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Best Famous Banqueting Poems

Here is a collection of the all-time best famous Banqueting poems. This is a select list of the best famous Banqueting poetry. Reading, writing, and enjoying famous Banqueting poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of banqueting poems.

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Written by Francis Thompson | Create an image from this poem

The Hound of Heaven

 I fled Him down the nights and down the days
I fled Him down the arches of the years
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
Up vistaed hopes I sped and shot precipitated
Adown titanic glooms of chasme d hears
From those strong feet that followed, followed after
But with unhurrying chase and unperturbe d pace,
Deliberate speed, majestic instancy,
They beat, and a Voice beat,
More instant than the feet:
All things betray thee who betrayest me.

I pleaded, outlaw--wise by many a hearted casement,
curtained red, trellised with inter-twining charities,
For though I knew His love who followe d,
Yet was I sore adread, lest having Him,
I should have nought beside.
But if one little casement parted wide,
The gust of his approach would clash it to.
Fear wist not to evade as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their clange d bars,
Fretted to dulcet jars and silvern chatter
The pale ports of the moon.

I said to Dawn --- be sudden, to Eve --- be soon,
With thy young skiey blossoms heap me over
From this tremendous Lover.
Float thy vague veil about me lest He see.
I tempted all His servitors but to find
My own betrayal in their constancy,
In faith to Him, their fickleness to me,
Their traitorous trueness and their loyal deceit.
To all swift things for swiftness did I sue,
Clung to the whistling mane of every wind,
But whether they swept, smoothly fleet,
The long savannahs of the blue,
Or whether, thunder-driven,
They clanged His chariot thwart a heaven,
Plashy with flying lightnings round the spurn of their feet,
Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase and unperturbed pace
Deliberate speed, majestic instancy,
Came on the following feet, and a Voice above their beat:
Nought shelters thee who wilt not shelter Me.

I sought no more that after which I strayed
In face of Man or Maid.
But still within the little childrens' eyes
Seems something, something that replies,
They at least are for me, surely for me.
But just as their young eyes grew sudden fair,
With dawning answers there,
Their angel plucked them from me by the hair.
Come then, ye other children, Nature's
Share with me, said I, your delicate fellowship.
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning with our Lady Mother's vagrant tresses,
Banqueting with her in her wind walled palace,
Underneath her azured dai:s,
Quaffing, as your taintless way is,
From a chalice, lucent weeping out of the dayspring.

So it was done.
I in their delicate fellowship was one.
Drew the bolt of Nature's secrecies,
I knew all the swift importings on the wilful face of skies,
I knew how the clouds arise,
Spume d of the wild sea-snortings.
All that's born or dies,
Rose and drooped with,
Made them shapers of mine own moods, or wailful, or Divine.
With them joyed and was bereaven.
I was heavy with the Even,
when she lit her glimmering tapers round the day's dead sanctities.
I laughed in the morning's eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
and its sweet tears were salt with mortal mine.
Against the red throb of its sunset heart,
I laid my own to beat
And share commingling heat.

But not by that, by that was eased my human smart.
In vain my tears were wet on Heaven's grey cheek.
For ah! we know what each other says,
these things and I; In sound I speak,
Their sound is but their stir, they speak by silences.
Nature, poor step-dame, cannot slake my drouth.
Let her, if she would owe me
Drop yon blue-bosomed veil of sky
And show me the breasts o' her tenderness.
Never did any milk of hers once bless my thirsting mouth.
Nigh and nigh draws the chase, with unperturbe d pace
Deliberate speed, majestic instancy,
And past those noise d feet, a Voice comes yet more fleet:
Lo, nought contentst thee who content'st nought Me.

Naked, I wait thy Love's uplifted stroke. My harness, piece by piece,
thou'st hewn from me
And smitten me to my knee,
I am defenceless, utterly.
I slept methinks, and awoke.
And slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours,
and pulled my life upon me.
Grimed with smears,
I stand amidst the dust o' the mounded years--
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst like sunstarts on a stream.
Yeah, faileth now even dream the dreamer
and the lute, the lutanist.
Even the linked fantasies in whose blossomy twist,
I swung the Earth, a trinket at my wrist,
Have yielded, cords of all too weak account,
For Earth, with heavy grief so overplussed.
Ah! is thy Love indeed a weed,
albeit an Amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must, Designer Infinite,
Ah! must thou char the wood 'ere thou canst limn with it ?
My freshness spent its wavering shower i' the dust.
And now my heart is as a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver upon the sighful branches of my
mind.

Such is. What is to be ?
The pulp so bitter, how shall taste the rind ?
I dimly guess what Time in mists confounds,
Yet ever and anon, a trumpet sounds
From the hid battlements of Eternity.
Those shaken mists a space unsettle,
Then round the half-glimpse d turrets, slowly wash again.
But not 'ere Him who summoneth
I first have seen, enwound
With glooming robes purpureal; Cypress crowned.
His name I know, and what his trumpet saith.
Whether Man's Heart or Life it be that yield thee harvest,
Must thy harvest fields be dunged with rotten death ?

Now of that long pursuit,
Comes at hand the bruit.
That Voice is round me like a bursting Sea:
And is thy Earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest me.
Strange, piteous, futile thing;
Wherefore should any set thee love apart?
Seeing none but I makes much of Naught (He said).
And human love needs human meriting ---
How hast thou merited,
Of all Man's clotted clay, the dingiest clot.
Alack! Thou knowest not
How little worthy of any love thou art.
Whom wilt thou find to love ignoble thee,
Save me, save only me?
All which I took from thee, I did'st but take,
Not for thy harms,
But just that thou might'st seek it in my arms.
All which thy childs mistake fancies as lost,
I have stored for thee at Home.
Rise, clasp my hand, and come.
Halts by me that Footfall.
Is my gloom, after all,
Shade of His hand, outstretched caressingly?
Ah, Fondest, Blindest, Weakest,
I am He whom thou seekest.
Thou dravest Love from thee who dravest Me.


Written by Langston Hughes | Create an image from this poem

Advertisement For The Waldorf-Astoria

 Fine living . . . a la carte?
 Come to the Waldorf-Astoria!

 LISTEN HUNGRY ONES!
Look! See what Vanity Fair says about the
 new Waldorf-Astoria:

 "All the luxuries of private home. . . ."
Now, won't that be charming when the last flop-house
 has turned you down this winter?
 Furthermore:
"It is far beyond anything hitherto attempted in the hotel
 world. . . ." It cost twenty-eight million dollars. The fa-
 mous Oscar Tschirky is in charge of banqueting.
 Alexandre Gastaud is chef. It will be a distinguished
 background for society.
So when you've no place else to go, homeless and hungry
 ones, choose the Waldorf as a background for your rags--
(Or do you still consider the subway after midnight good
 enough?)

 ROOMERS
Take a room at the new Waldorf, you down-and-outers--
 sleepers in charity's flop-houses where God pulls a
 long face, and you have to pray to get a bed.
They serve swell board at the Waldorf-Astoria. Look at the menu, will 
you:

 GUMBO CREOLE
 CRABMEAT IN CASSOLETTE
 BOILED BRISKET OF BEEF
 SMALL ONIONS IN CREAM
 WATERCRESS SALAD
 PEACH MELBA

Have luncheon there this afternoon, all you jobless.
 Why not?
Dine with some of the men and women who got rich off of
 your labor, who clip coupons with clean white fingers
 because your hands dug coal, drilled stone, sewed gar-
 ments, poured steel to let other people draw dividends
 and live easy.
(Or haven't you had enough yet of the soup-lines and the bit-
 ter bread of charity?)
Walk through Peacock Alley tonight before dinner, and get
 warm, anyway. You've got nothing else to do.
Written by George Herbert | Create an image from this poem

Lent

 Welcome dear feast of Lent: who loves not thee, 
He loves not Temperance, or Authority, 
But is compos'd of passion.
The Scriptures bid us fast; the Church says, now: 
Give to thy Mother, what thou wouldst allow
To ev'ry Corporation.

The humble soul compos'd of love and fear
Begins at home, and lays the burden there, 
When doctrines disagree, 
He says, in things which use hath justly got, 
I am a scandal to the Church, and not
The Church is so to me.

True Christians should be glad of an occasion
To use their temperance, seeking no evasion, 
When good is seasonable; 
Unless Authority, which should increase
The obligation in us, make it less, 
And Power itself disable.

Besides the cleanness of sweet abstinence, 
Quick thoughts and motions at a small expense, 
A face not fearing light: 
Whereas in fulness there are sluttish fumes, 
Sour exhalations, and dishonest rheums, 
Revenging the delight.

Then those same pendant profits, which the spring
And Easter intimate, enlarge the thing, 
And goodness of the deed.
Neither ought other men's abuse of Lent
Spoil the good use; lest by that argument
We forfeit all our Creed.

It's true, we cannot reach Christ's forti'eth day; 
Yet to go part of that religious way, 
Is better than to rest: 
We cannot reach our Saviour's purity; 
Yet we are bid, 'Be holy ev'n as he, '
In both let's do our best.

Who goeth in the way which Christ hath gone, 
Is much more sure to meet with him, than one
That travelleth by-ways: 
Perhaps my God, though he be far before, 
May turn and take me by the hand, and more: 
May strengthen my decays.

Yet Lord instruct us to improve our fast
By starving sin and taking such repast, 
As may our faults control: 
That ev'ry man may revel at his door, 
Not in his parlour; banqueting the poor, 
And among those his soul.
Written by William Allingham | Create an image from this poem

Meadowsweet

 Through grass, through amber'd cornfields, our slow Stream-- 
Fringed with its flags and reeds and rushes tall, 
And Meadowsweet, the chosen of them all 
By wandering children, yellow as the cream 
Of those great cows--winds on as in a dream 
By mill and footbridge, hamlet old and small 
(Red roofs, gray tower), and sees the sunset gleam 
On mullion'd windows of an ivied Hall.

There, once upon a time, the heavy King 
Trod out its perfume from the Meadowsweet, 
Strown like a woman's love beneath his feet, 
In stately dance or jovial banqueting, 
When all was new; and in its wayfaring 
Our Streamlet curved, as now, through grass and wheat.
Written by Robert William Service | Create an image from this poem

The Three Tommies

 That Barret, the painter of pictures, what feeling for color he had!
And Fanning, the maker of music, such melodies mirthful and mad!
And Harley, the writer of stories, so whimsical, tender and glad!

To hark to their talk in the trenches, high heart unfolding to heart,
Of the day when the war would be over, and each would be true to his part,
Upbuilding a Palace of Beauty to the wonder and glory of Art . . .

Yon's Barret, the painter of pictures, yon carcass that rots on the wire;
His hand with its sensitive cunning is crisped to a cinder with fire;
His eyes with their magical vision are bubbles of glutinous mire.

Poor Fanning! He sought to discover the symphonic note of a shell;
There are bits of him broken and bloody, to show you the place where he fell;
I've reason to fear on his exquisite ear the rats have been banqueting well.

And speaking of Harley, the writer, I fancy I looked on him last,
Sprawling and staring and writhing in the roar of the battle blast;
Then a mad gun-team crashed over, and scattered his brains as it passed.

Oh, Harley and Fanning and Barret, they were bloody good mates o' mine;
Their bodies are empty bottles; Death has guzzled the wine;
What's left of them's filth and corruption. . . . Where is the Fire Divine?

I'll tell you. . . . At night in the trenches, as I watch and I do my part,
Three radiant spirits I'm seeing, high heart revealing to heart,
And they're building a peerless palace to the splendor and triumph of Art.

Yet, alas! for the fame of Barret, the glory he might have trailed!
And alas! for the name of Fanning, a star that beaconed and paled,
Poor Harley, obscure and forgotten. . . . Well, who shall say that they failed!

No, each did a Something Grander than ever he dreamed to do;
And as for the work unfinished, all will be paid their due;
The broken ends will be fitted, the balance struck will be true.

So painters, and players, and penmen, I tell you: Do as you please;
Let your fame outleap on the trumpets, you'll never rise up to these --
To three grim and gory Tommies, down, down on your bended knees!


Written by Adela Florence Cory Nicolson | Create an image from this poem

Reminiscence of Mahomed Akram

   I shall never forget you, never.  Never escape
   Your memory woven about the beautiful things of life.

   The sudden Thought of your Face is like a Wound
             When it comes unsought
   On some scent of Jasmin, Lilies, or pale Tuberose.
   Any one of the sweet white fragrant flowers,
   Flowers I used to love and lay in your hair.

   Sunset is terribly sad. I saw you stand
   Tall against the red and the gold like a slender palm;
   The light wind stirred your hair as you waved your hand,
   Waved farewell, as ever, serene and calm,
   To me, the passion-wearied and tost and torn,
   Riding down the road in the gathering grey.
             Since that day
   The sunset red is empty, the gold forlorn.

   Often across the Banqueting board at nights
   Men linger about your name in careless praise
   The name that cuts deep into my soul like a knife;
   And the gay guest-faces and flowers and leaves and lights
   Fade away from the failing sense in a haze,
             And the music sways
   Far away in unmeasured distance....
             I cannot forget—
   I cannot escape.  What are the Stars to me?
   Stars that meant so much, too much, in my youth;
   Stars that sparkled about your eyes,
   Made a radiance round your hair,
             What are they now?

   Lingering lights of a Finished Feast,
   Little lingering sparks rather,
             Of a Light that is long gone out.

Book: Radiant Verses: A Journey Through Inspiring Poetry