Written by
Shel Silverstein |
Last night, while I lay thinking here,
some Whatifs crawled inside my ear
and pranced and partied all night long
and sang their same old Whatif song:
Whatif I'm dumb in school?
Whatif they've closed the swimming pool?
Whatif I get beat up?
Whatif there's poison in my cup?
Whatif I start to cry?
Whatif I get sick and die?
Whatif I flunk that test?
Whatif green hair grows on my chest?
Whatif nobody likes me?
Whatif a bolt of lightning strikes me?
Whatif I don't grow talle?
Whatif my head starts getting smaller?
Whatif the fish won't bite?
Whatif the wind tears up my kite?
Whatif they start a war?
Whatif my parents get divorced?
Whatif the bus is late?
Whatif my teeth don't grow in straight?
Whatif I tear my pants?
Whatif I never learn to dance?
Everything seems well, and then
the nighttime Whatifs strike again!
|
Written by
Elizabeth Bishop |
From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,
where if the river
enters or retreats
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;
where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;
on red, gravelly roads,
down rows of sugar maples,
past clapboard farmhouses
and neat, clapboard churches,
bleached, ridged as clamshells,
past twin silver birches,
through late afternoon
a bus journeys west,
the windshield flashing pink,
pink glancing off of metal,
brushing the dented flank
of blue, beat-up enamel;
down hollows, up rises,
and waits, patient, while
a lone traveller gives
kisses and embraces
to seven relatives
and a collie supervises.
Goodbye to the elms,
to the farm, to the dog.
The bus starts.
The light
grows richer; the fog,
shifting, salty, thin,
comes closing in.
Its cold, round crystals
form and slide and settle
in the white hens' feathers,
in gray glazed cabbages,
on the cabbage roses
and lupins like apostles;
the sweet peas cling
to their wet white string
on the whitewashed fences;
bumblebees creep
inside the foxgloves,
and evening commences.
One stop at Bass River.
Then the Economies
Lower, Middle, Upper;
Five Islands, Five Houses,
where a woman shakes a tablecloth
out after supper.
A pale flickering.
Gone.
The Tantramar marshes
and the smell of salt hay.
An iron bridge trembles
and a loose plank rattles
but doesn't give way.
On the left, a red light
swims through the dark:
a ship's port lantern.
Two rubber boots show,
illuminated, solemn.
A dog gives one bark.
A woman climbs in
with two market bags,
brisk, freckled, elderly.
"A grand night.
Yes, sir,
all the way to Boston.
"
She regards us amicably.
Moonlight as we enter
the New Brunswick woods,
hairy, scratchy, splintery;
moonlight and mist
caught in them like lamb's wool
on bushes in a pasture.
The passengers lie back.
Snores.
Some long sighs.
A dreamy divagation
begins in the night,
a gentle, auditory,
slow hallucination.
.
.
.
In the creakings and noises,
an old conversation
--not concerning us,
but recognizable, somewhere,
back in the bus:
Grandparents' voices
uninterruptedly
talking, in Eternity:
names being mentioned,
things cleared up finally;
what he said, what she said,
who got pensioned;
deaths, deaths and sicknesses;
the year he remarried;
the year (something) happened.
She died in childbirth.
That was the son lost
when the schooner foundered.
He took to drink.
Yes.
She went to the bad.
When Amos began to pray
even in the store and
finally the family had
to put him away.
"Yes .
.
.
" that peculiar
affirmative.
"Yes .
.
.
"
A sharp, indrawn breath,
half groan, half acceptance,
that means "Life's like that.
We know it (also death).
"
Talking the way they talked
in the old featherbed,
peacefully, on and on,
dim lamplight in the hall,
down in the kitchen, the dog
tucked in her shawl.
Now, it's all right now
even to fall asleep
just as on all those nights.
--Suddenly the bus driver
stops with a jolt,
turns off his lights.
A moose has come out of
the impenetrable wood
and stands there, looms, rather,
in the middle of the road.
It approaches; it sniffs at
the bus's hot hood.
Towering, antlerless,
high as a church,
homely as a house
(or, safe as houses).
A man's voice assures us
"Perfectly harmless.
.
.
.
"
Some of the passengers
exclaim in whispers,
childishly, softly,
"Sure are big creatures.
"
"It's awful plain.
"
"Look! It's a she!"
Taking her time,
she looks the bus over,
grand, otherworldly.
Why, why do we feel
(we all feel) this sweet
sensation of joy?
"Curious creatures,"
says our quiet driver,
rolling his r's.
"Look at that, would you.
"
Then he shifts gears.
For a moment longer,
by craning backward,
the moose can be seen
on the moonlit macadam;
then there's a dim
smell of moose, an acrid
smell of gasoline.
|
Written by
William Butler Yeats |
I
The Roaring Tinker if you like,
But Mannion is my name,
And I beat up the common sort
And think it is no shame.
The common breeds the common,
A lout begets a lout,
So when I take on half a score
I knock their heads about.
From mountain to mountain ride the fierce horsemen.
All Mannions come from Manannan,
Though rich on every shore
He never lay behind four walls
He had such character,
Nor ever made an iron red
Nor soldered pot or pan;
His roaring and his ranting
Best please a wandering man.
From mountain to mountain ride the fierce horsemen.
Could Crazy Jane put off old age
And ranting time renew,
Could that old god rise up again
We'd drink a can or two,
And out and lay our leadership
On country and on town,
Throw likely couples into bed
And knock the others down.
From mountain to mountain ride the fierce horsemen.
II
My name is Henry Middleton,
I have a small demesne,
A small forgotten house that's set
On a storm-bitten green.
I scrub its floors and make my bed,
I cook and change my plate,
The post and garden-boy alone
Have keys to my old gate.
From mountain to mountain ride the fierce horsemen.
Though I have locked my gate on them,
I pity all the young,
I know what devil's trade they learn
From those they live among,
Their drink, their pitch-and-toss by day,
Their robbery by night;
The wisdom of the people's gone,
How can the young go straight?
From mountain to mountain ride the fierce horsemen.
When every Sunday afternoon
On the Green Lands I walk
And wear a coat in fashion.
Memories of the talk
Of henwives and of ***** old men
Brace me and make me strong;
There's not a pilot on the perch
Knows I have lived so long.
From mountain to mountain ride the fierce horsemen.
III
Come gather round me, players all:
Come praise Nineteen-Sixteen,
Those from the pit and gallery
Or from the painted scene
That fought in the Post Office
Or round the City Hall,
praise every man that came again,
Praise every man that fell.
From mountain to mountain ride the fierce horsemen.
Who was the first man shot that day?
The player Connolly,
Close to the City Hall he died;
Catriage and voice had he;
He lacked those years that go with skill,
But later might have been
A famous, a brilliant figure
Before the painted scene.
From mountain to mountain ride the fierce horsemen.
Some had no thought of victory
But had gone out to die
That Ireland's mind be greater,
Her heart mount up on high;
And yet who knows what's yet to come?
For patrick pearse had said
That in every generation
Must Ireland's blood be shed.
From mountain to mountain ride the fierce horsemen.
|
Written by
Walt Whitman |
1
NOW list to my morning’s romanza—I tell the signs of the Answerer;
To the cities and farms I sing, as they spread in the sunshine before me.
A young man comes to me bearing a message from his brother;
How shall the young man know the whether and when of his brother?
Tell him to send me the signs.
And I stand before the young man face to face, and take his right hand in my left hand,
and his
left
hand in my right hand,
And I answer for his brother, and for men, and I answer for him that answers for all, and
send
these
signs.
2
Him all wait for—him all yield up to—his word is decisive and final,
Him they accept, in him lave, in him perceive themselves, as amid light,
Him they immerse, and he immerses them.
Beautiful women, the haughtiest nations, laws, the landscape, people, animals,
The profound earth and its attributes, and the unquiet ocean, (so tell I my morning’s
romanza;)
All enjoyments and properties, and money, and whatever money will buy,
The best farms—others toiling and planting, and he unavoidably reaps,
The noblest and costliest cities—others grading and building, and he domiciles there;
Nothing for any one, but what is for him—near and far are for him, the ships in the
offing,
The perpetual shows and marches on land, are for him, if they are for any body.
He puts things in their attitudes;
He puts to-day out of himself, with plasticity and love;
He places his own city, times, reminiscences, parents, brothers and sisters, associations,
employment, politics, so that the rest never shame them afterward, nor assume to command
them.
He is the answerer:
What can be answer’d he answers—and what cannot be answer’d, he shows how
it
cannot
be answer’d.
3
A man is a summons and challenge;
(It is vain to skulk—Do you hear that mocking and laughter? Do you hear the ironical
echoes?)
Books, friendships, philosophers, priests, action, pleasure, pride, beat up and down,
seeking
to
give satisfaction;
He indicates the satisfaction, and indicates them that beat up and down also.
Whichever the sex, whatever the season or place, he may go freshly and gently and safely,
by
day or
by night;
He has the pass-key of hearts—to him the response of the prying of hands on the
knobs.
His welcome is universal—the flow of beauty is not more welcome or universal than he
is;
The person he favors by day, or sleeps with at night, is blessed.
4
Every existence has its idiom—everything has an idiom and tongue;
He resolves all tongues into his own, and bestows it upon men, and any man translates, and
any
man
translates himself also;
One part does not counteract another part—he is the joiner—he sees how they
join.
He says indifferently and alike, How are you, friend? to the President at his
levee,
And he says, Good-day, my brother! to Cudge that hoes in the sugar-field,
And both understand him, and know that his speech is right.
He walks with perfect ease in the Capitol,
He walks among the Congress, and one Representative says to another, Here is our equal,
appearing
and new.
Then the mechanics take him for a mechanic,
And the soldiers suppose him to be a soldier, and the sailors that he has follow’d
the
sea,
And the authors take him for an author, and the artists for an artist,
And the laborers perceive he could labor with them and love them;
No matter what the work is, that he is the one to follow it, or has follow’d it,
No matter what the nation, that he might find his brothers and sisters there.
The English believe he comes of their English stock,
A Jew to the Jew he seems—a Russ to the Russ—usual and near, removed from none.
Whoever he looks at in the traveler’s coffee-house claims him,
The Italian or Frenchman is sure, and the German is sure, and the Spaniard is sure, and
the
island
Cuban is sure;
The engineer, the deck-hand on the great lakes, or on the Mississippi, or St.
Lawrence, or
Sacramento, or Hudson, or Paumanok Sound, claims him.
The gentleman of perfect blood acknowledges his perfect blood;
The insulter, the prostitute, the angry person, the beggar, see themselves in the ways of
him—he strangely transmutes them,
They are not vile any more—they hardly know themselves, they are so grown.
|
Written by
Duncan Campbell Scott |
Here is the height of land:
The watershed on either hand
Goes down to Hudson Bay
Or Lake Superior;
The stars are up, and far away
The wind sounds in the wood, wearier
Than the long Ojibwa cadence
In which Potàn the Wise
Declares the ills of life
And Chees-que-ne-ne makes a mournful sound
Of acquiescence.
The fires burn low
With just sufficient glow
To light the flakes of ash that play
At being moths, and flutter away
To fall in the dark and die as ashes:
Here there is peace in the lofty air,
And Something comes by flashes
Deeper than peace: --
The spruces have retired a little space
And left a field of sky in violet shadow
With stars like marigolds in a water-meadow.
Now the Indian guides are dead asleep;
There is no sound unless the soul can hear
The gathering of the waters in their sources.
We have come up through the spreading lakes
From level to level, --
Pitching our tents sometimes over a revel
Of roses that nodded all night,
Dreaming within our dreams,
To wake at dawn and find that they were captured
With no dew on their leaves;
Sometimes mid sheaves
Of bracken and dwarf-cornel, and again
On a wide blueberry plain
Brushed with the shimmer of a bluebird's wing;
A rocky islet followed
With one lone poplar and a single nest
Of white-throat-sparrows that took no rest
But sang in dreams or woke to sing, --
To the last portage and the height of land --:
Upon one hand
The lonely north enlaced with lakes and streams,
And the enormous targe of Hudson Bay,
Glimmering all night
In the cold arctic light;
On the other hand
The crowded southern land
With all the welter of the lives of men.
But here is peace, and again
That Something comes by flashes
Deeper than peace, -- a spell
Golden and inappellable
That gives the inarticulate part
Of our strange being one moment of release
That seems more native than the touch of time,
And we must answer in chime;
Though yet no man may tell
The secret of that spell
Golden and inappellable.
Now are there sounds walking in the wood,
And all the spruces shiver and tremble,
And the stars move a little in their courses.
The ancient disturber of solitude
Breathes a pervasive sigh,
And the soul seems to hear
The gathering of the waters at their sources;
Then quiet ensues and pure starlight and dark;
The region-spirit murmurs in meditation,
The heart replies in exaltation
And echoes faintly like an inland shell
Ghost tremors of the spell;
Thought reawakens and is linked again
With all the welter of the lives of men.
Here on the uplands where the air is clear
We think of life as of a stormy scene, --
Of tempest, of revolt and desperate shock;
And here, where we can think, on the brights uplands
Where the air is clear, we deeply brood on life
Until the tempest parts, and it appears
As simple as to the shepherd seems his flock:
A Something to be guided by ideals --
That in themselves are simple and serene --
Of noble deed to foster noble thought,
And noble thought to image noble deed,
Till deed and thought shall interpenetrate,
Making life lovelier, till we come to doubt
Whether the perfect beauty that escapes
Is beauty of deed or thought or some high thing
Mingled of both, a greater boon than either:
Thus we have seen in the retreating tempest
The victor-sunlight merge with the ruined rain,
And from the rain and sunlight spring the rainbow.
The ancient disturber of solitude
Stirs his ancestral potion in the gloom,
And the dark wood
Is stifled with the pungent fume
Of charred earth burnt to the bone
That takes the place of air.
Then sudden I remember when and where, --
The last weird lakelet foul with weedy growths
And slimy viscid things the spirit loathes,
Skin of vile water over viler mud
Where the paddle stirred unutterable stenches,
And the canoes seemed heavy with fear,
Not to be urged toward the fatal shore
Where a bush fire, smouldering, with sudden roar
Leaped on a cedar and smothered it with light
And terror.
It had left the portage-height
A tangle of slanted spruces burned to the roots,
Covered still with patches of bright fire
Smoking with incense of the fragment resin
That even then began to thin and lessen
Into the gloom and glimmer of ruin.
'Tis overpast.
How strange the stars have grown;
The presage of extinction glows on their crests
And they are beautied with impermanence;
They shall be after the race of men
And mourn for them who snared their fiery pinions,
Entangled in the meshes of bright words.
A lemming stirs the fern and in the mosses
Eft-minded things feel the air change, and dawn
Tolls out from the dark belfries of the spruces.
How often in the autumn of the world
Shall the crystal shrine of dawning be rebuilt
With deeper meaning! Shall the poet then,
Wrapped in his mantle on the height of land,
Brood on the welter of the lives of men
And dream of his ideal hope and promise
In the blush sunrise? Shall he base his flight
Upon a more compelling law than Love
As Life's atonement; shall the vision
Of noble deed and noble thought immingled
Seem as uncouth to him as the pictograph
Scratched on the cave side by the cave-dweller
To us of the Christ-time? Shall he stand
With deeper joy, with more complex emotion,
In closer commune with divinity,
With the deep fathomed, with the firmament charted,
With life as simple as a sheep-boy's song,
What lies beyond a romaunt that was read
Once on a morn of storm and laid aside
Memorious with strange immortal memories?
Or shall he see the sunrise as I see it
In shoals of misty fire the deluge-light
Dashes upon and whelms with purer radiance,
And feel the lulled earth, older in pulse and motion,
Turn the rich lands and inundant oceans
To the flushed color, and hear as now I hear
The thrill of life beat up the planet's margin
And break in the clear susurrus of deep joy
That echoes and reëchoes in my being?
O Life is intuition the measure of knowledge
And do I stand with heart entranced and burning
At the zenith of our wisdom when I feel
The long light flow, the long wind pause, the deep
Influx of spirit, of which no man may tell
The Secret, golden and inappellable?
|
Written by
T S (Thomas Stearns) Eliot |
Tra-la-la-la-la-la-laire—nil nisi divinum stabile est; caetera fumus—the gondola
stopped, the old palace was there, how charming its grey and pink—goats and
monkeys, with such hair too!—so the countess passed on until she came through the
little park, where Niobe presented her with a cabinet, and so departed.
BURBANK crossed a little bridge
Descending at a small hotel;
Princess Volupine arrived,
They were together, and he fell.
Defunctive music under sea
Passed seaward with the passing bell
Slowly: the God Hercules
Had left him, that had loved him well.
The horses, under the axletree
Beat up the dawn from Istria
With even feet.
Her shuttered barge
Burned on the water all the day.
But this or such was Bleistein’s way:
A saggy bending of the knees
And elbows, with the palms turned out,
Chicago Semite Viennese.
A lustreless protrusive eye
Stares from the protozoic slime
At a perspective of Canaletto.
The smoky candle end of time
Declines.
On the Rialto once.
The rats are underneath the piles.
The jew is underneath the lot.
Money in furs.
The boatman smiles,
Princess Volupine extends
A meagre, blue-nailed, phthisic hand
To climb the waterstair.
Lights, lights,
She entertains Sir Ferdinand
Klein.
Who clipped the lion’s wings
And flea’d his rump and pared his claws?
Thought Burbank, meditating on
Time’s ruins, and the seven laws.
|
Written by
Howard Nemerov |
I met a guy I used to know, who said:
"You take your '57 Karnak, now,
The model that they called their Coop de Veal
That had the pointy rubber boobs for bumpers--
You take that car, owned by a ****** now
Likelier'n not, with half its chromium teeth
Knocked down its throat and aerial ripped off,
Side stitched with like bullets where the stripping's gone
And rust like a fungus spreading on the fenders,
Well, what I mean, that fucking car still runs,
Even the moths in the upholstery are old
But it gets around, you see one on the street
Beat-up and proud, well, Jeezus what a country,
Where even the monuments keep on the move.
"
|
Written by
Gary Snyder |
Kisiabaton
Beat-up datsun idling in the road
shreds of fog
almost-vertical hillsides drop away
huge stumps fading into mist
soft warm rain
Snaggy, forked and spreading tops, a temperate cloud-forest tree
Chamaecyparis formosiana--
Taiwan hinoki,
hung-kuai red cypress
That the tribal people call kisiabaton
this rare old tree
is what we came to see.
|
Written by
Robert Southey |
(Time, Noon.
)
HUMPHREY:
See'st thou not William that the scorching Sun
By this time half his daily race has run?
The savage thrusts his light canoe to shore
And hurries homeward with his fishy store.
Suppose we leave awhile this stubborn soil
To eat our dinner and to rest from toil!
WILLIAM:
Agreed.
Yon tree whose purple gum bestows
A ready medicine for the sick-man's woes,
Forms with its shadowy boughs a cool retreat
To shield us from the noontide's sultry heat.
Ah Humphrey! now upon old England's shore
The weary labourer's morning work is o'er:
The woodman now rests from his measur'd stroke
Flings down his axe and sits beneath the oak,
Savour'd with hunger there he eats his food,
There drinks the cooling streamlet of the wood.
To us no cooling streamlet winds its way,
No joys domestic crown for us the day,
The felon's name, the outcast's garb we wear,
Toil all the day, and all the night despair.
HUMPHREY:
Ah William! labouring up the furrowed ground
I used to love the village clock's dull sound,
Rejoice to hear my morning toil was done,
And trudge it homewards when the clock went one.
'Twas ere I turn'd a soldier and a sinner!
Pshaw! curse this whining--let us fall to dinner.
WILLIAM:
I too have loved this hour, nor yet forgot
Each joy domestic of my little cot.
For at this hour my wife with watchful care
Was wont each humbler dainty to prepare,
The keenest sauce by hunger was supplied
And my poor children prattled at my side.
Methinks I see the old oak table spread,
The clean white trencher and the good brown bread,
The cheese my daily food which Mary made,
For Mary knew full well the housewife's trade:
The jug of cyder,--cyder I could make,
And then the knives--I won 'em at the wake.
Another has them now! I toiling here
Look backward like a child and drop a tear.
HUMPHREY:
I love a dismal story, tell me thine,
Meantime, good Will, I'll listen as I dine.
I too my friend can tell a piteous story
When I turn'd hero how I purchas'd glory.
WILLIAM:
But Humphrey, sure thou never canst have known
The comforts of a little home thine own:
A home so snug, So chearful too as mine,
'Twas always clean, and we could make it fine;
For there King Charles's golden rules were seen,
And there--God bless 'em both--the King and Queen.
The pewter plates our garnish'd chimney grace
So nicely scour'd, you might have seen your face;
And over all, to frighten thieves, was hung
Well clean'd, altho' but seldom us'd, my gun.
Ah! that damn'd gun! I took it down one morn--
A desperate deal of harm they did my corn!
Our testy Squire too loved to save the breed,
So covey upon covey eat my seed.
I mark'd the mischievous rogues, and took my aim,
I fir'd, they fell, and--up the keeper came.
That cursed morning brought on my undoing,
I went to prison and my farm to ruin.
Poor Mary! for her grave the parish paid,
No tomb-stone tells where her cold corpse is laid!
My children--my dear boys--
HUMPHREY:
Come--Grief is dry--
You to your dinner--to my story I.
To you my friend who happier days have known
And each calm comfort of a home your own,
This is bad living: I have spent my life
In hardest toil and unavailing strife,
And here (from forest ambush safe at least)
To me this scanty pittance seems a feast.
I was a plough-boy once; as free from woes
And blithesome as the lark with whom I rose.
Each evening at return a meal I found
And, tho' my bed was hard, my sleep was sound.
One Whitsuntide, to go to fair, I drest
Like a great bumkin in my Sunday's best;
A primrose posey in my hat I stuck
And to the revel went to try my luck.
From show to show, from booth to booth I stray,
See stare and wonder all the live-long day.
A Serjeant to the fair recruiting came
Skill'd in man-catching to beat up for game;
Our booth he enter'd and sat down by me;--
Methinks even now the very scene I see!
The canvass roof, the hogshead's running store,
The old blind fiddler seated next the door,
The frothy tankard passing to and fro
And the rude rabble round the puppet-show;
The Serjeant eyed me well--the punch-bowl comes,
And as we laugh'd and drank, up struck the drums--
And now he gives a bumper to his Wench--
God save the King, and then--God damn the French.
Then tells the story of his last campaign.
How many wounded and how many slain,
Flags flying, cannons roaring, drums a-beating,
The English marching on, the French retreating,--
"Push on--push on my lads! they fly before ye,
"March on to riches, happiness and glory!"
At first I wonder'd, by degrees grew bolder,
Then cried--"tis a fine thing to be a soldier!"
"Aye Humphrey!" says the Serjeant--"that's your name?
"'Tis a fine thing to fight the French for fame!
"March to the field--knock out a Mounseer's brains
"And pick the scoundrel's pocket for your pains.
"Come Humphrey come! thou art a lad of spirit!
"Rise to a halbert--as I did--by merit!
"Would'st thou believe it? even I was once
"As thou art now, a plough-boy and a dunce;
"But Courage rais'd me to my rank.
How now boy!
"Shall Hero Humphrey still be Numps the plough-boy?
"A proper shaped young fellow! tall and straight!
"Why thou wert made for glory! five feet eight!
"The road to riches is the field of fight,--
"Didst ever see a guinea look so bright?
"Why regimentals Numps would give thee grace,
"A hat and feather would become that face;
"The girls would crowd around thee to be kist--
"Dost love a girl?" "Od Zounds!" I cried "I'll list!"
So past the night: anon the morning came,
And off I set a volunteer for fame.
"Back shoulders, turn out your toes, hold up your head,
"Stand easy!" so I did--till almost dead.
Oh how I long'd to tend the plough again
Trudge up the field and whistle o'er the plain,
When tir'd and sore amid the piteous throng
Hungry and cold and wet I limp'd along,
And growing fainter as I pass'd and colder,
Curs'd that ill hour when I became a soldier!
In town I found the hours more gayly pass
And Time fled swiftly with my girl and glass;
The girls were wonderous kind and wonderous fair,
They soon transferred me to the Doctor's care,
The Doctor undertook to cure the evil,
And he almost transferred me to the Devil.
'Twere tedious to relate the dismal story
Of fighting, fasting, wretchedness and glory.
At last discharg'd, to England's shores I came
Paid for my wounds with want instead of fame,
Found my fair friends and plunder'd as they bade me,
They kist me, coax'd me, robb'd me and betray'd me.
Tried and condemn'd his Majesty transports me,
And here in peace, I thank him, he supports me,
So ends my dismal and heroic story
And Humphrey gets more good from guilt than glory.
|
Written by
John Berryman |
It was the blue & plain ones.
I forget all that.
My own clouds darkening hung.
Besides, it wasn't serious.
They took them in different rooms & fed them lies.
'She admitted you wanted to get rid of it.
'
'He told us he told you to.
'
The Force, with its rapists con-men murderers,
has been our Pride (trust Henry) eighty years;—
now Teddy was hard on.
Still the tradition persists, beat up, beat on,
take, take.
Frame.
Get set; cover up.
The Saturday confessions are really something.
Here was there less or nothing in question but horror.
She left his brother's son two minutes but—
as I say I forget that—
during the time he drowned.
The laundry lived
and they lived, uncharged, and went their ways apart
with the blessing of the N.
Y.
Police Force.
|