Written by
Sylvia Plath |
Touch it: it won't shrink like an eyeball,
This egg-shaped bailiwick, clear as a tear.
Here's yesterday, last year ---
Palm-spear and lily distinct as flora in the vast
Windless threadwork of a tapestry.
Flick the glass with your fingernail:
It will ping like a Chinese chime in the slightest air stir
Though nobody in there looks up or bothers to answer.
The inhabitants are light as cork,
Every one of them permanently busy.
At their feet, the sea waves bow in single file.
Never trespassing in bad temper:
Stalling in midair,
Short-reined, pawing like paradeground horses.
Overhead, the clouds sit tasseled and fancy
As Victorian cushions.
This family
Of valentine faces might please a collector:
They ring true, like good china.
Elsewhere the landscape is more frank.
The light falls without letup, blindingly.
A woman is dragging her shadow in a circle
About a bald hospital saucer.
It resembles the moon, or a sheet of blank paper
And appears to have suffered a sort of private blitzkrieg.
She lives quietly
With no attachments, like a foetus in a bottle,
The obsolete house, the sea, flattened to a picture
She has one too many dimensions to enter.
Grief and anger, exorcised,
Leave her alone now.
The future is a grey seagull
Tattling in its cat-voice of departure.
Age and terror, like nurses, attend her,
And a drowned man, complaining of the great cold,
Crawls up out of the sea.
|
Written by
Robinson Jeffers |
I.
Reference to a Passage in Plutarch's Life of Sulla
The people buying and selling, consuming pleasures, talking in the archways,
Were all suddenly struck quiet
And ran from under stone to look up at the sky: so shrill and mournful,
So fierce and final, a brazen
Pealing of trumpets high up in the air, in the summer blue over Tuscany.
They marvelled; the soothsayers answered:
"Although the Gods are little troubled toward men, at the end of each period
A sign is declared in heaven
Indicating new times, new customs, a changed people; the Romans
Rule, and Etruria is finished;
A wise mariner will trim the sails to the wind.
"
I heard yesterday
So shrill and mournful a trumpet-blast,
It was hard to be wise.
.
.
.
You must eat change and endure; not be much troubled
For the people; they will have their happiness.
When the republic grows too heavy to endure, then Caesar will carry It;
When life grows hateful, there's power .
.
.
II.
To the Children
Power's good; life is not always good but power's good.
So you must think when abundance
Makes pawns of people and all the loaves are one dough.
The steep singleness of passion
Dies; they will say, "What was that?" but the power triumphs.
Loveliness will live under glass
And beauty will go savage in the secret mountains.
There is beauty in power also.
You children must widen your minds' eyes to take mountains
Instead of faces, and millions
Instead of persons; not to hate life; and massed power
After the lone hawk's dead.
III
That light blood-loving weasel, a tongue of yellow
Fire licking the sides of the gray stones,
Has a more passionate and more pure heart
In the snake-slender flanks than man can imagine;
But he is betrayed by his own courage,
The man who kills him is like a cloud hiding a star.
Then praise the jewel-eyed hawk and the tall blue heron;
The black cormorants that fatten their sea-rock
With shining slime; even that ruiner of anthills
The red-shafted woodpecker flying,
A white star between blood-color wing-clouds,
Across the glades of the wood and the green lakes of shade.
These live their felt natures; they know their norm
And live it to the brim; they understand life.
While men moulding themselves to the anthill have choked
Their natures until the souls the in them;
They have sold themselves for toys and protection:
No, but consider awhile: what else? Men sold for toys.
Uneasy and fractional people, having no center
But in the eyes and mouths that surround them,
Having no function but to serve and support
Civilization, the enemy of man,
No wonder they live insanely, and desire
With their tongues, progress; with their eyes, pleasure; with their hearts, death.
Their ancestors were good hunters, good herdsmen and swordsman,
But now the world is turned upside down;
The good do evil, the hope's in criminals; in vice
That dissolves the cities and war to destroy them.
Through wars and corruptions the house will fall.
Mourn whom it falls on.
Be glad: the house is mined, it will fall.
IV
Rain, hail and brutal sun, the plow in the roots,
The pitiless pruning-iron in the branches,
Strengthen the vines, they are all feeding friends
Or powerless foes until the grapes purple.
But when you have ripened your berries it is time to begin to perish.
The world sickens with change, rain becomes poison,
The earth is a pit, it Is time to perish.
The vines are fey, the very kindness of nature
Corrupts what her cruelty before strengthened.
When you stand on the peak of time it is time to begin to perish.
Reach down the long morbid roots that forget the plow,
Discover the depths; let the long pale tendrils
Spend all to discover the sky, now nothing is good
But only the steel mirrors of discovery .
.
.
And the beautiful enormous dawns of time, after we perish.
V
Mourning the broken balance, the hopeless prostration of the earth
Under men's hands and their minds,
The beautiful places killed like rabbits to make a city,
The spreading fungus, the slime-threads
And spores; my own coast's obscene future: I remember the farther
Future, and the last man dying
Without succession under the confident eyes of the stars.
It was only a moment's accident,
The race that plagued us; the world resumes the old lonely immortal
Splendor; from here I can even
Perceive that that snuffed candle had something .
.
.
a fantastic virtue,
A faint and unshapely pathos .
.
.
So death will flatter them at last: what, even the bald ape's by-shot
Was moderately admirable?
VI.
Palinode
All summer neither rain nor wave washes the cormorants'
Perch, and their droppings have painted it shining white.
If the excrement of fish-eaters makes the brown rock a snow-mountain
At noon, a rose in the morning, a beacon at moonrise
On the black water: it is barely possible that even men's present
Lives are something; their arts and sciences (by moonlight)
Not wholly ridiculous, nor their cities merely an offense.
VII
Under my windows, between the road and the sea-cliff, bitter wild grass
Stands narrowed between the people and the storm.
The ocean winter after winter gnaws at its earth, the wheels and the feet
Summer after summer encroach and destroy.
Stubborn green life, for the cliff-eater I cannot comfort you, ignorant which color,
Gray-blue or pale-green, will please the late stars;
But laugh at the other, your seed shall enjoy wonderful vengeances and suck
The arteries and walk in triumph on the faces.
|
Written by
Allen Ginsberg |
When I die
I don't care what happens to my body
throw ashes in the air, scatter 'em in East River
bury an urn in Elizabeth New Jersey, B'nai Israel Cemetery
But l want a big funeral
St.
Patrick's Cathedral, St.
Mark's Church, the largest synagogue in
Manhattan
First, there's family, brother, nephews, spry aged Edith stepmother
96, Aunt Honey from old Newark,
Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister-
in-law blonde Connie, five nephews, stepbrothers & sisters
their grandchildren,
companion Peter Orlovsky, caretakers Rosenthal & Hale, Bill Morgan--
Next, teacher Trungpa Vajracharya's ghost mind, Gelek Rinpoche,
there Sakyong Mipham, Dalai Lama alert, chance visiting
America, Satchitananda Swami
Shivananda, Dehorahava Baba, Karmapa XVI, Dudjom Rinpoche,
Katagiri & Suzuki Roshi's phantoms
Baker, Whalen, Daido Loorie, Qwong, Frail White-haired Kapleau
Roshis, Lama Tarchen --
Then, most important, lovers over half-century
Dozens, a hundred, more, older fellows bald & rich
young boys met naked recently in bed, crowds surprised to see each
other, innumerable, intimate, exchanging memories
"He taught me to meditate, now I'm an old veteran of the thousand
day retreat --"
"I played music on subway platforms, I'm straight but loved him he
loved me"
"I felt more love from him at 19 than ever from anyone"
"We'd lie under covers gossip, read my poetry, hug & kiss belly to belly
arms round each other"
"I'd always get into his bed with underwear on & by morning my
skivvies would be on the floor"
"Japanese, always wanted take it up my bum with a master"
"We'd talk all night about Kerouac & Cassady sit Buddhalike then
sleep in his captain's bed.
"
"He seemed to need so much affection, a shame not to make him happy"
"I was lonely never in bed nude with anyone before, he was so gentle my
stomach
shuddered when he traced his finger along my abdomen nipple to hips-- "
"All I did was lay back eyes closed, he'd bring me to come with mouth
& fingers along my waist"
"He gave great head"
So there be gossip from loves of 1948, ghost of Neal Cassady commin-
gling with flesh and youthful blood of 1997
and surprise -- "You too? But I thought you were straight!"
"I am but Ginsberg an exception, for some reason he pleased me.
"
"I forgot whether I was straight gay ***** or funny, was myself, tender
and affectionate to be kissed on the top of my head,
my forehead throat heart & solar plexus, mid-belly.
on my prick,
tickled with his tongue my behind"
"I loved the way he'd recite 'But at my back allways hear/ time's winged
chariot hurrying near,' heads together, eye to eye, on a
pillow --"
Among lovers one handsome youth straggling the rear
"I studied his poetry class, 17 year-old kid, ran some errands to his
walk-up flat,
seduced me didn't want to, made me come, went home, never saw him
again never wanted to.
.
.
"
"He couldn't get it up but loved me," "A clean old man.
" "He made
sure I came first"
This the crowd most surprised proud at ceremonial place of honor--
Then poets & musicians -- college boys' grunge bands -- age-old rock
star Beatles, faithful guitar accompanists, gay classical con-
ductors, unknown high Jazz music composers, funky trum-
peters, bowed bass & french horn black geniuses, folksinger
fiddlers with dobro tamborine harmonica mandolin auto-
harp pennywhistles & kazoos
Next, artist Italian romantic realists schooled in mystic 60's India,
Late fauve Tuscan painter-poets, Classic draftsman Massa-
chusets surreal jackanapes with continental wives, poverty
sketchbook gesso oil watercolor masters from American
provinces
Then highschool teachers, lonely Irish librarians, delicate biblio-
philes, sex liberation troops nay armies, ladies of either sex
"I met him dozens of times he never remembered my name I loved
him anyway, true artist"
"Nervous breakdown after menopause, his poetry humor saved me
from suicide hospitals"
"Charmant, genius with modest manners, washed sink, dishes my
studio guest a week in Budapest"
Thousands of readers, "Howl changed my life in Libertyville Illinois"
"I saw him read Montclair State Teachers College decided be a poet-- "
"He turned me on, I started with garage rock sang my songs in Kansas
City"
"Kaddish made me weep for myself & father alive in Nevada City"
"Father Death comforted me when my sister died Boston l982"
"I read what he said in a newsmagazine, blew my mind, realized
others like me out there"
Deaf & Dumb bards with hand signing quick brilliant gestures
Then Journalists, editors's secretaries, agents, portraitists & photo-
graphy aficionados, rock critics, cultured laborors, cultural
historians come to witness the historic funeral
Super-fans, poetasters, aging Beatnicks & Deadheads, autograph-
hunters, distinguished paparazzi, intelligent gawkers
Everyone knew they were part of 'History" except the deceased
who never knew exactly what was happening even when I was alive
February 22, 1997
|
Written by
Gwendolyn Brooks |
arrive.
The Ladies from the Ladies' Betterment
League
Arrive in the afternoon, the late light slanting
In diluted gold bars across the boulevard brag
Of proud, seamed faces with mercy and murder hinting
Here, there, interrupting, all deep and debonair,
The pink paint on the innocence of fear;
Walk in a gingerly manner up the hall.
Cutting with knives served by their softest care,
Served by their love, so barbarously fair.
Whose mothers taught: You'd better not be cruel!
You had better not throw stones upon the wrens!
Herein they kiss and coddle and assault
Anew and dearly in the innocence
With which they baffle nature.
Who are full,
Sleek, tender-clad, fit, fiftyish, a-glow, all
Sweetly abortive, hinting at fat fruit,
Judge it high time that fiftyish fingers felt
Beneath the lovelier planes of enterprise.
To resurrect.
To moisten with milky chill.
To be a random hitching post or plush.
To be, for wet eyes, random and handy hem.
Their guild is giving money to the poor.
The worthy poor.
The very very worthy
And beautiful poor.
Perhaps just not too swarthy?
Perhaps just not too dirty nor too dim
Nor--passionate.
In truth, what they could wish
Is--something less than derelict or dull.
Not staunch enough to stab, though, gaze for gaze!
God shield them sharply from the beggar-bold!
The noxious needy ones whose battle's bald
Nonetheless for being voiceless, hits one down.
But it's all so bad! and entirely too much for them.
The stench; the urine, cabbage, and dead beans,
Dead porridges of assorted dusty grains,
The old smoke, heavy diapers, and, they're told,
Something called chitterlings.
The darkness.
Drawn
Darkness, or dirty light.
The soil that stirs.
The soil that looks the soil of centuries.
And for that matter the general oldness.
Old
Wood.
Old marble.
Old tile.
Old old old.
Note homekind Oldness! Not Lake Forest, Glencoe.
Nothing is sturdy, nothing is majestic,
There is no quiet drama, no rubbed glaze, no
Unkillable infirmity of such
A tasteful turn as lately they have left,
Glencoe, Lake Forest, and to which their cars
Must presently restore them.
When they're done
With dullards and distortions of this fistic
Patience of the poor and put-upon.
They've never seen such a make-do-ness as
Newspaper rugs before! In this, this "flat,"
Their hostess is gathering up the oozed, the rich
Rugs of the morning (tattered! the bespattered .
.
.
),
Readies to spread clean rugs for afternoon.
Here is a scene for you.
The Ladies look,
In horror, behind a substantial citizeness
Whose trains clank out across her swollen heart.
Who, arms akimbo, almost fills a door.
All tumbling children, quilts dragged to the floor
And tortured thereover, potato peelings, soft-
Eyed kitten, hunched-up, haggard, to-be-hurt.
Their League is allotting largesse to the Lost.
But to put their clean, their pretty money, to put
Their money collected from delicate rose-fingers
Tipped with their hundred flawless rose-nails seems .
.
.
They own Spode, Lowestoft, candelabra,
Mantels, and hostess gowns, and sunburst clocks,
Turtle soup, Chippendale, red satin "hangings,"
Aubussons and Hattie Carnegie.
They Winter
In Palm Beach; cross the Water in June; attend,
When suitable, the nice Art Institute;
Buy the right books in the best bindings; saunter
On Michigan, Easter mornings, in sun or wind.
Oh Squalor! This sick four-story hulk, this fibre
With fissures everywhere! Why, what are bringings
Of loathe-love largesse? What shall peril hungers
So old old, what shall flatter the desolate?
Tin can, blocked fire escape and chitterling
And swaggering seeking youth and the puzzled wreckage
Of the middle passage, and urine and stale shames
And, again, the porridges of the underslung
And children children children.
Heavens! That
Was a rat, surely, off there, in the shadows? Long
And long-tailed? Gray? The Ladies from the Ladies'
Betterment League agree it will be better
To achieve the outer air that rights and steadies,
To hie to a house that does not holler, to ring
Bells elsetime, better presently to cater
To no more Possibilities, to get
Away.
Perhaps the money can be posted.
Perhaps they two may choose another Slum!
Some serious sooty half-unhappy home!--
Where loathe-lover likelier may be invested.
Keeping their scented bodies in the center
Of the hall as they walk down the hysterical hall,
They allow their lovely skirts to graze no wall,
Are off at what they manage of a canter,
And, resuming all the clues of what they were,
Try to avoid inhaling the laden air.
|
Written by
Sylvia Plath |
This is the light of the mind, cold and planetary
The trees of the mind are black.
The light is blue.
The grasses unload their griefs on my feet as if I were God
Prickling my ankles and murmuring of their humility
Fumy, spiritous mists inhabit this place.
Separated from my house by a row of headstones.
I simply cannot see where there is to get to.
The moon is no door.
It is a face in its own right,
White as a knuckle and terribly upset.
It drags the sea after it like a dark crime; it is quiet
With the O-gape of complete despair.
I live here.
Twice on Sunday, the bells startle the sky ----
Eight great tongues affirming the Resurrection
At the end, they soberly bong out their names.
The yew tree points up, it has a Gothic shape.
The eyes lift after it and find the moon.
The moon is my mother.
She is not sweet like Mary.
Her blue garments unloose small bats and owls.
How I would like to believe in tenderness ----
The face of the effigy, gentled by candles,
Bending, on me in particular, its mild eyes.
I have fallen a long way.
Clouds are flowering
Blue and mystical over the face of the stars
Inside the church, the saints will all be blue,
Floating on their delicate feet over the cold pews,
Their hands and faces stiff with holiness.
The moon sees nothing of this.
She is bald and wild.
And the message of the yew tree is blackness -- blackness and silence
|
Written by
Victor Hugo |
("Enfants! Oh! revenez!")
{XXII, April, 1837}
Children, come back—come back, I say—
You whom my folly chased away
A moment since, from this my room,
With bristling wrath and words of doom!
What had you done, you bandits small,
With lips as red as roses all?
What crime?—what wild and hapless deed?
What porcelain vase by you was split
To thousand pieces? Did you need
For pastime, as you handled it,
Some Gothic missal to enrich
With your designs fantastical?
Or did your tearing fingers fall
On some old picture? Which, oh, which
Your dreadful fault? Not one of these;
Only when left yourselves to please
This morning but a moment here
'Mid papers tinted by my mind
You took some embryo verses near—
Half formed, but fully well designed
To open out. Your hearts desire
Was but to throw them on the fire,
Then watch the tinder, for the sight
Of shining sparks that twinkle bright
As little boats that sail at night,
Or like the window lights that spring
From out the dark at evening.
'Twas all, and you were well content.
Fine loss was this for anger's vent—
A strophe ill made midst your play,
Sweet sound that chased the words away
In stormy flight. An ode quite new,
With rhymes inflated—stanzas, too,
That panted, moving lazily,
And heavy Alexandrine lines
That seemed to jostle bodily,
Like children full of play designs
That spring at once from schoolroom's form.
Instead of all this angry storm,
Another might have thanked you well
For saving prey from that grim cell,
That hollowed den 'neath journals great,
Where editors who poets flout
With their demoniac laughter shout.
And I have scolded you! What fate
For charming dwarfs who never meant
To anger Hercules! And I
Have frightened you!—My chair I sent
Back to the wall, and then let fly
A shower of words the envious use—
"Get out," I said, with hard abuse,
"Leave me alone—alone I say."
Poor man alone! Ah, well-a-day,
What fine result—what triumph rare!
As one turns from the coffin'd dead
So left you me:—I could but stare
Upon the door through which you fled—
I proud and grave—but punished quite.
And what care you for this my plight!—
You have recovered liberty,
Fresh air and lovely scenery,
The spacious park and wished-for grass;
lights
And gratefully to sing.
E'e
A blade to watch what comes to pass;
Blue sky, and all the spring can show;
Nature, serenely fair to see;
The book of birds and spirits free,
God's poem, worth much more than mine,
Where flowers for perfect stanzas shine—
Flowers that a child may pluck in play,
No harsh voice frightening it away.
And I'm alone—all pleasure o'er—
Alone with pedant called "Ennui,"
For since the morning at my door
Ennui has waited patiently.
That docto-r-London born, you mark,
One Sunday in December dark,
Poor little ones—he loved you not,
And waited till the chance he got
To enter as you passed away,
And in the very corner where
You played with frolic laughter gay,
He sighs and yawns with weary air.
What can I do? Shall I read books,
Or write more verse—or turn fond looks
Upon enamels blue, sea-green,
And white—on insects rare as seen
Upon my Dresden china ware?
Or shall I touch the globe, and care
To make the heavens turn upon
Its axis? No, not one—not one
Of all these things care I to do;
All wearies me—I think of you.
In truth with you my sunshine fled,
And gayety with your light tread—
Glad noise that set me dreaming still.
'Twas my delight to watch your will,
And mark you point with finger-tips
To help your spelling out a word;
To see the pearls between your lips
When I your joyous laughter heard;
Your honest brows that looked so true,
And said "Oh, yes!" to each intent;
Your great bright eyes, that loved to view
With admiration innocent
My fine old Sèvres; the eager thought
That every kind of knowledge sought;
The elbow push with "Come and see!"
Oh, certes! spirits, sylphs, there be,
And fays the wind blows often here;
The gnomes that squat the ceiling near,
In corners made by old books dim;
The long-backed dwarfs, those goblins grim
That seem at home 'mong vases rare,
And chat to them with friendly air—
Oh, how the joyous demon throng
Must all have laughed with laughter long
To see you on my rough drafts fall,
My bald hexameters, and all
The mournful, miserable band,
And drag them with relentless hand
From out their box, with true delight
To set them each and all a-light,
And then with clapping hands to lean
Above the stove and watch the scene,
How to the mass deformed there came
A soul that showed itself in flame!
Bright tricksy children—oh, I pray
Come back and sing and dance away,
And chatter too—sometimes you may,
A giddy group, a big book seize—
Or sometimes, if it so you please,
With nimble step you'll run to me
And push the arm that holds the pen,
Till on my finished verse will be
A stroke that's like a steeple when
Seen suddenly upon a plain.
My soul longs for your breath again
To warm it. Oh, return—come here
With laugh and babble—and no fear
When with your shadow you obscure
The book I read, for I am sure,
Oh, madcaps terrible and dear,
That you were right and I was wrong.
But who has ne'er with scolding tongue
Blamed out of season. Pardon me!
You must forgive—for sad are we.
The young should not be hard and cold
And unforgiving to the old.
Children each morn your souls ope out
Like windows to the shining day,
Oh, miracle that comes about,
The miracle that children gay
Have happiness and goodness too,
Caressed by destiny are you,
Charming you are, if you but play.
But we with living overwrought,
And full of grave and sombre thought,
Are snappish oft: dear little men,
We have ill-tempered days, and then,
Are quite unjust and full of care;
It rained this morning and the air
Was chill; but clouds that dimm'd the sky
Have passed. Things spited me, and why?
But now my heart repents. Behold
What 'twas that made me cross, and scold!
All by-and-by you'll understand,
When brows are mark'd by Time's stern hand;
Then you will comprehend, be sure,
When older—that's to say, less pure.
The fault I freely own was mine.
But oh, for pardon now I pine!
Enough my punishment to meet,
You must forgive, I do entreat
With clasped hands praying—oh, come back,
Make peace, and you shall nothing lack.
See now my pencils—paper—here,
And pointless compasses, and dear
Old lacquer-work; and stoneware clear
Through glass protecting; all man's toys
So coveted by girls and boys.
Great China monsters—bodies much
Like cucumbers—you all shall touch.
I yield up all! my picture rare
Found beneath antique rubbish heap,
My great and tapestried oak chair
I will from you no longer keep.
You shall about my table climb,
And dance, or drag, without a cry
From me as if it were a crime.
Even I'll look on patiently
If you your jagged toys all throw
Upon my carved bench, till it show
The wood is torn; and freely too,
I'll leave in your own hands to view,
My pictured Bible—oft desired—
But which to touch your fear inspired—
With God in emperor's robes attired.
Then if to see my verses burn,
Should seem to you a pleasant turn,
Take them to freely tear away
Or burn. But, oh! not so I'd say,
If this were Méry's room to-day.
That noble poet! Happy town,
Marseilles the Greek, that him doth own!
Daughter of Homer, fair to see,
Of Virgil's son the mother she.
To you I'd say, Hold, children all,
Let but your eyes on his work fall;
These papers are the sacred nest
In which his crooning fancies rest;
To-morrow winged to Heaven they'll soar,
For new-born verse imprisoned still
In manuscript may suffer sore
At your small hands and childish will,
Without a thought of bad intent,
Of cruelty quite innocent.
You wound their feet, and bruise their wings,
And make them suffer those ill things
That children's play to young birds brings.
But mine! no matter what you do,
My poetry is all in you;
You are my inspiration bright
That gives my verse its purest light.
Children whose life is made of hope,
Whose joy, within its mystic scope,
Owes all to ignorance of ill,
You have not suffered, and you still
Know not what gloomy thoughts weigh down
The poet-writer weary grown.
What warmth is shed by your sweet smile!
How much he needs to gaze awhile
Upon your shining placid brow,
When his own brow its ache doth know;
With what delight he loves to hear
Your frolic play 'neath tree that's near,
Your joyous voices mixing well
With his own song's all-mournful swell!
Come back then, children! come to me,
If you wish not that I should be
As lonely now that you're afar
As fisherman of Etrétat,
Who listless on his elbow leans
Through all the weary winter scenes,
As tired of thought—as on Time flies—
And watching only rainy skies!
MRS. NEWTON CROSLAND.
|
Written by
William Wordsworth |
I
There was a roaring in the wind all night;
The rain came heavily and fell in floods;
But now the sun is rising calm and bright;
The birds are singing in the distant woods;
Over his own sweet voice the Stock-dove broods;
The Jay makes answer as the Magpie chatters;
And all the air is filled with pleasant noise of waters.
II
All things that love the sun are out of doors;
The sky rejoices in the morning's birth;
The grass is bright with rain-drops;--on the moors
The hare is running races in her mirth;
And with her feet she from the plashy earth
Raises a mist, that, glittering in the sun,
Runs with her all the way, wherever she doth run.
III
I was a Traveller then upon the moor,
I saw the hare that raced about with joy;
I heard the woods and distant waters roar;
Or heard them not, as happy as a boy:
The pleasant season did my heart employ:
My old remembrances went from me wholly;
And all the ways of men, so vain and melancholy.
IV
But, as it sometimes chanceth, from the might
Of joy in minds that can no further go,
As high as we have mounted in delight
In our dejection do we sink as low;
To me that morning did it happen so;
And fears and fancies thick upon me came;
Dim sadness--and blind thoughts, I knew not, nor could name.
V
I heard the sky-lark warbling in the sky;
And I bethought me of the playful hare:
Even such a happy Child of earth am I;
Even as these blissful creatures do I fare;
Far from the world I walk, and from all care;
But there may come another day to me--
Solitude, pain of heart, distress, and poverty.
VI
My whole life I have lived in pleasant thought,
As if life's business were a summer mood;
As if all needful things would come unsought
To genial faith, still rich in genial good;
But how can He expect that others should
Build for him, sow for him, and at his call
Love him, who for himself will take no heed at all?
VII
I thought of Chatterton, the marvellous Boy,
The sleepless Soul that perished in his pride;
Of Him who walked in glory and in joy
Following his plough, along the mountain-side:
By our own spirits are we deified:
We Poets in our youth begin in gladness;
But thereof come in the end despondency and madness.
VIII
Now, whether it were by peculiar grace,
A leading from above, a something given,
Yet it befell, that, in this lonely place,
When I with these untoward thoughts had striven,
Beside a pool bare to the eye of heaven
I saw a Man before me unawares:
The oldest man he seemed that ever wore grey hairs.
IX
As a huge stone is sometimes seen to lie
Couched on the bald top of an eminence;
Wonder to all who do the same espy,
By what means it could thither come, and whence;
So that it seems a thing endued with sense:
Like a sea-beast crawled forth, that on a shelf
Of rock or sand reposeth, there to sun itself;
X
Such seemed this Man, not all alive nor dead,
Nor all asleep--in his extreme old age:
His body was bent double, feet and head
Coming together in life's pilgrimage;
As if some dire constraint of pain, or rage
Of sickness felt by him in times long past,
A more than human weight upon his frame had cast.
XI
Himself he propped, limbs, body, and pale face,
Upon a long grey staff of shaven wood:
And, still as I drew near with gentle pace,
Upon the margin of that moorish flood
Motionless as a cloud the old Man stood,
That heareth not the loud winds when they call
And moveth all together, if it move at all.
XII
At length, himself unsettling, he the pond
Stirred with his staff, and fixedly did look
Upon the muddy water, which he conned,
As if he had been reading in a book:
And now a stranger's privilege I took;
And, drawing to his side, to him did say,
"This morning gives us promise of a glorious day.
"
XIII
A gentle answer did the old Man make,
In courteous speech which forth he slowly drew:
And him with further words I thus bespake,
"What occupation do you there pursue?
This is a lonesome place for one like you.
"
Ere he replied, a flash of mild surprise
Broke from the sable orbs of his yet-vivid eyes,
XIV
His words came feebly, from a feeble chest,
But each in solemn order followed each,
With something of a lofty utterance drest--
Choice word and measured phrase, above the reach
Of ordinary men; a stately speech;
Such as grave Livers do in Scotland use,
Religious men, who give to God and man their dues.
XV
He told, that to these waters he had come
To gather leeches, being old and poor:
Employment hazardous and wearisome!
And he had many hardships to endure:
From pond to pond he roamed, from moor to moor;
Housing, with God's good help, by choice or chance,
And in this way he gained an honest maintenance.
XVI
The old Man still stood talking by my side;
But now his voice to me was like a stream
Scarce heard; nor word from word could I divide;
And the whole body of the Man did seem
Like one whom I had met with in a dream;
Or like a man from some far region sent,
To give me human strength, by apt admonishment.
XVII
My former thoughts returned: the fear that kills;
And hope that is unwilling to be fed;
Cold, pain, and labour, and all fleshly ills;
And mighty Poets in their misery dead.
--Perplexed, and longing to be comforted,
My question eagerly did I renew,
"How is it that you live, and what is it you do?"
XVIII
He with a smile did then his words repeat;
And said, that, gathering leeches, far and wide
He travelled; stirring thus about his feet
The waters of the pools where they abide.
"Once I could meet with them on every side;
But they have dwindled long by slow decay;
Yet still I persevere, and find them where I may.
"
XIX
While he was talking thus, the lonely place,
The old Man's shape, and speech--all troubled me:
In my mind's eye I seemed to see him pace
About the weary moors continually,
Wandering about alone and silently.
While I these thoughts within myself pursued,
He, having made a pause, the same discourse renewed.
XX
And soon with this he other matter blended,
Cheerfully uttered, with demeanour kind,
But stately in the main; and when he ended,
I could have laughed myself to scorn to find
In that decrepit Man so firm a mind.
"God," said I, "be my help and stay secure;
I'll think of the Leech-gatherer on the lonely moor!"
|
Written by
Sylvia Plath |
The night is only a sort of carbon paper,
Blueblack, with the much-poked periods of stars
Letting in the light, peephole after peephole --
A bonewhite light, like death, behind all things.
Under the eyes of the stars and the moon's rictus
He suffers his desert pillow, sleeplessness
Stretching its fine, irritating sand in all directions.
Over and over the old, granular movie
Exposes embarrassments--the mizzling days
Of childhood and adolescence, sticky with dreams,
Parental faces on tall stalks, alternately stern and tearful,
A garden of buggy rose that made him cry.
His forehead is bumpy as a sack of rocks.
Memories jostle each other for face-room like obsolete film stars.
He is immune to pills: red, purple, blue --
How they lit the tedium of the protracted evening!
Those sugary planets whose influence won for him
A life baptized in no-life for a while,
And the sweet, drugged waking of a forgetful baby.
Now the pills are worn-out and silly, like classical gods.
Their poppy-sleepy colors do him no good.
His head is a little interior of grey mirrors.
Each gesture flees immediately down an alley
Of diminishing perspectives, and its significance
Drains like water out the hole at the far end.
He lives without privacy in a lidless room,
The bald slots of his eyes stiffened wide-open
On the incessant heat-lightning flicker of situations.
Nightlong, in the granite yard, invisible cats
Have been howling like women, or damaged instruments.
Already he can feel daylight, his white disease,
Creeping up with her hatful of trivial repetitions.
The city is a map of cheerful twitters now,
And everywhere people, eyes mica-silver and blank,
Are riding to work in rows, as if recently brainwashed.
|
Written by
Sylvia Plath |
Love set you going like a fat gold watch.
The midwife slapped your footsoles, and your bald cry
Took its place among the elements.
Our voices echo, magnifying your arrival.
New statue.
In a drafty museum, your nakedness
Shadows our safety.
We stand round blankly as walls.
I'm no more your mother
Than the cloud that distills a mirror to reflect its own slow
Effacement at the wind's hand.
All night your moth-breath
Flickers among the flat pink roses.
I wake to listen:
A far sea moves in my ear.
One cry, and I stumble from bed, cow-heavy and floral
In my Victorian nightgown.
Your mouth opens clean as a cat's.
The window square
Whitens and swallows its dull stars.
And now you try
Your handful of notes;
The clear vowels rise like balloons.
(1961)
|
Written by
Maggie Estep |
I was a 20 year old unemployed receptionist with
dyed orange dreadlocks sprouting out of my skull.
I needed a job, but first,
I needed a haircut.
So I head for this beauty salon on Avenue B.
I'm gonna get a hairdo.
I'm gonna look just like those hot Spanish haircut models, become brown
and bodacious, grow some 7 inch fingernails painted ***** red and rake
them down the chalkboard of the job market's soul.
So I go in the beauty salon.
This beautiful Puerto Rican girl in tight white spandex and a push-up bra
sits me down and starts chopping my hair:
"Girlfriend," she says, "what the hell you got growing outta
your head there, what is that, hair implants? Yuck, you want me to touch
that ****, whadya got in there, sandwiches?"
I just go: "I'm sorry.
"
She starts snipping my carefully cultivated Johnny Lydon post-Pistols hairdo.
My foul little dreadlocks are flying around all over the place but I'm
not looking in the mirror cause I just don't want to know.
"So what's your name anyway?" My stylist demands then.
"Uh, Maggie.
"
"Maggie? Well, that's an okay name, but my name is Suzy.
"
"Yeah, so?"
"Yeah so it ain't just Suzy S.
U.
Z.
Y, I spell it S.
U.
Z.
E.
E, the extra
"e" is for extra Suzee.
"
I nod emphatically.
Suzee tells me when she's not busy chopping hair, she works as an exotic
dancer at night to support her boyfriend named Rocco.
Suzee loves Rocco,
she loves him so much she's got her eyes closed as she describes him:
"6 foot 2, 193 pounds and, girlfriend, his arms so big and long they
wrap around me twice like I'm a little Suzee sandwich.
"
Little Suzee Sandwich is rapt, she blindly snips and clips at my poor punk
head.
She snips and clips and snips and clips, she pauses, I look in the
mirror: "Holy ****, I'm bald.
"
"Holy ****, baby, you're bald.
" Suzee says, finally opening her
eyes and then gasping.
All I've got left is little post-nuke clumps of orange fuzz.
And I'll never
get a receptionist job now.
But Suzy waves her manicured finger in my face: "Don't you worry,
baby, I'm gonna get you a job at the dancing club.
"
"What?"
"Baby, let me tell you, the boys are gonna like a bald go go dancer.
"
That said, she whips out some clippers, shaves my head smooth and insists
I'm gonna love getting naked for a living.
None of this sounds like my idea of a good time, but I'm broke and I'm
bald so I go home and get my best panties.
Suzee lends me some 6 inch pumps,
paints my lips bright red, and gives me 7 shots of Jack Daniels to relax
me.
8pm that night I take the stage.
I'm bald,
I'm drunk,
and by god,
I'm naked.
HOLY **** I'M NAKED IN A ROOM FULL OF STRANGERS THIS IS NOT ONE OF THOSE
RECURRING NIGHTMARES WE ALL HAVE ABOUT BEING BUTT NAKED IN PUBLIC, I AM
NAKED, I DON'T KNOW THESE PEOPLE, THIS REALLY SUCKS.
A few guys feel sorry for me and risk getting their hands bitten off by
sticking dollars in my garter belt.
My disheveled pubic hairs stand at
full attention, ready to poke the guys' eyes out if they get too close.
Then I notice this bald guy in the audience, I've got a new empathy for
bald people, I figure maybe it works both ways, maybe this guy will stick
10 bucks in my garter.
I saunter over.
I'm teetering around unrhythmically, I'm the surliest, unsexiest dancer
that ever go-go across this hemisphere.
The bald guy looks down into his
beer, he'd much rather look at that than at my pubic mound which has now
formed into one vicious spike so it looks like I've got a unicorn in my
crotch.
I stand there weaving through the air.
The strobe light is illuminating my pubic unicorn.
Madonna's song Borderline
is pumping through the club's speaker system for the 5th time tonight:
"BORDERLINE BORDERLINE BORDERLINE/LOVE ME TIL I JUST CAN'T SEE.
"
And suddenly, I start to wonder: What does that mean anyway?
"LOVE ME TIL I JUST CAN'T SEE"
What?
Screw me so much my eyes pop out, I go blind, end up walking down 2nd Avenue
crazy, horny, naked and blind? What?
There's a glitch in the tape and it starts to skip.
"Borderl.
.
.
ooop.
.
.
.
.
Borderl.
.
.
.
ooop.
.
.
Borderlin.
.
.
.
.
ooop"
I stumble and twist my ankle.
My g-string rides between my buttcheeks making
me twitch with pain.
My head starts spinning, my knees wobble, I go down
on all fours and puke all over the bald guy's lap.
So there I am.
Butt naked on all fours.
But before I have time to regain
my composure, the strip club manager comes over, points his smarmy strip
club manager finger at me and goes:
"You're bald, you're drunk, you can't dance and you're fired.
"
I stand up.
"Oh yeah, well you stink like a sneaker, pal.
" I peel off one
of my pumps and throw it in the direction of his fat head then I get the
hell out of there.
A few days later I run into Suzee on Avenue A.
Turns out she got fired
for getting me a job there in the first place.
But she was completely undaunted,
she dragged me up to this wig store on 14th Street, bought me a mouse brown
shag wig, then got us both telemarketing jobs on Wall Street.
And I never went to a beauty salon again.
|