Written by
Annie Finch |
HLF, August 8, 1918—August 22, 1997
“Bequeath us to no earthly shore until
Is answered in the vortex of our grave
The seal’s wide spindrift gaze towards paradise.
”
—Hart Crane, “Voyages”
“If a lion could talk, we couldn’t understand it”
—Ludwig Wittgenstein
Under the ocean that stretches out wordlessly
past the long edge of the last human shore,
there are deep windows the waves haven't opened,
where night is reflected through decades of glass.
There is the nursery, there is the nanny,
there are my father’s unreachable eyes
turned towards the window.
Is the child uneasy?
His is the death that is circling the stars.
In the deep room where candles burn soundlessly
and peace pours at last through the cells of our bodies,
three of us are watching, one of us is staring
with the wide gaze of a wild, wave-fed seal.
Incense and sage speak in smoke loud as waves,
and crickets sing sand towards the edge of the hourglass.
We wait outside time, while night collects courage
around us.
The vigil is wordless.
And you
watch the longest, move the farthest, besieged by your breath,
pulling into your body.
You stare towards your death,
head arched on the pillow, your left fingers curled.
Your mouth sucking gently, unmoved by these hours
and their vigil of salt spray, you show us how far
you are going, and how long the long minutes are,
while spiralling night watches over the room
and takes you, until you watch us in turn.
Lions speak their own language.
You are still breathing.
Here is release.
Here is your pillow,
cool like a handkerchief pressed in a pocket.
Here is your white tousled long growing hair.
Here is a kiss on your temple to hold you
safe through your solitude’s long steady war;
here, you can go.
We will stay with you,
keeping the silence we all came here for.
Night, take his left hand, turning the pages.
Spin with the windows and doors that he mended.
Spin with his answers, patient, impatient.
Spin with his dry independence, his arms
warmed by the needs of his family, his hands
flying under the wide, carved gold ring, and the pages
flying so his thought could fly.
His breath slows,
lending its edges out to the night.
Here is his open mouth.
Silence is here
like one more new question that he will not answer.
A leaf is his temple.
The dark is the prayer.
He has given his body; his hand lies above
the sheets in a symbol of wholeness, a curve
of thumb and forefinger, ringed with wide gold,
and the instant that empties his breath is a flame
faced with a sudden cathedral's new stone.
|
Written by
Barry Tebb |
I
You buy my freedom with your love.
With every book you catalogue or stamp
My imagination hacks a strand from the hawser
That for three years has held it
In the grubbing estuary of mud and time.
Your early waking with tired eyes
And late return at evening, all
Contribute to the store of images
I love you for: the irony being
Your job is worse than mine
Your talent more.
II
I do not understand myself, the time, or you.
I cannot comprehend our love, shot through
Like flying silk with flashes of gold light
And the tattered backcloth of suffering.
Each night I remember our meeting;
My hair ‘like iron wire’, the grey dust
In the air of my house, the exact place
On the carpet where I kissed you
And how we talked on and on,
Too much in love for love,
Until the night was gone.
III
We acted out our love
By nearly going mad,
Gave up the jobs we had
To take a cottage on the moors
At less than garage rent.
For food we learned to pledge our dreams
And found, too late, the world redeems
What it had lent.
By night the world unpicked
The dream we wove by day,
Each dawn we woke to find
The stitching come away.
IV
Two creatures from a bestiary
Besieged our dream:
A neighbour’s one-eyed cat
That prowled outside to bring
Its witch-like owner
With her tapping stick.
Was the Bach we played too loud for her deaf ears,
Or was it our love that howled her silence home?
V
We have re-built that house
With blood.
We have sculptured that dream
In stone.
|
Written by
Edwin Arlington Robinson |
Aunt Imogen was coming, and therefore
The children—Jane, Sylvester, and Young George—
Were eyes and ears; for there was only one
Aunt Imogen to them in the whole world,
And she was in it only for four weeks
In fifty-two.
But those great bites of time
Made all September a Queen’s Festival;
And they would strive, informally, to make
The most of them.
—The mother understood,
And wisely stepped away.
Aunt Imogen
Was there for only one month in the year,
While she, the mother,—she was always there;
And that was what made all the difference.
She knew it must be so, for Jane had once
Expounded it to her so learnedly
That she had looked away from the child’s eyes
And thought; and she had thought of many things.
There was a demonstration every time
Aunt Imogen appeared, and there was more
Than one this time.
And she was at a loss
Just how to name the meaning of it all:
It puzzled her to think that she could be
So much to any crazy thing alive—
Even to her sister’s little savages
Who knew no better than to be themselves;
But in the midst of her glad wonderment
She found herself besieged and overcome
By two tight arms and one tumultuous head,
And therewith half bewildered and half pained
By the joy she felt and by the sudden love
That proved itself in childhood’s honest noise.
Jane, by the wings of sex, had reached her first;
And while she strangled her, approvingly,
Sylvester thumped his drum and Young George howled.
But finally, when all was rectified,
And she had stilled the clamor of Young George
By giving him a long ride on her shoulders,
They went together into the old room
That looked across the fields; and Imogen
Gazed out with a girl’s gladness in her eyes,
Happy to know that she was back once more
Where there were those who knew her, and at last
Had gloriously got away again
From cabs and clattered asphalt for a while;
And there she sat and talked and looked and laughed
And made the mother and the children laugh.
Aunt Imogen made everybody laugh.
There was the feminine paradox—that she
Who had so little sunshine for herself
Should have so much for others.
How it was
That she could make, and feel for making it,
So much of joy for them, and all along
Be covering, like a scar, and while she smiled,
That hungering incompleteness and regret—
That passionate ache for something of her own,
For something of herself—she never knew.
She knew that she could seem to make them all
Believe there was no other part of her
Than her persistent happiness; but the why
And how she did not know.
Still none of them
Could have a thought that she was living down—
Almost as if regret were criminal,
So proud it was and yet so profitless—
The penance of a dream, and that was good.
Her sister Jane—the mother of little Jane,
Sylvester, and Young George—might make herself
Believe she knew, for she—well, she was Jane.
Young George, however, did not yield himself
To nourish the false hunger of a ghost
That made no good return.
He saw too much:
The accumulated wisdom of his years
Had so conclusively made plain to him
The permanent profusion of a world
Where everybody might have everything
To do, and almost everything to eat,
That he was jubilantly satisfied
And all unthwarted by adversity.
Young George knew things.
The world, he had found out,
Was a good place, and life was a good game—
Particularly when Aunt Imogen
Was in it.
And one day it came to pass—
One rainy day when she was holding him
And rocking him—that he, in his own right,
Took it upon himself to tell her so;
And something in his way of telling it—
The language, or the tone, or something else—
Gripped like insidious fingers on her throat,
And then went foraging as if to make
A plaything of her heart.
Such undeserved
And unsophisticated confidence
Went mercilessly home; and had she sat
Before a looking glass, the deeps of it
Could not have shown more clearly to her then
Than one thought-mirrored little glimpse had shown,
The pang that wrenched her face and filled her eyes
With anguish and intolerable mist.
The blow that she had vaguely thrust aside
Like fright so many times had found her now:
Clean-thrust and final it had come to her
From a child’s lips at last, as it had come
Never before, and as it might be felt
Never again.
Some grief, like some delight,
Stings hard but once: to custom after that
The rapture or the pain submits itself,
And we are wiser than we were before.
And Imogen was wiser; though at first
Her dream-defeating wisdom was indeed
A thankless heritage: there was no sweet,
No bitter now; nor was there anything
To make a daily meaning for her life—
Till truth, like Harlequin, leapt out somehow
From ambush and threw sudden savor to it—
But the blank taste of time.
There were no dreams,
No phantoms in her future any more:
One clinching revelation of what was
One by-flash of irrevocable chance,
Had acridly but honestly foretold
The mystical fulfilment of a life
That might have once … But that was all gone by:
There was no need of reaching back for that:
The triumph was not hers: there was no love
Save borrowed love: there was no might have been.
But there was yet Young George—and he had gone
Conveniently to sleep, like a good boy;
And there was yet Sylvester with his drum,
And there was frowzle-headed little Jane;
And there was Jane the sister, and the mother,—
Her sister, and the mother of them all.
They were not hers, not even one of them:
She was not born to be so much as that,
For she was born to be Aunt Imogen.
Now she could see the truth and look at it;
Now she could make stars out where once had palled
A future’s emptiness; now she could share
With others—ah, the others!—to the end
The largess of a woman who could smile;
Now it was hers to dance the folly down,
And all the murmuring; now it was hers
To be Aunt Imogen.
—So, when Young George
Woke up and blinked at her with his big eyes,
And smiled to see the way she blinked at him,
’T was only in old concord with the stars
That she took hold of him and held him close,
Close to herself, and crushed him till he laughed.
|
Written by
Majeed Amjad |
Where is she … ?!
That girl who stood on these ramparts years ago
Statuesque … iconic …besieged by the world
A deity … worshiped by the early glow of my dreams !
Where is she now ?
That crazy-headed rebellious Truth
With the restless, quivering eye lashes
Who came to refute the sham of this world.
Under these ramparts,
My breath is still patched and mended
By the soft breeze of her existence
Which once did battle against eternal stony walls
But I wonder where she rests now
That crazy-headed rebellious Truth ?
This is how young, unfolding lives
With their tinkling laughter
Are lost forever in a dark enduring slumber
What manner of sleep is this
Whose sea-waves slowly crumble and erode
All islands of the heart ?
What kind of dreams are these
That swim within this sleep
Floating back … returning again and again… forever in this deep slumber ?
Dreams .
.
.
whose childhood glow never fades away !!
(Translated by Talat Afroze from the original Urdu text of the poem: Moortee);
|
Written by
William Cowper |
(Ezekiel, xlviii.
35)
As birds their infant brood protect,
And spread their wings to shelter them,
Thus saith the Lord to His elect,
"So will I guard Jerusalem.
"
And what then is Jerusalem,
This darling object of His cares?
Where is its worth in God's esteem?
Who built it? who inhabits there?
Jehovah founded it in blood,
The blood of His incarnate Son;
There dwell the saints, once foes to God
The sinners whom He calls His own.
There, though besieged on every side,
Yet much beloved and guarded well,
From age to age they have defied
The utmost force of earth and hell.
Let earth repent, and hell despair,
This city has a sure defence;
Her name is call'd, "The Lord is there,"
And who has power to drive him hence?
|
Written by
Thomas Lux |
Early germ
warfare.
The dead
hurled this way look like wheels
in the sky.
Look: there goes
Larry the Shoemaker, barefoot, over the wall,
and Mary Sausage Stuffer, see how she flies,
and the Hatter twins, both at once, soar
over the parapet, little Tommy's elbow bent
as if in a salute,
and his sister, Mathilde, she follows him,
arms outstretched, through the air,
just as she did
on earth.
|
Written by
Francesco Petrarch |
SONNET VI.
Datemi pace, o duri miei pensieri.
HE COMPARES HIMSELF TO A BESIEGED CITY, AND ACCUSES HIS OWN HEART OF TREASON.
O tyrant thoughts, vouchsafe me some repose!
Sufficeth not that Love, and Death, and Fate,
Make war all round me to my very gate,
But I must in me armèd hosts enclose?
[Pg 241]And thou, my heart, to me alone that shows
Disloyal still, what cruel guides of late
In thee find shelter, now the chosen mate
Of my most mischievous and bitter foes?
Love his most secret embassies in thee,
In thee her worst results hard Fate explains,
And Death the memory of that blow, to me
Which shatters all that yet of hope remains;
In thee vague thoughts themselves with error arm,
And thee alone I blame for all my harm.
Macgregor.
|
Written by
William Topaz McGonagall |
Success to Colonel Baden-Powell and his praises loudly sing,
For being so brave in relieving Mafeking,
With his gallant little band of eight hundred men,
They made the Boers fly from Mafeking like sheep escaping from a pen.
'Twas in the year of 1900 and on the 18th of May,
That Colonel Baden-Powell beat the Boers without dismay,
And made them fly from Mafeking without delay,
Which will be handed down to posterity for many a day.
Colonel Baden-Powell is a very brave man,
And to deny it, I venture to say, few men can;
He is a noble hero be it said,
For at the siege of Mafeking he never was afraid.
And during the siege Colonel Baden was cheerful and gay,
While the starving population were living on brawn each day;
And alas! the sufferings of the women and children were great,
But they all submitted patiently to their fate.
For seven months besieged they fought the Boers without dismay,
Until at last the Boers were glad to run away;
Because Baden-Powell's gallant band put them to flight
By cannon shot and volleys of musketry to the left and right.
Then long live Baden-Powell and his brave little band,
For during the siege of Mafeking they made a bold stand
Against yelling thousands of Boers who were thirsting for their blood,
But as firm as a rock against them they fearlessly stood.
Oh! think of them living on brawn extracted from horse hides,
While the inhuman Boers their sufferings deride,
Knowing that the women's hearts with grief were torn
As they looked on their children's faces that looked sad and forlorn.
For 217 days the Boers tried to obtain Mafeking's surrender,
But their strategy was futile owing to its noble defender,
Colonel Baden-Powell, that hero of renown,
Who, by his masterly generalship, saved the town.
Methinks I see him and his gallant band,
Looking terror to the foe: Oh! The sight was really grand,
As he cried, "Give it them, lads; let's do or die;
And from Mafeking we'll soon make them fly,
And we'll make them rue their rash undertaking
The day they laid siege to the town of Mafeking.
"
Long life and prosperity to Colonel Baden-Powell,
For there's very few generals can him excel;
And he is now the Hero of Mafeking, be it told,
And his name should be engraved on medals of gold.
I wish him and his gallant little band every success,
For relieving the people of Mafeking while in distress;
They made the Boers rue their rash undertaking
The day they laid siege to the town of Mafeking.
For during the defence of Mafeking
From grief he kept the people's hearts from breaking,
Because he sang to them and did recite
Passages from Shakespeare which did their hearts delight.
|
Written by
Walt Whitman |
WHAT place is besieged, and vainly tries to raise the siege?
Lo! I send to that place a commander, swift, brave, immortal;
And with him horse and foot—and parks of artillery,
And artillery-men, the deadliest that ever fired gun.
|