Written by
Lisa Zaran |
She said she collects pieces of sky,
cuts holes out of it with silver scissors,
bits of heaven she calls them.
Every day a bevy of birds flies rings
around her fingers, my chorus of wives,
she calls them. Every day she reads poetry
from dusty books she borrows from the library,
sitting in the park, she smiles at passing strangers,
yet can not seem to shake her own sad feelings.
She said that night reminds her of a cool hand
placed gently across her fevered brow, said
she likes to fall asleep beneath the stars,
that their streaks of light make her believe
that she too is going somewhere. Infinity,
she whispers as she closes her eyes,
descending into thin air, where no arms
outstretch to catch her.
Originally published in Magaera, Spring 2005.
Copyright © Lisa Zaran, 2005
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Written by
Paul Muldoon |
Even as we speak, there's a smoker's cough
from behind the whitethorn hedge: we stop dead in our tracks;
a distant tingle of water into a trough.
In the past half-hour—since a cattle truck
all but sent us shuffling off this mortal coil—
we've consoled ourselves with the dregs
of a bottle of Redbreast. Had Hawthorne been a Gael,
I insist, the scarlet A on Hester Prynne
would have stood for "Alcohol."
This must be the same truck whose taillights burn
so dimly, as if caked with dirt,
three or four hundred yards along the boreen
(a diminutive form of the Gaelic bóthar, "a road,"
from bó, "a cow," and thar
meaning, in this case, something like "athwart,"
"boreen" has entered English "through the air"
despite the protestations of the O.E.D.):
why, though, should one taillight flash and flare
then flicker-fade
to an afterimage of tourmaline
set in a dark part-jet, part-jasper or -jade?
That smoker's cough again: it triggers off from drumlin
to drumlin an emphysemantiphon
of cows. They hoist themselves onto their trampoline
and steady themselves and straight away divine
water in some far-flung spot
to which they then gravely incline. This is no Devon
cow-coterie, by the way, whey-faced, with Spode
hooves and horns: nor are they the metaphysicattle of Japan
that have merely to anticipate
scoring a bull's-eye and, lo, it happens;
these are earth-flesh, earth-blood, salt of the earth,
whose talismans are their own jawbones
buried under threshold and hearth.
For though they trace themselves to the kith and kine
that presided over the birth
of Christ (so carry their calves a full nine
months and boast liquorice
cachous on their tongues), they belong more to the line
that's tramped these cwms and corries
since Cuchulainn tramped Aoife.
Again the flash. Again the fade. However I might allegorize
some oscaraboscarabinary bevy
of cattle there's no getting round this cattle truck,
one light on the blink, laden with what? Microwaves? Hi-fis?
Oscaraboscarabinary: a twin, entwined, a tree, a Tuareg;
a double dung-beetle; a plain
and simple hi-firing party; an off-the-back-of-a-lorry drogue?
Enough of Colette and Céline, Céline and Paul Celan:
enough of whether Nabokov
taught at Wellesley or Wesleyan.
Now let us talk of slaughter and the slain,
the helicopter gunship, the mighty Kalashnikov:
let's rest for a while in a place where a cow has lain.
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Written by
Lucy Maud Montgomery |
I
Soft is the sky in the mist-kirtled east,
Light is abroad on the sea,
All of the heaven with silver is fleeced,
Holding the sunrise in fee.
Lo! with a flash and uplifting of wings
Down where the long ripples break,
Cometh a bevy of glad-hearted things,
'Tis morn, for the gulls are awake.
II
Slumberous calm on the ocean and shore
Comes with the turn of the tide;
Never a strong-sweeping pinion may soar,
Where the tame fishing-boats ride!
Far and beyond in blue deserts of sea
Where the wild winds are at play,
There may the spirits of sea-birds be free
'Tis noon, for the gulls are away.
III
Over the rim of the sunset is blown
Sea-dusk of purple and gold,
Speed now the wanderers back to their own,
Wings the most tireless must fold.
Homeward together at twilight they flock,
Sated with joys of the deep
Drowsily huddled on headland and rock
'Tis night, for the gulls are asleep.
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Written by
Ellis Parker Butler |
Said Statesman A to Statesman Z:
“What can we tax that is not paying?
We’re taxing every blessed thing—
Here’s what our people are defraying:
“Tariff tax, income tax,
Tax on retail sales,
Club tax, school tax,
Tax on beers and ales,
“City tax, county tax,
Tax on obligations,
War tax. wine tax,
Tax on corporations,
“Brewer tax, sewer tax,
Tax on motor cars,
Bond tax, stock tax,
Tax on liquor bars,
“Bridge tax, check tax,
Tax on drugs and pills,
Gas tax, ticket tax,
Tax on gifts in wills,
“Poll tax, dog tax,
Tax on money loaned,
State tax, road tax,
Tax on all things owned,
“Stamp tax, land tax,
Tax on wedding ring,
High tax, low tax,
Tax on everything!”
Said Statesman A to Statesman Z:
“That is the list, a pretty bevy;
No thing or act that is untaxed;
There’s nothing more on which to levy.”
Said Statesman Z to Statesman A:
“The deficit each moment waxes;
This is no time for us to fail—
We will decree a tax on taxes.”
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Written by
John Lindley |
Wheeling them in,
the yard gate at half-mast
with its ticking hinge,
the tin bucket with a hairnet of webs,
the privy door ajar,
the path gloved with moss
ploughed by metal
through a scalped tyre -
in the shadows of the hood,
in the ripped silk
of the rocking, buckled pram,
none of the dead clocks moving.
And carrying them in
to a kitchen table,
a near-lifetime’s Woodies
coating each cough,
he will tickle them awake;
will hold like primitive headphones
the tinkling shells to each ear,
select and apply unfailingly
the right tool to the right cog
and with movements
as unpredictable as the pram’s
will wind and counter-wind
the scrap to metronomic life.
And at the pub,
at the Grey Horse or Houldsworth,
furtive as unpaid tax,
Rolex and Timex
and brands beneath naming
will change hands for the price of a bevy,
a fish supper
or a down payment
on early retirement
on a horse called Clockwork
running in the three-thirty at Aintree.
John Lindley
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Written by
James Henry Leigh Hunt |
Reader! what soul that laoves a verse can see
The spring return, nor glow like you and me?
Hear the quick birds, and see the landscape fill,
Nor long to utter his melodious will?
This more than ever leaps into the veins,
When spring has been delay'd by winds and rains,
And coming with a burst, comes like a show,
Blue all above, and basking green below,
And all the people culling the sweet prime:
Then issues forth the bee to clutch the thyme,
And the bee poet rushes into rhyme.
For lo! no sooner has the cold withdrawn,
Than the bright elm is tufted on the lawn;
The merry sap has run up in the bowers,
And bursts the windows of the buds in flowers;
With song the bosoms of the birds run o'er,
The cuckoo calls, the swallow's at the door,
And apple-tree at noon with bees alive
Burn with the golden chorus of the hive.
Now all these sweets, these sounds, this vernal blaze,
Is but one joy, express'd a thousand ways:
And honey from the flowers and song from birds
Are from the poet's pen his oeverflowing words.
Ah friends! methinks it were a pleasant sphere,
If, like the trees, we blossom'd every year;
If locks grew thick again, and rosy dyes
Return'd in cheeks, and raciness in eyes,
And all around us, vital to the tips,
The human orchard laugh'd with cherry lips!
Lord! what a burst of merriment and play,
Fair dames, were that! and what a first of May!
So natural is the wish, that bards gone by
Have left it, all, in some immortal sigh!
And yet the winter months were not so well:
Who would like changing, as the seasons fell?
Fade every year, and stare, midst ghastly friends,
With falling hairs, and stuck-out fingers' ends?
Besides, this tale of youth that comes again
Is no more true of apple-trees than men.
The Swedish sage, the Newton of the flow'rs,
Who first found out those worlds of paramours,
Tells us, that every blossom that we see
Boasts in its walls a separate family;
So that a tree is but a sort of stand
That holds those afilial fairies in its hand;
Just as Swift's giant might have held a bevy
Of Lilliputian ladies, or a levee.
It is not her that blooms: it is his race,
Who honour his old arms, and hide his rugged face.
Ye wits and bards, then, pray discern your duty,
And learn the lastingness of human beauty.
Your finest fruit to some two months may reach:
I've known a cheek at forth like a peach.
But see! the weather calls me. Here's a bee
Comes bounding in my room imperiously,
And talking to himself, hastily burns
About mine ear, and so in heat returns.
O little brethren of the fervid soul,
Kissers of flowers, lords of the golden bowl,
I follow to your fields and tusted brooks:
Winter's the time to which the poet looks
For hiving his sweet thoughts, and making honied books.
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Written by
Gerard Manley Hopkins |
I remember a house where all were good
To me, God knows, deserving no such thing:
Comforting smell breathed at very entering,
Fetched fresh, as I suppose, off some sweet wood.
That cordial air made those kind people a hood
All over, as a bevy of eggs the mothering wing
Will, or mild nights the new morsels of spring:
Why, it seemed of course; seemed of right it should.
Lovely the woods, waters, meadows, combes, vales,
All the air things wear that build this world of Wales;
Only the inmate does not correspond:
God, lover of souls, swaying considerate scales,
Complete thy creature dear O where it fails,
Being mighty a master, being a father and fond.
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