach the mountain, weep away my being o'er thee,
  And veil thy breast with icicles, and thy brow with snow!
Written by Paul Laurence Dunbar | Create an image from this poem

Sympathy

 I know what the caged bird feels, alas! 
When the sun is bright on the upland slopes; 
When the wind stirs soft through the springing grass, 
And the river flows like a stream of glass; 
When the first bird sings and the first bud opes, 
And the faint perfume from its chalice steals-- 
I know what the caged bird feels!

I know why the caged bird beats his wing 
Till its blood is red on the cruel bars; 
For he must fly back to his perch and cling 
When he fain would be on the bough a-swing; 
And a pain still throbs in the old, old scars 
And they pulse again with a keener sting-- 
I know why he beats his wing!

I know why the caged bird sings, ah me, 
When his wing is bruised and his bosom sore,-- 
When he beats his bars and he would be free; 
It is not a carol of joy or glee, 
But a prayer that he sends from his heart's deep core, 
But a plea, that upward to Heaven he flings-- 
I know why the caged bird sings!


Written by Carl Sandburg | Create an image from this poem

Sandhill People

 I TOOK away three pictures.
One was a white gull forming a half-mile arch from the pines toward Waukegan.
One was a whistle in the little sandhills, a bird crying either to the sunset gone or the dusk come.
One was three spotted waterbirds, zigzagging, cutting scrolls and jags, writing a bird Sanscrit of wing points, half over the sand, half over the water, a half-love for the sea, a half-love for the land.

I took away three thoughts.
One was a thing my people call “love,” a shut-in river hunting the sea, breaking white falls between tall clefs of hill country.
One was a thing my people call “silence,” the wind running over the butter faced sand-flowers, running over the sea, and never heard of again.
One was a thing my people call “death,” neither a whistle in the little sandhills, nor a bird Sanscrit of wing points, yet a coat all the stars and seas have worn, yet a face the beach wears between sunset and dusk.

Book: Reflection on the Important Things