Written by
Charles Bukowski |
call it the greenhouse effect or whatever
but it just doesn't rain like it used to.
I particularly remember the rains of the
depression era.
there wasn't any money but there was
plenty of rain.
it wouldn't rain for just a night or
a day,
it would RAIN for 7 days and 7
nights
and in Los Angeles the storm drains
weren't built to carry off taht much
water
and the rain came down THICK and
MEAN and
STEADY
and you HEARD it banging against
the roofs and into the ground
waterfalls of it came down
from roofs
and there was HAIL
big ROCKS OF ICE
bombing
exploding smashing into things
and the rain
just wouldn't
STOP
and all the roofs leaked-
dishpans,
cooking pots
were placed all about;
they dripped loudly
and had to be emptied
again and
again.
the rain came up over the street curbings,
across the lawns, climbed up the steps and
entered the houses.
there were mops and bathroom towels,
and the rain often came up through the
toilets:bubbling, brown, crazy,whirling,
and all the old cars stood in the streets,
cars that had problems starting on a
sunny day,
and the jobless men stood
looking out the windows
at the old machines dying
like living things out there.
the jobless men,
failures in a failing time
were imprisoned in their houses with their
wives and children
and their
pets.
the pets refused to go out
and left their waste in
strange places.
the jobless men went mad
confined with
their once beautiful wives.
there were terrible arguments
as notices of foreclosure
fell into the mailbox.
rain and hail, cans of beans,
bread without butter;fried
eggs, boiled eggs, poached
eggs; peanut butter
sandwiches, and an invisible
chicken in every pot.
my father, never a good man
at best, beat my mother
when it rained
as I threw myself
between them,
the legs, the knees, the
screams
until they
seperated.
"I'll kill you," I screamed
at him. "You hit her again
and I'll kill you!"
"Get that son-of-a-bitching
kid out of here!"
"no, Henry, you stay with
your mother!"
all the households were under
seige but I believe that ours
held more terror than the
average.
and at night
as we attempted to sleep
the rains still came down
and it was in bed
in the dark
watching the moon against
the scarred window
so bravely
holding out
most of the rain,
I thought of Noah and the
Ark
and I thought, it has come
again.
we all thought
that.
and then, at once, it would
stop.
and it always seemed to
stop
around 5 or 6 a.m.,
peaceful then,
but not an exact silence
because things continued to
drip
drip
drip
and there was no smog then
and by 8 a.m.
there was a
blazing yellow sunlight,
Van Gogh yellow-
crazy, blinding!
and then
the roof drains
relieved of the rush of
water
began to expand in the warmth:
PANG!PANG!PANG!
and everybody got up and looked outside
and there were all the lawns
still soaked
greener than green will ever
be
and there were birds
on the lawn
CHIRPING like mad,
they hadn't eaten decently
for 7 days and 7 nights
and they were weary of
berries
and
they waited as the worms
rose to the top,
half drowned worms.
the birds plucked them
up
and gobbled them
down;there were
blackbirds and sparrows.
the blackbirds tried to
drive the sparrows off
but the sparrows,
maddened with hunger,
smaller and quicker,
got their
due.
the men stood on their porches
smoking cigarettes,
now knowing
they'd have to go out
there
to look for that job
that probably wasn't
there, to start that car
that probably wouldn't
start.
and the once beautiful
wives
stood in their bathrooms
combing their hair,
applying makeup,
trying to put their world back
together again,
trying to forget that
awful sadness that
gripped them,
wondering what they could
fix for
breakfast.
and on the radio
we were told that
school was now
open.
and
soon
there I was
on the way to school,
massive puddles in the
street,
the sun like a new
world,
my parents back in that
house,
I arrived at my classroom
on time.
Mrs. Sorenson greeted us
with, "we won't have our
usual recess, the grounds
are too wet."
"AW!" most of the boys
went.
"but we are going to do
something special at
recess," she went on,
"and it will be
fun!"
well, we all wondered
what that would
be
and the two hour wait
seemed a long time
as Mrs.Sorenson
went about
teaching her
lessons.
I looked at the little
girls, they looked so
pretty and clean and
alert,
they sat still and
straight
and their hair was
beautiful
in the California
sunshine.
the the recess bells rang
and we all waited for the
fun.
then Mrs. Sorenson told us:
"now, what we are going to
do is we are going to tell
each other what we did
during the rainstorm!
we'll begin in the front row
and go right around!
now, Michael, you're first!. . ."
well, we all began to tell
our stories, Michael began
and it went on and on,
and soon we realized that
we were all lying, not
exactly lying but mostly
lying and some of the boys
began to snicker and some
of the girls began to give
them dirty looks and
Mrs.Sorenson said,
"all right! I demand a
modicum of silence
here!
I am interested in what
you did
during the rainstorm
even if you
aren't!"
so we had to tell our
stories and they were
stories.
one girl said that
when the rainbow first
came
she saw God's face
at the end of it.
only she didn't say which end.
one boy said he stuck
his fishing pole
out the window
and caught a little
fish
and fed it to his
cat.
almost everybody told
a lie.
the truth was just
too awful and
embarassing to tell.
then the bell rang
and recess was
over.
"thank you," said Mrs.
Sorenson, "that was very
nice.
and tomorrow the grounds
will be dry
and we will put them
to use
again."
most of the boys
cheered
and the little girls
sat very straight and
still,
looking so pretty and
clean and
alert,
their hair beautiful in a sunshine that
the world might never see
again.
and
|
Written by
Adrienne Rich |
1
You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory."
Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact. In the prime of your life.
Nervy, glowering, your daughter
wipes the teaspoons, grows another way.
2
Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.
The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm,
a match burn to her thumbnail,
or held her hand above the kettle's snout
right inthe woolly steam. They are probably angels,
since nothing hurts her anymore, except
each morning's grit blowing into her eyes.
3
A thinking woman sleeps with monsters.
The beak that grips her, she becomes. And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!
4
Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn...
Reading while waiting
for the iron to heat,
writing, My Life had stood--a Loaded Gun--
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.
5
Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.
6
When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping
over her cheek, only the song
of silk against her knees
and these
adjusted in reflections of an eye.
Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine--
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?
7
"To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence."
Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.
8
"You all die at fifteen," said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were--fire, tears,
wit, taste, martyred ambition--
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.
9
Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time's precious chronic invalid,--
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us--
glitter in fragments and rough drafts.
Sigh no more, ladies.
Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.
10
Well,
she's long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
poised, still coming,
her fine blades making the air wince
but her cargo
no promise then:
delivered
palpable
ours.
|
Written by
Rg Gregory |
(a) radical
ban all fires
and places where people congregate
to create comfort
put an end to sleep
good cooking
and the delectation of wine
tear lovers apart
piss on the sun and moon
degut all heavenly harmony
strike out across the bitter ice
and the poisonous marshes
make (if you dare) a better world
(b) expect poison from standing water
(iii)
lake erie
why not as a joke one night
pick up your bed and walk
to washington – sleep
your damned sleep in its streets
so that one bright metallic morning
it can wake up to the stench
and fermentation of flesh
the gutrot of nerves – the blood’s
green effervescence so active
your skin has a job to keep it all in
isn’t that what things with the palsy
are supposed to do – lovely lake
give the world the miracle it waits for
what a laugh that would be
especially if washington lost its temper
and screamed christ lake erie
i don’t even know what to do
with my own garbage
pollution is just one of those things
go on lake erie
do it tonight
(c) drive your cart and your plow over the bones of the dead
(i)
isn't the next one
easter egg
i don't want to live any more in an old way
yes it is
to be a socialist wearing capitalism's cap
a teacher in the shadow of a dead headmaster
a tree using somebody else's old sap
i want to build my future out of new emotions
to seek more than my own in a spring surround
to move amongst people keen to move outwards
putting love and ideas into fresh ground
who will come with me across this border
not anywhere but in the bonds we make
taking the old apart to find new order
living ourselves boldly for each other's sake
then love is
if you ask me today what love is
i should have to name the people i love
and perhaps because it's spring
and i cannot control the knife that's in me
their names would surprise me as much as you
for years i have assumed that love is bloody
a thing locked up in house and a family tree
but suddenly its ache goes out beyond me
and the first love is greater for the new
this year more than any other
the winter has savaged my deepest roots
and the easter sun is banging hard against the window
the arms of my loves are flowering widely
and over the fields a new definition is running
even though the streets we walk cannot be altered
and faces there are that will not understand
we have a sun born of our mutual longings
whose shine is a hard fact - love is a new land
new spartans
i haven't felt this young for twenty years
yesterday i felt twenty years older
then i had the curtains drawn over recluse fears
today the sun comes in and instantly it's colder
must shave and get dressed - i'm being nagged
to shove my suspicions in a corner and get out
what use the sun if being plagued with new life
i can't throw off this centrally-heated doubt
accept people with ice in their brows
are the new spartans - they wait
shall i go with them
indoor delights that slowly breed into lies
need to be dumped out of doors - and paralysis with them
no leave it
there's still one more
the need now
the need now is to chronicle new times
by their own statutes not as ***-ends of the old
ideas stand out bravely against the surrounding grey
seeking their own order in what themselves proclaim
fortresses no longer belong by right to an older day
i want to gather in my hands things i believe in
not to be told that other rules prevail - there is
a treading forward to be done of great excitement
and people to be found who by the old laws
should be little more than dead
this enlightment
is cutting like spring into a bitter winter
and there is this smashing of many concrete shells
a dream with the cheek to be aggressive has assumed
its own flesh and bone and will not put up with sleep
as its prime condition - life out of death is exhumed
it's the other side
is so disappointing
no thanks
leave it for now
(ii)
there follows a brief interlude in honour of mr vasko popa
(the yugoslav poet who in a short visit to this country
has stayed a long time)
and it will not now take place
this game is called x
no one else can play
when the game is over
we have all joined in
those who have not been playing
have to give in an ear
if you don't have an ear
use one of those lying about
left over from the last time
the game wasn't played
this game is not to do with ears
shooting must be done from the heart
x sits in the middle of the ring - he
has gone for a stroll up his left nostril
how can he seize a left-over ear
and drag it under the ground
hands up if you have been shot from the heart
x comes up in the middle of himself
in this way the game is over before
it began and everyone willy-nilly
has had to go home
before he could put a foot outside
(d) enough! – or too much
reading popa
i let fly
too many words
i bang away
at the seed
but can’t break it
hurt i turn to
constructing
castles with cards
if you can’t split
the atom
man stop writing
|
Written by
Suheir Hammad |
poem supposed to be about
one minute and the lives of three women in it
writing it and up
the block a woman killed
by her husband
poem now about one minute
and the lives of four women
in it
haitian mother
she walks through
town carrying her son's
head—banging it against
her thigh calling out
creole come see, see what
they've done to my flesh
holds on to him grip tight
through hair wool
his head all that's
left of her
in tunisia
she folds pay up into stocking
washes his european semen
off her head
hands her heart to god
and this month's rent to mother
sings berber the gold
haired one favored me, rode
and ripped my flesh, i now
have food to eat
brooklyn lover
stumbles—streets ragged under sneakers
she carries her heart
banged up against
thighs crying ghetto
look, look what's been done with
my flesh, my trust, humanity,
somebody tell me
something good
|
Written by
Robert Graves |
I hardly remember your voice, but the pain of you
floats in some remote current of my blood.
I carry you in my depths, trapped in the sludge
like one of those corpses the sea refuses to give up.
It was a spoiled remnant of the South. A beach
without fishing boats, where the sun was for sale.
A stretch of shore, now a jungle of lights and languages
that grudgingly offered, defeated, its obligation of sand.
The night of that day punished us at its whim.
I held you so close I could barely see you.
Autumn was brandishing guffaws and dancebands
and the sea tore at the pleasure-boats in a frenzy.
Your hand balanced, with its steady heat,
the wavering tepidness of alcohol. The gardens
came at me from far away through your skirt.
My high-tide mark rose to the level of your breasts.
Carpets, like tentacles, wriggling down to the strand,
attracted passers-by to the mouth of the clamor.
With lights and curtains, above the tedium
the bedrooms murmured in the grand hotels.
There are dark moments when our ballast gives out
from so much banging around. Moments, or centuries,
when the flesh revels in its nakedness and reels
to its own destruction, sucking the life from itself.
I groped around me, trying on your embrace,
but love was not where your embrace was.
I felt your hands stroking that physical ache
but a great nothing went before your hands.
I searched, down the length of your soulless surrender,
for a calm bay where I could cast a net,
yearning to hear a trace of the vendor's voice
still wet with the glimmer of the flapping minnows.
It was a spoiled remnant of the South. The aroma
of muscatel was tainted with whiskey breath.
I carry that dead embrace inside me yet
like a foreign object the flesh tries to reject.
|
Written by
Rafael Guillen |
I hardly remember your voice, but the pain of you
floats in some remote current of my blood.
I carry you in my depths, trapped in the sludge
like one of those corpses the sea refuses to give up.
It was a spoiled remnant of the South. A beach
without fishing boats, where the sun was for sale.
A stretch of shore, now a jungle of lights and languages
that grudgingly offered, defeated, its obligation of sand.
The night of that day punished us at its whim.
I held you so close I could barely see you.
Autumn was brandishing guffaws and dancebands
and the sea tore at the pleasure-boats in a frenzy.
Your hand balanced, with its steady heat,
the wavering tepidness of alcohol. The gardens
came at me from far away through your skirt.
My high-tide mark rose to the level of your breasts.
Carpets, like tentacles, wriggling down to the strand,
attracted passers-by to the mouth of the clamor.
With lights and curtains, above the tedium
the bedrooms murmured in the grand hotels.
There are dark moments when our ballast gives out
from so much banging around. Moments, or centuries,
when the flesh revels in its nakedness and reels
to its own destruction, sucking the life from itself.
I groped around me, trying on your embrace,
but love was not where your embrace was.
I felt your hands stroking that physical ache
but a great nothing went before your hands.
I searched, down the length of your soulless surrender,
for a calm bay where I could cast a net,
yearning to hear a trace of the vendor's voice
still wet with the glimmer of the flapping minnows.
It was a spoiled remnant of the South. The aroma
of muscatel was tainted with whiskey breath.
I carry that dead embrace inside me yet
like a foreign object the flesh tries to reject.
|
Written by
Philip Larkin |
The wind blew all my wedding-day,
And my wedding-night was the night of the high wind;
And a stable door was banging, again and again,
That he must go and shut it, leaving me
Stupid in candlelight, hearing rain,
Seeing my face in the twisted candlestick,
Yet seeing nothing. When he came back
He said the horses were restless, and I was sad
That any man or beast that night should lack
The happiness I had.
Now in the day
All's ravelled under the sun by the wind's blowing.
He has gone to look at the floods, and I
Carry a chipped pail to the chicken-run,
Set it down, and stare. All is the wind
Hunting through clouds and forests, thrashing
My apron and the hanging cloths on the line.
Can it be borne, this bodying-forth by wind
Of joy my actions turn on, like a thread
Carrying beads? Shall I be let to sleep
Now this perpetual morning shares my bed?
Can even death dry up
These new delighted lakes, conclude
Our kneeling as cattle by all-generous waters?
|
Written by
Andrew Barton Paterson |
What! you don't like him; well, maybe -- we all have our fancies, of course:
Brumby to look at, you reckon? Well, no; he's a thoroughbred horse;
Sired by a son of old Panic -- look at his ears and his head --
Lop-eared and Roman-nosed, ain't he? -- well, that's how the Panics are bred.
Gluttonous, ugly and lazy, rough as a tipcart to ride,
Yet if you offered a sovereign apiece for the hairs on his hide
That wouldn't buy him, nor twice that; while I've a pound to the good,
This here old stager stays by me and lives like a thoroughbred should;
Hunt him away from his bedding, and sit yourself down by the wall,
Till you hear how the old fellow saved me from Gilbert, O'Meally and Hall.
*
Gilbert and Hall and O'Meally, back in the bushranging days,
Made themselves kings of the district -- ruled it in old-fashioned ways --
Robbing the coach and the escort, stealing our horses at night,
Calling sometimes at the homesteads and giving the women a fright:
Came to the station one morning (and why they did this no one knows)
Took a brood mare from the paddock--wanting some fun, I suppose --
Fastened a bucket beneath her, hung by a strap around her flank,
Then turned her loose in the timber back of the seven-mile tank.
Go? She went mad! She went tearing and screaming with fear through the trees,
While the curst bucket beneath her was banging her flanks and her knees.
Bucking and racing and screaming she ran to the back of the run,
Killed herself there in a gully; by God, but they paid for their fun!
Paid for it dear, for the black-boys found tracks, and the bucket, and all,
And I swore that I'd live to get even with Gilbert, O'Meally and Hall.
Day after day then I chased them -- 'course they had friends on the sly,
Friends who were willing to sell them to those who were willing to buy.
Early one morning we found them in camp at the Cockatoo Farm;
One of us shot at O'Meally and wounded him under the arm:
Ran them for miles in the ranges, till Hall, with his horse fairly beat,
Took to the rocks and we lost him -- the others made good their retreat.
It was war to the knife then, I tell you, and once, on the door of my shed,
They nailed up a notice that offered a hundred reward for my head!
Then we heard they were gone from the district; they stuck up a coach in the West,
And I rode by myself in the paddocks, just taking a bit of a rest,
Riding this colt as a youngster -- awkward, half-broken and shy,
He wheeled round one day on a sudden; I looked, but I couldn't see why --
But I soon found out why, for before me the hillside rose up like a wall,
And there on the top with their rifles were Gilbert, O'Meally and Hall!
'Twas a good three-mile run to the homestead -- bad going, with plenty of trees --
So I gathered the youngster together, and gripped at his ribs with my knees.
'Twas a mighty poor chance to escape them! It puts a man's nerve to the test
On a half-broken colt to be hunted by the best mounted men in the West.
But the half-broken colt was a racehorse! He lay down to work with a will.
Flashed through the scrub like a clean-skin-by heavens, we flew down the hill!
Over a twenty-foot gully he swept with the spring of a deer,
And they fired as we jumped, but they missed me -- a bullet sang close to my ear --
And the jump gained us ground, for they shirked it: but I saw as we raced through the gap
That the rails at the homestead were fastened -- I was caught like a rat in a trap.
Fenced with barbed wire was the paddock -- barbed wire that would cut like a knife --
How was a youngster to clear it that never had jumped in his life?
Bang went a rifle behind me -- the colt gave a spring, he was hit;
Straight at the sliprails I rode him -- I felt him take hold of the bit;
Never a foot to the right or the left did he swerve in his stride,
Awkward and frightened, but honest, the sort it's a pleasure to ride!
Straight at the rails, where they'd fastened barbed wire on the top of the post,
Rose like a stag and went over, with hardly a scratch at the most;
Into the homestead I darted, and snatched down my gun from the wall,
And I tell you I made them step lively, Gilbert, O'Meally and Hail.
Yes! There's the mark of the bullet -- he's got it inside of him yet,
Mixed up somehow with his victuals; but, bless you, he don't seem to fret!
Gluttonous, ugly, and lazy -- eats anything he can bite;
Now, let us shut up the stable, and bid the old fellow good night.
Ah! we can't breed 'em, the son that were bred when we old uns were young....
Yes, as I said, these bushrangers, none of 'em lived to be hung.
Gilbert was shot by the troopers, Hall was betrayed by his friend,
Campbell disposed of O'Meally, bringing the lot to an end.
But you can talk about riding -- I've ridden a lot in the past --
Wait till there's rifles behind you, you'll know what it means to go fast!
I've steeplechased, raced, and "run horses", but I think the most dashing of all
Was the ride when that old fellow saved me from Gilbert, O'Meally and Hall!
|
Written by
Czeslaw Milosz |
Burning, he walks in the stream of flickering letters, clarinets,
machines throbbing quicker than the heart, lopped-off heads, silk
canvases, and he stops under the sky
and raises toward it his joined clenched fists.
Believers fall on their bellies, they suppose it is a monstrance that
shines,
but those are knuckles, sharp knuckles shine that way, my friends.
He cuts the glowing, yellow buildings in two, breaks the walls into
motley halves;
pensive, he looks at the honey seeping from those huge honeycombs:
throbs of pianos, children's cries, the thud of a head banging against
the floor.
This is the only landscape able to make him feel.
He wonders at his brother's skull shaped like an egg,
every day he shoves back his black hair from his brow,
then one day he plants a big load of dynamite
and is surprised that afterward everything spouts up in the explosion.
Agape, he observes the clouds and what is hanging in them:
globes, penal codes, dead cats floating on their backs, locomotives.
They turn in the skeins of white clouds like trash in a puddle.
While below on the earth a banner, the color of a romantic rose,
flutters,
and a long row of military trains crawls on the weed-covered tracks.
|
Written by
Marriott Edgar |
I'll tell of the Battle of Hastings,
As happened in days long gone by,
When Duke William became King of England,
And 'Arold got shot in the eye.
It were this way - one day in October
The Duke, who were always a toff
Having no battles on at the moment,
Had given his lads a day off.
They'd all taken boats to go fishing,
When some chap in t' Conqueror's ear
Said 'Let's go and put breeze up the Saxons;'
Said Bill - 'By gum, that's an idea.'
Then turning around to his soldiers,
He lifted his big Nonnan voice,
Shouting - 'Hands up who's coming to England.'
That was swank 'cos they hadn't no choice.
They started away about tea-time -
The sea was so calm and so still,
And at quarter to ten the next morning
They arrived at a place called Bexhill.
King 'Arold came up as they landed -
His face full of venom and 'ate -
He said 'lf you've come for Regatta
You've got here just six weeks too late.'
At this William rose, cool but 'aughty,
And said 'Give us none of your cheek;
You'd best have your throne re-upholstered,
I'll be wanting to use it next week.'
When 'Arold heard this 'ere defiance,
With rage he turned purple and blue,
And shouted some rude words in Saxon,
To which William answered - 'And you.'
'Twere a beautiful day for a battle;
The Normans set off with a will,
And when both sides was duly assembled,
They tossed for the top of the hill.
King 'Arold he won the advantage,
On the hill-top he took up his stand,
With his knaves and his cads all around him,
On his 'orse with his 'awk in his 'and.
The Normans had nowt in their favour,
Their chance of a victory seemed small,
For the slope of the field were against them,
And the wind in their faces an' all.
The kick-off were sharp at two-thirty,
And soon as the whistle had went
Both sides started banging each other
'Til the swineherds could hear them in Kent.
The Saxons had best line of forwards,
Well armed both with buckler and sword -
But the Normans had best combination,
And when half-time came neither had scored.
So the Duke called his cohorts together
And said - 'Let's pretend that we're beat,
Once we get Saxons down on the level
We'll cut off their means of retreat.'
So they ran - and the Saxons ran after,
Just exactly as William had planned,
Leaving 'Arold alone on the hill-top
On his 'orse with his 'awk in his 'and.
When the Conqueror saw what had happened,
A bow and an arrow he drew;
He went right up to 'Arold and shot him.
He were off-side, but what could they do?
The Normans turned round in a fury,
And gave back both parry and thrust,
Till the fight were all over bar shouting,
And you couldn't see Saxons for dust.
And after the battle were over
They found 'Arold so stately and grand,
Sitting there with an eye-full of arrow
On his 'orse with his 'awk in his 'and.
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