Written by
Rafael Guillen |
Not fear. Maybe, out there somewhere,
the possibility of fear; the wall
that might tumble down, because it's for sure
that behind it is the sea.
Not fear. Fear has a countenance;
It's external, concrete,
like a rifle, a shot bolt,
a suffering child,
like the darkness that's hidden
in every human mouth.
Not fear. Maybe only the brand
of the offspring of fear.
It's a narrow, interminable street
with all the windows darkened,
a thread spun out from a sticky hand,
friendly, yes, not a friend.
It's a nightmare
of polite ritual wearing a frightwig.
Not fear. Fear is a door slammed in your face.
I'm speaking here of a labyrinth
of doors already closed, with assumed
reasons for being, or not being,
for categorizing bad luck
or good, bread, or an expression
— tenderness and panic and frigidity - for the children
growing up. And the silence.
And the cities, sparkling, empty.
and the mediocrity, like a hot
lava, spewed out over
the grain, and the voice, and the idea.
It's not fear. The real fear hasn't come yet.
But it will. It's the doublethink
that believes peace is only another movement.
And I say it with suspicion, at the top of my lungs.
And it's not fear, no. It's the certainty
that I'm betting, on a single card,
the whole haystack I've piled up,
straw by straw, for my fellow man.
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Written by
Robert Frost |
Brown lived at such a lofty farm
That everyone for miles could see
His lantern when he did his chores
In winter after half-past three.
And many must have seen him make
His wild descent from there one night,
’Cross lots, ’cross walls, ’cross everything,
Describing rings of lantern light.
Between the house and barn the gale
Got him by something he had on
And blew him out on the icy crust
That cased the world, and he was gone!
Walls were all buried, trees were few:
He saw no stay unless he stove
A hole in somewhere with his heel.
But though repeatedly he strove
And stamped and said things to himself,
And sometimes something seemed to yield,
He gained no foothold, but pursued
His journey down from field to field.
Sometimes he came with arms outspread
Like wings, revolving in the scene
Upon his longer axis, and
With no small dignity of mien.
Faster or slower as he chanced,
Sitting or standing as he chose,
According as he feared to risk
His neck, or thought to spare his clothes,
He never let the lantern drop.
And some exclaimed who saw afar
The figures he described with it,
”I wonder what those signals are
Brown makes at such an hour of night!
He’s celebrating something strange.
I wonder if he’s sold his farm,
Or been made Master of the Grange.”
He reeled, he lurched, he bobbed, he checked;
He fell and made the lantern rattle
(But saved the light from going out.)
So half-way down he fought the battle
Incredulous of his own bad luck.
And then becoming reconciled
To everything, he gave it up
And came down like a coasting child.
“Well—I—be—” that was all he said,
As standing in the river road,
He looked back up the slippery slope
(Two miles it was) to his abode.
Sometimes as an authority
On motor-cars, I’m asked if I
Should say our stock was petered out,
And this is my sincere reply:
Yankees are what they always were.
Don’t think Brown ever gave up hope
Of getting home again because
He couldn’t climb that slippery slope;
Or even thought of standing there
Until the January thaw
Should take the polish off the crust.
He bowed with grace to natural law,
And then went round it on his feet,
After the manner of our stock;
Not much concerned for those to whom,
At that particular time o’clock,
It must have looked as if the course
He steered was really straight away
From that which he was headed for—
Not much concerned for them, I say:
No more so than became a man—
And politician at odd seasons.
I’ve kept Brown standing in the cold
While I invested him with reasons;
But now he snapped his eyes three times;
Then shook his lantern, saying, “Ile’s
’Bout out!” and took the long way home
By road, a matter of several miles.
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Written by
James Joyce |
Have you heard of one Humpty Dumpty
How he fell with a roll and a rumble
And curled up like Lord Olofa Crumple
By the butt of the Magazine Wall,
(Chorus) Of the Magazine Wall,
Hump, helmet and all?
He was one time our King of the Castle
Now he's kicked about like a rotten old parsnip.
And from Green street he'll be sent by order of His Worship
To the penal jail of Mountjoy
(Chorus) To the jail of Mountjoy!
Jail him and joy.
He was fafafather of all schemes for to bother us
Slow coaches and immaculate contraceptives for the populace,
Mare's milk for the sick, seven dry Sundays a week,
Openair love and religion's reform,
(Chorus) And religious reform,
Hideous in form.
Arrah, why, says you, couldn't he manage it?
I'll go bail, my fine dairyman darling,
Like the bumping bull of the Cassidys
All your butter is in your horns.
(Chorus) His butter is in his horns.
Butter his horns!
(Repeat) Hurrah there, Hosty, frosty Hosty, change that shirt
on ye,
Rhyme the rann, the king of all ranns!
Balbaccio, balbuccio!
We had chaw chaw chops, chairs, chewing gum, the chicken-pox
and china chambers
Universally provided by this soffsoaping salesman.
Small wonder He'll Cheat E'erawan our local lads nicknamed him.
When Chimpden first took the floor
(Chorus) With his bucketshop store
Down Bargainweg, Lower.
So snug he was in his hotel premises sumptuous
But soon we'll bonfire all his trash, tricks and trumpery
And 'tis short till sheriff Clancy'll be winding up his unlimited
company
With the bailiff's bom at the door,
(Chorus) Bimbam at the door.
Then he'll bum no more.
Sweet bad luck on the waves washed to our island
The hooker of that hammerfast viking
And Gall's curse on the day when Eblana bay
Saw his black and tan man-o'-war.
(Chorus) Saw his man-o'-war
On the harbour bar.
Where from? roars Poolbeg. Cookingha'pence, he bawls
Donnez-moi scampitle, wick an wipin'fampiny
Fingal Mac Oscar Onesine Bargearse Boniface
Thok's min gammelhole Norveegickers moniker
Og as ay are at gammelhore Norveegickers cod.
(Chorus) A Norwegian camel old cod.
He is, begod.
Lift it, Hosty, lift it, ye devil, ye! up with the rann,
the rhyming rann!
It was during some fresh water garden pumping
Or, according to the Nursing Mirror, while admiring the monkeys
That our heavyweight heathen Humpharey
Made bold a maid to woo
(Chorus) Woohoo, what'll she doo!
The general lost her maidenloo!
He ought to blush for himself, the old hayheaded philosopher,
For to go and shove himself that way on top of her.
Begob, he's the crux of the catalogue
Of our antediluvial zoo,
(Chorus) Messrs Billing and Coo.
Noah's larks, good as noo.
He was joulting by Wellinton's monument
Our rotorious hippopopotamuns
When some bugger let down the backtrap of the omnibus
And he caught his death of fusiliers,
(Chorus) With his rent in his rears.
Give him six years.
'Tis sore pity for his innocent poor children
But look out for his missus legitimate!
When that frew gets a grip of old Earwicker
Won't there be earwigs on the green?
(Chorus) Big earwigs on the green,
The largest ever you seen.
Suffoclose! Shikespower! Seudodanto! Anonymoses!
Then we'll have a free trade Gael's band and mass meeting
For to sod him the brave son of Scandiknavery.
And we'll bury him down in Oxmanstown
Along with the devil and the Danes,
(Chorus) With the deaf and dumb Danes,
And all their remains.
And not all the king's men nor his horses
Will resurrect his corpus
For there's no true spell in Connacht or hell
(bis) That's able to raise a Cain.
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Written by
Francois Villon |
So rough the goat will scratch, it cannot sleep.
So often goes the pot to the well that it breaks.
So long you heat iron, it will glow;
so heavily you hammer it, it shatters.
So good is the man as his praise;
so far he will go, and he's forgotten;
so bad he behaves, and he's despised.
So loud you cry Christmas, it comes.
So glib you talk, you end up in contradictions.
So good is your credit as the favors you got.
So much you promise that you will back out.
So doggedly you beg that your wish is granted;
so high climbs the price when you want a thing;
so much you want it that you pay the price;
so familiar it gets to you, you want it no more.
So loud you cry Christmas, it comes.
So, you love a dog. Then feed it!
So long a song will run that people learn it.
So long you keep the fruit, it will rot.
So hot the struggle for a spot that it is won;
so cool you keep your act that your spirit freezes;
so hurriedly you act that you run into bad luck;
so tight you embrace that your catch slips away.
So loud you cry Christmas, it comes.
So you scoff and laugh, and the fun is gone.
So you crave and spend, and lose your shirt.
So candid you are, no blow can be too low.
So good as a gift should a promise be.
So, if you love God, you obey the Church.
So, when you give much, you borrow much.
So, shifting winds turn to storm.
So loud you cry Christmas, it comes.
Prince, so long as a fool persists, he grows wiser;
so, round the world he goes, but return he will,
so humbled and beaten back into servility.
So loud you cry Christmas, it is here.
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Written by
Lisa Zaran |
I went looking for God
but I found you instead.
Bad luck or destiny,
you decide.
Buried in the muck,
the soot of the city,
sorrow for an appetite,
devil on your left shoulder,
angel on your right.
You, with your thorny rhythms
and tragic, midnight melodies.
My heart never tried
to commit suicide before.
Originally published in Literati Magazine, Winter 2005
Copyright © Lisa Zaran, 2005
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Written by
Robert Burns |
WHAT can a young lassie, what shall a young lassie,
What can a young lassie do wi’ an auld man?
Bad luck on the penny that tempted my minnie
To sell her puir Jenny for siller an’ lan’.
Bad luck on the penny that tempted my minnie
To sell her puir Jenny for siller an’ lan’!
He’s always compleenin’ frae mornin’ to e’enin’,
He hoasts and he hirples the weary day lang;
He’s doylt and he’s dozin, his blude it is frozen,—
O dreary’s the night wi’ a crazy auld man!
He’s doylt and he’s dozin, his blude it is frozen,
O dreary’s the night wi’ a crazy auld man.
He hums and he hankers, he frets and he cankers,
I never can please him do a’ that I can;
He’s peevish an’ jealous o’ a’ the young fellows,—
O dool on the day I met wi’ an auld man!
He’s peevish an’ jealous o’ a’ the young fellows,
O dool on the day I met wi’ an auld man.
My auld auntie Katie upon me taks pity,
I’ll do my endeavour to follow her plan;
I’ll cross him an’ wrack him, until I heartbreak him
And then his auld brass will buy me a new pan,
I’ll cross him an’ wrack him, until I heartbreak him,
And then his auld brass will buy me a new pan.
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Written by
Rudyard Kipling |
Life's all getting and giving,
I've only myself to give.
What shall I do for a living?
I've only one life to live.
End it? I'll not find another.
Spend it? But how shall I best?
Sure the wise plan is to live like a man
And Luck may look after the rest!
Largesse! Largesse, Fortune!
Give or hold at your will.
If I've no care for Fortune,
Fortune must follow me still.
Bad Luck, she is never a lady
But the commonest wench on the street,
Shuffling, shabby and shady,
Shameless to pass or meet.
Walk with her once--it's a weakness!
Talk to her twice. It's a crime!
Thrust her away when she gives you "good day"
And the besom won't board you next time.
Largesse! Largesse, Fortune!
What is Your Ladyship's mood?
If I have no care for Fortune,
My Fortune is bound to be good!
Good Luck she is never a lady
But the cursedest quean alive!
Tricksy, wincing and jady,
Kittle to lead or drive.
Greet her--she's hailing a stranger!
Meet her--she's busking to leave.
Let her alone for a shrew to the bone,
And the hussy comes plucking your sleeve!
Largesse! Largesse, Fortune!
I'll neither follow nor flee.
If I don't run after Fortune,
Fortune must run after me!
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Written by
Mother Goose |
See a pin and pick it up,All the day you'll have good luck.See a pin and let it lay,Bad luck you'll have all the day.
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